Gloria Casarez
Memory as Resistance: A Tribute to WHRDs no longer with us
AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us.
In 2020, we are taking a turn
This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.
49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.
This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.
The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.
The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.
“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb
The Tribute was first launched in 2012
It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.
To date, 467 feminists and WHRDs are featured.
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¿Por qué AWID eligió Taipéi como ubicación del Foro?
Consideramos a Taipéi como el mejor lugar de la región Asia-Pacífico para construir ese espacio seguro y rebelde destinado a nuestra comunidad feminista global.
Taipéi ofrece un cierto grado de estabilidad y seguridad para la diversidad de participantes que convocamos al Foro. Tiene también capacidad logística, y resulta accesible para muchxs viajerxs (con la facilitación de un trámite de visa electrónico para conferencias internacionales).
El Foro es bien recibido por el movimiento feminista local, que está muy interesado en interactuar con feministas de todo el mundo.
Nicole Barakat Snippet EN
Nicole Barakat
Nicole Barakat is a queer femme, SWANA artist born and living on Gadigal Country (so-called Sydney, Australia). She works with deep listening and intuitive processes with intentions to transform the conditions of everyday life. Her work engages unconventional approaches to art-making, creating intricate works that embody the love and patience that characterises traditional textile practices.
Nuestras socias
Este proyecto se desarrolla en colaboración con:
Nadine Shams
CFA FAQ - Registration - AR
تسجيل
Snippet The revolution will be feminist_Fest (FR)
Session plénière:
La révolution sera féministe — ou il n’y aura pas de révolution
Manal Tamimi Palestine
Bubulina Moreno, Colombia
Karolina Więckiewicz, Poland
Anwulika Ngozi Okonjo, Nigeria
Vina Mazumdar
CFA FAQ - Call for activities - Thai
เปิดรับสมัครกิจกรรมภายในงาน
Snippet Elimination of Discrimination_Fest (EN)
The Elimination of Discrimination Against Sex Workers
Kay Thi Win, Asia Pacific Network of Sex Workers (APNSW)
Thin Pa Pa Htun, Aye Myanmar Association
Xiao Shuang, Northeast Transgender Support Network
Cathy Ketepa, Friends Frangipani Inc. PNG
Rajeshwari Prajapati, Society for Women Awareness Nepal (SWAN)
Estela Ambrosio Luna
Maria Auxiliadora Escalante Diaz
هل سيكون هناك أي دعم للمواد أو التكاليف التحضيرية الأخرى لورش العمل؟
يمكنك أن تتوقع جميع المواد الأساسية لورش العمل والعروض التقديمية: اللوحات الورقية، والأقلام والملاحظات اللاصقة، بالإضافة إلى أجهزة العرض والمعدات السمعية والبصرية. أي مواد إضافية تقع على عاتق منظمي/ات النشاط. سيكون الفريق اللوجستي التابع لجمعية حقوق المرأة في التنمية متاحًا للإجابة على الأسئلة وتقديم المشورة.
Snippet Feminist Art Walk_fest (ES)
Paseo de las Artes Feministas
Como parte de nuestro compromiso de lograr una interacción más profunda con artistas y la práctica de la creación conjunta de las Realidades Feministas, AWID colaboró con un grupo de trabajo de artisvistas para promover y fortalecer las agendas y realidades feministas en sus comunidades y movimientos a través de sus expresiones creativas. Nuestra intención en este punto es reunir a creativxs feministas en un espacio pujante y valiente donde puedan desarrollarse y vivir en libertad, y donde puedan romper las narrativas tóxicas para sustituirlas por alternativas transformadoras.
Mechthild "Mel Hired" Möhring
Read also:
We all can dance
by Mechthild Möhring (aka serialmel)
How I punt myself at the narrow hard knitting I once retrieved. I'm dancing in the kitchen when I'm alone. Gracile and powerful. When I'm in company I'm clumsy. My body scandalizes, scandalizes the laws of look I feel, scandalizes the words which banished me. "Of course she can dance, it's in her blood as a Black person." "If she is able to dance nicely she is good in bed" they whisper, they murmur, no - they say it openly into my face. They smirk and rub themselves against me and let me move back. I stumble and fall. My feet reject their duty. Bearish I get out of breath. Smiling I place myself out of events and notice how my face freezes into a mask.
Translated into English by Tsepo Bollwinkel
Original in German
Tanzen können wir alle
Von Mechthild Möhring (aka serialmel)
Wie ich mich stosse an den engen, harten Maschen, in die ich mich einst zurückgezogen habe. Ich tanze in der Küche, wenn ich allein bin. Grazil und kraftvoll. Wenn ich in Gesellschaft bin, bin ich unbeholfen. Mein Körper eckt an, an die Gesetze des Blicks, den ich spüre, an die Worte, die mich bannten. „Natürlich kann sie tanzen, als Schwarze hat sie das im Blut.“ „Wenn sie gut tanzen kann, dann ist sie auch gut im Bett“ flüstern sie, raunen sie, nein, sie sagen es mir laut ins Gesicht. Sie grinsen und reiben sich an mir und lassen mich zurückweichen. Ich stolpere und falle. Meine Füsse verweigern ihren Dienst. Tollpatschig gerate ich ausser Atem. Lächelnd setze ich mich an den Rand des Geschehens und bemerke, wie mein Gesicht zur Maske erstarrt.
Nevena Kostic
