Women Human Rights Defenders
WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
- Physical assault and death
- Intimidation and harassment, including in online spaces
- Judicial harassment and criminalization
- Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
- to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
- to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
- emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
- documenting the violations targeting WHRDs using a feminist intersectional perspective;
- promoting the social recognition and celebration of the work and resilience of WHRDs ; and
- building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
-
Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
-
Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
-
Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
-
Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
Related Content
Download your faciliation guide:
"A Feminist Approach to Understanding Illicit Financial Flows and Redirecting Global Wealth"
Download your facilitation guide in English
This Guide is also available in Spanish and Russian
Thanks to the co-creators of this facilitation guide:
- Daniela Fonkatz and Ana Ines Abelenda (AWID)
- Zenaida Joachim (Mesoamericanas en Resistencia - El Salvador)
- Olga Shnyrova (Ivanovo Center for Gender Studies - Russia)
- Leah Eryenyu (Akina Mama Wa Afrika - Uganda)
- Daryl Leyesa (Oriang and PKKK/National Rural Women Congress - the Philippines)
Snippet FEA Workers demonstrations in Georgia 3 (FR)

كيف تعرّفون "التمويل الخارجي"؟
يشمل التمويل الخارجي المنح والأشكال الأخرى من التمويل من المؤسسات الخيرية، الحكومات، الجهات ثنائية الاتجاه أو متعددة الاتجاهات أو الممولين/ات من الشركات أو الممولين/ات الأفراد، إن كان ذلك من دولتكم/ن أو من الخارج. لا يشمل هذا الموارد التي تنتجها المجموعات، المنظمات أو الحركات بشكل مستقل مثل رسوم العضوية، تطوع الطاقم أو الأعضاء/ العضوات أو الداعمين/ات، تجنيد الأموال المجتمعي، تأجير الأماكن أو بيع الخدمات أو المنتجات. لتسهيل عملية تعبئة الاستطلاع، تم شمل تعريف أنواع التمويل ووصفها بشكل قصير في الاستطلاع نفسه.
Ana M. Tallada Iglesia
Ana was a strong advocate of women’s rights and worked with a broad cross-section of women, from those in grassroots networks to those in the private sector.
She believed in building bridges across sectors. Ana was a member of the National Network for the Promotion of Women (RNPM), and was active in developing many social programs that address issues such as sexual and reproductive health and rights.
Holding up the Skies
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
Register here to watch this film from June 18-22
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
Follow us on Social Media to receive news about upcoming events and screenings:
Facebook: @AWIDWomensRights
Instagram: @awidwomensrights
Twitter ENG: @awid
Twitter ES: @awid_es
Twitter FR: @awid_fr
LinkedIn: Association for Women's Rights in Development (AWID)
Sabi Beriani
Snippet FEA different lines of work FOR S4 (EN)
Lines of work:
FOR
Доступен ли опрос для людей с ограниченными возможностями?
Да, опрос доступен людям с различными нарушениями слуха, зрения, движений и когнитивных способностей.
Marceline Loridan-Ivens
Nacida en 1928, Marceline trabajó como actriz, guionista y directora.
Dirigió The Birch-Tree Meadow en 2003, protagonizada por Anouk Aimee, así como varios otros documentales. También fue una sobreviviente del Holocausto. Tenía solo quince años cuando ella y su padre fueron arrestadxs y enviadxs a campos de concentración nazis. Los tres kilómetros entre su padre en Auschwitz y ella en Birkenau eran una distancia infranqueable, sobre la cual escribió en una de sus novelas más influyentes: Pero no regresaste.
Al hablar sobre su trabajo, una vez afirmó: «Todo lo que puedo decir es que todo lo que pueda escribir, todo lo que pueda develar, es mi tarea hacerlo».
Join Us - old 5 Apr 2023 (changed by Ritu)
Join Us
By joining AWID, you are becoming part of worldwide feminist organizing, a collective power that is rooted in working across movements and is based on solidarity.
#MeToo in China
En China, el movimiento #MeToo [«Yo También»] se encendió en enero de 2018, empujado por el ímpetu del movimiento #MeToo de todo el planeta. Fue una respuesta a los problemas culturales y sistémicos relacionados con el género y el poder dentro de China. Las bases del movimiento habían sido establecidas durante décadas, y los muchos años de debate y promoción de la igualdad de género, finalmente, hicieron erupción con tremenda fuerza en toda la sociedad. El movimiento #MeToo fue impulsado fundamentalmente por jóvenes, que incluyen a innumerables mujeres anónimas y sus aliadxs, en busca de oportunidades para hacer realidad el principal «sueño chino»: transformar a China en un país con igualdad de género.
En China, el contexto para el movimiento #MeToo es extremadamente adverso: el Estado de derecho, la justicia y la transparencia de las acciones gubernamentales y la libertad de expresión no pueden darse por descontados, pero estos son precisamente los objetivos por los cuales lucha el movimiento. Ha sido, desde el principio, una lucha intensa, y cada víctima o activista que se visibiliza corre enormes riesgos: desde ser silenciadx o humilladx o de sufrir represalias hasta poner en peligro su seguridad. Todos los éxitos del movimiento #MeToo han sido logrados por quienes son lo suficientemente valientes como para asumir los costos de manifestarse y desafiar la censura.
La exhibición «#MeToo in China» fue inaugurada en 2019 y recorrió cinco ciudades. Su objetivo es dar mayor prominencia a las experiencias personales de lxs víctimas y lxs activistas, para inspirar al público a unirse a la lucha a través del contacto con estas historias. La exposición misma se ha convertido en parte de la lucha #MeToo: ha debido enfrentar desafíos en su itinerario por toda China y, en más de una ocasión, fue amenazada con la clausura.



Norma Angelica Bruno Roman
Snippet FEA Striking against all odds (ES)
Luchar contra viento y marea: la historia de la victoria sin precedentes de la Red de Solidaridad
En enero de 2022, la Red de Solidaridad organizó una huelga con 400 trabajadorxs. ¿Su principal demanda? Aumentar los salarios. La huelga fue convocada después de meses de conversaciones fracasadas con el Ministerio de Asuntos Sociales de Georgia como parte de un conflicto laboral.
Después de semanas de protestar, negociar, hablar con la prensa, resistir represalias y soportar el frío del invierno georgiano, lxs trabajadorxs obtuvieron concesiones sin precedentes del gobierno: aumento de los salarios, prestaciones por maternidad, cobertura de los costos de transporte, el cese de despidos, la compensación por los días de huelga, y más.
La huelga no solo resultó en ganancias materiales, sino que también hizo que lxs trabajadorxs se sintieran unidxs y empoderadxs para defenderse y luchar por condiciones de trabajo dignas ahora y en el futuro. Se convirtieron en una fuente de inspiración para todxs lxs trabajadorxs del país.
Puedes leer más sobre su victoria aquí.
Quanto tempo demora a preencher o inquérito?
O tempo estimado para preencher o inquérito é 30 minutos.
Dilma Ferreira Silva
Dilma Ferreira Silva fue una destacada activista por los derechos de las comunidades del Amazonas y luchó durante décadas por los derechos de las personas afectadas por las represas.
Ella misma fue una de las 32.000 personas desplazadas por el Tucuruí, una mega central hidroeléctrica, construida en Brasil durante la dictadura militar de 1964-1985.
En 2005 Dilma fue invitada a unirse al Movimiento de los Pueblos Afectados por las Represas en Brasil (MAB), y en 2006 formó el colectivo de mujeres, y eventualmente se convirtió en coordinadora regional del movimiento.
Al hablar de su activismo, sus colegas comentaban:
"Se destacó muy rápido porque siempre fue muy intrépida en la lucha".
Dilma vivió en el asentamiento rural de Salvador Allende, a 50 kilómetros de Tucuruí, y dedicó toda su vida a proteger a las comunidades y las tierras afectadas por la construcción de mega proyectos. Dilma se preocupaba especialmente por el impacto de género que esos proyectos podrían causar, y defendía los derechos de las mujeres.
En una reunión nacional del MAB en 2011, Dilma, dirigiéndose a las mujeres afectadas por las represas, dijo:
"Somos las verdaderas Marías, guerreras, luchadoras que están allí, enfrentando el desafío de la lucha diaria".
En los años siguientes, Dilma organizó grupos de base del MAB y trabajó con la comunidad para formar cooperativas agrícolas que condujeron a una mejor redistribución de los alimentos entre la comunidad. Conjuntamente, mejoraron la comercialización de la pesca y desarrollaron un proyecto de cisternas para el agua potable. También fue defensora de la comunidad de agricultores cuyas tierras eran codiciadas por los "grileiros" (acaparadores de tierras).
El 22 de marzo de 2019, a la edad de 48 años, Dilma, su marido y su amigo fueron brutalmente asesinados. Los tres asesinatos fueron parte de una ola de violencia en la Amazonia contra el Movimento dos Trabalhadores Sem Terra (traducido como 'Movimiento de los Trabajadores Sin Tierra') y lxs activistas medioambientales e indígenas.
Reason to join 5
Expande tus fronteras. Lxs afiliadxs de AWID representan de forma creciente una intersección diversa y vibrante de feministas que trabajan, entre otras cosas, en temáticas asociadas a la tierra, los derechos de lxs trabajadorxs, los derechos sexuales y la autonomía corporal. Al afiliarte, puedes conectar tus luchas con las de otros movimientos.