Confronting Extractivism & Corporate Power

Women human rights defenders (WHRDs) worldwide defend their lands, livelihoods and communities from extractive industries and corporate power. They stand against powerful economic and political interests driving land theft, displacement of communities, loss of livelihoods, and environmental degradation.


Why resist extractive industries?

Extractivism is an economic and political model of development that commodifies nature and prioritizes profit over human rights and the environment. Rooted in colonial history, it reinforces social and economic inequalities locally and globally. Often, Black, rural and Indigenous women are the most affected by extractivism, and are largely excluded from decision-making. Defying these patriarchal and neo-colonial forces, women rise in defense of rights, lands, people and nature.

Critical risks and gender-specific violence

WHRDs confronting extractive industries experience a range of risks, threats and violations, including criminalization, stigmatization, violence and intimidation.  Their stories reveal a strong aspect of gendered and sexualized violence. Perpetrators include state and local authorities, corporations, police, military, paramilitary and private security forces, and at times their own communities.

Acting together

AWID and the Women Human Rights Defenders International Coalition (WHRD-IC) are pleased to announce “Women Human Rights Defenders Confronting Extractivism and Corporate Power”; a cross-regional research project documenting the lived experiences of WHRDs from Asia, Africa and Latin America.

We encourage activists, members of social movements, organized civil society, donors and policy makers to read and use these products for advocacy, education and inspiration.

Share your experience and questions!

Tell us how you are using the resources on WHRDs Confronting extractivism and corporate power.

◾️ How can these resources support your activism and advocacy?

◾️ What additional information or knowledge do you need to make the best use of these resources?

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Thank you!

AWID acknowledges with gratitude the invaluable input of every Woman Human Rights Defender who participated in this project. This project was made possible thanks to your willingness to generously and openly share your experiences and learnings. Your courage, creativity and resilience is an inspiration for us all. Thank you!

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Hevrin Khalaf

Hevrin Khalaf était une grande dirigeante politique kurde de Syrie dans la région autonome du Rojava, où les femmes kurdes risquent leur vie pour résister aux offensives turques et pour bâtir un système féministe.

Elle a travaillé en tant que secrétaire-générale du Parti du Futur de la Syrie, un groupe qui souhaitait construire des ponts, réconcilier les différents groupes ethniques et mettre sur pied une « Syrie démocratique, pluraliste et décentralisée ».

Véritable symbole de cet effort de réconciliation, elle a également oeuvré à la promotion de l’égalité entre les femmes et les hommes et fut représentante auprès des journalistes en visite, des humanitaires et des diplomates.

Hevrin a de plus été diplômée en tant qu’ingénieure civile, à la ville de Derik, ainsi que l’une des fondatrices de la Fondation pour la Science et la Libre pensée en 2012.

Elle a été torturée et assassinée le 12 octobre 2019 par la milice Ahrar al-Sharqiya, soutenue par la Turquie, lors d’une opération militaire contre les Forces démocratiques syriennes dans le Rojava.

 « L’assassinat de Khalaf est un tournant majeur dans l’histoire moderne de la Syrie, celui-ci ayant une fois de plus confirmé la validité du vieux proverbe kurde qui dit : « Il n’y a de véritable ami·e que la montagne ». Je serai toujours ami avec Khalaf et sa vision d’un monde meilleur. » – Ahed Al Hendi

Ai-je besoin d’un visa pour assister au Forum à Taipei ?

Vous N’AVEZ PAS besoin d’un visa pour assister au Forum à Taipei si vous détenez un passeport émis par l’un des pays suivants (la durée de séjour autorisée varie d’un pays à l’autre) :

Allemagne, Andorre, Australie, Autriche, Belgique, Belize, Bulgarie, Brunei, Canada, Chili, Chypre, Croatie, Danemark, Espagne, Estonie, Eswatini, État de la Cité du Vatican, États-Unis, Finlande, France, Grèce, Guatemala, Haïti, Honduras, Hongrie, Îles Marshall, Islande, Irlande, Israël, Italie, Japon*, Lettonie, Liechtenstein, Lituanie, Luxembourg, Malaisie, Malte, Monaco, Nauru, Nicaragua, Norvège, Nouvelle-Zélande, Palaos, Paraguay, Pays-Bas, Philippines, Pologne, Portugal, République de Corée, République dominicaine, République tchèque, Roumanie, Royaume-Uni, Russie, Saint-Christophe-et-Niévès, Sainte-Lucie, Saint-Marin, Saint-Vincent-et-les-Grenadines, Singapour, Slovaquie, Slovénie, Suède, Suisse, Tuvalu.

Les personnes détentrices de tout autre passeport AURONT BESOIN D’UN VISA pour se rendre à Taipei.


Remarque :

Une fois inscrit·e au Forum, il est probable que vous receviez un code relatif à l’événement vous permettant de demander un visa en ligne, quelle que soit votre nationalité.

Nous vous donnerons plus d’informations à ce sujet après l’ouverture du processus d’inscription. 

 

Advancing Movements

6 Women Human Rights Defenders (WHRDs) across Western and Southeastern Europe have in their lifetime researched, campaigned, participated in and advanced peace and women’s rights movements be it through political and social activism or through dance. We are grateful for the legacy they have left. Please join AWID in honoring these women, their activism and legacy by sharing the memes below with your colleagues, networks and friends and by using the hashtags #WHRDTribute and #16Days.


Please click on each image below to see a larger version and download as a file

 

Não me sinto à vontade para partilhar o nome do meu grupo e as nossas informações de contacto com a AWID. Devo preencher o inquérito ainda assim?

Absolutamente, estas perguntas são opcionais, e valorizamos o seu direito de permanecer anónimo. Queira preencher o inquérito independentemente da sua decisão de partilhar o nome do seu grupo, organização e/ou movimento e as respetivas informações de contacto connosco.

Snippet FEA Unio Otras Photo 3 (ES)

Foto de Sabrina Sánchez hablando junto a una pantalla del encuentro de Ilga World

Membership why page - Kirthi Jayakumar quote

Participé en una actividad solo para afiliadxs, y lo que me conmovió en particular fue ver cómo había espacio para que todas compartieran, y que no había ningún juicio al respecto. Toda la sesión fue enérgica y vibrante.- Kirthi Jayakumar, fundadora de The Gender Security Project, India

Laurie Carlos

Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others. 

“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth 

She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.

In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto

“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos

Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.



Tributes:  

“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre

“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune 

Read a full Tribute by Sharon Bridgforth

2. Frame your research

A framework for your research will guide throughout your research process, and the framing document you develop can also serve as a concept note to advisors and partners, and a funding proposal to potential donors.

Before conducting any research:

Your research framing may evolve over time as you refine your questions and gather new information. However, building an initial research framing will allow you to work from a solid foundation.


Goals

To create a strong foundation for your WITM research, it is important to clarify what you hope to accomplish.

For example, one goal of AWID’s WITM global research was to provide rigorous data to prove what we already knew anecdotally: that women’s rights organizations are discrepantly underfunded. With this data, we felt we would be better positioned to influence funders in their decision-making.

Your goals could be to:

  • Generate hard data on funding realities and trends to prove or disprove existing myths.
  • Gain deeper insight into differences between the perspectives of donors and women’s rights organizations.
  • Influence donors in grant-making.
  • Add crucial input to key funding debates.
  • Explore collaboration between donors and women’s rights organizations on issues that emerge from the research.

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Key questions

Frame your research process with key questions that only your research can answer and limit those questions to a specific time frame (e.g. past five years, past year, etc.).

Consider the following points:

  • What exactly do you want to learn more about and what is the hypothesis you would like to test? Writing this out will assist you in your thought process.
  • Is there existing research on this? If research already exists, it may not make sense to conduct new WITM research unless you feel like the existing research is not extensive or specific enough.  
  • What time frame do you want to cover in your analysis? For example, will your research analyze only the past year, or several previous years, such as the past five years?
  • Are you planning to repeat your survey to collect data in the future?

Choosing a specific timeframe for your research can result in more precise findings than working with an open-ended timeframe. Also, deciding whether you will repeat this research at regular intervals will allow you to set up data collection benchmarks for easy replication and comparison over time.

These were the key questions that guided AWID’s WITM research process:

  • What is the current state of women’s organizations’ financial sustainability across the world?
  • What external and internal trends are impacting donors’ funding decisions to support women’s organizations and movements?

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Type of data

Now that you determined your key questions, you can determine what kind of data will help you answer your key questions. This will allow you to plan the rest of your schedule for your WITM research.

For example, will you conduct a survey that covers an extensive portion of your priority population? Will you analyze the applications that funders are receiving from a certain region? Will you also conduct interviews (recommended)? By determining the types of data you need, you can reach out to external parties who will provide this data early on, and plot out your full schedule accordingly. Some suggested sources of data could be:

  • Surveys you create for women’s rights organizations and donors
  • Application and grantmaking data from donors funding cycles
  • Interviews of prominent activists, organizations, and donors
  • Donor data from membership organizations and networks, such as  the Foundation Center, regional or national donor affinity groups.

Diverse data sets are a great way to create robust and rich analysis.

The data from AWID’s 2011 Global Survey formed the backbone of our analysis in Watering the Leaves, Starving the Roots report. However, we also collected data from interviews and interactions with several actors in the field, ranging from donors to activists and women’s rights organizations.

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Final products

In addition to allowing you to set your schedule, creating an initial plan of what products you will develop will also allow you to work out what resources you need.

For example, will you only produce a long research report or will you also create infographics, brochures and presentations? Depending on your products, you may need to hire a design firm, plan events and so on.

These products will also be the tools you use to achieve your goals, so it is important to keep those goals in mind. For example, is your WITM research exclusively intended as an advocacy tool to influence funders? In that case, your products should allow you to engage with funders at a deep level.

 Some sample products:

  • Long report for dissemination with key funders and organizations.
    Historically, AWID WITM research has centered on a long report, from which AWID distilled other smaller products  - see rest of list.
  • Infographic for viral distribution online
  • Short animation demonstrating key findings
  • Short brochure(s) distilling your findings and messages
  • Articles and blog posts on key findings to draw interest to your larger report
  • Seminars or webinars presenting key findings.

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Conclusion: Framing your research will give you the big picture

Framing your research to cover goals, key questions, types of data, and final products will allow you to create a well-planned schedule, prepare your resources in advance, and plan a realistic budget.

This will make interactions with external partners easier and allow you to be nimble when unexpected setbacks occur.


Previous step

1. Gather your resources

Next step

3. Design your survey

 


Estimated time:

• 1 month

People needed:

• 1 or more Research person(s)

Resources available:

AWID Research Framing: sample 1
AWID Research Framing: sample 2


Previous step

1. Gather your resources

Next step

3. Design your survey


Ready to Go? Worksheet

Download the toolkit in PDF

متى ستكون نتائج الاستطلاع جاهزة؟

سنقوم بتحليل الردود على الاستطلاع للوصول للاستنتاجات الأساسية والنتائج خلال المنتدى العالمي ل AWID في بانكوك، وعن طريق الانترنت في ديسمبر (كانون الأول) 2024. الرجاء التسجيل هنا لحضور المنتدى.

Snippet FEA Linda Porn Bio (FR)

Linda Porn est une autre héroïne de l'organisation syndicale féministe et de l'activisme des travailleur·euses du sexe au niveau national (en Espagne) et transnational.

Originaire du Mexique, elle vit en Espagne depuis les années 2000. Elle est travailleuse du sexe, militante, mère célibataire et artiste multidisciplinaire.

Puisant dans ces différentes identités, elle utilise la performance, l'art vidéo et le théâtre pour rendre visibles les luttes aux intersections du transféminisme, du travail du sexe, de la migration, du colonialisme et de la maternité. Elle combine l'art et le travail du sexe tout en prenant soin de sa fille en tant que mère célibataire.

Linda appartient également à des groupes de travailleur·euses du sexe qui luttent pour leurs droits, comme le syndicat OTRAS et CATS Murcia. Elle a également cofondé le groupe 'Madrecitas' - qui rend visible et dénonce la violence institutionnelle raciste contre les familles migrantes. Violence à laquelle elle et sa fille ont été soumises en tant que travailleuse du sexe et mère célibataire migrante.

Ne ratez pas son travail artistique ici!

Forum anchors (Forum page)

Points d’ancrage thématiques

Le Forum de l’AWID s’articulera autour de 6 sujets interconnectés. Ces ‘points d’ancrage’ sont centrés sur les réalités féministes. 

Explorer

Fadila M.

Fadila M. fue una activista tribal soulaliyate de Azrú, en la región Ifrane de  Marruecos. Luchó contra una forma específica de discriminación territorial dirigida a  las mujeres tribales.

Como parte del Movimiento de Mujeres Soulaliyate por el Derecho a la Tierra, trabajó para reformar el marco legislativo relacionado con la administración de la propiedad comunitaria, a través de la adopción, en 2019, de tres proyectos de ley que garantizan la igualdad de mujeres y varones.

Según las leyes consuetudinarias vigentes, las mujeres no tenían derecho a beneficiarse de la tierra, en especial aquellas que eran solteras, viudas o divorciadas. En Marruecos, los derechos a las tierras colectivas eran transmitidos tradicionalmente entre los varones de la familia mayores de 16 años. Desde 2007, Fadila M. ha sido parte del movimiento de mujeres, la primera movilización nacional de base por los derechos a la tierra. Una de sus conquistas ha sido que, en 2012, las mujeres soulaliyate pudieron registrarse por primera vez en las listas de beneficiarixs, y recibir compensaciones relacionadas con la cesión de tierras. El movimiento también logró la enmienda del dahir (decreto del Rey de Marruecos) de 1919, para garantizar el derecho a la igualdad de las mujeres.

Fadila M. falleció el 27 de septiembre de 2018. Las circunstancias de su muerte no son claras. Participó en una marcha de protesta relacionada con el tema de las tierras colectivas y, si bien las autoridades informaron que su muerte fue accidental y que tuvo un paro cardíaco camino al hospital, la sección local de la Asociación de Derechos Humanos de Marruecos (AMDH) señaló que Fadila fue sofocada por un miembro de la fuerza policial utilizando una bandera marroquí. Su familia solicitó una investigación, pero los resultados de la autopsia no fueron dados a conocer.

Más información sobre el Movimiento de Mujeres Soulaliyate por el Derecho a la Tierra (en inglés)


Nota: Como no ninguna fotografía/imagen de Fadila M. disponible, la obra de arte (en lugar de un retrato) pretende representar por lo que luchó y trabajó: la tierra y los derechos a vivir y tener acceso a esa tierra y lo que crece en ella.

6. Conduct desk research

Desk research can be done throughout your research. It can assist you with framing, help you to choose survey questions and provide insights to your results.

In this section

Giving context

Conducting desk research throughout your research process can assist you with framing, help you to choose survey questions and provide contextual clarity or interesting insights to your survey results, such as comparing similarities and differences between your survey results and information produced by civil society and donors.

Perhaps you notice trends in your survey data and want to understand them.

For example, your survey data may reveal that organization budgets are shrinking, but it cannot tell you why this is happening. Reviewing publications can give you context on potential reasons behind such trends.

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Building on existing knowledge

Desk research also ensures you are building your research on the existing knowledge regarding your topic, confirming the validity and relevance of your findings.

They may be complimentary or contradictory to existing knowledge, but they must speak to existing data on the topic.

To ensure comprehensive research of the entire funding landscape related to your topic, look at a diverse set of funding sectors.

You can consider:

  • Women’s Funds
  • Private and Public Foundations
  • International Non-Governmental Organizations (INGOs)
  • Bilateral and Multilateral Agencies
  • Private Sector Actors
  • Individual Philanthropists
  • Crowdfunders

Include any other relevant sectors to this research.

For example, you may decide that it is also important to research local non-governmental organizations (NGOs).

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Potential sources for desk research (non-exhaustive)

1. Donors’ websites and annual reports

These are direct sources of information about what funders are actually doing and generally contain information on policies and budgets. Researching this before interviewing donors can result in more focused questions and a stronger interview.

2. Online sources of information

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Previous step

5. Conduct interviews

Next step

7. Synthesize your research findings


Estimated time:

• 1-2 months

People needed:

• 1 or more research person(s)


Previous step

5. Conduct interviews

Next step

7. Synthesize your research findings


Ready to Go? Worksheet

Download the toolkit in PDF

Membership why page - Paz Romero

Cette communauté est un endroit de connexions, où l’on comprend nos combats individuels comme faisant partie de luttes mondiales, et où l’on peut même parfois danser ! Il n’existe aucun endroit de la sorte en ligne, où être en contact avec des activistes de terrain, qui viennent du monde entier, et forger de la solidarité et de la sororité..- Paz Romero, Argentina

Snippet FEA Principles of work Education and Learning (EN)

A pile of books in a pink cover and black graduation cap on top.

EDUCATION AND CONTINUOUS LEARNING