Co-Creating Feminist Realities
What are Feminist Realities?
Feminist Realities are the living, breathing examples of the just world we are co-creating. They exist now, in the many ways we live, struggle and build our lives.
Feminist Realities go beyond resisting oppressive systems to show us what a world without domination, exploitation and supremacy look like.
These are the narratives we want to unearth, share and amplify throughout this Feminist Realities journey.
Transforming Visions into Lived Experiences
Through this initiative, we:
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Create and amplify alternatives: We co-create art and creative expressions that center and celebrate the hope, optimism, healing and radical imagination that feminist realities inspire.
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Build knowledge: We document, demonstrate & disseminate methodologies that will help identify the feminist realities in our diverse communities.
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Advance feminist agendas: We expand and deepen our collective thinking and organizing to advance just solutions and systems that embody feminist values and visions.
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Mobilize solidarity actions: We engage feminist, women’s rights and gender justice movements and allies in sharing, exchanging and jointly creating feminist realities, narratives and proposals at the 14th AWID International Forum.
The AWID International Forum
As much as we emphasize the process leading up to, and beyond, the four-day Forum, the event itself is an important part of where the magic happens, thanks to the unique energy and opportunity that comes with bringing people together.
We expect the next Forum to:
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Build the power of Feminist Realities, by naming, celebrating, amplifying and contributing to build momentum around experiences and propositions that shine light on what is possible and feed our collective imaginations
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Replenish wells of hope and energy as much needed fuel for rights and justice activism and resilience
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Strengthen connectivity, reciprocity and solidarity across the diversity of feminist movements and with other rights and justice-oriented movements
Learn more about the Forum process
We are sorry to announce that the 14th AWID International Forum is cancelled
Given the current world situation, our Board of Directors has taken the difficult decision to cancel Forum scheduled in 2021 in Taipei.
Related Content
My group or I were supposed to participate in the Forum that was canceled in the pandemic, how can I be engaged in this Forum?
We will reconnect with past partners, to ensure past efforts are honored. If your contact information has changed since the last Forum process, please update us so that we may reach you.
Disintegration | Small Snippet EN
Rosalyn Albaniel Evara
CFA 2023 - Forum Theme - EN
Rising Together: Connect, Heal, Thrive
The Forum theme––Rising Together––is an invitation to engage with our whole selves, to connect with each other in focused, caring and brave ways, so that we can feel the heartbeat of global movements and rise together to meet the challenges of these times.
Feminist, women’s rights, gender justice, LBTQI+ and allied movements around the world are at a critical juncture, facing a powerful backlash on previously-won rights and freedoms. Recent years have brought the rapid rise of authoritarianisms, the violent repression of civil society and criminalization of women and gender-diverse human rights defenders, escalating war and conflict in many parts of our world, the continued perpetuation of economic injustices, and the intersecting health, ecological and climate crises.
Our movements are reeling and, at the same time, seeking to build and maintain the strength and fortitude required for the work ahead. We can't do this work alone, in our silos. Connection and healing are essential to transforming persistent power imbalances and fault lines within our own movements. We must work and strategize in interconnected ways, so that we can thrive together. The AWID Forum fosters that vital ingredient of interconnectedness in the staying power, growth and transformative influence of feminist organizing globally.
A Collective Love Print | Small Snippet EN
A Collective Love Print
“If we can inherit trauma, can we inherit an imprint related to love?”
Abby Lippman
Abby was a pioneering feminist, human-rights activist and former McGill University epidemiologist.
Abby was renowned for championing social causes and for her insightful critiques of reproductive technologies and other medical topics. Specifically, she campaigned against what she called the "geneticization" of reproductive technologies, against hormone replacement therapy and for better, longer research before the approval of discoveries such as the vaccines against the human papillomavirus.
On the news of her passing, friends and colleagues described her fondly as an “ardent advocate” for women’s health.
CFA 2023 - Online and Hybrid - thai
ใหม่
การประชุมออนไลน์และแบบผสมผสานรูปแบบ
ผู้เข้าร่วมประชุมออนไลน์สามารถดำเนินรายการในโปรแกรมต่างๆ เชื่อมต่อและสนทนากับผู้อื่น และสัมผัสประสบการณ์ความคิดสร้างสรรค์ ศิลปะ และการเฉลิมฉลองของเวที AWID ได้โดยตรง ผู้เข้าร่วม ที่เชื่อมต่อออนไลน์จะได้พบกับกับโปรแกรมที่เข้มข้นและหลากหลาย ตั้งแต่การประชุมเชิงปฏิบัติการ การอภิปราย ไปจนถึงโปรแกรมกิจกรรมเยียวยาและการแสดงดนตรี โดยที่กิจกรรมบางอย่างจะเน้น การเชื่อมต่อระหว่างผู้เข้าร่วมออนไลน์ด้วยกัน ในขณะที่กิจกรรมอื่นๆจะเป็นการเชื่อมต่อแบบผสมผสาน เพื่อการมีปฏิสัมพันธ์กันระหว่างผู้เข้าร่วมออนไลน์และผู้ที่อยู่กรุงเทพฯ
Chinelo Onwualu Snippet | AR

تشينيلو أونوالو، مستشارة في الشؤون التحرِيرية، مع 10 سنوات من الخبرة في صياغة الاتصالات الاستراتيجية للمنظمات غير الربحية في جميع أنحاء العالم. من بين عملائها منظمة ActionAid Nigeria و BBC World Trust و Open Society Initiative for West Africa و AWID. حائزة على درجة الماجستير في الصحافة من جامعة سيراكيوز. عملت كاتبة ومحررة وباحثة في نيجيريا وكندا والولايات المتحدة. وهي أيضًا محررة في مجلة Anathema والمؤسس المشارك في Omenana، وهي مجلة من قصص الخيال الأفريقي. ظهرت قصصها القصيرة في العديد من المختارات الحائزة على جوائز، ورُشّحت لجوائز الخيال العلمي البريطانية، وجوائز نومو للخيال الأفريقي المضارب، وجائزة يوم القصة الافريقية القصيرة. تشينيلو من نيجيريا لكنها تعيش في تورنتو مع شريكها وطفلها.
Jacqueline Coulibaly Ki-Zerbo
Jacqueline was a pioneering Malian/Burkinabe feminist, nationalist and educator.
She taught English in Senegal, before being recruited in 1961 as an English teacher at the Lycée Philippe Zinda Kaboré in Ouagadougou, Burkina Faso. Through her activism, she was involved in the popular uprising of January 3, 1966. Between 1961 and 1966, Jacqueline was also responsible for the trade union press, Voices of the Teachers. She was appointed as the head of the Normal Course for Young Girls (now known as Nelson Mandela High School) until 1974, and dedicated herself to girls’ education and advancing women’s rights.
In 1984 she was awarded the Paul G. Hoffmann Award for outstanding work in national and international development.
CFA 2023 - Submit Button - thai
Curatorial Note by Rula Khoury
Feminist Art Walk
Curatorial Note by Rula Khoury
As part of our commitment to engage more deeply with artists and the practice of co-creating Feminist Realities, AWID collaborated with an Artist Working Group to advance and strengthen feminist agendas and realities in their communities and movements through their creative expression. Our intention here is to bring feminist creatives together in a powerful and brave space where they grow and live freely, and where they shatter toxic narratives to replace them with transformative alternatives.
This exhibition gathers the work of artists and collectives from across the globe, those who are actively creating the difference that we want to see in the world. These feminist creatives include Upasana Agarwal, Nicole Barakat, Siphumeze Khundayi, Katia Herrera, Ali Chavez Leeds, Colectivo Morivivi, Ika Vantiani, and the curators behind the #MeToo in China exhibition. Their voices stand strong in their refusal to accept the limitations imposed by patriarchy, and amplify their commitments to the communities they are working in and with. In their own way, each artwork represents daily acts of resistance, untold stories and identities, connections to land and ancestry, and most importantly, the solidarity that exists within and amongst feminist movements and struggles. These artists are both inspired by and inspire creative strategies of feminist resistance and initiatives that show us how we can all live in a more just world - a world that centers care and healing.
So'oalo Roger
So'oalo was a fervent human rights advocate, especially pertaining to the rights of the LGBTQI community in the Pacific.
She was a member of the Samoa Fa’afafine Association (SFA) and a passionate advocate for the acknowledgement of a third gender in the island country. Under her leadership, the SFA pushed for the recognition of the validity and rights of the fa’afafine community.
She was also a pioneer in articulating the links between human rights, exploitation of fa’afafines in Samoa and the Pacific, and the health, wellbeing and security of the LGBTQI community.
She was an inspiration, a visionary and her dedication to the pursuit of rights for her community is admirable and will be remembered.
Are there some red line topics we should avoid submitting?
The AWID Forum has always been a space that doesn’t shy away from much needed and difficult conversations. We welcome these submissions when the organizers can carefully hold a respectful and safer space for the participants.
Snippet From the Heart of the Commune_Fest (EN)
Nadine Ramaroson
Nadine was a role model to many for her work supporting women and the most vulnerable in her community. She was committed to helping the poor and homeless in particular.
Though her death was reported as an accident, the Ramaroson family, led by her father, André Ramaroson led an investigation that pointed to evidence that she had been murdered. She is reported to have died in a fatal accident occurred between Soanierano - Ivongo and Ste Marie - a story that has been refuted by her family.
She received numerous death threats for her bold political positions. Her case remains in court in Antananarivo (the capital of Madagascar).
ทำไมจึงเป็นกรุงเทพ
ฟอรัมแต่ละครั้งถูกจัดขึ้นในภูมิภาคต่างๆทั่วโลก และครั้งนี้ AWID ฟอรัมกลับมาจัดที่เอีเชียอีกครั้ง! เราได้ผ่านการไปเยี่ยมเยือนประเทศต่างๆในเอเชียเพื่อหารือกับขบวนการเฟมินิสต์เพื่อประเมินรายละเอียดด้านโลจิสติกส์ การเข้าถึงง่าย ความปลอดภัย วีซ่า และความพร้อมด้านอื่นๆ โดยคณะกรรมการ AWID ของเรา อนุมัติให้จัดที่กรุงเทพอย่างกระตือรือร้นในฐานะทางเลือกที่ดีที่สุด เราตื่นเต้นที่ได้กลับมากรุงเทพที่ที่เราเคยได้จัด AWID ฟอรัมในปีพ.ศ. 2548
Carol Thomas
Carol Thomas was a trailblazer for women’s sexual and reproductive rights in South Africa. A gifted gynecologist and founder of the WomenSpace, she practiced and advocated for non-traditional ways of delivering healthcare to women, offering services that were high quality, empathetic and accessible.
“She entered into not only the joy of pregnancies and new babies, but the anxieties of infertility and premature deliveries and female cancers, the heartbreak of miscarriages and stillbirths.” Helen Moffett
Carol thought in new paradigms that centered the needs of women with the least access to services and rights in society:
“The prevailing socio-economic environment that we find ourselves in means that women bear a disproportionate burden of disease and unemployment…As a black, previously disadvantaged woman I have a good sense of what is happening in our communities.” - Carol Thomas
Carol’s innovative and multi-award-winning social venture “iMobiMaMa” used mobile kiosks and interactive technology to connect women directly with antenatal and reproductive health services, information and support in communities all over South Africa.
Carol supported women both in wanted and unwanted pregnancies, mentoring many nurses and doctors during her lifetime.
She was also described as the go-to gynecologist “for trans folks who could have affirming care. She got it right when so many did not have the language or pronouns. Her warm blankets, listening and saying just what you needed to hear was so comforting.” -Marion Lynn Stevens
Carol Thomas was described as being at the height of her professional career when she died on 12 April 2019 of complications following a double lung transplant.
The tributes that poured in following her unexpected death referred to her as many things:
“a role model, warrior woman, innovator, dynamic leader, mould-breaker, dynamo, brilliant scientist, compassionate doctor.”
Undoubtedly, Carol Thomas will be remembered and honored for being all of this and much more.
มีคนจำนวนมากกว่าหนึ่งคนในองค์กรของฉันวางแผนว่าจะเข้าร่วมฟอรัมนี้ มีส่วนลงสำหรับการลงทะเบียนแบบกลุ่มหรือไม่
AWID ไม่มีส่วนลดสำหรับการลงทะเบียนแบบกลุ่ม แต่เรามีส่วนลดสำหรับสมาชิก (คลิกที่นี่เพื่อดูวิธีการเข้าเป็นสมาชิก)
Sarah Maldoror
“I’m no adherent to the concept of the ‘Third World’. I make films so that people - no matter what race or color they are - can understand them. For me there are only exploiters and the exploited, that’s all. To make a film means to take a position.” - Sarah Maldoror
Her groundbreaking film and “revolutionary picture” Sambizanga (1972) follows Angolan militants’ anti-colonial liberation struggle, as well as captures a woman’s perspective in a historical moment she finds herself in.
“For many African filmmakers, cinema is a revolutionary tool, a political education to raise consciousness. It is inscribed in the evolution of a Third Cinema striving to decolonize thought and advocate radical changes in society.” - Sarah Maldoror
Throughout her career, Sarah - together with a number of African and Caribbean artists - co-founded (1956) the first Black theatre troupe in France. She made around 40 films, comprising important documentaries that amplify the lives and work of black artists, including her friend and poet Aimé Césaire who wrote to her:
“To Sarah Maldo
who, a camera in hand,
fights oppression, alienation
and flies in the face
of human bullshit.”
Sarah was also committed to giving African women more ownership of the filmmaking process. In an interview, she pointed out:
"African women must be everywhere. They must be in the images, behind the camera, in the editing room and involved in every stage of the making of a film. They must be the ones to talk about their problems."
Sarah left an incredibly powerful legacy to be carried forward.
Born 19 July 1929, Sarah passed away on 13 April 2020 from complications of the coronavirus.
Watch Sambizanga and read a film review in a 1973 New York Times article
