In September 2016, the 13th AWID international Forum brought together in Brazil over 1800 feminists and women’s rights advocates in a spirit of resistance and resilience.
This section highlights the gains, learnings and resources that came out of our rich conversations. We invite you to explore, share and comment!
What has happened since 2016?
One of the key takeaways from the 2016 Forum was the need to broaden and deepen our cross-movement work to address rising fascisms, fundamentalisms, corporate greed and climate change.
With this in mind, we have been working with multiple allies to grow these seeds of resistance:
Movements can also benefit from new methodologies on Visioning Feminist Futures (Coming up soon!)
And through our next strategic plan and Forum process, we are committed to keep developing ideas and deepen the learnings ignited at the 2016 Forum.
What happens now?
The world is a much different place than it was a year ago, and it will continue to change.
The next AWID Forum will take place in the Asia Pacific region (exact location and dates to be announced in 2018).
We look forward to you joining us!
About the AWID Forum
AWID Forums started in 1983, in Washington DC. Since then, the event has grown to become many things to many peoples: an iterative process of sharpening our analyses, vision and actions; a watershed moment that reinvigorates participants’ feminisms and energizes their organizing; and a political home for women human rights defenders to find sanctuary and solidarity.
هنالك العديد من الأسباب لتعبئة الاستطلاع منها أنه لديك الفرصة لمشاركة تجربتك المعاشة المتعلقة بحشد الموارد لدعم تنظيمك، أن تعمل/ين من منطلق قوة كخبير/ة بما يتعلق بالأموال ولأين تتحرك ولأين تصل وبذلك المشاركة بالجهد المشترك والمناصرة لتحريك التمويلات الأكبر والأفضل. لقد أثبت استطلاع "أين المال" في العشرين عام الأخيرة أنه مصدر أساسي للشركاء/ الشريكات وكذلك للممولين/ات. ندعوك من كل قلبنا للمشاركة بالنسخة الثالثة لتسليط الضوء على الوضع الفعلي للموارد، وتحد الحلول الخاطئة، والإشارة إلى كيفية تغيير التمويل حتى تزدهر الحركات وتواجه التحديات المعقدة في عصرنا.
Leah Tumbalang était une femme lumad de Mindanao, aux Philippines. L’histoire du peuple autochtone Lumad recouvre des générations de résistance à l'exploitation minière à grande échelle par les entreprises, la protection des domaines ancestraux, des ressources et de la culture, et la lutte pour le droit à l'autodétermination.
Leah était une leader lumad, ainsi qu’une dirigeante du Kaugalingong Sistema Igpasasindog tu Lumadnong Ogpaan (Kasilo), une organisation paysanne lumad plaidant contre l'arrivée des sociétés minières à Bukidnon, dans la province de Mindanao. Elle s’est montrée inébranlable dans son activisme antimines, militant avec ferveur contre les effets dévastateurs de l'extraction minière sur l'environnement et les terres des peuples autochtones. Leah était également une organisatrice de la liste du parti Bayan Muna, membre du parti politique de gauche Makabayan.
Depuis près d’une décennie, Leah (ainsi que d’autres membres de Kasilo) recevait des menaces du fait qu'elle codirigeait l'opposition contre le déploiement de groupes paramilitaires soupçonnés d’être soutenus par des intérêts miniers.
« En tant que leader des Lumad au sein de leur communauté, elle est au premier plan pour lutter en faveur de leurs droits à la terre ancestrale et à l'autodétermination ». - Organisation régionale lumad de Kalumbay
Être en première ligne de la résistance implique également souvent d’être la cible de violences et victime de l’impunité. Leah a non seulement reçu de nombreuses menaces de mort, mais elle a été assassinée le 23 août 2019 à Valencia, dans la province de Bukidnon.
Selon un rapport de Global Witness, « les Philippines sont le pays à avoir été le plus touché en chiffre absolu » pour ce qui est des meurtres d’activistes écologistes en 2018.
Meet Sopo Japaridze, fierce feminist, union leader and chair of the independent service trade union at the Solidarity Network.
She left the country when she was very young to go to the United States where she first became very politically active as a labor organizer. She kept Georgia in the back of her mind all that time, until one day, two decades later, she decided to return.
The existing Georgian union confederation back then was less than ideal. So, equipped with her skills, knowledge and labor organizing experience, Sopo went back to Georgia and built her own union.
Sopo is a passionate researcher and writer. She studies labor and social relations, writes for various publications and is the contributing editor of LeftEast, an Eastern European analytical platform. She also co-founded the political history initiative and podcast, Reimagining Soviet Georgia, where she explores the complexities and nuances of the country's experiences under the Soviet Union, to better understand its past in order to shed light on how to build a better future.
Reason to join 4
Think big! With our international reach, we combine analytical work with political and practical tools for advocacy and transformation to advance the cause of feminist movements at all levels.
Наша группа, организация и/или движение не получали и не мобилизовывали финансирование от внешних спонсоров – можем ли мы принять участие в опросе?
Да! Мы признаем и ценим различные причины, по которым феминистки(-ты), работающие в различных контекстах, не имеют внешнего финансирования. Эти причины могут разниться: от невозможности подавать заявки на гранты из-за несоответствия требованиями и/или невозможности получения денег из-за рубежа, до использования генерируемых автономно ресурсов, в качестве самостоятельной политической стратегии. Мы хотим услышать ваше мнение, независимо от наличия или отсутствия у вас опыта работы с внешним финансированием.
Paulina Cruz Ruiz, from the Rabinal, Baja Verapaz region of Guatemala, was an ancestral Maya Achí (Indigenous) authority and a human rights defender.
She was actively involved in community organizing and resistance, including legal measures against mining projects on Indigenous territory, projects that would severely affect and damage the socio-environmental fabric.
“The extractive industry model promoted by the Guatemalan government and the construction of large-scale development projects on indigenous lands without community consent has been a source of ongoing disputes with resistance movements.” - Minority Rights Group International
Paulina was also part of the March for Dignity, Life and Justice, in which on 1 May 2019 thousands of Guatemalans started a march of eight days against corruption and impunity in the prosecution and assassinations of human rights, peasant and Indigenous leaders and land defenders.
Paulina was murdered on 14 September 2019 near her home in the village of Xococ.
According to the Minority Rights Group International, “one of the major ongoing issues affecting Mayan communities is the increasing activity of the mining industry.”
La mayoría de los Estados miembros de la Unión Europea tienen leyes y prácticas que penalizan o controlan a las trabajadoras sexuales de formas inaceptables para ellas. La criminalización de las trabajadoras sexuales y/o sus clientes solo contribuye a aumentar la vulnerabilidad de las trabajadoras sexuales, que ya enfrentan el estigma, la discriminación y la exclusión por parte del Estado y de la sociedad a diario, especialmente las mujeres trabajadoras, lxs trabajadorxs trans, migrantes y/o racializadxs. En España por ejemplo, el gobierno esta actualmente intentando pasar una Ley Orgánica para la Abolición de la Prostitución, que resultara en mas clandestinidad y violencia. Ven a conocer las historias de trabajadoras sexuales y organizadores sindicales que luchan para decriminilizar el trabajo sexual y promover derechos laborales y condiciones de trabajo digno para lxs trabajadxs sexuales.
Our values - Human Rights
Derechos humanos
Sostenemos la completa aplicación del principio de derechos, incluidos aquellos consagrados en leyes internacionales, y afirmamos la convicción de que todos los derechos humanos están interrelacionados y son interdependientes e indivisibles. Estamos comprometidxs a trabajar por la erradicación de todas las discriminaciones basadas en el género, la sexualidad, la religión, la edad, la capacidad, la etnia, la raza, la nacionalidad, la clase, u otros factores.
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye:
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
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Por enquanto, o inquérito no KOBO está disponível em árabe, inglês, francês, português, russo e espanhol. Terá a oportunidade de selecionar um dos idiomas no início do inquérito.
Snippet FEA Unio Otras Photo 3 (FR)
Membership why page - Kirthi Jayakumar quote
En participant à une activité exclusive pour les membres, j'ai été particulièrement touchée de voir que chacun·e y avait sa place et qu’il n’y avait pas le moindre jugement. Toute la session a été dynamique et vivante.- Kirthi Jayakumar, Fondatrice, The Gender Security Project, Inde
En China, el movimiento #MeToo [«Yo También»] se encendió en enero de 2018, empujado por el ímpetu del movimiento #MeToo de todo el planeta. Fue una respuesta a los problemas culturales y sistémicos relacionados con el género y el poder dentro de China. Las bases del movimiento habían sido establecidas durante décadas, y los muchos años de debate y promoción de la igualdad de género, finalmente, hicieron erupción con tremenda fuerza en toda la sociedad. El movimiento #MeToo fue impulsado fundamentalmente por jóvenes, que incluyen a innumerables mujeres anónimas y sus aliadxs, en busca de oportunidades para hacer realidad el principal «sueño chino»: transformar a China en un país con igualdad de género.
En China, el contexto para el movimiento #MeToo es extremadamente adverso: el Estado de derecho, la justicia y la transparencia de las acciones gubernamentales y la libertad de expresión no pueden darse por descontados, pero estos son precisamente los objetivos por los cuales lucha el movimiento. Ha sido, desde el principio, una lucha intensa, y cada víctima o activista que se visibiliza corre enormes riesgos: desde ser silenciadx o humilladx o de sufrir represalias hasta poner en peligro su seguridad. Todos los éxitos del movimiento #MeToo han sido logrados por quienes son lo suficientemente valientes como para asumir los costos de manifestarse y desafiar la censura.
La exhibición «#MeToo in China» fue inaugurada en 2019 y recorrió cinco ciudades. Su objetivo es dar mayor prominencia a las experiencias personales de lxs víctimas y lxs activistas, para inspirar al público a unirse a la lucha a través del contacto con estas historias. La exposición misma se ha convertido en parte de la lucha #MeToo: ha debido enfrentar desafíos en su itinerario por toda China y, en más de una ocasión, fue amenazada con la clausura.
