Philippe Leroyer | Flickr (CC BY-NC-ND 2.0)

Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Women Human Rights Defenders

WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.

WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.

The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.


Risks and threats targeting WHRDs  

WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.

By defending rights, WHRDs are at risk of:

  • Physical assault and death
  • Intimidation and harassment, including in online spaces
  • Judicial harassment and criminalization
  • Burnout

A collaborative, holistic approach to safety

We work collaboratively with international and regional networks and our membership

  • to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
  • to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk

We work to promote a holistic approach to protection which includes:

  • emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
  • documenting the violations targeting WHRDs using a feminist intersectional perspective;
  • promoting the social recognition and celebration of the work and resilience of WHRDs ; and
  • building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles

Our Actions

We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.

  • Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to  strengthen  responses concerning safety and wellbeing of WHRDs.

  • Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa  Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;

  • Increasing the visibility and recognition of  WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:

  • Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.

Related Content

Snippet - WITM FAQ - AR

الأسئلة الأكثر شيوعاً

Pourquoi l’AWID a-t-elle décidé de changer le lieu du Forum de Bali à Taipei ?

Fin 2019, les événements en Indonésie - notamment les signes d’intensification de la militarisation et de reculs des droits LGBTQ – nous ont amené·e·s à questionner la capacité de l’AWID à maintenir un environnement sécurisé et accueillant pour les divers·es participant·e·s que nous voulons rassembler au Forum.

Après un examen attentif, la Direction de l’AWID a décidé en novembre 2019 de faire évoluer le lieu de tenue du 14ème Forum international de l’AWID, de Bali à Taipei.

Taipei dispose de fortes capacités logistiques et est accessible pour beaucoup de voyageurs·ses (avec une facilitation de procédure de visa électronique pour les conférences internationales).

Pour plus d’informations :

 

Impression collective d’amour | Small Snippet FR

Impression collective d’amour

« Si on peut hériter de traumatismes, peut-on aussi hériter d’une impression en lien avec l’amour? »

Lire plus

Cynthia Cockburn

Cynthia Cockburn était une sociologue, écrivaine, universitaire, photographe et militante pour la paix féministe.

Elle a étudié les aspects genrés de la violence et du conflit et fait d’importantes contributions au mouvement pacifiste en explorant les thèmes de la masculinité et de la violence, ainsi que par son activisme local et international.

Ayant introduit une analyse féministe aux questions de militarisation et de guerre, Cynthia figurait parmi les universitaires dont les écrits et analyses illustraient la manière dont la violence basée sur le genre joue un rôle essentiel dans la perpétuation de la guerre. Travaillant en étroite collaboration avec des activistes pacifistes dans des pays en conflit, ses conclusions portaient sur des contextes aussi divers que l’Irlande du Nord, la Bosnie-Herzégovine, Israël et la Palestine, la Corée du Sud, le Japon, l’Espagne et le Royaume-Uni. Sa recherche et ses écrits universitaires ont permis d’éclairer le fait que la violence soit vécue selon un continuum de temps et d’échelle, et perçue très différemment lorsque l’on y applique le prisme du genre.

Elle disait que « [l]e genre nous aide à voir la continuité, la connexion entre les évènements de violence ».

Cynthia a pu mettre ses recherches en pratique grâce à son activisme local et international auprès de mouvements pour la démilitarisation, le désarmement et la paix. Elle a aidé à lancer le camp de femmes pour la paix de Greenham Common, qui prônait le désarmement nucléaire universel en Grande-Bretagne, ainsi que participé à la mise en place de la branche londonienne des Women in Black. Au fil des ans, Cynthia a organisé et participé à des veillées hebdomadaires locales et à la chorale politique Raised Voices, interprétant et écrivant certaines des paroles des chansons. Elle fut également active au sein du groupe Women’s International League for Peace and Freedom (WILPF), du Forum des socialistes féministes européennes et de Women Against Fundamentalism.

« Cynthia émettait une lumière féministe, tissait les communautés féministes entre elles, entonnait des chants de paix, écoutait, écoutait, écoutait, observait les oiseaux – et suspendait le flot de circulation. Je lui serai toujours reconnaissante et redevable, l’« autre » Cynthia. » – Cynthia Enloe

Cynthia est née en juillet 1934 et s’est éteinte en septembre 2019, à l’âge de 85 ans.

AWID Forum Social Media Kit

Help spread word about the 2016 AWID Forum!

This kit includes sample messages fit for Twitter, Facebook, LinkedIn and Instagram, plus images that can be used to accompany these messages.

Using this kit is simple. Just follow these steps:

  1. Choose your favourite messages:
    Twitter
    Facebook 
    LinkedIn

  2. Download your favourite images:
    Twitter
    Facebook
    Instagram

  3. Match up your favourite messages and images any way you like.

  4. Share them on your personal and/or professional social media accounts.

And that’s it – now you can get started! 

Twitter

Match up your favourite tweets below with these images for Twitter


Tweets for your personal handle

I'm going to the #AWIDForum. It's THE place to connect with women's rights & social justice movements. Join me!: http://forum.awid.org/forum16/

Can't wait to re-imagine #FeministFutures connect with other women's rights & social justice activists @ the #AWIDForum Join me!: http://forum.awid.org/forum16/

I’m so excited to attend the #AWIDForum next September, and now we can register! Join me! http://forum.awid.org/forum16/


Tweets for your institutional handle

Registration is now open for the #AWIDForum! Costa do Sauípe, Brazil, 8-11 Sept. 2016: http://forum.awid.org/forum16/

Join #AWIDForum, a historic global gathering of women's rights & social justice activists: http://forum.awid.org/forum16/

Join #AWIDForum to celebrate the gains of our movements & analyze lessons to move forward: http://forum.awid.org/forum16/

#AWIDForum – not just an event, a chance to disrupt oppression & advance justice: http://forum.awid.org/forum16/

Join the #AWIDForum to celebrate, strategize and renew ourselves and our movements: http://forum.awid.org/forum16/


Feminist Futures

Let's build #FeministFutures together. Register for 2016 #AWIDForum. Costa do Sauípe, Brazil http://forum.awid.org/forum16/

Join us to re-imagine & co-create #FeministFutures at the 2016 #AWIDForum. Register: http://forum.awid.org/forum16/

#FeministFutures: seize the moment @ #AWIDForum to advance shared visions for a just world: http://forum.awid.org/forum16/

We’ll be 2,000 social movement activists @ the #AWIDForum, strategizing our #FeministFutures http://forum.awid.org/forum16/


Cross-movement building

We’re more than a one-issue struggle. Join us at the #AWIDForum: http://forum.awid.org/forum16/

Join #AWIDForum, a space to strategize across movements & leverage our collective power: http://forum.awid.org/forum16/

Mobilize solidarity & collective power across social movements at the #AWIDForum: http://forum.awid.org/forum16/

Break the silos b/w our movements. Re-imagine & co-create our futures. All at the #AWIDForum: http://forum.awid.org/forum16/

Solidarity is a verb. Let’s put it into action at the #AWIDForum: http://forum.awid.org/forum16/


Special messages

Donors engaging with women’s rights and social movements at the #AWIDForum: http://forum.awid.org/forum16/

Media and movements: amplifying #FeministFutures at the #AWIDForum: http://forum.awid.org/forum16/

Back to top


Facebook 

Match up your favourite messages below with these images for Facebook.
These messages may also be used on Twitter via private Direct Messages, which don’t have character limits. 


Facebook messages for your personal profile

The wait is over! We can all register for the 2016 AWID Forum. So excited to reconnect with fellow activists and re-imagine our feminist futures. See you there, in Brazil! http://forum.awid.org/forum16/

I’m so excited to attend the AWID Forum next September, and now we can register! Join me! http://forum.awid.org/forum16/

Loving the thought of re-imagining feminist futures with 2,000 people from lots of amazing women's rights and social justice movements at the AWID Forum. Register and meet me in Brazil! http://forum.awid.org/forum16/

Facebook messages for your organization’s page

Registration is now open for the 2016 AWID Forum in Costa do Sauípe, Brazil! This is not just any event - it’s a key space for women’s rights and social justice activists to come together and re-imagine our feminist futures. You won’t want to miss it! http://forum.awid.org/forum16/

Join us at the 2016 AWID Forum in Brazil! Activists and movements from all over the world will come together to celebrate, strategize, inspire and renew ourselves and our collective struggles. Register now! http://forum.awid.org/forum16/

The 2016 AWID Forum will be a historic global gathering of women’s rights and social justice activists and movements. Join us there to break the silos, strengthen solidarity and leverage our collective power. Register now! http://forum.awid.org/forum16/

Back to top 


LinkedIn

The 2016 AWID Forum will be a historic global gathering of women’s rights and social justice activists and movements. Join us to celebrate, strategize, inspire and renew ourselves and leverage our collective power. Registration is now open! http://forum.awid.org/forum16/

Back to top 

أنا ناشط/ة فردي/ة ولا أعمل مع أي مجموعة، منظمة و\ أو حركة في الوقت الحالي. هل عليّ تعبئة الاستطلاع؟

كلا. نقدّر عملك لكننا لا نطلب من الأفراد تعبئة الاستطلاع في الوقت الحالي.

Clone of Crear | Résister | Transform: A Walkthrough of the Festival! - smaller snippet

Ghiwa-Sayegh-visite guidee du festiva

Crear | Résister | Transform : 
visite guidée du Festival

Alors que le capitalisme hétéropatriarcal s’acharne à nous contraindre au consumérisme et à la conformité, nous constatons que nos luttes sont cloisonnées et séparées par des frontières aussi bien physiques que virtuelles.

Lire plus

Binta Sarr

Binta Sarr was an activist for social, economic, cultural and political justice, and a hydraulic engineer in Senegal. After 13 years in civil service, she left this path to work with rural and marginalized women. 

Out of this engagement grew the Association for the Advancement of Senegalese Women (APROFES), a grassroots movement and organization Binta founded in 1987. One of her main approaches was leadership training, relating not only to economic activities but also to women's rights and access to positions of decision-making. 

“Grassroots populations must organize, mobilize, assume citizen control and demand democratic governance in all sectors of public space. The priority of social movements must go beyond the fight against poverty and must be focused on articulated and coherent development programs in line with human rights principles, while taking into account their needs and concerns both at the national and sub-regional levels and from a perspective of African and global integration.” - Binta Sarr

Rooted in Binta’s conviction that fundamental change in women’s status requires transformation in male attitudes, APROFES took an interdisciplinary approach, using radio, seminars and popular theatre, as well as providing innovative public education and cultural support for awareness-raising actions. Its popular theatre troupe performed original pieces on the caste system in Senegal, alcoholism, and conjugal violence. Binta and her team also looked at the crucial connection between the community and the broader world.

“For APROFES, it is a question of studying and taking into account the interactions between the micro and the macro, the local and the global and also, the different facets of development. From slavery to colonization, neocolonialism and the commodification of human development, most of the resources of Africa and the Third World (oil, gold, minerals and other natural resources) are still under the control of financial cartels and other multinationals that dominate this globalized world.” - Binta Sarr

Binta was one of the founding members of the female section of the Cultural and Sports Association Magg Daan. She received commendations from the Regional Governor and the Minister of Hydrology for her "devotion to rural people."

Born in 1954 in Guiguineo, a small rural town, Binta passed away in September 2019.


Tributes:

“The loss is immeasurable, the pain is heavy and deep but we will resist so as not to mourn Binta; we will not mourn Binta, we will keep the image of her broad smile in all circumstances, to resist and be inspired by her, maintain, consolidate and develop her work…” - Aprofes Facebook page, September 24, 2019

"Farewell Binta! We believe your immense heritage will be preserved." - Elimane FALL, president of ACS Magg-Daan 
 

Pourquoi et comment renouveler votre adhésion de l'AWID

Rencontrez d'autres membres

Nos membres individuel-le-s et institutionnels viennent de 163 pays situés dans TOUTES les régions du monde. Les dernier-ère-s membres à avoir rejoint notre association viennent de l’Inde, du Royaume-Uni, du Sri Lanka et du Kirghizistan. Nos membres contribuent un éventail riche et diversifié de perspectives, d’expériences, de connaissances, d’énergie et d’inspiration !

Connaissez-vous nos profils hebdomadaires de membres ?

En tant que membre de l’AWID, vous pourrez, entre autres avantages, voir votre propre histoire figurer dans la newsletter que nous envoyons à 35,000 abonné-e-s et que nous diffusons par le biais des médias sociaux auprès de 60,000 personnes.

Récemment en vedette :

Rencontrez Angila Ashitua, une jeune femme du comté de Vihiga, situé dans l’ouest du Kenya.

Rencontrez d'autres membres


Connectez, Inspirez, Mobilisez !

Comment ?

Et bien plus encore !

Vous pouvez renouveler votre adhésion pour une période d’1, 2 ou 3 ans. Nous offrons la possibilité d’une adhésion individuelle ou institutionnelle gratuite à ceux et celles dont les revenus ou budgets sont restreints.

Renouvelez votre adhésion dès aujourd’hui !

Si vous rencontrez des difficultés lors de votre identification en ligne et avez besoin d’aide, n’hésitez pas à me contacter à l’adresse suivante : membership@awid.org

 


Les témoignages de nos membre

« Nous trouvons que l’AWID est un réseau particulièrement stimulant et nous nous impliquons dans beaucoup de ses plateformes. » – Engabu Za Tooro (membre institutionnel de l’AWID)

« Je me réjouis d’entamer une collaboration fructueuse avec l’équipe. J’en suis très heureuse. Merci de m’avoir acceptée parmi vos membres. » – R. Chakraborty (membre individuelle de l’AWID)

« Je tiens à remercier infiniment l’AWID ! Vous accomplissez un travail gigantesque. Vos efforts sont grandement appréciés. » – E. Khan (membre individuelle de l’AWID)

Могу ли я заполнить опрос не на платформе KOBO, а поделиться с вами ответами по электронной почте?

Если у вас нет проблем с доступом к платформе, и/или вы не заполняете анкету на других языках, мы настоятельно рекомендуем вам использовать KOBO для стандартизированного сбора и анализа данных.

Clone of #6 - Sexting like a feminist Tweets Snippet FR

Toujours être volontaire à explorer de nouvelles expériences!

Image of a tweet with the photo of American tv Host Steve Harvey. Text says - Me: Sir, have you tried pegging? Him: No, I haven't. Me: Think about it, cuz I would love to screw you the way the workplaces screw employees out of a livable wage.

Moi : Monsieur, avez-vous essayé le pegging?
Lui : Non, madame.
Moi : Pensez-y, parce que j’aimerais bien vous baiser comme ces entreprises qui baisent leur personnel pour un salaire à peine minimum.

Laurie Carlos

Laurie Carlos fue una actriz, directora, bailarina, dramaturga y poeta estadounidense, una artista y visionaria extraordinaria que tenía un poderoso don para hacer surgir el arte en otras personas.

«Laurie entraba en una habitación (cualquier habitación/todas las habitaciones ) con  clarividencia arremolinada, con genio artístico, rigor corporizado, con un realismo feroz— y con la determinación de ser libre... y de liberar a otrxs. Una hacedora de magia. Una vidente. Alguien que cambiaba de formas. Laurie me dijo una vez que entraba en los cuerpos de las personas para descubrir qué necesitaban.» - Sharon Bridgforth

Combinaba estilos de actuación tales como gestos rítmicos y texto. Laurie era mentora de nuevxs actorxs, performers y escritorxs, y ayudaba a difundir su trabajo a través de «Naked Stages», una beca para artistas emergentes. Integraba el Penumbra Theater, con el que colaboraba mediante guiones que produjeran identificaciones, a fin de «traer más voces femeninas al teatro». Laurie integraba también Urban Bush Women, una compañía de danza contemporánea prestigiosa que relata historias sobre mujeres de la diáspora africana.

En 1976, como Lady in Blue, hizo su debut en Broadway, en la producción original galardonada del drama poético de Ntozake Shange For colored girls who have considered suicide / when the rainbow is enuf. La obra de Laurie incluye White Chocolate, The Cooking Show y Organdy Falsetto.

«Cuento las historias en el movimiento (las danzas internas que surgen espontáneamente, como en la vida), la música y el texto. Si escribo una línea, no necesariamente tiene que ser una línea que es hablada; puede ser una línea que es movida. Una línea a partir de la cual se crea música. El gesto se convierte en la oración. Gran parte de quienes somos como mujeres, como personas, tiene que ver con los gestos que hacemos entre nosotrxs todo el tiempo, y en particular, durante momentos emotivos. El gesto se convierte en una oración o una declaración de hechos. Si pongo en un guión “cuatro gestos”, eso no quiere decir que no estoy diciendo nada; significa que lo he abierto para que algo sea dicho físicamente.» - Laurie Carlos

Laurie nació y creció en la ciudad de Nueva York, trabajó y vivió en Twin Cities. Falleció el 29 de diciembre de 2016 a la edad de 67 años, luego de una batalla contra el cáncer de colon.


Tributos:

 «Creo que esa era exactamente la intención de Laurie. Salvarnos. De la mediocridad. Del ego. De la pereza. De la producción de arte a medias. De estar paralizadxs por el miedo. Laurie quería ayudarnos a Brillar plenamente. En nuestra producción artística. En nuestras Vidas.» - Sharon Bridgforth para Pillsbury House Theatre

«Nadie que conociera a Laurie dejaría de definirla como una persona original. Era su propia persona. Era su propia persona, su propia artista; ponía en escena el mundo tal como lo conocía, con verdadero estilo y comprensión, y vivía su arte.» - Lou Bellamy, fundador de Penumbra Theater Company, para Star Tribune

Leer un tributo completo de Sharon Bridgforth (solo en ingles)

8. Finalize and format

Your comprehensive research product is now all organized and edited. You now want to ensure your findings are visually accessible and appealing to facilitate the dissemination.

In this section

Package your long report for public dissemination

Consider developing smaller products along with your long report.

As mentioned in the “Synthesize your research findings,” AWID often pulls smaller products from the lengthy research report. This allows for wider and easier distribution specialized for key audiences.

Always keep your targeted population in mind: who will read your report?

Examples of smaller products distilled from a larger report:

  • Infographics
  • Online gallery
  • An animation presenting your arguments

1. Think as your audience thinks

People are bombarded with information constantly. Your product will have to be visually compelling to maintain the interest of your audience. Again, having an idea of what you hope to accomplish and who you hope to reach, will allow the designer to create targeted products.

A lengthy written PDF report may seem the only way to present your research, but it could appear overwhelming to most people – especially online.

If you want to share your product with an online community, think about creating memes and infographics to use on social media, blogs and web platforms.

When deciding whether to create smaller products, consider dividing your results into several smaller products that you could share with targeted populations or at different times of the year to reactivate the interest on your product.

2. Work with a professional designer

If you have limited time and a little bit of budget, we recommend hiring a design firm.

It can be tempting for economic reasons to use in-house staff to package your report. However, a professional graphic designer can make a huge difference on how your final product looks and thus on how much impact it will have!

The designer (in-house or hired) must be able to:

  • Show you samples of their previous work that is similar to what you seek.

  • Provide you clear advice on how to present your research based on the content you provide and the audience you are targeting.

  • Suggest additional or different pieces to package your product.

What the designer will need from you:

  • A general idea on what you would like the lengthy report to highlight through visuals and graphics (what are the most important pieces of information, the key findings, for example) and some ideas on the types of smaller products you want to create (brochure, an infographic, a series of viral memes, for example). If possible, show the designer examples of similar documents developed by other organizations.
  • Your budget and time frame.
  • Your organization’s visual guidelines if you have any (logo, official colours, fonts, etc...).
  • A few photos copyright free or access to your photo bank if you have one.
  • Key visuals that need to be included – graphs, tables and other visual graphics drawn from your research.

The designer is a graphic expert. S/he is not necessarily familiar with women’s issues and does not know the results of your research, especially if you hire an external firm.

Communicate what elements of this report is important to you and who is your target. The designer will propose a way to highlight these elements and make the whole piece appealing to your users.

3. Make sure it's consistent

While creating a set of smaller information products, do not forget to link them all together:

  • A shorter version of the report that focuses only on your final results and recommendations should present a link to the final, full report
  • A visually compelling infographic that sends a message on the state of funding for your particular research can link to your website and the related section of the full report. It should be associated with a call to share on social media.
  • A short animation video that uses the data, findings and recommendations from your report should link back to your organization website and social media
  • A series of viral memes that can be distributed online should link back to your report, infographic, shorter report, etc.

It is also important to keep the research staff involved, so they can ensure any offshoot products stay true to the actual findings of the research.

Back to top


Control the quality of the translations

After the design and packaging of the final research report is complete, if any of the wording of content was changed, be sure to re-send to translators.

If you create smaller products, once designed and packaged, you will also need to get the copy translated for those pieces. The translations should be clear enough so the designer can apply to the design, even if she/he does not speak the language.

Once translated, make sure to have your design proofread by a native speaker before sharing it!

Back to top


Previous step

7. Synthesize your research findings

Next step

9. Advocate and tell the world


Estimated time:

• 2-3 months

People needed:

• 1 or more research person(s)
• 1 or more editor
• Design staff or hiring design firm
• Translator(s), if necessary

Resources needed:

• List of online spaces for dissemination


Previous step

7. Synthesize your research findings

Next step

9. Advocate and tell the world


Ready to Go? Worksheet

Download the toolkit in PDF

O inquérito tem quantas perguntas?

Um total de 47 perguntas, das quais 27 são obrigatórias* e 20 são opcionais. A maioria das perguntas no inquérito é de escolha múltipla. Encorajamo-lo a responder a todas as perguntas.