Women Human Rights Defenders
WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
- Physical assault and death
- Intimidation and harassment, including in online spaces
- Judicial harassment and criminalization
- Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
- to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
- to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
- emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
- documenting the violations targeting WHRDs using a feminist intersectional perspective;
- promoting the social recognition and celebration of the work and resilience of WHRDs ; and
- building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
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Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
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Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
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Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
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Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
Related Content
WHRDs from Sub-Saharan Africa
In our 2015 Online Tribute to Women Human Rights Defenders No Longer With Us we are commemorating four women from Sub-Saharan Africa, three of whom were murdered due to their work and/or who they were in their gender identity and sexual orientation. Their deaths highlight the violence LGBT persons often face in the region and across the globe. Please join AWID in honoring these women, their activism and legacy by sharing the memes below with your colleagues, networks and friends and by using the hashtags #WHRDTribute and #16Days.
Please click on each image below to see a larger version and download as a file




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Snippet FEA Linda Porn Bio (FR)
Linda Porn est une autre héroïne de l'organisation syndicale féministe et de l'activisme des travailleur·euses du sexe au niveau national (en Espagne) et transnational.
Originaire du Mexique, elle vit en Espagne depuis les années 2000. Elle est travailleuse du sexe, militante, mère célibataire et artiste multidisciplinaire.
Puisant dans ces différentes identités, elle utilise la performance, l'art vidéo et le théâtre pour rendre visibles les luttes aux intersections du transféminisme, du travail du sexe, de la migration, du colonialisme et de la maternité. Elle combine l'art et le travail du sexe tout en prenant soin de sa fille en tant que mère célibataire.
Linda appartient également à des groupes de travailleur·euses du sexe qui luttent pour leurs droits, comme le syndicat OTRAS et CATS Murcia. Elle a également cofondé le groupe 'Madrecitas' - qui rend visible et dénonce la violence institutionnelle raciste contre les familles migrantes. Violence à laquelle elle et sa fille ont été soumises en tant que travailleuse du sexe et mère célibataire migrante.
Ne ratez pas son travail artistique ici!
Forum anchors (Forum page)
Points d’ancrage thématiques
Le Forum de l’AWID s’articulera autour de 6 sujets interconnectés. Ces ‘points d’ancrage’ sont centrés sur les réalités féministes.
Juli Dugdale
Juli Dugdale fue una feminista australiana que practicaba un liderazgo intergeneracional arraigado en los principios del feminismo, la inclusión y la igualdad. Fue líder, colega y mentora para muchas mujeres, especialmente, para las mujeres jóvenes de todo el mundo.
Juli fue una integrante comprometida del equipo del movimiento Young Women's Christian Association [Asociación Cristiana de Mujeres Jóvenes] (YWCA, por su siglas en inglés), una voluntaria y una ferviente defensora del liderazgo de las mujeres jóvenes por más de 30 años.
Se convirtió en un vínculo fuerte entre el movimiento australiano y la Oficina de la YWCA Mundial. Su confianza en la capacidad de liderazgo de las mujeres jóvenes llevó a establecer una asociación de varios años con el Departamento de Asuntos Exteriores y Comercio de Australia y a la creación del manual Rise Up (Rebélate), una guía global para el liderazgo transformador de las mujeres jóvenes, lanzada en 2018.
Juli falleció en Ginebra el 12 de agosto de 2019.
Tributos:
"Para quienes llegaron a trabajar con Juli, fue un privilegio. Quienes no lo hicieron, pueden tener la certeza de que su legado continúa en el trabajo que hacemos cada día y en la misión del movimiento de la YWCA". - YWCA Australia
"Juli Dugdale siempre ocupará un lugar profundo en el corazón de muchas personas en el movimiento de la YWCA, especialmente aquí, en Aotearoa, y a través del Pacífico. Juli tenía una relación especial con el Pacífico y fue un apoyo increíble para las mujeres jóvenes de allí. Ella era humilde, amable, cariñosa, dedicada, apasionada y tenía un corazón generoso. Ella encarnó la visión de la YWCA de "liderazgo transformador" con una extraordinaria visión y previsión de futuro, y ayudó a empoderar a generaciones de mujeres jóvenes líderes de todo el mundo". - YWCA Nueva Zelanda
Research methology
Over eight years, we did four global surveys and built a research methodology.
In 2013, we published three global reports. These reports confirm that women’s rights organizations are doing the heavy lifting to advance women’s rights and gender equality by using diverse, creative and long-term strategies, all while being underfunded.
Our 2010 global survey showed that the collective income of 740 women’s organizations around the world totaled only USD 104 million. Compare this with Greenpeace International, one organization with a 2010 budget of USD 310 million1. Imagine the impact these groups could have if they were able to access all the financial resources they need and more?
AWID’s WITM research has catalyzed increased funding for women’s rights organizing. WITM research was a driving force behind the Catapult crowdfunding platform, which has raised USD 6.5 million for women’s rights. The Dutch Government cited WITM research as a reason for its unprecedented MDG 3 Fund of EU 82 million. WITM research has also led to the creation of several new funds: FRIDA – The Young Feminist Fund, the Indigenous Women’s Fund, Fundo Elas, the Mediterranean Women’s Fund and the Rita Fund.
Funding trends analyses
While the WITM research has shed important light on the global funding landscape, AWID and partners have identified the need to dig deeper, to analyze funding trends by region, population and issue. In response, organizations are now using AWID’s WITM research methodology to do their own funding trends analyses. For example, in November 2013, Kosova Women’s Network and Alter Habitus – Institute for Studies in Society and Culture published Where is the Money for Women’s Rights? A Kosovo Case Study.
At the same time, AWID continues to collaborate with partners in Where is the Money for Indigenous Women’s Rights (with International Indigenous Women’s Forum and International Funders for Indigenous Peoples) and our upcoming Where is the Money for Women’s Rights in Brazil? (with Fundo Elas).
Several organizations have also conducted their own independent funding trends research, deepening their understanding of the funding landscape and politics behind it. For example, the South Asian Women’s Fund was inspired by AWID’s WITM research to conduct funding trends reports for each country in South Asia, as well as a regional overview. Other examples of research outside of AWID include the collaboration between Open Society Foundations, Mama Cash, and the Red Umbrella Fund to produce the report Funding for Sex Workers Rights, and the first-ever survey on trans* and intersex funding by Global Action for Trans* Equality and American Jewish World Service.
Snippet - Home page promo WITM - ES
«¿Dónde está el dinero para las organizaciones feministas?»
Sobre la base de nuestros 20 años de historia movilizando más y mejor financiamiento para el cambio social encabezado por los feminismos, AWID te invita a responder la nueva edición de nuestra encuesta insignia, WITM
Snippet FEA Principles of work Education and Learning (EN)

EDUCATION AND CONTINUOUS LEARNING
FR Editor's note
Editor's note
Feminist Realities is a warm and caring invitation, a kind of en masse-care (versus self-care) act of preservation, an invitation to archive, to take stock of all the work lest it disappear. (...)
Suzette Jordan
Sarah Maldoror
“Je n’adhère pas au concept de ‘tiers-monde’. Je fais des films pour que les gens puissent les comprendre indépendamment de leur race ou de leur couleur. Pour moi, il n’y a que des exploiteurs et des exploités, c’est tout. Faire un film, c’est prendre position.” - Sarah Maldoror
Son film révolutionnaire Sambizanga (1972), avec son “image révolutionnaire”, retrace la lutte de libération anticoloniale des activistes angolais et retranscrit le point de vue d’une femme qui se trouve dans ce moment historique.
“Pour beaucoup de cinéastes africains, le cinéma est un outil de la révolution, une éducation politique pour transformer les consciences. Il s’inscrivait dans l’émergence d’un cinéma du Tiers-Monde cherchant à décoloniser la pensée pour favoriser des changements radicaux dans la société.” - Sarah Maldoror
Au cours de sa carrière, Sarah a fondé, aux côtés d’un certain nombre d’artistes africain·e·s et caribéen·ne·s, la première compagnie de théâtre noire en France (1956). Elle a réalisé une quarantaine de films, y compris d’importants documentaires qui mettent en valeur les vies et l’oeuvre d’artistes noir·e·s, notamment celles de son ami et poète Aimé Césaire qui lui écrivit ceci:
“À Sarah Maldoror qui, caméra au poing,
combat l’oppression, l’aliénation
et défie la connerie humaine”.
Sarah a également voulu permettre aux femmes africaines de s'approprier davantage le processus de réalisation des films. Dans une interview, elle faisait remarquer :
"La femme africaine doit être partout. Elle doit être à l'image, derrière la caméra, au montage, à toutes les étapes de la fabrication d'un film. C'est elle qui doit parler de ses problèmes…”
Sarah a laissé un héritage incroyablement puissant qui doit être transmis.
Née le 19 juillet 1929, Sarah est décédée le 13 avril 2020 des suites de complications liées au coronavirus.
Regardez Sambizanga et lisez la critique de film parue dans le New York Times en 1973 (seulement en anglais)
7. Synthesize your research findings
Now that you have analyzed all your data – from your survey, interviews, desk research and potentially other sources – you can create your final product.
In this section:
- Create your final product
1. Write clearly
2. Make it pretty- Gather review and inputs
1. Polish your results
2. Facilitate the feedback
Create your final product
Your final product will be the document that will summarize, analyze and criticize your data. That will be the piece that you will share with your community to present and explain your research to your audience.
At AWID, we often write a comprehensive written report that analyzes each set of data and synthesizes all of our findings, then later create smaller products, such as infographics and summaries (explained in the subsequent section “Finalize and format”).
1. Write clearly
- Organize your data as you would like to tell a story. You can follow the order of your survey. Or you can regroup some questions to lead to your conclusion in a smooth and progressive way.
- Adapt your language to your audience. Use universal language and avoid jargon or too technical terms.
Importance of the editor
An editor will proofread, ensure concise writing, conduct fact-checking, point out inconsistencies that need to be resolved, arrange the flow of the document and possibly suggest titles.
Your editor should preferably be someone who understands and knows your WITM work but who was not directly involved in the research. This will bring in a fresh perspective.
2. Make it pretty
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Use the data collected to create graphs and tables. These type of visuals are a compelling way to highlight the main findings of your research and validate your analysis.
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Source relevant images that can illustrate your report.
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Highlight key-numbers and/or powerful testimonials.
Remember: The more accessible your product is, the more people will want to read (and share!) it.
Gather review & inputs
At this point, you have collected all your data, analyzed it and transformed it into your final product, likely in a long report.
1. Polish your results
Before moving on to the next steps – you should share your final research product with your advisor organizations, activists, and donors.
This is a great moment to check the following points:
- Are there any key points missing in your analysis of the present funding landscape and trends?
- Are there any key points missing in your conclusions?
- Are there any inaccuracies in the data that need to be corrected?
- General suggestions on strengthening the report to achieve your goals as listed in your research framing.
Once you have inputted all feedback from your advisors, be sure to run it by your editor once more.
This will now be the final, completed version of your report. If you intend to publish the final report in other languages, now is the time to send it for translation.
2. Facilitate the feedback
- Your advisors are likely busy with their regular responsibilities. Be sure to request feedback within a reasonable deadline.
- Keep your request for feedback brief and specific, so it is easy for them to respond. If you like, you can simply copy and paste the bullet points we have provided.
- If you are publishing in multiple languages, ensure you have advisors who can also review the final translated versions of your product(s).
This is a significant contribution from your advisors. Consider offering them some form of recognition.
Previous step
Next step

Estimated time:
• 2 - 5 months
People needed:
• 1 or more research person(s)
• 1 Editor (or web-editor if you create an online product)
• Translator(s), if done in more than one language
Resource needed:
• List of advisor organizations, activists, and donors.
• Concept note (from “Frame your research” section)
• Survey topline results
• Prepared interview questions
• Interview results
• Desk research data
• All other data used in report
Previous step
Next step
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Snippet FEA Story 1 Maps Economies of Care (ES)

FRMag - My queer Ramadan
Mi ramadán queer
por Amal Amer
Rezo con mi familia por primera vez en seis años envueltx en un keffiyah que recogí de un contenedor de basura. (...)
arte: «Angels go out at night too» [Los ángeles también salen de noche], Chloé Luu >