Over the past few years, a troubling new trend at the international human rights level is being observed, where discourses on ‘protecting the family’ are being employed to defend violations committed against family members, to bolster and justify impunity, and to restrict equal rights within and to family life.
The campaign to "Protect the Family" is driven by ultra-conservative efforts to impose "traditional" and patriarchal interpretations of the family, and to move rights out of the hands of family members and into the institution of ‘the family’.
“Protection of the Family” efforts stem from:
rising traditionalism,
rising cultural, social and religious conservatism and
sentiment hostile to women’s human rights, sexual rights, child rights and the rights of persons with non-normative gender identities and sexual orientations.
Since 2014, a group of states have been operating as a bloc in human rights spaces under the name “Group of Friends of the Family”, and resolutions on “Protection of the Family” have been successfully passed every year since 2014.
This agenda has spread beyond the Human Rights Council. We have seen regressive language on “the family” being introduced at the Commission on the Status of Women, and attempts made to introduce it in negotiations on the Sustainable Development Goals.
Our Approach
AWID works with partners and allies to jointly resist “Protection of the Family” and other regressive agendas, and to uphold the universality of human rights.
In response to the increased influence of regressive actors in human rights spaces, AWID joined allies to form the Observatory on the Universality of Rights (OURs). OURs is a collaborative project that monitors, analyzes, and shares information on anti-rights initiatives like “Protection of the Family”.
Rights at Risk, the first OURs report, charts a map of the actors making up the global anti-rights lobby, identifies their key discourses and strategies, and the effect they are having on our human rights.
The report outlines “Protection of the Family” as an agenda that has fostered collaboration across a broad range of regressive actors at the UN. It describes it as: “a strategic framework that houses “multiple patriarchal and anti-rights positions, where the framework, in turn, aims to justify and institutionalize these positions.”
Faites partie d’une organisation et d’une communauté internationales, associatives et féministes. Nos membres sont établi·e·s dans toutes les régions du monde; iels apprennent les un·e·s des autres et se soutiennent mutuellement dans un réseau mondial fondé sur la solidarité.
O nosso grupo não recebeu qualquer financiamento nos três anos entre 2021 e 2023. Devemos preencher o questionário mesmo assim?
Sim, ainda queremos a sua resposta, independentemente de terem recebido financiamento em três, dois, um, ou qualquer um dos anos entre 2021 e 2023.
Nadine fue un ejemplo para muchxs por su trabajo en apoyo de las mujeres y lxs más vulnerables de su comunidad. Estaba comprometida con ayudar a l pobres, especialmente a las personas sin techo.
Aunque su muerte se informó como accidente, la familia Ramaroson, encabezada por su padre, André Ramaroson, llevó adelante una investigación que arrojó evidencias de que había sido asesinada. Se informó que había muerto en un accidente fatal ocurrido entre Soanierano - Ivongo y Ste Marie, una historia que fue desmentida por su familia. Ella había recibido numerosas amenazas de muerte por sus audaces posiciones políticas. Su caso todavía está en la corte de Antananarivo (la capital de Madagascar).
Juhi est passionnée de technologie, titulaire d'une licence en génie informatique de l'Université Technologique du Gujarat et d'une formation de troisième cycle en télécommunications sans fil et en gestion de projet du Humber College. Passionnée par la résolution de problèmes et aimant garder une longueur d'avance dans un paysage technologique en constante évolution, Juhi s'est retrouvée à naviguer dans divers secteurs en tant que technicienne informatique. Grâce à l'environnement stimulant de la School Board, Juhi a eu l'occasion d'appliquer ses compétences techniques dans divers contextes, relevant toujours de nouveaux défis avec enthousiasme. Au-delà du code et des circuits, Juhi aime les aventures de la vie. Explorer de nouveaux lieux et cultures constitue pour elle une bouffée d’air frais. Qu'il s'agisse de découvrir des trésors cachés de la ville, d'essayer des cuisines exotiques ou de se lancer dans des sports d'aventure palpitants, Juhi est toujours partante pour de nouvelles expériences.
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"A Feminist Approach to Understanding Illicit Financial Flows and Redirecting Global Wealth"
We take a position in solidarity with each other and diverse struggles for justice and freedoms. We strive to mobilize and strengthen collective action and practice meaningful ways of working with each other.
لماذا تسألون عن اسم المجموعة، المنظمة و\ أو الحركة التي تعبئ الاستطلاع؟
نسأل عن هذه المعلومات كي نسهّل عملية المعالجة وكي نستطيع أن نتواصل مع مجموعتكم/ن في حالة لم تستطيعون تكملة الاستطلاع و\ أو في حالة كانت لديكم/ن شكوك أو أسئلة إضافية. يمكنكم/ن قراءة المزيد عن كيف نستعمل المعلومات التي نجمعها خلال عملنا هنا.
"He dado testimonio de la discriminación que vi en las calles, he sufrido burlas y abusos verbales ahí. También he hecho numerosas amistades y he conocido a mucha gente. Puede que haya peligros ahí fuera, pero soy una sobreviviente y aquí es donde estaré por ahora." - Sainimili Naivalu
Sainimili Naivalu fue una feminista y activista por los derechos de las personas con discapacidades de la aldea de Dakuibeqa en la isla de Beqa, Fiji.
Exigió a las autoridades políticas y a otras partes interesadas que proporcionaran políticas y servicios favorables a la movilidad de las personas con discapacidad, como la construcción de rampas en pueblos y ciudades para aumentar su accesibilidad. Sin embargo, las barreras físicas no fueron las únicas que Sainimili se esforzó por cambiar. Por experiencia propia, sabía que era necesario que se produjeran cambios más complejos en las esferas sociales y económicas. Muchos de los retos a los que se enfrentan las personas con discapacidad tienen su origen en actitudes que llevan a la discriminación y al estigma.
Como sobreviviente y luchadora, Sainimili contribuyó a la creación conjunta de realidades feministas que fomentasen la inclusión y cambiasen las actitudes hacia las personas con discapacidad. Como afiliada a la Asociación de Lesiones de la Espina Dorsal de Fiji (SIA, por sus siglas en inglés) y a través del proyecto del Foro para Personas con Discapacidades del Pacífico “Pacífico Habilita”, Sainimili asistió a la formación de la Organización Internacional del Trabajo "Inicie su Negocio" en Suva, lo que le permitió transformar sus ideas en su propio negocio. Fue emprendedora en el puesto 7 del mercado de Suva, donde ofrecía servicios de manicura, y también se encargaba del puesto del mercado de las mujeres de SIA, donde vendía artesanías, sulus y otros objetos. El plan de Sainimili era expandir su negocio y convertirse en una importante empleadora de personas con discapacidad.
Además de su activismo, también fue medallista y campeona juvenil de tenis de mesa.
Sainimili era única, con una personalidad vivaz. Siempre podías saber si Sainimili estaba en una habitación porque su risa y sus historias eran los primero que notabas. - Michelle Reddy
Jessica is a queer artist- activist from Toronto, Canada, but is currently based in Bulgaria. Jessica has over 15 years experience in the HIV response working at the intersections of gender and HIV with key populations (sex workers, women who use drugs, LGBTQI communities, incarcerated people and of course people living with HIV). Jessica loves movement building and thinking/taking/strategizing about arts-based interventions. One fun project she started in 2013 was LOVE POSITIVE WOMEN that engages over 125 community groups and organizations globally every February 1-14th to celebrate women living with HIV in their communities.
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Holding up the Skies
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye:
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
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Trabajamos por un mundo basado en la justicia social, ambiental y económica; y por la interdependencia, la solidaridad y el respeto. Trabajamos para desmantelar los sistemas de poder opresivo y contra todas sus manifestaciones, incluidos el patriarcado, los fundamentalismos, los militarismos, los fascismos y el poder corporativo que amenazan nuestras vidas y nuestro mundo. Queremos un mundo justo en el que los recursos y el poder sean compartidos en formas que permitan que todas las personas prosperen.
Когда будут доступны результаты опроса?
Мы проанализируем ответы, чтобы получить представление о тенденциях, и представим результаты на 15-м Международном форуме AWID в Бангкоке, а также в режиме онлайн, в декабре 2024 года. Зарегистрируйтесь для участия в Форуме здесь!
Sylvia Rivera était une militante pour les droits civiques, travestie et travailleuse du sexe.
Connue comme la drag queen de couleur de New York, Sylvia était une infatigable et féroce défenseure des marginalisé·e·s et exclu·e·s au début des années 1970, alors que le mouvement pour les « droits des gays » prenait de l’ampleur aux États-Unis.
Dans un discours bien connu prononcé pour Chistopher Street Day en 1973, Sylvia s’est exclamée, parmi une foule de membres de la communauté LGBT :
« Vous me dites tous d’aller me cacher, la queue entre les jambes.
Je ne supporterai plus ces conneries.
On m’a battue.
On m’a cassé le nez.
On m’a jetée en prison.
J’ai perdu mon travail.
J’ai perdu mon appartement.
Tout ça pour la libération gay, et vous me traitez de la sorte?
C’est quoi votre putain de problème à tous?
Réfléchissez à ça! »
En 1969, à l’âge de 17 ans, Sylvia a participé aux célèbres émeutes de Stonewall en jetant, paraît-il, le deuxième cocktail molotov en signe de protestation contre la descente de la police dans le bar gay de Manhattan. Elle a continué à être une figure centrale des soulèvements qui ont suivi, organisant des rassemblements et ripostant aux brutalités policières.
En 1970, Sylvia a collaboré avec Marsha P. Johnson à la création de Street Transvestite Action Revolutionaries (S.T.A.R.), collectif et organisation politique qui mettait sur pied des projets de soutien mutuel pour les personnes trans vivant dans la rue, celles et ceux aux prises avec la toxicomanie ou en détention, et spécialement pour les personnes trans de couleur et celles et ceux vivant dans la pauvreté.
Refusant les étiquettes, Sylvia a incité les personnes du mouvement de libération gay à penser différemment, et ce, tout au long de sa vie. Elle a déclaré :
« J’ai quitté ma maison en 1961, à l’âge de 10 ans. Je me suis démenée sur la 42e rue. Le début des années 1960 n’était pas génial pour les drag queens, les garçons efféminés ou les garçons qui se maquillaient comme on le faisait. À l’époque, on se faisait battre par la police, par tout le monde. Je n’ai pas vraiment fait mon coming out en tant que drag queen avant la fin des années 1960. C’était vraiment la débandade lorsque des drag queens se faisaient arrêter. Je me rappelle la première fois où je me suis fait arrêter, je n’étais même pas habillée entièrement en drag. Je marchais dans la rue et les flics m’ont tout simplement attrapée. Les gens maintenant prétendent que je suis une lesbienne, parce que je suis avec Julia, ce à quoi je leur je réponds : « Non, je suis juste moi. Je ne suis pas une lesbienne. » J’en ai marre d’être étiquetée. Je ne suis même pas en faveur de l’étiquette de transgenre. J’en ai marre de vivre avec des étiquettes. Je veux juste être qui je suis. Je suis Sylvia Rivera »
Par son activisme et son courage, Sylvia Rivera a présenté un miroir où se reflétait tout ce qui n’allait pas dans la société, mais aussi la possibilité d’une transformation. Sylvia est née en 1951 et décédée en 2002.
