Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Movement Building

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Daphne Caruana Galizia

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We have partnered with Global Voices for a special series of pieces for Pride Month 2023 (include music, video, and stories!) engaging with the intersectional issues that queer individuals and communities face around the world.

Add your own propositions

Please take a look at the existing propositions for inspiration before submitting your own idea. Someone might already be thinking along the same lines! Send your proposition to contribute@awid.org.

We will review and include new propositions on this webpage as they come.

CFA 2023 - what you need to know - EN

What you need to know

  • Priority will be given to activities that facilitate and encourage connection and interaction among participants. If your activity can be held online or hybrid (connecting participants on-site and online), please consider how to generate genuine engagement and active participation from online participants.
  • We encourage cross-movement, cross-regional and inter-generational encounters, dialogues and exchanges.
  • Please design your activity in a way that allows flexibility in the number of participants. While a few activities may be limited to smaller groups, the majority will need to accommodate larger numbers.
  • If your activity fits a number of formats or none, you will be able to indicate as such on the application form.

Languages in which you can submit your activity

  • Languages for Applications: Applications will be accepted in English, French, Spanish, Thai and Arabic.
  • Languages at the Forum: Simultaneous interpretation will be provided at the Forum Plenary Sessions in English, French, SpanishThai, and Arabic as well as ISL (International Sign Language) and possibly more. For all other activities, interpretation will be offered in some––but not all––of these languages, and possibly others, such as Swahili and Portuguese.

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Festival Art!

Featuring artwork by Upasana Agarwal, Ika Vantiani, & Naadira Patel.

Click on the images to enlarge

By artist Upasana Agarwal

WebsiteInstagram

Illustrated portrait of Anima Adjepong saying I learn queer as practice, as in the service of freedom… Queer disrupts the normative order we live in, in order to create something else, it is about leadership beyond the individual
Illustrated portrait of Anwulika Okonjo that says: Feminists are World Builders
Portrait of Dilar Dirik saying: “We need to make sure that feminism is a threat to the system”  "We no longer need to just be in solidarity with each other, we need new platforms of common struggles"
Illustrated portrait of Makgosi Letimile saying: Sex toys should not be a luxury. They should be accessible and affordable
Illustrated portrait of Manal Tamimi that says: “You are the fire that keeps everyone warm"
Illustrated portrait of Nana Akosua Hanson that says: "Art allows us to create an alternate reality"
Illustrated portrait of Nomsa Sizani, over a white and turquise background, that says: “When we occupy this land, it is another way of condemning this capitalist system”  “If we don’t so, nobody will liberate ourselves”
Illustrated portrait of Sandie Hanna that says: “Solidarity is a mechanism of survival”  “We need to keep going because continuity is vital in our causes for liberation”
Illustrated portrait of Doctor Vandana Shiva that says: “The panel today is a beautiful awakening of the world that is possible”
Illustrated portrait of Yannia S. Garzón that says: “Recovering the dignity of being a black woman is what keeps me alive”
Illustrated portrait of Dr. Angelique V. Nixon that says: “Listen to your body. It’s smarter than you are.”
 Patricia Wattimena : I want a future where economies work for the women and not women working the economy

By artist Ika Vantiani

Facebook | TwitterInstagram

 
Collage of Mariama Sonko
Collage of Nomsa Sizani
Artistic collage featuring Yania Sofia

By artist Naadira Patel 

Website | Facebook | Instagram

Illustration of several women of color with text that says: Moving from Transactional to Transformative
Illustration of three hand outstretched. Two are spilling seeds into the other. In the center there is planet Earth and a woman walking over plants. The text reads "To defy capitalism we occupy land acting as custodians of diversity"

Winnie Madikizela-Mandela

Winnie has been described as a “militant firebrand activist” who fought the apartheid regime in South Africa.

She was imprisoned multiple times, and on many occasions placed in solitary confinement.

Ma’Winnie, as she is affectionately remembered, was known for being outspoken about the challenges Black women faced during and after apartheid, having been on the receiving end of these brutalities herself as a mother, wife and activist during the struggle. She transcended the misconception that leadership is gender, class or race-based. Despite being a controversial figure, she is remembered by many by her Xhosa name, “ Nomzamo”, which means "She who endures trials".  

Ma’Winnie continues to be an inspiration to many, particularly young South African women for whom her death has spurred a burgeoning movement, with the mantra: "She didn't die, she multiplied."

 


 

Winnie Madikizela-Mandela, South Africa

CFA 2023 - Submit application card - thai

เรายินดีรับข้อเสนอกิจกรรมจากหลากหลายสาขาที่เชื่อมโยงกับแนวคิดสตรีนิยมและความยุติธรรมทางเพศ ในแบบฟอร์มใบสมัครนั้น ท่านจะสามารถทำเครื่องหมายเลือกประเด็นหลักที่เหมาะกับกิจกรรมของท่านได้ มากกว่าหนึ่งหัวข้อ

ส่งใบสมัคร

Annaliza Dinopol Gallardo Capinpin

Known as “Ate Liza,” Annaliza was the president of the Agrarian Reform Council for Mindanao Pioneers, an umbrella group in Tacurong City, Philippines.

A loved mother of four, teacher and community leader, Annaliza is remembered by her community as “she who leads when no one wants to lead, she who talks when no one wants to talk, she who stood with courage to help the agrarian reform beneficiaries to own lands.”

Annaliza was shot dead by unknown assailants in front of the Sultan Kudarat State University (SKSU) while on her way to Salabaca National High School in Esperanza.

Her family have said “Naghihintay pa rin kami ng hustisya para sa kanya” (we are still waiting justice for her).


 

Forum 2024 - FAQ - Registration EN

Registration

Mariam Uy Acob

Mariam was a paralegal at the Kawagib Moro Human Rights Alliance. 

Mariam was a staunch critic of militarization in Moro communities, and consistently denounced aerial bombardment and encampment. She had to seek sanctuary after exposing and calling out the injustices committed against Muslim communities in the Philippines.

She is believed to have been killed by suspected military agents because of her work as a WHRD. The assailants who killed Mariam waited for her, caught up with the vehicle she was using and shot her seven times. 


 

Mariam Uy Acob, Philippines

Will there be accessibility measures at the Forum?

In short, yes! AWID is currently working with an Accessibility Committee to ensure that the Forum is as accessible as possible. We are also conducting an accessibility audit of the Forum venue, surrounding hotels and transportation. Detailed information about accessibility at the AWID Forum will be available in this section before the registration opens. Meanwhile, for any questions please contact us.

Sainimili Naivalu

“I’ve witnessed discrimination on the streets, being teased on the streets and verbally abused on the streets. I have also made numerous friends and have met a lot of people. There may be dangers out there but I am a survivor and this is where I will be for now.”
- Sainimili Naivalu

Sainimili Naivalu was a feminist and disability rights activist from the village of Dakuibeqa on Beqa Island, Fiji.

She demanded policy makers and stakeholders provide disability friendly policies and services such as the construction of ramps in towns and cities to increase accessibility. Physical barriers were not the only ones she strived to change. From her own experience, she knew that more difficult changes need to take place in social and economic spheres. Many of the challenges disabled people face are rooted in attitudes that carry discrimination and stigma. 

A survivor and a fighter, Sainimili contributed to co-creating feminist realities that foster inclusion and shift attitudes towards disabled people. As a member of the Spinal Injury Association of Fiji (SIA) and through Pacific Disability Forum’s Pacific Enable project she attended the International Labour Organisation “Start Your Business” training in Suva, enabling her to transform her ideas into her own business. She was an entrepreneur at the Suva Market Stall 7, offering manicure services, as well as running SIA’s women’s market stall selling handicrafts, sulus and artifacts. Sainimili’s plan was to expand her business and become a major employer of disabled people.

In addition to her activism, she was also a table tennis medalist and youth champion. 

A vivacious personality, Sainimili was one of a kind. You would always know that Sainimili is in a room because her laughter and her stories would be the first thing that you would notice.
- Michelle Reddy

Sainmili passed away in 2019. 

أنا ممول/ة أو مانح/ة فردي/ة. كيف يمكنني دعم منتدى جمعية حقوق المرأة في التنمية؟

ندعوك للتواصل معنا بشأن طرق المشاركة الهادفة في المنتدى.

Binta Sarr

Binta Sarr was an activist for social, economic, cultural and political justice, and a hydraulic engineer in Senegal. After 13 years in civil service, she left this path to work with rural and marginalized women. 

Out of this engagement grew the Association for the Advancement of Senegalese Women (APROFES), a grassroots movement and organization Binta founded in 1987. One of her main approaches was leadership training, relating not only to economic activities but also to women's rights and access to positions of decision-making. 

“Grassroots populations must organize, mobilize, assume citizen control and demand democratic governance in all sectors of public space. The priority of social movements must go beyond the fight against poverty and must be focused on articulated and coherent development programs in line with human rights principles, while taking into account their needs and concerns both at the national and sub-regional levels and from a perspective of African and global integration.” - Binta Sarr

Rooted in Binta’s conviction that fundamental change in women’s status requires transformation in male attitudes, APROFES took an interdisciplinary approach, using radio, seminars and popular theatre, as well as providing innovative public education and cultural support for awareness-raising actions. Its popular theatre troupe performed original pieces on the caste system in Senegal, alcoholism, and conjugal violence. Binta and her team also looked at the crucial connection between the community and the broader world.

“For APROFES, it is a question of studying and taking into account the interactions between the micro and the macro, the local and the global and also, the different facets of development. From slavery to colonization, neocolonialism and the commodification of human development, most of the resources of Africa and the Third World (oil, gold, minerals and other natural resources) are still under the control of financial cartels and other multinationals that dominate this globalized world.” - Binta Sarr

Binta was one of the founding members of the female section of the Cultural and Sports Association Magg Daan. She received commendations from the Regional Governor and the Minister of Hydrology for her "devotion to rural people."

Born in 1954 in Guiguineo, a small rural town, Binta passed away in September 2019.


Tributes:

“The loss is immeasurable, the pain is heavy and deep but we will resist so as not to mourn Binta; we will not mourn Binta, we will keep the image of her broad smile in all circumstances, to resist and be inspired by her, maintain, consolidate and develop her work…” - Aprofes Facebook page, September 24, 2019

"Farewell Binta! We believe your immense heritage will be preserved." - Elimane FALL, president of ACS Magg-Daan 
 

Annual Report 2009

3 women sitting on a roundtable with dmall thumbnails of women's faces on top and text that reads, "AWID ANNUAL REPORT 2009"

Our 2009 Annual Report includes highlights of another busy year of action and reflection at AWID as we implement our commitment to boldly, creatively and effectively contribute to the advancement of women’s rights and gender equality worldwide.

In the report you can find out about our programmatic achievements, membership, finances, what to watch out for in 2010, as well as information about our Board and Staff.

Download PDF

هل تقدم جمعية حقوق المرأة في التنمية منح لحضور المنتدى؟

سيقدم صندوق الوصول الخاص بنا عددًا محدودًا من المنح الدراسية لتمويل مشاركة النشطاء/ الناشطات الذين/ اللواتي لا يستطيعون القيام بذلك، وليس لديهم/ن علاقات مع الممولين/ات الذين/ اللواتي يمكنهم/ن تغطية مشاركتهم/ن. لذلك إذا كان لديك احتمالات أخرى، يرجى استكشافها. سنبذل قصارى جهدنا لتقديم أكبر عدد ممكن من المنح الدراسية، وسنشارك المزيد من المعلومات حول هذه العملية وكيفية التقديم لاحقًا في أوائل العام 2024.

Dorothy Masuka

“I didn’t plan to be a singer, singing planned to be in me.” - Dorothy Masuka (interview with Mail & Guardian)

Dorothy Masuka, born 1935 in Bulawayo (then Southern Rhodesia, now Zimbabwe), grew up in South Africa to become a well-known songwriter, composer, jazz singer and activist, a fervent advocate of the struggle against apartheid. Called “an architect of the discourse of popular African liberation music”, Dorothy often sang about politics in indigenous African languages and throughout her work she confronted the racist policies of the South African government.

One such song titled “Dr. Malan” (named after the pro-apartheid politician D.F. Malan) was banned. She went on to record “Lumumba” (1961), a song about the assassination of the anti-colonial leader Patrice Lumumba. Dorothy’s work and activism attracted the attention of the Special Branch of the South African police and she was forced into a political exile that would span over three decades. Throughout this time, she worked with pro-independence groups including the African National Congress. In 1992, as apartheid started to crumble and Nelson Mandela was released from prison, she returned to South Africa. 

Some of her other work includes the first song she recorded in 1953 entitled “Hamba Notsokolo”, a hit in the 1950s and a valued classic. She also wrote “El Yow Phata Phata”, a song that was adapted by Miriam Makeba, making “Pata, Pata” popular internationally.

Rooted in resistance, Dorothy’s music and activism were intertwined, leaving a magnificent and inspiring legacy. She was also widely known as “Auntie Dot”. 

On 23 February 2019 at the age of 83, Dorothy passed away in Johannesburg due to ill health. 


Watch Dorothy Masuka in an interview with Mail & Guardian

Listen to some of her music:

Hamba Nontsokolo
El Yow Phata Phata
 

Sara AbuGhazal

Biography

Sara AbuGhazal is a Palestinian feminist living in Beirut. She is a co-founder of Sawt al-Niswa, a collective that produces knowledge in Beirut. She is the co-director of The Knowledge Workshop, a feminist organization based in Beirut that works on feminist oral history and archiving. Sara is currently the Regional Coordinator of the Regional Coalition for Women Human Rights Defenders in the Middle East and North Africa.

Sara strives to help create spaces of feminist transformation and solidarity. Her work is mostly centered on building sustainable movements in the MENA region. She is invested in knowledge production, feminist transformation, and Palestine. She publishes regularly in sawtalniswa.org and her fiction also appears in Romman e-magazine.

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لقد تقدمت بطلب للمشاركة في المنتدى السابق، هل أحتاج إلى إعادة التقديم؟

نعم من فضلك. لقد تغير العالم منذ عام 2021 ونحن ندعوك لتقديم مقترح يعكس واقعك وأولوياتك الحالية.