This page provides ideas and inspiration for how you can fund your participation at the 14th AWID International Forum. 

As you plan the activity you would like to do at the Forum, please also consider how you will fund your participation. Typical Costs include: accommodation, travel, visa, forum registration fees, etc.

It is important to note that this Forum will have many ‘open spaces’ and moments for movements to learn and exchange, but fewer formal sessions. (See “Ways to describe the Forum in your fundraising” below for language to use in your outreach.) 

Work with your current funders:

Reach out to your current donors first : Your best option is always a current funder that you have.

Make sure to do it in advance : We recommend contacting them by early 2020 at the latest. Many funders who support feminist organizations have some budget allocated for Forum travel. Others may be able to include it in renewal grants or through other travel funds.

If your group has funders, tell them that you want to attend the AWID Forum to learn, experience, exchange and network- even if your activity does not get selected for the final program. In order to be able to support your participation, your donors will need to know about it well in advance so tell them right away! (they are already deciding which funds they will distribute in 2020).

Seeking new funders:

If you do not currently have donor support or are not able to secure grants for Forum travel, consider reaching out to new donors. 

• You can see ideas of specific funders at AWID’s portal ‘Who can fund my women’s rights organizing?’
• Consider reaching out to national, regional, or global feminist and women’s funds
• Explore funder networks, such as Candid and European Foundation Centres, for lists of funders and opportunities in your region

Deadlines and requirements vary by funder, and a  grant review process can take many months. If you’re considering applying for new grants, do so as soon as possible.

Creative inspiration:

Feminist movements have long gotten creative with funding our own activism. Here are some ideas that we have gathered to inspire alternative ways of fundraising:

• Mobilize your community to support participation: fundraise with small contributions from members through community dinners, dance parties, and local shows, events and tours
• Mobilize your networks by organizing giving circles and crowdsourcing using various online tools like gofundme, indiegogo, plumfund, or kickstarter
• Cultivate local sources of income, including from individual donors and membership dues    
• Consider co-funding through strategic partnerships with other community and social justice groups.

For more inspiration, see AWID’s ongoing series on autonomous resourcing, including specific ideas for conference raising participation funds. 

Access Fund:

AWID strives to make the Forum a truly global gathering with participation from diverse movements, regions and generations. To this end, AWID mobilizes resources for a limited Access Fund (AF) to assist Forum participants with the costs of attending the Forum.

AWID’s Access Fund will provide support to a limited number of Forum participants and session/activity facilitators. You can indicate in your application if you would like to apply to the AWID Access Fund. This is not guaranteed, and we strongly encourage you to seek alternative funding for your participation and travel to the Forum.

Even if you apply for the AWID Access Fund, we encourage you to continue to explore other options to fund your participation in the Forum.  Access Fund decisions will be confirmed by the end of June 2020. Please remember that these resources are very limited, and we will be unable to support all applicants. 

Ways to describe the Forum in your fundraising: 

As you reach out to funders or your own networks, here is some sample messaging that may be helpful. Feel free to adapt it in whatever way is useful for you!

The AWID Forum is a co-created feminist movement space that energizes participants in their own activism, and strengthens connections with others across multiple rights and justice movements. Participants get to draw from wells of hope, energy and radical imagination, as well as deepen shared analysis, learning, and build cross-movement solidarity to develop more integrated agendas and advance joint strategies.

Our organization is seeking funds to attend the Forum in order to connect with other activists and movements from around the world, strengthen our strategies, and share our work. We are inspired by past participants, who have described the power of this global feminist gathering:

“Over four days … voices weaved together into a global perspective on the state of gender equality. And when I say global, I mean simultaneous translation into seven languages kind of global  ....”

“It was reminding us that we are not alone. The Forum provided a means of translating collectivity into our movements. Whether across ideologies, identities or borders, our strength is in our vision and our support of one another.”

It is important to note that this Forum will have many ‘open spaces’ and moments for movements to learn and exchange, but fewer formal sessions. While many attendees will not be presenting in formal sessions, there will be invaluable space to learn, strategize, and experience feminist movements’ collective power in action.

Budget considerations: 

When calculating your costs and how much you need to raise, it is important to factor in costs that may come up. Here’s an example of key items to consider:

• Airfare
• Forum registration fees (please note that even if you are granted Access Funds by AWID, you will have to cover your registration fee yourself)
• Visa costs
• Travel health insurance
• Local travel to and from the airport (taxis or other transportation)
• Layover costs, such as hotels and meals if your plane travel requires a long layover
• Accommodation, including giving yourself a day to recover on either end if you have traveled far
• Technology, including WiFi access or fees for international communication as needed during travel (AWID will provide WiFi during the Forum)
• Materials costs for any items (visuals, reports, artwork!) you want to bring, share, or exchange at the Forum 
• Incidentals and/or per diems to cover food and other items that come up (all lunches and coffee/tea breaks, plus one dinner will be provided by AWID during Forum days) 
• Accessibility, such as any additional support that may be important to make your travel more comfortable, safe, and secure

We look forward to seeing you at the Forum!

The Forum is a collaborative process

The AWID Forum will now take place 11-14 January 2021 in Taipei .

It is more than a four-day convening. It is one more stop on a movement strengthening journey around Feminist Realities that has already begun and will continue well beyond the Forum dates.

Join us on this journey!

L’Appel à activités énumère plusieurs formats et méthodologies pour le déroulé des activités. Faites preuve de créativité et assurez-vous d’avoir lu la section « Ce qu’il faut savoir » avant de commencer.

Disintegration

Adapted from a tale by Ester Lopes

Photos by Mariam Mekiwi
Costume design and modeling by El Nemrah

AWID dedicó casi dos años al trabajo de identificar una sede para el Foro en la región Asia-Pacífico (la ubicación del Foro rota entre las distintas regiones).

Sobre la base de una investigación documental inicial y de consultas con aliadxs (que nos llevaron a eliminar muchas otras opciones de la región), organizamos una serie de visitas exhaustivas a Nepal, Malasia, Sri Lanka, Tailandia, Indonesia y, más tarde, Taiwán.

Cada visita incluyó, no solo la evaluación de la infraestructura logística, sino también encuentros con grupos y activistas feministas locales para entender mejor el contexto y conocer su percepción de las oportunidades y los riesgos potenciales de organizar un Foro de AWID en sus contextos.

En nuestras visitas encontramos movimientos feministas locales impresionantemente vibrantes y diversos.

Estos movimientos expresaron, en varias ocasiones,  sentimientos encontrados respecto de las oportunidades y los riesgos que podría acarrearles la visibilidad de un evento como el Foro. En una de las visitas, durante los primeros treinta minutos de la reunión, escuchamos a lxs activistas presentes decir, en forma unánime, que un Foro de AWID sufriría una enorme reacción, que los derechos LGBTQ son un asunto particularmente candente, y que los grupos fundamentalistas aparecerían con toda su fuerza a interrumpir el evento.

Cuando respondimos, «De acuerdo, entonces ustedes no creen que sea una buena idea», nuevamente la respuesta unánime fue «Por supuesto que es una buena idea, ¡queremos cambiar la narrativa!». En algunos de estos lugares nos resultó difícil oír y ver que muchxs activistas feministas querían aprovechar la oportunidad de un evento grande y  visible, y que estaban preparadxs a enfrentar los riesgos locales; pero nuestras consideraciones, como anfitrionxs de casi dos mil personas de todo el mundo, nos imponen un cálculo distinto del riesgo y la factibilidad.

También tuvimos que analizar qué significa organizar un foro feminista que a sea coherente con los principios de inclusión, reciprocidad y autodeterminación, en aquellos casos en que la política y la práctica de Estado son, en general, contrarias a estos principios (aunque lxs funcionarixs de los ministerios de turismo  hayan trabajado arduamente para atenuar estas características).

Sopesamos las consideraciones de infraestructura con la oportunidad potencial de impulsar algunas agendas feministas a nivel nacional, y el contexto político nacional.

En muchos de estos lugares, monitorear el contexto nos resultó un ejercicio pendular: de un momento abierto y seguro para los debates feministas podíamos pasar a otro de brutal represión y xenofobia, capaz de sacrificar las prioridades feministas como piezas de negociación política para tranquilizar a las fuerzas antiderechos del ala derechista.

El proceso ha sido una reflexión aleccionadora sobre el contexto increíblemente complicado para el activismo por los derechos de las mujeres y la justicia de género en todo el mundo.

Nuestras dificultades en la región Asia-Pacífico nos llevaron a preguntarnos si no sería más fácil mover el Foro a una región distinta. Sin embargo, hoy en día no podríamos organizar un Foro de AWID en Estambul como lo hicimos en 2012, ni podríamos hacerlo en Brasil como lo hicimos en 2016.

Teniendo en cuenta toda esta complejidad, AWID seleccionó Taipéi como ubicación para el Foro porque:

• ofrece un cierto grado de estabilidad y seguridad para la diversidad de participantes que convocamos al Foro;
• tiene también un alto nivel de capacidad logística, y resulta  accesible para muchxs viajerxs (con la facilitación de un trámite de visa electrónico para conferencias internacionales); y
• el Foro es bien recibido por el movimiento feminista local, que está muy interesado en interactuar con feministas de todo el mundo.

Al organizar el Foro de AWID, estamos tratando de construir y sostener, de la mejor manera posible,   un espacio para las diversas expresiones de solidaridad, indignación, esperanza e inspiración que son el núcleo de los movimientos feministas.

En este momento, creemos que Taipéi es la sede, dentro de la región Asia-Pacífico, que mejor nos permitirá construir ese espacio seguro y rebelde para nuestra comunidad feminista global.

De hecho, en el mundo contemporáneo no existe una ubicación ideal para un Foro centrado en las Realidades Feministas. Donde sea que vayamos, ¡debemos construir ese espacio juntxs!

 As we are submitting the application almost one year before the actual event. 

Yes! Currently the form requests to list presenters even if they are not confirmed yet. We understand that changes are likely to occur within a year.

Hospital

Los hospitales son instituciones, espacios vivientes del capitalismo, y lo que se manifiesta cuando alguien está supuestamente haciendo reposo allí es un microcosmos del sistema en que vivimos.

Leer más

By Alejandra Laprea

What a difficult task, that of condensing all the power and diversity of voices being raised in Latin America to tell the other stories emerging in this vast territory, to speak of the feminist realities we are building in our movement and other community-based organizations.

I spent a long time trying to establish parameters for the search and selection of these films, with the idea that they  would enable you to get a little closer to so many dreams and projects that are slowly coming into being in the territories Nuestroamericanos, of our Americas, as we like to call them ourselves. It was a tough job trying to establish parameters, such as geographic location, linguistic justice, and representation of diverse communities — Indigenous, Afro-descendants, migrants  — and the many causes and claims for which they raise their voices. I arrived at the conclusion that making such a compilation would be the work of years, one of those projects always under construction.

And so I decided to search for works that have emerged out of organizing and activism, as well as films that will perhaps spark major debates that we are yet to have.

In this selection of films you will find the voices of filmmakers who are not content with simply recording the feminist realities that palpitate in every corner of this vast and diverse territory. These are works that from their very conceptualization are questioning for what, by whom, and how films and videos are made. They understand film to be an instrument of struggle,  something more than images to be enjoyed on a screen. These are individual or collective filmmakers who see film and video making as an instrument to promote discussion, open a debate, and thus serve as a resource for popular and feminist pedagogies.

Seen in this light, this small film selection is a journeythrough feminist realities on two levels; on one level are the stories you will see, and on another level, there is the experimentation of filmmakers who are seeking and creating other feminist realities through the ways in which they are making films and telling stories. 

Enjoy this journey through films that Resist, Create, and Transform.

Lima is Burning

Direction: Giovana García Soto
Docu-fiction
Spanish with English subtitles

In Lima is Burning our work plays with documentary and fiction to take us into the life of Gía, a non-binary person, who uses performance art as a tool to denounce and transgress, as a vital manifesto against transfobia in every space, including gays spaces. With Gía we also take a look at transfeminism as a safe community in which Gía feels embraced, where she shares feelings and affections. 

Giovana Garcia Sojo is a young peruvian audiovisual producer, specialized in low-budget production, creation for children and adolescents in cinema and cinematographic script by the International School of Cinema and Television - EICTV in San Antonio de Baños - Cuba. Giovana has developed her path as a director towards women and feminized identities, Lima is Burning is one of her first works.  

Yo, Imposible / Being Impossible 

Director: Patricia Ortega
Fiction
Spanish with English subtitles

Patricia Ortega, director of «Yo, Imposible» [“Being Impossible”] explores through the character of Ariel, a young girl whose  intersex body was surgically violated as a child, the many ways that society attempts to normalize sexual and gender diversity.

The film tells the story of how Ariel discovers she was born intersex and subjected to several surgeries to normalize her genitals. This discovery leads the character to rediscover her body and reconstruct her identity. The audience is led to question a society dominated by heteronormativity which renders others invisible and condemns them to a life of unhappiness. 

Patricia Ortega is a Venezuelan filmmaker living in Argentina who studied at the International School of Film and Television in Cuba, where she specialized in film directing. Patricia uses fiction to address extreme situations that women or feminized bodies go through, and how they overcome them.

«Yo, Imposible»' takes a position vis-à-vis the dominant conception of a world in which only the masculine and feminine exist, which makes others invisible. “They are not sick. They are just genetically different. Interventions are done on their genitals and bodies through hormones without their consent, which is a violation of their human rights and identity, forcing them to fit into established categories'' - Patricia Ortega

Cubanas, mujeres en revolución [Cuban Women in Revolution]

Director: Maria Torrellas Liebana
Documentary
Spanish with English subtitles

María Torrellas narrates the story of the Cuban Revolution through the women who brought it to life, Vilma Espín, Celia Sánchez, and Haydee Santamaría, among others.

For women, telling the story of the Cuban Revolution is not something of the past, but a daily struggle that Torrellas shows through the voices of Cuban rural women, professionals, students, and workers in the present. In “Cuban Women in Revolution” we encounter the current challenges facing Cuban women such as the persistence of old prejudices, new forms of violence, and the constant challenge of creating new feminist realities for themselves and the next generations in a territory besieged by USA imperialism for more than 70 years.

Maíia Torrellas

María Torrellas is a journalist and documentary filmmaker. She has a long trajectory of filmmaking and has won, among others, the Santiago Alvarez in Memoriam award for her documentary “Memoria de una hija de Oshun” [Memory of a Daughter of Oshun].

“In the documentary I have woven together the struggles of yesterday’s heroines with those of today’s women. The women tell their own stories and also describe those whose struggles they most admire. It made an impression on me to hear the words ‘The Revolution gave us everything’ or ‘What would have become of my family without the Revolution?’ from voices of compañeras who are poor, rural, or Black.” - María Torrellas

Serie documental Cuidanderas [Mini documentary series Women Healers/Carers]

Directors: Gabriela Arnal and Marzel Ávila for Fondo de Acción Urgente - LAC
Ecuador 2019
Spanish with English subtitles

CUIDANDERAS joins the words cuidar (to care for) and curanderas (women healers) synthesizing the identities of a series of women in Latin American territories, women who put their bodies and all their energy into protecting the Commons, what Pachamama gives us, with the commitment that we use it as wisely as the rest of living beings doThis mini series of documentary films presents the stories of three collectives of Latin American women who are committed to caring for their territories, healing their bodies, and confronting extractivist and racist projects in Ecuador, Colombia, and Bolivia.

GUARDIANAS DE LA AMAZONIA [GUARDIANS OF THE AMAZON]

Province of Orellana, Ecuador. For centuries the Waorani women have been engaged in a struggle for their territory in the Amazon and the preservation of their Indigenous culture. Today they confront threats by the oil industry and their death-production model. From the jungle, leaders from the Waorani Women’s Association of the Ecuadoran Amazon (AMWAE, in Spanish) share the motivation behind their resistance and show their greatest power: their inexhaustible joy.

COMADRES DEL PACÍFICO COLOMBIANO [BLACK SISTERHOOD OF THE PACIFIC]

Buenaventura, Colombia. In the largest and most violent port city in Colombia, plagued by decades of armed conflict, racism, and machismo, a group of women refuse to give in to fear and continue to resist in the face of adversity. The Butterflies with New Wings network is made up of Black women from the Pacific coast of Colombia who work together to protect their territory, recuperate their ancestral traditions, and heal the wounds of systematic and structural violence.

HERMANAS DEL ALTIPLANO [SISTERS OF THE HIGHLANDS]

Indigenous, rural, and regantes (women in charge of irrigation) in Bolivia are calling for the care and protection of bodies-earth-territories, as they are faced with an extractive production model which threatens their lives, health, physical and sexual integrity, and the survival of their communities and territories. The Network of Defenders of Mother Earth is made up of women from 12 Indigenous communities who are defending the right to water and denouncing mining companies’ violations of human rights and the rights of Nature while working to recuperate their ancestral ways of knowledge and practices of collective care.

“CUIDANDERAS, a combination of the words cuidar (to care for) and curanderas (women healers), presents the stories of Latin American women defenders who are caring for their territories and healing their bodies. The collective power of these women has changed the history of their communities in Ecuador, Colombia, and Bolivia as they confront extractivist and racist production models.”

Yo aborto, tú abortas, todxs callamos [I abort, you abort, we all keep silent]

Director: Carolina Reynoso
Argentina 2013
Spanish

If there is one thing that has marked feminist movements across the continent of Latin America that is the call for abortion to be made available, safe, and free. From North to South feminist movements are rising up and taking to the streets fighting for the liberation of our first territory, our bodies, which is why this selection must include a documentary on abortion to fully understand the power of the women of Nuestramérica.

Yo aborto, Tu Abortas, Todxs Callamos [I abort, you abort, we all keep silent] presents the stories of seven women from different social classes, including the director of the documentary herself, who reflect on something they have all experienced in their own bodies: clandestine abortion.  

Through their stories, the film aims to bust myths regarding the voluntary interruption of pregnancy, de-stigmatize the topic, and show one of the most common forms of violence in the Americas in a new light.

Carolina Reynoso

Director, researcher, and producer of feminist films. She is also a feminist activist who organizes workshops on screenwriting from a gender perspective so that more films are made showing other counterhegemonic realities and stories. Carolina Reynoso strikes a balance between activism and creation in each one of her works.

“We are a group of filmmakers who make documentaries in order to continue fighting to make abortion available, safe, and free in Argentina. The film presents the testimonies of seven women from different social classes, including the director of the documentary herself, who reflect on something they have all experienced in their own bodies: clandestine abortion.” -The filmmaking team

Historias Urgentes: Resistencia en ollas Comunes [Urgent Stories: Resistance in the Soup Kitchens]

Nosotras Audiovisuales, collective of Chilean women filmmakers
Chile 2020
Spanish

“Urgent Stories” is a series created by women to make their needs and important experiences visible to the people living in the territories that today comprise Chile. This film series aims to keep alive the flame ignited by the social uprising of October 2019, the flame ofChile in all its diversity that woke up and said, ‘Enough!’

«Resistencia en ollas comunes» [Resistance in the Soup Kitchens] is the first of these “Urgent Stories.” Through the voices of four women from Iquique, Valparaiso, Chillan and Santiago, it shows how by collectively assuming care work they are on the front lines of resistance, creating other feminist realities for themselves and the communities where Latin American women live.

Nosotras audiovisuales

This organization was formed in 2017 to link together women involved in the Chilean filmmaking scene. It helps women filmmakers to network, collaborate, and share information along with their works and perspectives on the field.

Nosotras Audiovisuales contributes to the Chilean uprising by documenting it and collectively generating new material.

Se trata de Mujeres [It’s about Women]

Micol Metzner
Argentina 2019
Spanish

Based on her personal experience, director Micol Metzner presents a film mixing documentary with fiction, aligning her filmmaker’s voice with that of thousands of women who have been victims of trafficking across the continent and showing how solidarity among women is the best form of protection.

Micol Metzner

Filmmaker trained at the Instituto de Arte Cinematográfico de Avellaneda [Avellaneda Institute of Film Arts]. Art director and editor. Metzner belongs to the Video Cluster of the City of Buenos Aires, a community space and multisectorial cooperative for independent projects.

She facilitates filmmaking workshops in working class neighbourhoods and spaces of enclosure (youth group homes and women’s prisons). She is a member of the film production house MVM.

“The production house MVM was born out of the necessity to express a lot of things that we regularly protest on the streets about while also doing it in a creative way through drawing, film, and photography.The production house MVM is a place that interrogates language, image, film from a feminist perspective. It is also a place for processing everything we have gone through and using art to make things sometimes to heal, sometimes to generate public debate as happened with this short film…I didn’t imagine that was going to happen, but when we showed  it,  a lot of things were set  in motion. Discussions happen that are even more enriching than the short film itself. That this can happen based on something we made is so good…” - Micol Metzner

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غوى صايغ كاتبة كويرية آناركية، وناشرة مستقلة ومؤرشفة. هي المحرّرة المؤسِّسة لمجلّة “كحل” ومؤسِّسة شريكة لـ”منشورات المعرفة التقاطعية”. حصلت على ماجستير في الدراسات الجندرية من جامعة باريس 8 فينسين - سانت دينيس. إنها شغوفة بنظرية الكوير، والمنشورات الدورية العابرة للحدود القومية، والتاريخ المتخيل أو المجهول. أودري لورد وسارة أحمد هما ملهمتاها.

En Indonesia, la bunga [flor] está a menudo asociada a las mujeres. Esto significa que una flor también puede ser asociada a las mujeres transgénero, porque  las mujeres transgénero son mujeres. Son igual de bellas, igual de fuertes, y tanto las flores como las mujeres trans no viven solo esperando ser «recogidas», sino que crecen y florecen y mueren como quieren. Esta obra es un tributo a mis amigas mujeres transgénero, en el Día Internacional de la Visibilidad Transgénero.

Sobre Ika Vantiani