“Now might be a good time to rethink what a revolution can look like. Perhaps it doesn’t look like a march of angry, abled bodies in the streets. Perhaps it looks something more like the world standing still because all the bodies in it are exhausted—because care has to be prioritized before it’s too late.” 
- Johanna Hedva (https://getwellsoon.labr.io/)

Hospitals are institutions, living sites of capitalism, and what gets played out when somebody is supposed to be resting is a microcosm of the larger system itself. 

Institutions are set out to separate us from our care systems – we find ourselves isolated in structures that are rigidly hierarchical, and it often feels as if care is something done to us rather than given/taken as part of a conversation. Institutional care, because of its integration into capitalist demand, is silo-ed: one person is treating your leg and only your leg, another is treating your blood pressure, etc. 

Photographer Mariam Mekiwi had to have surgery last month and documented the process. Her portraits of sanitized environments – neon white lights, rows after rows of repetitive structures – in a washed-out color palette reflect a place that was drained of life and movement. This was one of the ways Mariam kept her own spirit alive. It was a form of protest from within the confines of an institution she had to engage with.

The photos form a portrait of something incredibly vulnerable, because watching someone live through their own body’s breakdown is always a sacred reminder of our own fragility. It is also a reminder of the fragility of these care systems, which can be denied to us for a variety of reasons – from not having money to not being in a body that’s considered valuable enough, one that’s maybe too feminine, too queer or too brown.  

Care experienced as disembodied and solitary, that is subject to revocation at any moment, doesn’t help us thrive. And it is very different from how human beings actually behave when they take care of each other. How different would our world look like if we committed to dismantling the current capitalist structures around our health? What would it look like if we radically reimagined it?

Our strategic plan “Feminist Realities” completed its final year at the end of 2022. For the past five years, this bold framework pushed us to go beyond feminist futures and to recognize the feminist solutions and ways of life that already exist in the here and now. Realities that must be uplifted, celebrated, and popularized. The Feminist Economies We Love multimedia story project and Our:Resource knowledge hub on autonomous ways to resource feminist activism are just two examples of this visionary work, always deeply collective with diverse feminist movements.

Download the full 2022 Annual review

2022 was a year of transitions in AWID.

With this reflection on the year, we invite you to celebrate with us beautiful closures and promising beginnings. Change and transitions are an inseparable part of life and movements, which we seek to embrace with intention and care.

Download the full 2022 Annual review

“ابدعي، قاومي، غيّري”: جولة في المهرجان

مع استمرار الرأسمالية الأبوية الغيريّة في دَفعِنا نحو الاستهلاكية والرضوخ، نجد نضالاتنا تُعزَل وتُفصَل عن بعضها الآخر من خلال الحدود المادّية والحدود الافتراضية على حدٍّ سواء.

اقرأ أكثر

أبقي رغبتك في خوض تجارب جديدة على جمر ملتهب!

أنا: هل سبق أن ثبتّ شيئاً بقضيب؟
هو: لا، لم أفعل
أنا: تمَعَّن بالعمليّة الآن، لأنني سأُريك شخصيًا، كيف تضع الرأسمالية قضيب
استغلالها في أجساد العمّال

Promenade Artistique Féministe

Annonce de programme par Rula Khoury

Dans le cadre de notre engagement à nouer des liens plus profonds avec des artistes via nos pratiques de co-création de Réalités Féministes, AWID a collaboré avec un Groupe de Travail Artistique visant à faire progresser et à renforcer les programmes et réalités féministes, dans les communautés et mouvements via l’expression créative. Notre intention ici est de rassembler des féministes créatifs·ves dans un espace puissant et audacieux pour grandir et vivre librement, et briser les récits toxiques en les remplaçant par des alternatives transformatrices.

Cette exposition rassemblera le travail d’artistes et de collectifs du monde entier, de celle.ux qui créent activement la différence que nous voulons voir dans ce monde. Ces féministes créatifs·ves comprennent Upasana Agarwal, Nicole Barakat, Siphumeze Khundayi, Katia Herrera, Ali Chavez Leeds, Colectivo Morivivi, Ika Vantian, ainsi que les organisateurs·rices de l’exposition #MeToo en Chine. Leurs voix résonnent avec force dans leur refus d'accepter les limites imposées par le patriarcat, et amplifient leurs engagements envers les communautés dans lesquelles, et avec lesquelles, i.elles travaillent. Chaque œuvre représente, à sa façon, des actes de résistance quotidienne, des histoires et des identités inédites, des liens avec la terre et nos ancêtres et, plus important encore, la solidarité qui existe au sein et entre les mouvements et luttes féministes. Ces artistes inspirent et sont inspiré·e·s par des stratégies créatives de résistance et d'initiatives féministes qui nous montrent comment nous pouvons vivre ensemble dans un monde plus juste - un monde qui place au centre le soin et la guérison.

40 Years of AWID: The Scrapbook

In collaboration with artist Naadira Patel, we created a scrapbook that highlights a handful of snapshots from AWID’s last four decades of feminist movement support.