The #MeToo movement in China was ignited in January 2018, impelled by the momentum of the #MeToo movement around the globe. The movement was a response to cultural and systemic problems in relation to gender and power within China. The foundation of the movement was laid over decades, with many years of debate and advocacy for gender equality finally erupting into a tremendous force across society. #MeToo has been driven mainly by young people, among whom are countless anonymous women and their allies, and they search for opportunities to realize the ultimate “Chinese Dream”: to transform China into a country with gender equality.
 
The environment for #MeToo movement is extremely adverse in China: the rule of law, the fairness and transparency of government action, and freedom of speech cannot be taken for granted by the movement in China but are the very goals it fights for. From the beginning, it has been an intense struggle, with every victim or activist who comes forward running tremendous risks. From being silenced, humiliated, or retaliated against, to having their safety jeopardized, every success of the #MeToo movement has been won by those who are courageous enough to bear the costs of speaking out and defying censorship.
 
#MeToo in China Exhibition was first held in 2019 and toured in 5 cities. The aim of the exhibition is to bring the personal experiences of the victims and activists to greater prominence and, through engagement with these stories, to inspire our audience to join in the fight. The exhibition has itself become a part of the #MeToo struggle—the exhibition has been beset by challenges on its tour throughout China, on more than one occasion even facing closure.

استنارة بضوء البدر: تجربة “بي دي إس إم” أفريقية

هل اختبرتم من قبل لحظات من الصفاء الذهني العميق أثناء أو بعد ممارسة الجنس؟

اقرأ المزيد هنا

Our strategic plan “Feminist Realities” completed its final year at the end of 2022. For the past five years, this bold framework pushed us to go beyond feminist futures and to recognize the feminist solutions and ways of life that already exist in the here and now. Realities that must be uplifted, celebrated, and popularized. The Feminist Economies We Love multimedia story project and Our:Resource knowledge hub on autonomous ways to resource feminist activism are just two examples of this visionary work, always deeply collective with diverse feminist movements.

Download the full 2022 Annual review

2022 was a year of transitions in AWID.

With this reflection on the year, we invite you to celebrate with us beautiful closures and promising beginnings. Change and transitions are an inseparable part of life and movements, which we seek to embrace with intention and care.

Download the full 2022 Annual review

Es exactamente el mismo proceso, con la misma fecha límite. Por favor utiliza el mismo formulario para presentar tu propuesta de actividad, ya sea esta presencial, en línea o híbrida (presencial y en línea).

somos infinitxs 

Una exposición de Nicole Barakat que encarna su reconexión con los objetos de la diáspora de sus tierras ancestrales en la región del Sudoeste Asiático y África del Norte (SWANA, por sus siglas en inglés).
 
Barakat presenta una colección de obras textiles como manifestaciones de su práctica de conectarse con los objetos desplazados, y a menudo robados, que son exhibidos en colecciones de museos occidentales que incluyen  el Museo del Louvre de París, el Museo Británico de Londres y el Nicholson Museum de Sydney.
 
Para burlar a los guardianes y fisurar las vitrinas que retienen estos objetos ancestrales, Barakat recupera formas de conocimiento precoloniales, no lineales y receptivas que son, a menudo, devaluadas y desestimadas por las instituciones coloniales y patriarcales, utilizando la adivinación con la borra del  café, el trabajo con los  sueños, la escucha intuitiva y las conversaciones con los objetos mismos (fuente).

Sobre Nicole Barakat

Mercredi une note arrive
avec une adresse au dos.

    17 h, ce soir.

L’écriture sur l’invitation—
frêle et brusque—
je l’ai vue cinq fois en cinq ans.

Mon corps se réveille,
fébrile. 

Je dois d’abord me baiser moi-même. 

La marée est haute ce soir et
je
jouis.

Je veux tout ralentir,
goûter le temps et l’espace, les graver
en mémoire.

*

Je ne suis jamais allée dans cette partie de la ville auparavant.
Les endroits inconnus m’excitent,
la façon dont les membres et les veines et les os
résistent à la pourriture,
leur sort incertain.

Arrivée à la porte, je réfléchis à deux fois.
Le couloir est tout noir
et ça me fait faire une pause.

De l’autre côté,
un portail d’odeurs et de couleurs
s’ouvre comme une malédiction,
dans un après-midi ensoleillé.

La brise
fait danser mes cheveux,
pique leur curiosité,
les obligent à se déplacer.

J’entends le fauteuil roulant vrombir,
façonnant les ombres.
Puis je les vois :
un visage de lynx
et un corps comme le mien
et je me retrouve à désirer les deux
de nouveau.
 
La créature me fait signe d’approcher.

Ses gestes écrivent une phrase;
tandis que je m’avance,
je note ses détails :

    flétrir, chair, bonheur

À sa commande, la vigne recouvre le couloir
étreignant des pierres chaudes,
serpentant le long du mur.

Cela devient un verbe,
« escalader »,
et je suis réorientée quand leurs griffes pointent
vers le lit de vigne au centre.

J’entends les roues derrière moi,
puis ce son.
Il résonne
comme aucun autre.
Ses longues ailes noires
montent vers le plafond
puis iel se précipite vers l’avant.

La vision féline scrute chaque détail,
chaque changement,
chaque désir.

Le désir peut-il liquéfier vos muscles? 

      Peut-il agir plus doux que le 
      plus puissant des tranquillisants?

Un lynx coud le monde
à travers nos différences,
tissant de la dentelle autour de mes genoux.

Le désir peut-il écraser la distance du monde, comprimant les secondes?

Iel se rapproche encore,
oeil de lynx rencontrant oeil humain,
reniflant l’air,
transformant le corps en
urgence.

Iel a battu des ailes.
Remuées,
les vignes s’emmêlent autour de ma taille/de mes pertes.

Sa langue amincit le temps,
terrains mouvants,
apaise, avec sa magie,
ce qui remue dessous.

      Je vois le monde en toi, 
      et le monde est épuisé.

Puis iel plaide :

      Laisse-moi me régaler de toi.

En un mot : oui ! L’AWID collabore actuellement avec un Comité d’accessibilité pour veiller à ce que le Forum soit aussi accessible que possible. Nous évaluons actuellement également l’accessibilité du lieu où se tiendra le Forum, des hôtels alentours et des transports. Des informations détaillées sur l’accessibilité lors du Forum de l’AWID seront disponibles dans cette section avant l’ouverture des inscriptions. Si vous avez des questions d’ici là, n’hésitez pas à nous contacter.

Chapter 6

À la Commission africaine et au Système interaméricain, les antidroits promeuvent les notions essentialistes de culture et de genre pour miner les avancées en matière de droits et décrédibiliser la redevabilité. Les antidroits gagnent en influence dans les systèmes de protection des droits humains régionaux et internationaux.

La Commission africaine des droits de l’Homme et des peuples commence à présenter les droits des femmes et droits sexuels comme mettant en danger sa capacité à adresser les « droits réels » et contraires aux « valeurs africaines », un précédent inquiétant à l’égard des droits. Le retrait de son statut d’observatrice à la Coalition des lesbiennes africaines est un exemple de cette tendance, et traduit la répression de l’engagement féministe panafricaniste.

Au sein de l’Organisation des États américains (OEA) et du Système interaméricain de protection des droits humains, les stratégies antidroits incluent l’ONGisation de groupes religieux, l’adoption d’un langage séculier et la prise de contrôle de cadres discriminatoires. L’influence antidroits a pris plusieurs formes, et notamment l’intimidation d’activistes trans et l’entrave à l’introduction d’un langage progressif dans les résolutions.

Sommaire

• Réduire les féministes au silence au sein du Système africain de protection des droits humains
• Les groupes antidroits en Amérique latine : l’Assemblée générale de l’Organisation des États américains (OEA) et le Système interaméricain de protection des droits humains

Lire le chapitre complet

Lost For Words
	Chinelo Onwualu	Ghiwa Sayegh

---

When we are desperate for change, as we are both in illness and insurrection, our language drains of complexity, becomes honed to its barest essentials... As illness and revolution persist, though, the language made in them and about them deepens, lets in more nuance, absorbed in the acutely human experience of encountering one’s limits at the site of the world’s end.
Johanna Hedva

When we began scheming for such an issue with Nana Darkoa, ahead of AWID’s Crear | Résister | Transform: a festival for feminist movements!, we departed from a question that is more of an observation of the state of the world – a desire to shift ground: why do our sexualities and pleasures continue to be tamed and criminalized even as we are told, over and over again, that they bring neither value nor progress? We came to the conclusion that when they are embodied, something about our sexualities works against a world order that continues to manifest itself in border controls, vaccine apartheids, settler colonialism, ethnic cleansing, and rampant capitalism. Could we speak, then, of the disruptive potential of our sexualities? Could we still do that when, in order to be resourced, our movements are co-opted and institutionalized.

When our embodied labor becomes profit in the hands of the systems we seek to dismantle, it is no wonder that our sexualities and pleasures are once again relegated to the sidelines – especially when they are not profitable enough. In many instances during the production of this issue, we asked ourselves what would happen if we refused to accommodate the essential services of capitalism. But can we dare ask that question when we are exhausted by the world? Perhaps our sexualities are so easily dismissed because they are not seen as forms of care. Perhaps what we need is to reimagine pleasure as a form of radical care – one that is also anti-capitalist and anti-institutional.

As we enter our second full year of a global pandemic, our approach to transnational embodiments has had to focus on a single political realization: that taking care is a form of embodiment. And because right now so much of our work is being done without consideration for the borders between and within ourselves, we are all Transnationally Embodied – and we are all failing. We are failing to take care of ourselves and more critically, to take care of each other.

This failure is not of our own making.

Many of our parents thought of labor as transactional, something to be given in exchange for compensation and a guarantee of care. And while that exchange was not always honored, our parents did not expect that their work would provide them fulfillment. They had their leisure, their hobbies, and their communities for that. Today, we their children, who have been conditioned to think of our labor as intertwined with our passion, have no such expectations. We think of work and leisure as one and the same. For too many of us, work has come to embody our whole selves.

However, heteropatriarchal capitalism doesn’t value us, let alone our labor or our sexualities. This is a system that will only demand more and more until you die. And when you die, it will replace you with somebody else. Expectations to be online round the clock mean we simply can’t get away from work, even when we want to. This commercialization of labor, divorcing it from the person, has infiltrated every aspect of our lives and is being perpetuated even in the most feminist, the most radical and revolutionary circles.

Capitalist expectations have always been particularly pernicious to bodies who don’t fit its ideal. And those seeking to consolidate their powers have used the pandemic as an opportunity to target women, sexual minorities, and any others that they see as less than.

This special issue exists because of, and certainly in spite of this.

Almost every contributor and staff member was pushing themselves past their capacity. Every single piece was produced from a place of passion, but also incredible burnout. In a very real way, this issue is an embodiment of transnational labor – and in the digital world we live in, all labor has become transnational labor. As we have to contend with new borders that do not break an old order but reify it, we experienced firsthand, alongside our contributors, how capitalism drains our limits – how it becomes difficult to construct cohesive arguments, especially when these come with a deadline. We collectively became lost for words – because we are lost for worlds.

Feeling lost and alone in the world of heteropatriarchal capitalism is exactly why we need to re-evaluate and rethink our systems of care. In many ways, we turned this issue into a mission of finding pleasure in care. Because it has become more difficult to construct cohesive arguments, visual and creative mediums have come to the forefront. Many who used to write have turned to these mediums as ways to produce knowledge and cut through the mental fog that’s enveloped us all. We brought into the issue other voices, in addition to many whom you heard at the festival, as a way of opening up new conversations, and extending our horizons.

As we are robbed of our words, it is our political duty to continue to find ways to maintain and care for ourselves and each other. So much of our current realities are trying to erase and displace us, while still exploiting our labor. Our embodiment, therefore, becomes a form of resistance; it is the beginning of us finding our way out and into ourselves.

Read in Arabic

A Collective Love Print

“If we can inherit trauma, can we inherit an imprint related to love?”

Read more