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Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Memory as Resistance: A Tribute to WHRDs no longer with us

AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us. 


In 2020, we are taking a turn

This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.

49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.

This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.

The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.

Visit the online exhibit

The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman

AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.

“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb 


The Tribute was first launched in 2012

It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.

To date, 467 feminists and WHRDs are featured.

Visit the online exhibit

Related Content

Ursula K Le Guin

Ursula was an American novelist who worked mainly in the genres of fantasy and science fiction.

She found fame with The Left Hand Of Darkness, which imagines a future society where people are ambisexual – they have no fixed sex. It explores the effects of gender and sex in society, and was one of the first major feminist science fiction books. Ursula was inspiring in her subversive and original writing, and also for the themes of feminism and freedom she held so dearly.

In a 1983 address at Mills College in California, she told graduates: “Why should a free woman with a college education either fight Macho-man or serve him? Why should she live her life on his terms? I hope you live without the need to dominate, and without the need to be dominated.”

 


 

Ursula K Le Guin, USA

Snippet FEA Otras Union meetings and demonstrations (EN)

Otras Union meetings and demonstrations

A minha participação é confidencial?

É claro que sim. As suas respostas serão eliminadas no final do processamento e da análise dos dados, e só serão usadas para fins de investigação. Os dados NUNCA serão divulgados fora da AWID e serão processados apenas por colaboradores e consultores da AWID que trabalham no projeto WITM connosco. Damos prioridade à sua privacidade e ao seu anonimato. Consulte a nossa política de privacidade detalhada aqui.

Tenderness is the Sharpest Resistance

A Film Series on Asian/Pacific Feminist Realities 

Curated by Jess X. Snow With assistance from Kamee Abrahamian and Zoraida Ingles 

Across Asia and the Pacific, and all of it’s vast diaspora, fierce women and trans folks have been fighting for a future where they can all be free. As rising sea levels threaten the Pacific islands, and the coasts of continental Asia, the fight to protect other Earth and the Ocean intensifies all over the globe. Our planet stores a geologic memory of everything that it has experienced. The rise of colonization, industrialization, and environmental destruction is connected to the rise of the binary patriarchal nation state. The power within the Earth, to reincarnate, heal, and bloom in the face of violence, must then be connected to the woman, to motherhood, to indigeneity and all forces that are expansive, sacred and queer. It is no coincidence that Feminist Realities unite the fight to protect the rights of women, trans and LGBTQ+ people with the fight to protect the Earth. From mother-daughter protectors of Mauna Kea in the Kingdom of Hawaii, to the complex mother-child relationships of Vietnamese refugees, to queer sexual awakenings in conservative India, the reclaimation of home in Inner Mongolia, to the struggle toward LGBTQ liberation in the Phillipines -- this collection of films is a cosmology of the ways current-day Asian Pacific women and queer and trans folks champion the journey to our collective liberation across oceans and borders. 

All of these films have a strong sense of place: indigenous activists protect their sacred lands, youth peel back colonial narratives of their homeland to uncover hidden truths, complex motherhood and relations of care are explored, and characters turn to their own bodies and sexuality as sanctuary when the family and city that surrounds them threaten their safety. 


AFTEREARTH

By Jess X. Snow

“A haunting film with stunning shots invoking feminist environmental resistance and how deeply rooted this is in connection to cultural history and land…”
    - Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin

In the experimental documentary, Afterearth, four women fight to preserve the volcano, ocean, land and air for future generations. Through music, poetry, and heartfelt testimonial that honors locations touched by the Pacific Ocean–Hawaiʻi, the Philippines, China, and North America, Afterearth is a poetic meditation on four women’s intergenerational and feminist relationship to the lands and plants they come from.


STANDING ABOVE THE CLOUDS

By Jalena Keane Lee

In Standing Above the Clouds, Native Hawaiian mother-daughter activists stand together to protect their sacred mountain, Mauna Kea from being used as a site to build one of the world’s largest telescopes. As protectors of Mauna Kea, this film highlights the interconnected relationship between Aloha ʻĀina (love of the land) and love for one’s elders and the future generations to come.


NƯỚC (WATER/HOMELAND)

By Quyên Nguyen-Le

In the experimental narrative short, Nước (Water/Homeland) a Vietnamese-American genderqueer teen challenges dominant narratives of the Vietnam War in Los Angeles, California. Through striking dream sequences and breaks from reality, this film follows their journey to piece together and understand their mother's experience as a Vietnam War refugee. 


KAMA’ĀINA

By Kimi Lee

In Kama’āina, a queer sixteen-year-old girl must navigate life on the streets in Oahu, until she eventually finds refuge by  way of guidance from an auntie at Pu’uhonua o Wai’anae–Hawaiʻi’s largest organized homeless encampment. 


DEVI

By Karishma Dev Dube

In Devi (goddess in Hindi) a young closeted lesbian, Tara risks both family and tradition to embrace her attraction to her family’s maid. Set in New Delhi, Devi is a coming of age story, as it is a commentary on the social and class lines that divide women in contemporary India today.


HEADING SOUTH

By Yuan Yuan

In Heading South, Chasuna, an 8 year old girl, raised by her mother in the Inner Mongolian Plateau, visits her abusive father in the big city. While at her father’s house, she is introduced to a new addition to the family, and must come to terms with the fact that her true home is inseparable from her mother and land.


Outrun

By Johnny Symons & S. Leo Chiang

In the feature film, Outrun, we follow the journey of the first transgender woman in the Philippine Congress. Facing oppression in a predominantly Catholic nation, her triumphant journey becomes an outcry for the rights of LGBTQ+ people globally. 


Spanning documentary, narrative, and experimental forms, these films illustrate that community care, self-love, and deep transformative listening between our loved ones is a portal to the Feminist Realities we are bringing into existence today.  From all across the Asia Pacific and it’s diaspora, these stories teach us that in the face of violence, tenderness is the sharpest force of resistance.

Watch our conversation with the filmmakers


Jess X Snow:

Jess X. Snow is a film director, artist, pushcart-nominated poet, children’s book author and community arts educator who creates queer asian immigrant stories that transcend borders, binaries and time. 

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Our values - esponsibility, Accountability, and Integrity

Responsibility, Accountability, and Integrity

We strive for transparency, responsible use of our resources, fairness in our collaborations and accountability and integrity with our members, partners, funders and the movements with(in) which we work. We are committed to reflecting on our experiences, sharing our learnings openly, and striving to change our practices accordingly.

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Liliana Bodoc

Liliana fue una maestra argentina, una tejedora y una escritora muy reconocida.

Su trilogía La saga de los confines recibió varios premios y es única en el género fantástico por su uso y reimaginación de la mitología de los pueblos indígenas de América del Sur.

El compromiso de Liliana con el feminismo se expresaba en las diversas, ricas y fuertes voces de mujeres en su escritura y especialmente en su extensa obra para lectorxs jóvenes. También tomó posición públicamente en favor del aborto, la justicia económica y la equidad de género.


 

Liliana Bodoc, Argentina

Snippet FEA Union Otras Photo 5 (ES)

Foto de personas sentadas en sillas rojas en una sala de conferencias

ما هو عدد الردود الذي ترغبون بجمعها؟

نهدف للوصول الى 2000 رد، وهذا تقريباً ضعف الردود التي جمعناها من استطلاع "أين المال" الأخير عام 2021.

Actores anti-derechos

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Una red compleja de actores anti-derechos, en constante evolución, está ejerciendo cada vez más influencia en los espacios internacionales y en las políticas nacionales. Respaldados a menudo por financiaciones poco transparentes, estos actores construyen alianzas tácticas sobre distintos temas y cruzando diferentes regiones y credos para aumentar su impacto.

Image from #GenderAndSex Conference
© HazteOir.org/Flickr
23.02.2018 I Congreso Internacional sobre Género, Sexo y Educación (#GenderAndSex Conference)

Estamos viendo actores fascistas y fundamentalistas que, si bien tienen un discurso nacionalista, son completamente transnacionales en lo que respecta a sus basamentos ideológicos, sus alianzas políticas y sus redes de financiamiento. En algunos casos, estos grupos están respaldados por flujos financieros poco transparentes vinculados con grandes empresas o con partidos políticos de extrema derecha. Sin embargo, también crean alianzas estratégicas, que incluyen, en algunos casos, segmentos de los movimientos feministas y por los derechos de las mujeres, y se distancian de los elementos más evidentemente extremistas para parecer más legítimos. Los actores anti-derechos también se expanden y replican su estilo de organización antiderechos (ya sea a través de campañas y grupos de presión, o de litigios estratégicos) en todo el planeta.

Índice de contenidos

  • CitizenGo
  • Alliance Defending Freedom (ADF)
  • Financiación de actores antiderechos
  • Los vínculos entre feministas trans-excluyentes y fundamentalistas cristianxs
  • Ejercicio: Esquematicemos el panorama
  • Historia de movimiento de resistencia: Catolicadas, una poderosa herramienta de comunicación para promover la igualdad de género y los derechos sexuales y reproductivos

Leer el capítulo completo

14th AWID international Forum is cancelled (forum page)

El 14°Foro Internacional de AWID ha sido cancelado

Dada la situación global, nuestra Junta Directiva tomó la difícil decisión de cancelar el Foro que estaba programado en 2021, enTaipei.

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Jacqueline Coulibaly Ki-Zerbo

Jacqueline était une éducatrice malienne pionnière de la cause féministe et nationaliste.

Elle a d’abord enseigné l'anglais au Sénégal avant d'être recrutée en 1961 par le Lycée Philippe Zinda Kaboré à Ouagadougou, au Burkina Faso. Etant donné son engagement militant, elle a pris part au soulèvement populaire du 3 janvier 1966. Entre 1961 et 1966, Jacqueline était par ailleurs responsable de la presse syndicale, La voix des enseignants. Elle a été nommée directrice du Cours normal des jeunes filles (aujourd’hui connu sous le nom de lycée Nelson Mandela) jusqu'en 1974 et s'est consacrée à l'éducation des filles et à la promotion des droits des femmes.

En 1984, elle a reçu le prix Paul G. Hoffmann pour sa contribution remarquable en matière de développement national et international.


 

Jacqueline Coulibaly Ki-Zerbo, Mali/ Burkina Faso

Snippet FEA Principles of Work (FR)

Principes

DE TRAVAIL

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Quem deve realizar este inquérito?

O inquérito destina-se a grupos, organizações e movimentos que trabalham especificamente ou principalmente pelos direitos das mulheres, pessoas LBTQI+ e pela justiça de género, em todos os contextos, em todos os níveis e em todas as regiões. Se este for um dos pilares principais do seu grupo, da sua comunidade, da sua rede ou de qualquer outro tipo de organização, quer esteja registada ou não, seja nova ou já estabelecida, convidamo-lo a participar neste inquérito.

* De momento, não solicitamos respostas de indivídues ou de fundos feministas e de mulheres.

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