Suzette Jordan
Protection of the Family
The Issue
Over the past few years, a troubling new trend at the international human rights level is being observed, where discourses on ‘protecting the family’ are being employed to defend violations committed against family members, to bolster and justify impunity, and to restrict equal rights within and to family life.
The campaign to "Protect the Family" is driven by ultra-conservative efforts to impose "traditional" and patriarchal interpretations of the family, and to move rights out of the hands of family members and into the institution of ‘the family’.
“Protection of the Family” efforts stem from:
- rising traditionalism,
- rising cultural, social and religious conservatism and
- sentiment hostile to women’s human rights, sexual rights, child rights and the rights of persons with non-normative gender identities and sexual orientations.
Since 2014, a group of states have been operating as a bloc in human rights spaces under the name “Group of Friends of the Family”, and resolutions on “Protection of the Family” have been successfully passed every year since 2014.
This agenda has spread beyond the Human Rights Council. We have seen regressive language on “the family” being introduced at the Commission on the Status of Women, and attempts made to introduce it in negotiations on the Sustainable Development Goals.
Our Approach
AWID works with partners and allies to jointly resist “Protection of the Family” and other regressive agendas, and to uphold the universality of human rights.
In response to the increased influence of regressive actors in human rights spaces, AWID joined allies to form the Observatory on the Universality of Rights (OURs). OURs is a collaborative project that monitors, analyzes, and shares information on anti-rights initiatives like “Protection of the Family”.
Rights at Risk, the first OURs report, charts a map of the actors making up the global anti-rights lobby, identifies their key discourses and strategies, and the effect they are having on our human rights.
The report outlines “Protection of the Family” as an agenda that has fostered collaboration across a broad range of regressive actors at the UN. It describes it as: “a strategic framework that houses “multiple patriarchal and anti-rights positions, where the framework, in turn, aims to justify and institutionalize these positions.”
Related Content
Snippet FEA Introducing Carmen Silva Ferreira (EN)
We have the pleasure to introduce you to Carmen Silva Ferreira.
She was born in Bahia, the Northeastern part of Brazil. She is an immigrant, a social activist and a mother of 8 children.
Carmen experienced homelessness at the age of 35, after migrating to Sao Paulo on her own. This led her to become a fierce advocate for vulnerable, marginalized and invisibilized communities most affected by the housing crisis. She eventually became one of the founders of MSTC in 2000.
As a visionary political organizer and the current leader of the MSTC, Carmen’s work has laid bare the city's housing crisis and provided inspiration to others on different ways to organize and manage occupations. She stood strong on the forefront of several occupations. One of them is the 9 de Julho Occupation, which now serves as a stage for direct democracy, and a space where everyone can be heard, seen, appreciated and work together.
Carmen has been long celebrated for her boldness in giving life back to abandoned buildings in the heart of São Paulo.
To know more about her life, you can follow her on Instagram!
هل يمكنني التواصل مع أي أحد إن كانت لدي أسئلة أو أمور تثير قلقي؟
إن كانت لديكم/ن أسئلة أو أمور تثير قلقكم/ن، الرجاء التوجه الينا عن طريق هذا النموذج وكتابة "استطلاع أين المال" في العنوان أو راسلنا على witm@awid.org
En quelles langues les informations seront-elles disponibles sur le Forum ?
Anglais, français, espagnol et chinois mandarin.
Laurie Carlos
Laurie Carlos était une comédienne, réalisatrice, danseuse, dramaturge et poétesse aux États-Unis. Artiste hors pair et visionnaire, c’est avec de puissants modes de communication qu’elle a su transmettre son art.
« Laurie entrait dans la pièce (n’importe quelle pièce/toutes les pièces) avec une perspicacité déroutante, un génie artistique, une rigueur incarnée, une féroce réalité – et une détermination à être libre... et à libérer les autres. Une faiseuse de magie. Une devineresse. Une métamorphe. Laurie m’a dit un jour qu’elle entrait dans le corps des gens pour trouver ce dont ils et elles avaient besoin. » - Sharon Bridgforth
Elle a employé plusieurs styles de performance alliant les gestes rythmiques au texte. Laurie encadrait les nouveaux·elles comédien·ne·s, performeur·euse·s et dramaturges, et a contribué à développer leur travail dans le cadre de la bourse Naked Stages pour les artistes émergent·e·s. Associée artistique au Penumbra Theatre, elle a participé à la sélection de scripts à produire, dans l’objectif « d’intégrer des voix plus féminines dans le théâtre ». Laurie faisait également partie des Urban Bush Women, une compagnie de danse contemporaine reconnue qui contait les histoires de femmes de la diaspora africaine.
Elle fit ses débuts à Broadway dans le rôle de Lady in Blue, en 1976, dans la production originale et primée du drame poétique For colored girls who have considered suicide / when the rainbow is enuf de Ntozake Shange. L’oeuvre de Laurie inclut White Chocolate, The Cooking Show et Organdy Falsetto.
« Je raconte les histoires à travers le mouvement – les danses intérieures qui se produisent spontanément, comme dans la vie – la musique et le texte. Si j’écris une ligne, ce n’est pas forcément une ligne qui sera dite ; ce peut être une ligne qui sera bougée. Une ligne à partir de laquelle de la musique est créée. Le geste devient phrase. Tant de ce que nous sommes en tant que femmes, en tant qu’êtres, tient aux gestes que nous exprimons les un·e·s par rapport aux autres, tout le temps, et particulièrement dans les moments d’émotion. Le geste devient une phrase, ou un état de fait. Si j’écris “quatre gestes” dans un script, cela ne signifie pas que je ne dis rien;cela veut dire que j’ai ouvert la voie à ce que quelque chose soit dit physiquement. » Laurie Carlos
Laurie est née et a grandi à New York, a travaillé et vécu à Minneapolis-Saint-Paul. Elle est décédée le 29 décembre 2016, à l’âge de 67 ans, après un combat contre le cancer du côlon.
Hommages :
« Je pense que c’était exactement l’intention de Laurie. De nous sauver. De la médiocrité. De l’ego. De la paresse. De la création artistique inaboutie. De la paralysie par la peur.
Laurie voulait nous aider à briller pleinement.
Dans notre expression artistique.
Dans nos vies. » - Sharon Bridgforth pour le Pillsbury House Theatre
« Quiconque connaissait Laurie aurait dit que c’était une personne singulière. Elle était sa propre personne. Elle était sa propre personne, sa propre artiste ; elle mettait en scène le monde tel qu’elle le connaissait avec un vrai style et une compréhension fine, et elle habitait son art. » – Lou Bellamy, Fondatrice de la Penumbra Theatre Company, pour le Star Tribune
Lire un hommage complet par Sharon Bridgforth (seulement en anglais)
Francela Mendez
Snippet FEA ASOM Challenges Story 1 (ES)
DESAFÍOS
- Cambio Climático
- Acesso a créditos
- Intermediários
AWID Community Jobs board - EN
Community Jobs Board
Are you job hunting? One of the perks of joining the AWID Community, is getting access to our community curated jobs board. You'll get to explore new opportunities, and you will also have the chance to share vacancies and call for proposals with all members.
Qu'advient-il des propositions envoyées à travers l'appel à activités ??
- Les propositions d’activité seront initialement présélectionnées par l’équipe de l’AWID
- Les organisateurs·trices des propositions retenues seront ensuite invité·e·s à voter pour choisir les activités finales. Celles qui auront obtenu le plus de votes seront incluses au programme du Forum. L'AWID pourra procéder à quelques ajustements à la sélection finale pour s'assurer que notre programme présente un équilibre adéquat entre les régions, les groupes d'intérêt, les enjeux et les méthodologies.
- Notre Comité contenu et méthodologie du Forum prendra contact avec les organisateurs·trices des propositions sélectionnées pour les aider à développer davantage leurs activités.
Nous mettrons le site à jour avec les informations pertinantes le moment venu.
Roxana Reyes Rivas
Roxana Reyes Rivas, philosopher, feminist, lesbian, poet, politician and LGBT and women’s rights activist from Costa Rica. Owner of a sharp pen and incisive humour, a laugh a minute. She was born in 1960 and raised in San Ramón of Alajuela, when it was a rural town, and her whole life she would break away from the mandates of what it meant to be a woman.
With El Reguero (Costa Rican lesbian group) she organized lesbian festivals for over a decade, fun-filled formative spaces to come together at a time when the Costa Rican government and society persecuted and criminalized the lesbian existence. For hundreds of women the lesbian festivals where the only place they could be themselves and come together with others like them.
Roxana would often say founding political parties was one of her hobbies. “It’s important for people to understand there are other ways to do politics, that many issues need to be solved collectively”. She was one of the founders of the New Feminist League and VAMOS, a human rights focused political party.
“The philosophical trade is meant to jab, to help people ask themselves questions. A philosopher who doesn’t irritate anyone is not doing her job”. For 30 years Roxana taught philosophy at several Costa Rican public universities. Through her guidance, generations of students reflected about the ethical dilemmas in science and technology.
Roxana’s favourite tool was humour, she created the Glowing Pumpkin award, an acknowledgement to ignorance that she would bestow upon public figures, through her social media channels, mocking their anti-rights expressions and statements.
An aggressive cancer took Roxana at the end of 2019, before she could publish a compilation of her poems, a departing gift from the creative mind of a feminist who always raised her voice against injustice.
Heike Jensen
About the AWID International Forum
More than an event!
The AWID International Forum is a truly global space that gives participants an opportunity to network, build alliances, celebrate, and learn in a stimulating, emotive and safe atmosphere.
More and more, we are trying to bring the Forum process outside of the convening’s borders. Engaging with partners and deepening relationships all year round, connecting with local movements to better understand problems and co-create solutions. The Forum event itself, held every three to four years in a different region of the world, is just a crystallization of all these alliances that we are building as part of our work.
The AWID Forum dissolves our inner and external boundaries, fosters deep discussion, personal and professional growth, and strengthens our movements for gender justice and women’s rights.
As a convening, it is a response to the urgency to promote stronger and more coordinated engagement and action by feminists, women’s rights and other social justice advocates, organizations and movements. We also believe that the Forum is more than just an event – it can facilitate a process to influence thinking and set agendas for feminist movements and other related actors.
Evolving from a national conference of around 800 people, the event now brings together around 2000 feminists, community leaders, social justice activists, and donor agencies from around the world.
The 14th AWID International Forum will take place 11-14 January 2021 in Taipei, Taiwan.
The past Forums
2016 - Feminist Futures: Building Collective Power for Rights and Justice (Costa de Sauipe, Brazil)
Given the complex world that we face today, the 2016 AWID Forum did not focus on a particular “issue”, but rather on creating more effective ways of working together!
Despite the challenging contexts in which the 2016 Forum took place (the Zika epidemic, a strike by Brazilian foreign-service workers, the impeachment of President Dilma Rousseff and subsequent turmoil), it succeeded in bringing together over 1800 participants from 120 countries and territories across all regions of the world.
What happened at the 13th AWID international Forum:
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For 96% of participants who responded to the post Forum evaluation survey, the Forum was a major source of inspiration and energy.
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98% of participants considered it an important convening space for feminist movements and expressed hope that AWID continues to organize forums.
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59% of Forum evaluation survey respondents declared to be very satisfied with the Forum and 34% somewhat satisfied.
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Over 150 sessions were delivered in different formats on a variety of topics ranging from bodily integrity and freedoms, to gender-based violence in the workplace, to strategies for building collective power.
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The first-time Black Feminisms Forum (BFF), held just before the main AWID Forum, brought together 250 Black feminists from all over the world to co-create a powerful space to build and strengthen ongoing, intergenerational, transnational connections
Read more about what the 2016 AWID Forum achieved:
Download the Forum evaluation report
2012 - Transforming Economic Power to Advance Women's Rights and Justice (Istambul, Turkey)
The 12th AWID Forum was the largest and most diverse AWID Forum to date, bringing together 2239 women’s rights activists from 141 countries. Of these participants, around 65% were from the Global South and close to 15% were young women under 30, and 75% attended an AWID Forum for their first time.
The Forum program focused on transforming economic power to advance women’s rights and justice and featured over 170 different kinds of sessions including feminist economics toolbox skills-building sessions, breakout sessions representing all 10 Forum themes, in-depth sessions, and solidarity roundtables.
Building on the momentum of the 2012 Forum, we transformed the website into a resource and learning Hub, which builds on the content generated by participants by featuring multi-media resources on all Forum components.
Visit the 2012 Forum web archive
All AWID Forums
- 2016: Feminist Futures: Building Collective Power for Rights and Justice (Costa de Sauipe, Brazil). Read the 2016 Forum Evaluation report
- 2012: Transforming Economic Power to Advance Women's Rights and Justice (Istanbul, Turkey)
- 2008: The Power of Movements (Cape Town, South Africa). Read our 2008 Forum Report
- 2005: How does change happen? (Bangkok, Thailand)
- 2002: Reinventing Globalization (Guadalajara, Mexico)
- 1999: Leading Solutions for Equality and Justice (US)
- 1996: Beyond Beijing From Words to Action (US)
- 1993: Joining Forces to Further Shared Visions (US)
- 1991: Working Together/Learning Together: A South North Dialogue (US)
- 1989/1990: Global Em-Powerment for Women (US)
- 1987: Moving Forward: Innovations in Development Policy, Action and Research (US)
- 1985: Women Creating Wealth; Transforming Economic Development (US)
- 1983: ‘Women in Development’ (Washington D.C, US)
Snippet FEA Barcelona, Spain (FR)
Barcelone, Espagne
Metzineres
Les Gens se Droguent.
ET ALORS?
Snippet - Join CSW69 Conversations Intro_ES
Súmate a través de nuestras conversaciones #CongelarFascismos
Mientras atravesamos las múltiples crisis globales, los movimientos infatigablemente construimos el poder más allá de las estructuras de poder tradicionales. La ola de órdenes ejecutivas que ha emitido la presidencia de los EE.UU. tiene la intención de amedrentarnos, pero no hay ideología fascista capaz de borrar nuestra existencia y resistencia.
Te invitamos a formar parte de la campaña de construcción de solidaridad para poner al descubierto y resistir a las fuerzas fascistas que socavan los movimientos feministas y por la justicia de género en tu contexto.
- Provoca conversaciones en espacios valientes: Comparte historias de lucha y resistencia a los fascismos en tu contexto en la plataforma de la Comunidad de AWID. ¿No te has afiliado aún? Únete aquí.
- Apoya a los movimientos que se han visto afectados: Amplifica las iniciativas de recaudación de fondos, las oportunidades de dotación de recursos y los esfuerzos de ayuda mutua mediante la etiqueta #CongelarFascismos (estamos en X, Instagram, LinkedIN, y también en Bluesky)
- Organízate alrededor de distintas alternativas: Hemos construido nuestra comunidad de práctica sobre alternativas económicas feministas y recursos autónomos. Inscríbete para participar aquí. (en inglés)
Ai-je besoin d’un visa pour assister au Forum à Taipei ?
Vous N’AVEZ PAS besoin d’un visa pour assister au Forum à Taipei si vous détenez un passeport émis par l’un des pays suivants (la durée de séjour autorisée varie d’un pays à l’autre) :
Allemagne, Andorre, Australie, Autriche, Belgique, Belize, Bulgarie, Brunei, Canada, Chili, Chypre, Croatie, Danemark, Espagne, Estonie, Eswatini, État de la Cité du Vatican, États-Unis, Finlande, France, Grèce, Guatemala, Haïti, Honduras, Hongrie, Îles Marshall, Islande, Irlande, Israël, Italie, Japon*, Lettonie, Liechtenstein, Lituanie, Luxembourg, Malaisie, Malte, Monaco, Nauru, Nicaragua, Norvège, Nouvelle-Zélande, Palaos, Paraguay, Pays-Bas, Philippines, Pologne, Portugal, République de Corée, République dominicaine, République tchèque, Roumanie, Royaume-Uni, Russie, Saint-Christophe-et-Niévès, Sainte-Lucie, Saint-Marin, Saint-Vincent-et-les-Grenadines, Singapour, Slovaquie, Slovénie, Suède, Suisse, Tuvalu.
Les personnes détentrices de tout autre passeport AURONT BESOIN D’UN VISA pour se rendre à Taipei.
Remarque :
Une fois inscrit·e au Forum, il est probable que vous receviez un code relatif à l’événement vous permettant de demander un visa en ligne, quelle que soit votre nationalité.
Nous vous donnerons plus d’informations à ce sujet après l’ouverture du processus d’inscription.
Dorothy Masuka
«Yo no planeaba ser una cantante, el canto planeó estar en mí.» - Dorothy Masuka (entrevista de Mail & Guardian)
Dorothy Masuka, nacida en 1935 en Bulawayo (en ese momento Rodesia del Sur, ahora Zimbabue), creció en Sudáfrica, y se convirtió en una reconocida compositora, cantante de jazz, activista, y defensora ferviente de la lucha contra el apartheid. Definida como «una arquitecta del discurso de la música popular africana de liberación», Dorothy a menudo cantaba sobre política en lenguas indígenas africanas y, a través de todo su trabajo, confrontó las políticas racistas del gobierno sudafricano.
Una de estas canciones, titulada «Dr. Malan» (por el político pro-apartheid D.F. Malan) fue prohibida. Luego, en 1961, grabó «Lumumba», una canción sobre el asesinato del líder anticolonial Patrice Lumumba. El trabajo y el activismo de Dorothy atrajeron la atención de la División Especial de la policía sudafricana, y fue forzada a un exilio político que se prolongaría durante tres décadas. Durante ese tiempo, trabajó con grupos independentistas, incluido el Congreso Nacional Africano. En 1992, cuando el apartheid comenzó a desmoronarse y Nelson Mandela fue liberado de prisión, Dorothy regresó a Sudáfrica.
Su trabajo incluye la primera canción que grabó, en 1953, titulada «Hamba Notsokolo», que fue un éxito durante la década de 1950, y hoy es un clásico muy valorado. También escribió «El Yow Phata Phata», una canción que fue adaptada por Miriam Makeba, quien hizo de «Pata, Pata» un hit internacional.
Arraigados en la resistencia, la música y el activismo de Dorothy (popularmente conocida como «Auntie Dot» [«Tía Dot»]) estaban entretejidos, y dejaron un legado magnífico e inspirador.
Dorothy falleció en Johannesburgo el 23 de febrero de 2019 a la edad de 83 años, por problemas de salud.
Entrevista a Dorothy Masuka de Mail & Guardian (en inglés)
Escucha su música:
Carmela Elisarraraz Mendez
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Snippet FEA Care as the foundation (EN)
Care as the foundation of economies
The COVID-19 pandemic put the global crisis of care into sharp focus and demonstrated the failures of the dominant economic model that is decimating essential public services, social infrastructures and systems of care around the world.
Cozinha Ocupação 9 Julho, the Association of Afro-Descendant Women of the Northern Cauca (ASOM) and Metzineres are only some examples of caring economies that center the needs of marginalized people and nature, as well as the reproductive, invisibilized, and unpaid care work required to ensure the sustainability of our lives, societies and eco-systems.
Snippet - Feminist Mixer - ES
Encuentro feminista: Citas rápidas para feministas
✉️ Requiere inscripción previa. Regístrate aquí
📅 Martes 11 de marzo de 2025
🕒 De 06:00 a 08:00 p. m.,
🏢 Chef's Kitchen Loft with Terrace, 216 East 45th St 13th Floor New York
Organiza: AWID