Clara Luper
Young Feminist Activism
Organizing creatively, facing an increasing threat
Young feminist activists play a critical role in women’s rights organizations and movements worldwide by bringing up new issues that feminists face today. Their strength, creativity and adaptability are vital to the sustainability of feminist organizing.
At the same time, they face specific impediments to their activism such as limited access to funding and support, lack of capacity-building opportunities, and a significant increase of attacks on young women human rights defenders. This creates a lack of visibility that makes more difficult their inclusion and effective participation within women’s rights movements.
A multigenerational approach
AWID’s young feminist activism program was created to make sure the voices of young women are heard and reflected in feminist discourse. We want to ensure that young feminists have better access to funding, capacity-building opportunities and international processes. In addition to supporting young feminists directly, we are also working with women’s rights activists of all ages on practical models and strategies for effective multigenerational organizing.
Our Actions
We want young feminist activists to play a role in decision-making affecting their rights by:
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Fostering community and sharing information through the Young Feminist Wire. Recognizing the importance of online media for the work of young feminists, our team launched the Young Feminist Wire in May 2010 to share information, build capacity through online webinars and e-discussions, and encourage community building.
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Researching and building knowledge on young feminist activism, to increase the visibility and impact of young feminist activism within and across women’s rights movements and other key actors such as donors.
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Promoting more effective multigenerational organizing, exploring better ways to work together.
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Supporting young feminists to engage in global development processes such as those within the United Nations
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Collaboration across all of AWID’s priority areas, including the Forum, to ensure young feminists’ key contributions, perspectives, needs and activism are reflected in debates, policies and programs affecting them.
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Kasia Staszewska
Biography
Kasia viene apoyando la labor de los movimientos feministas y por la justicia social desde hace 15 años. Antes de sumarse a AWID, se lideró las acciones de política e incidencia ActionAid y Amnistía Internacional, a la vez que participaba en procesos de organización feministas y de distintas agrupaciones por la justicia social en Polonia, en pro del acceso al aborto y contra la violencia en las fronteras europeas. Es una apasionada del financiamiento para la movilizaciónfeminista en toda su audacia, riqueza y diversidad. Reparte su tiempo entre Varsovia y su aldea comunitaria de trabajo artesanal en el bosque. Le encanta tomar saunas y adora con locura a su perro Wooly.
Position
Gerente, Financiamiento de los Movimientos Feministas
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Sherly Montoya
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Roxana Reyes Rivas
Roxana Reyes Rivas, philosopher, feminist, lesbian, poet, politician and LGBT and women’s rights activist from Costa Rica. Owner of a sharp pen and incisive humour, a laugh a minute. She was born in 1960 and raised in San Ramón of Alajuela, when it was a rural town, and her whole life she would break away from the mandates of what it meant to be a woman.
With El Reguero (Costa Rican lesbian group) she organized lesbian festivals for over a decade, fun-filled formative spaces to come together at a time when the Costa Rican government and society persecuted and criminalized the lesbian existence. For hundreds of women the lesbian festivals where the only place they could be themselves and come together with others like them.
Roxana would often say founding political parties was one of her hobbies. “It’s important for people to understand there are other ways to do politics, that many issues need to be solved collectively”. She was one of the founders of the New Feminist League and VAMOS, a human rights focused political party.
“The philosophical trade is meant to jab, to help people ask themselves questions. A philosopher who doesn’t irritate anyone is not doing her job”. For 30 years Roxana taught philosophy at several Costa Rican public universities. Through her guidance, generations of students reflected about the ethical dilemmas in science and technology.
Roxana’s favourite tool was humour, she created the Glowing Pumpkin award, an acknowledgement to ignorance that she would bestow upon public figures, through her social media channels, mocking their anti-rights expressions and statements.
An aggressive cancer took Roxana at the end of 2019, before she could publish a compilation of her poems, a departing gift from the creative mind of a feminist who always raised her voice against injustice.
Leyla Seylemez
Faye Macheke
Biography
Faye est une féministe panafricaine passionnée, engagée dans les mouvements pour les droits des femmes, la justice raciale, les droits des migrant·e·s et des travailleur·euse·s, et la justice environnementale. Son activisme s'appuie sur l'héritage de la lutte contre l'apartheid en Afrique du Sud et de ses suites au Zimbabwe.
En 2019, Faye rejoint l'AWID en tant que Directrice des Finances, des Opérations et du Développement. Elle s’est efforcée de garantir que l’AWID respecte les principes et les valeurs féministes dans toutes ses opérations. Elle y apporte plus de 20 années d’expérience en leadership féministe, en stratégie et autres aspects du développement organisationnel et financier.
Faye est membre engagée du conseil d'administration de Urgent Action Fund-Africa et d'autres organisations de défense des droits des femmes. Auparavant, elle a occupé des postes de responsable des finances et des opérations chez Pediatric Adolescent Treatment for Africa et JASS - Just Associates Inc. en Afrique australe. Elle a également occupé des postes de direction chez International Computer Driving Licence (ICDL) en Afrique centrale et australe. Elle est titulaire d'une licence en sciences comptables de l'Université d'Afrique du Sud ainsi que membre du Southern African Institute for Business Accountants.
Position
Codirectrice Exécutive
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Sexting Like a Feminist: Humor in the Digital Feminist Revolution Snippet Small | AR
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تشينيلو أونوالو
في الثاني من أيلول/ سبتمير 2021، التمّ شمل مجموعة رائعة من الناشطات النسويات والمناديات بالعدالة الاجتماعية ضمن فعاليات مهرجان (AWID Crear | Résister | Transform). لم يقتصر هدف اجتماعهنّ على مشاركة استراتيجيات المقاومة وعمليات الابتكار الخلّاقة المشتركة التي ترمي إلى تغيير العالم. لقد اجتمعت الناشطات ليتبادلن الغزَل الإباحي على «تويتر».
Patricia Villamil Perdomo
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Dorothy Masuka
«Yo no planeaba ser una cantante, el canto planeó estar en mí.» - Dorothy Masuka (entrevista de Mail & Guardian)
Dorothy Masuka, nacida en 1935 en Bulawayo (en ese momento Rodesia del Sur, ahora Zimbabue), creció en Sudáfrica, y se convirtió en una reconocida compositora, cantante de jazz, activista, y defensora ferviente de la lucha contra el apartheid. Definida como «una arquitecta del discurso de la música popular africana de liberación», Dorothy a menudo cantaba sobre política en lenguas indígenas africanas y, a través de todo su trabajo, confrontó las políticas racistas del gobierno sudafricano.
Una de estas canciones, titulada «Dr. Malan» (por el político pro-apartheid D.F. Malan) fue prohibida. Luego, en 1961, grabó «Lumumba», una canción sobre el asesinato del líder anticolonial Patrice Lumumba. El trabajo y el activismo de Dorothy atrajeron la atención de la División Especial de la policía sudafricana, y fue forzada a un exilio político que se prolongaría durante tres décadas. Durante ese tiempo, trabajó con grupos independentistas, incluido el Congreso Nacional Africano. En 1992, cuando el apartheid comenzó a desmoronarse y Nelson Mandela fue liberado de prisión, Dorothy regresó a Sudáfrica.
Su trabajo incluye la primera canción que grabó, en 1953, titulada «Hamba Notsokolo», que fue un éxito durante la década de 1950, y hoy es un clásico muy valorado. También escribió «El Yow Phata Phata», una canción que fue adaptada por Miriam Makeba, quien hizo de «Pata, Pata» un hit internacional.
Arraigados en la resistencia, la música y el activismo de Dorothy (popularmente conocida como «Auntie Dot» [«Tía Dot»]) estaban entretejidos, y dejaron un legado magnífico e inspirador.
Dorothy falleció en Johannesburgo el 23 de febrero de 2019 a la edad de 83 años, por problemas de salud.
Entrevista a Dorothy Masuka de Mail & Guardian (en inglés)
Escucha su música:
Petite Jasmine
Elina Margarita Castillo Jiménez
Biography
Elina is a young afro-Dominican intersectional feminist and human rights lawyer, committed to use her voice and skills to build a more just, empathic and inclusive world. She started Law school at 16, convinced it would give her the tools to understand and promote social justice. After a J.D. in the Dominican Republic, she pursued an LL.M. in Public International Law and Human Rights in the UK as a Chevening Scholar. She was the only Latinx-Caribbean woman in her class, graduating with honours.
Elina has worked at the intersection of human rights, gender, migration and policy, from government, grassroots collectives and international organizations. She helped litigate cases on gender-based violence before the Inter-American Court of Human Rights. As a member of the Youth Advisory Panel of UNFPA, she contributed to strengthening sexual and reproductive rights in the Dominican Republic. She co-led Amnesty International’s first campaign on sex workers’ rights in the Americas, developing strong partnerships with sex-worker led organizations and using Amnesty’s position to amplify women human rights defenders and sex workers’ voices.
Elina is part of Foro Feminista Magaly Pineda and the Global Shapers Community. She speaks Spanish, French and English. Thanks to her diverse background, Elina brings strong governance and strategic planning skills, substantive expertise on the United Nations and regional human rights mechanisms and her bold determination to keep AWID as an inclusive organization for all women, especially young and Caribbean feminists. With these offerings, joins a global sisterhood of feminist badasses, where she can keep nurturing her feminist leadership and never again feel alone in her path.
Position
Co-Treasurer
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Pleasure Garden
Pleasure Garden
The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.
Zhou Jianrong
Esther Mwikali
Esther Mwikali habitait dans le village de Mithini, dans le comté de Murang’a au Kenya. Activiste des droits fonciers, importante et appréciée, elle travaillait sur les abus à l’égard de squatters vivant sur des terres revendiquées par des magnats. Esther a participé à une enquête qui comprenait également des violations de droits fonciers à Makaya par de puissants individus.
Suite à l’absence d’Esther lors d’une réunion de village, une équipe de patrouille est partie à sa recherche. Le 27 août 2019, deux jours après sa disparition, on retrouva son corps dans une ferme proche de sa propriété, montrant des signes de torture. Elle fut sauvagement assassinée.
« Esther était reconnue pour son travail auprès des membres de la communauté, empêchant les évictions de terres revendiquées des magnats. Les activistes du coin n’ont aucun doute sur le lien entre son meurtre et les luttes constantes pour les terres dans la région. C’est un tragique rappel de la fréquence alarmante d’assassinats extrajudiciaires régulièrement menés au Kenya » - Global Wittness Report, juillet 2020
« Nous associons la mort de Mwikali aux luttes pour les terres par ici. Nous demandons au gouvernement de mener une enquête sur ce sujet au plus tôt. » - James Mburu, porte-parole des squatters
« Des mesures devraient être prises à l’égard des individus suspectés d’avoir menacé les squatters, et notamment la famille Mwikali. » - Alice Karanja, National Coalition of Human Rights Defenders (coalition nationale des défenseur·e·s des droits humains)
« L’impact de son travail et sa ténacité demeureront encore en vie pour les prochaines décennies au Kenya. CJGEA console avec les personnes endeuillées et appelle à la justice. » - Center for Justice and Governmental Action (Centre pour la justice et l’action gouvernementale, CJGEA) communiqué de presse, 13 septembre 2019
Venecia Natinga
Jessica Whitbread
Biography
Jessica es une artista activista queer de Toronto (Canadá), aunque actualmente reside en Bulgaria. Posee más de 15 años de experiencia de trabajo en la respuesta al VIH en las intersecciones del género y el VIH con poblaciones clave (trabajadoras/es sexuales, mujeres que usan drogas, comunidades LGBTQI, personas privadas de su libertad y, desde luego, personas que viven con el VIH). A Jessica le encanta la construcción de movimientos y pensar, organizar y trazar estrategias para intervenciones artísticas. Un divertido proyecto que comenzó en 2013 fue LOVE POSITIVE WOMEN, en el que participan más de 125 agrupaciones y organizaciones comunitarias de todo el mundo. Este tiene lugar cada año entre el 1 y el 14 de febrero para celebrar a las mujeres que viven con el VIH en sus comunidades.
Position
Responsable, Participación de la Membresía y las Bases de Apoyo
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Nicole Barakat Snippet ES
Nicole Barakat
Nicole Barakat es una artista femme queer de SWANA, que nació y vive en las tierras de Gadigal (llamadas Sydney) en Australia. Trabaja con procesos intuitivos y de escucha profunda, con la intención de transformar las condiciones de la vida cotidiana. Su obra se desarrolla a través de métodos artísticos no convencionales, creando objetos intrincados que plasman el amor y la paciencia característicos de las prácticas textiles tradicionales.
Francisca das Chagas Silva
Sara Hegazy
Sara Hegazy, a bold Egyptian LGBTQI+ rights activist, lived in a society where the members of her community, their bodies and lives often face lethal prejudice. The roots of Sara’s resistance were in the deconstruction of a dominant, oppressive and patriarchal system, and its anti-rights actors.
"[In Egypt], every person who is not male, Muslim, Sunni, straight, and a supporter of the system, is rejected, repressed, stigmatized, arrested, exiled, or killed. This matter is related to the patriarchal system as a whole, since the state cannot practice its repression against citizens without a pre-existing oppression since childhood." - Sara Hegazy wrote on March 6, 2020
The suppression of Sara’s voice by the Egyptian government reached its violent peak in 2017, when she was arrested for raising a rainbow flag at the Mashrou’ Leila (Lebanese band whose lead vocalist is openly gay) concert in Cairo. What followed were charges of joining an illegal group along with “promoting sexual deviancy and debauchery”.
"It was an act of support and solidarity — not only with the [Mashrou' Leila] vocalist but for everyone who is oppressed...We were proud to hold the flag. We wouldn't have imagined the reaction of society and the Egyptian state. For them, I was a criminal — someone who was seeking to destroy the moral structure of society." - Sara Hegazy
Sara was jailed for three months, where she was tortured and sexually assaulted. In January 2018, after being released on bail, she sought asylum in Canada where she was safe but imprisoned by the memories of the abuse and violence her body and soul had gone through.
"I left this experience after three months with a very intense, serious case of PTSD [post-traumatic stress disorder]. Prison killed me. It destroyed me." - Sara Hegazy told NPR
Sara took her own life on 14 June 2020, leaving a handwritten note in Arabic:
“To my siblings – I tried to find redemption and failed, forgive me.”
“To my friends – the experience [journey] was harsh and I am too weak to resist it, forgive me.
“To the world – you were cruel to a great extent, but I forgive.”
Her legacy and courage will be carried forward by those who love her and believe in what she fought for.
Tributes:
“To Sarah: Rest, just rest, spared from this relentless violence, this state-powered lethal patriarchy. In rage, in grief, in exhaustion, we resist.” - Rasha Younes, an LGBT rights researcher at Human Rights Watch. Read the complete text
Mashrou’ Leila’s lead vocalist sings tribute to Sara Hegazy
