Sabeen Mahmud
Women Human Rights Defenders
WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
- Physical assault and death
- Intimidation and harassment, including in online spaces
- Judicial harassment and criminalization
- Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
- to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
- to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
- emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
- documenting the violations targeting WHRDs using a feminist intersectional perspective;
- promoting the social recognition and celebration of the work and resilience of WHRDs ; and
- building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
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Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
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Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
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Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
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Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
Related Content
Laurie Carlos
Laurie Carlos fue una actriz, directora, bailarina, dramaturga y poeta estadounidense, una artista y visionaria extraordinaria que tenía un poderoso don para hacer surgir el arte en otras personas.
«Laurie entraba en una habitación (cualquier habitación/todas las habitaciones ) con clarividencia arremolinada, con genio artístico, rigor corporizado, con un realismo feroz— y con la determinación de ser libre... y de liberar a otrxs. Una hacedora de magia. Una vidente. Alguien que cambiaba de formas. Laurie me dijo una vez que entraba en los cuerpos de las personas para descubrir qué necesitaban.» - Sharon Bridgforth
Combinaba estilos de actuación tales como gestos rítmicos y texto. Laurie era mentora de nuevxs actorxs, performers y escritorxs, y ayudaba a difundir su trabajo a través de «Naked Stages», una beca para artistas emergentes. Integraba el Penumbra Theater, con el que colaboraba mediante guiones que produjeran identificaciones, a fin de «traer más voces femeninas al teatro». Laurie integraba también Urban Bush Women, una compañía de danza contemporánea prestigiosa que relata historias sobre mujeres de la diáspora africana.
En 1976, como Lady in Blue, hizo su debut en Broadway, en la producción original galardonada del drama poético de Ntozake Shange For colored girls who have considered suicide / when the rainbow is enuf. La obra de Laurie incluye White Chocolate, The Cooking Show y Organdy Falsetto.
«Cuento las historias en el movimiento (las danzas internas que surgen espontáneamente, como en la vida), la música y el texto. Si escribo una línea, no necesariamente tiene que ser una línea que es hablada; puede ser una línea que es movida. Una línea a partir de la cual se crea música. El gesto se convierte en la oración. Gran parte de quienes somos como mujeres, como personas, tiene que ver con los gestos que hacemos entre nosotrxs todo el tiempo, y en particular, durante momentos emotivos. El gesto se convierte en una oración o una declaración de hechos. Si pongo en un guión “cuatro gestos”, eso no quiere decir que no estoy diciendo nada; significa que lo he abierto para que algo sea dicho físicamente.» - Laurie Carlos
Laurie nació y creció en la ciudad de Nueva York, trabajó y vivió en Twin Cities. Falleció el 29 de diciembre de 2016 a la edad de 67 años, luego de una batalla contra el cáncer de colon.
Tributos:
«Creo que esa era exactamente la intención de Laurie. Salvarnos. De la mediocridad. Del ego. De la pereza. De la producción de arte a medias. De estar paralizadxs por el miedo. Laurie quería ayudarnos a Brillar plenamente. En nuestra producción artística. En nuestras Vidas.» - Sharon Bridgforth para Pillsbury House Theatre
«Nadie que conociera a Laurie dejaría de definirla como una persona original. Era su propia persona. Era su propia persona, su propia artista; ponía en escena el mundo tal como lo conocía, con verdadero estilo y comprensión, y vivía su arte.» - Lou Bellamy, fundador de Penumbra Theater Company, para Star Tribune
Leer un tributo completo de Sharon Bridgforth (solo en ingles)
Contributors of toolkit (WITM landing page)
Nous tenons à remercier les personnes qui ont contribué à ce projet et qui ont fourni de précieux conseils :
- Angelika Arutyunova
- Cindy Clark
- Kamardip Singh
- Martin Redfern
- Pei Yao Chen
- Srilatha Batliwala
- Veronica Vidal
لا أشعر بالراحة لمشاركة اسمي او اسم مجموعتي، منظمتي و\ أو حركتي مع AWID, هل أستطيع مع ذلك تعبئة الاستطلاع؟
طبعاً! هذه الأسئلة اختيارية. نقدّر جداً حقكم بالسرية. الرجاء تعبئة الاستطلاع دون علاقة بقراركم/ن بمشاركة اسم المجموعة، المنظمة أو الحركة أو تفاصيل التواصل معكم/ن.
Joan Kagezi
Jaitun
Jaitun, souvent appelée « Amma », œuvrait à la protection des droits reproductifs des femmes et des filles en Inde. Son travail s’est particulièrement centré sur la défense des personnes pauvres et marginalisées, dont les filles et femmes dalits et musulmanes.
Jaitun était la force vitale derrière l’affaire Jaitun contre Janpura Maternity Home & Ors. Sa persévérance à obtenir justice a permis d’aboutir à un jugement sans précédent rendu par la Cour Suprême de Delhi. Le gouvernement indien a ainsi été tenu responsable de n’avoir pas rempli plusieurs de ses obligations juridiques, telles que les soins de santé reproductive et le droit à l’alimentation.
Sa fille Fatema, qui vivait sous le seuil de pauvreté, s’était vu refuser l’accès à des services de santé reproductive et avait dû accoucher en public, sous un arbre. Jaitun et Fatema étaient à cette époque sans domicile, car le gouvernement avait démoli leur maison dans le cadre d’un projet de réaménagement et de gentrification à New Delhi.
« Depuis, le jugement a fait jurisprudence pour de nombreux·euses avocat·e·s et activistes du monde entier, et notamment l’ancien Rapporteur spécial des Nations Unies sur le droit à la santé, non seulement comme source d’inspiration, mais comme solide tremplin pour obtenir la justice. » - Jameen Kaur
Jaitun a inspiré de très nombreuses autres femmes vivant dans la pauvreté à réclamer leurs droits. Elle s’est éteinte en 2017.
« Avec le décès de Jaitun, nous venons de perdre une inimitable guerrière pour la justice, mais son esprit de résistance perdure. » - Jameen Kaur
« Je n’ai, au cours de mes 18 années de plaidoyer pour les droits humains, jamais rencontré de femme qui m’ait tant inspirée et émue qu’Amma. Son courage féroce, son humour inimitable - nous la comparions à l’actrice de Bollywood Hema Malini -, ses colères lorsque l’on passait trop de temps sans venir la voir : elle nous disait, une étincelle dans le regard, « Tu as oublié Amma, Amma ne te parle plus », puis faisait volte-face de manière mélodramatique, pour se retourner en riant et tendre les bras pour une embrassade. Sa gentillesse, et en fin de compte son amour, sa joie d’aimer et sa volonté que chacun·e ait le droit de vivre dignement en faisaient un être à part . Elle me manque terriblement. » - Jameen Kaur
FRMag - United against violence
United against the violence
by Karina Ocampo
In a hidden corner of Chiapas, Mexico, women and sexual dissidents have come to organize our actions. (...)
< artwork by Sonia Carolina Madrigal Loyola
Когда будут доступны результаты опроса?
Мы проанализируем ответы, чтобы получить представление о тенденциях, и представим результаты на 15-м Международном форуме AWID в Бангкоке, а также в режиме онлайн, в декабре 2024 года. Зарегистрируйтесь для участия в Форуме здесь!
Comprendre le contexte des menaces antidroits
Chapitre 2
Bien plus de la moitié de la population mondiale est aujourd’hui dirigée par l’extrême droite. C’est sur cette toile de fond que défenseur·e·s des droits humains et féministes luttent pour « tenir bon », protéger le multilatéralisme et le système international des droits humains, alors que leurs engagements les exposent à de violentes répressions. Ces institutions sont cependant de plus en plus soumises aux intérêts du secteur privé. Les grandes entreprises, surtout les sociétés transnationales, siègent à la table des négociations et occupent des fonctions de leadership dans plusieurs institutions multilatérales, l’ONU notamment. Le lien entre ultranationalisme, restriction de l’espace civique et emprise des entreprises a un impact considérable sur la réalisation ou non des droits humains pour tout le monde.
Danger - Trump and the Far Right.
Sommaire
- Nationalisme et ultranationalisme
- Emprise des entreprises : le pouvoir débridé des entreprises met nos droits en danger
- Répression et restriction des espaces civiques pour les activistes féministes et les défenseur·e·s des droits humains des femmes et des personnes LGBTIQ+
- Histoire du mouvement de la résistance. L’Article 16 de la CEDAW : vers une réforme des codes de la famille discriminatoires dans les contextes musulmans
Snippet FEA We are living in a world right (ES)
Incluso en tiempos de crisis climática, los gobiernos continúan alentando el crecimiento de las industrias agrícolas a gran escala. Estas actividades envenenan la tierra, amenazan la biodiversidad y destruyen la producción de alimentos y los medios de vida locales. Mientras tanto, aunque las mujeres producen la mayoría de nuestros alimentos en el mundo, casi no poseen tierra.
¿Qué pasaría si percibiéramos la tierra y la Naturaleza no como una propiedad privada para ser explotada, sino como una totalidad con la cual aprender y coexistir en armonía? ¿Y si repararíamos nuestras relaciones con la tierra y adoptaríamos alternativas más sostenibles que nutran tanto al planeta como a sus comunidades?
Nous Sommes la Solution (Somos la Solución, NSS) es uno de los muchos movimientos liderados por mujeres que se esfuerzan por lograr este objetivo.
Esta es su historia.
Josefa "Gigi" Francisco
Rosa Candida Mayorga Muñoz
Rosa Candida Mayorga Muñoz was a Guatemalan social worker, union leader and labor rights defender. She was affectionately called Rosita and she inspired change.
In the 1980’s, Rosa became the first female member of the Executive Committee of the Union of Workers of the Institute of National Electrification (STINDE), a union she first joined to advocate for women’s labor rights. For her, this meant fighting for equal opportunities in a company where many women faced a discriminatory and violent system created by company authorities. Rosa had also suffered sexual harassment in her workplace, both by co-workers and managers. She was not to be kept quiet though.
Rosa continued fighting and was part of the effort to mould the struggle into a more specific form, that of the INDE-STINDE Collective Pact of Working conditions. This pact was a pioneer, the first in Guatemala to typify the concept of (sexual) harassment. It serves as a reference for the Guatemalan legislation on labor matters and is an encouragement for other unions.
“She had no fighting tools other than her own ideals... Many times she was intimidated, harassed to put the fight aside, but her courage generated the image of hope for grassroots unionists. Rosita created an image of respect, not only within her union, but before the authorities of the institution, before the women's movement; she was recognized as a pioneer of the trade union women's movement, in a space that had been more dominated by men.” - Maritza Velasquez, ATRAHDOM
Rosa passed away on 4 April 2018 at the age of 77.
FRMag - Resistance from the Kitchen
Nuestra arepa: Cocina en resistencia
por Alejandra Laprea
Vivo en un país de lo imposible, donde no caen bombas pero padecemos una guerra. (...)
arte: «Entretejidas», Surmercé >Membership why page - Paz Romero
"This community is a place for connections, to understand our individual fights as part of global struggles, and sometimes even dance! There aren’t places like this online where you can meet real grassroots activists from all over the world and build solidarity and sisterhood."
- Paz Romero, Argentina
The Crear, Résister, Transform Story by Coumba Toure
A magical experience of feminist story telling led by pan-African feminist Coumba Toure, performing in the age old tradition of West African griots.
And we gathered again
We gathered our stories our strength
our songs
our tears
our rage
our dreams
our success
our failures
And we pull them all together
In one big bowl to share
for a moon of thoughts
And we stay in touch
We shake each others minds
we caress each other souls
While our hands still are tied
And our kisses and hugs are banned
Yet we grow stronger by the hour
Weaving together our voices
Crossing the sound barriers
as we speak in tongues
We are getting louder and louder
We know about differences from others
and from each other so we are stitching our beauties into patchwork or thoughts
From our deepest learnings from our powers
Sometimes we are surrounded by terror
by confusions by dishonesty
But we wash out in the Ocean of love
We are weavers of dreams
To clothes or new world
Thread after thread
As small as we are
Like little ants building our movement
Llike little drops building our rivers
We take steps forward and steps backward
Dancing our way back to sanity
Sustain to the rhythm of our hearts keep
Beating please don't not stop
And we are here transmitter of forgotten generosity
drop after drop growing like the ocean
growing like the river flowing from our souls .
showing our strength to be the water
that will clean this world
and we are gathering again can you feel us
I would lie if I say I said I am
Ok not to see you I do miss my people
I miss your touch and
You unfiltered and unrecorded voices
I miss our whispers and our screams
Our cries of the aborted revolution
We only want to give birth to new worlds
So fight to erase the borders between us
And we gathered again
We gathered our stories our strength
our songs
our tears
our rage
our dreams
our success
our failures
And we pull them all together In one big bowl to share
For a moon of thoughts
And we stay in touch
We shake each others minds
we caress each other souls
While our hands still are tied
And our kisses and hugs are banned
Yet we grow stronger by the hour
Weaving together our voices
Crossing the sound barriers
as we speak in tongues
We are getting louder and louder
We know about differences from others
and from each other so we are stitching our beauties into patchwork or thoughts
From our deepest learnings from our powers Sometimes we are surrounded by terror by Confusions by dishonesty
But we watch out in the Ocean of love
We are weavers of dreams
To clothes or new world
Thread after thread
As small as we are like little ants building our movements
like little drops building our rivers We take steps forward and steps backward
dancing our way back to sanity
Sustain to the rhythm of our hearts
keep beating please don't not stop
And we are here transmitter of forgotten generosity
Drop after drop growing like the ocean
growing like the river flowing from our souls
showing our strength to be the water
that will clean this world
and we are gathering again can you feel us
I would lie if I I said I am Ok
not to see you
I do miss my people
I miss your touch and
You unfiltered and unrecorded voices
I miss our whispers and our screams
Our cries over the aborted revolutions
We only want to give birth to new worlds
So fight to erase the borders between us
Please don’’t stop
Snippet - GII Intro (EN)
Gender Impact Investing & The Rise of False Solutions:
An Analysis for Feminist Movements
Gender Impact Investing (GII) is now trending as a solution to gender inequality. Yet, as our report indicates, it is actually part of the problem. Public and private institutions marketing GII equate it with promotion of gender equality and with increased resources for women and girls.
Neither claim is evidence-based.
Rather, GII is another expression of subjecting our lives and societies to the same financial logic that has shaped, and continues shaping, the profound inequalities in our world.
With this report, AWID offers the readers - feminists, gender justice advocates and stakeholders in gender impact investing - a critical analysis and substantiated evidence to understand GII, its narratives, and economic and political implications for feminist movements.