Effective as of 25 Apr 2023. 

Please click here to view the previous version of our Privacy Policy.

This Privacy Policy describes how the Association for Women’s Rights in Development and our subsidiaries and affiliates (“AWID,” “we,” “us” or “our”) handles personal information that we collect through our website that links to this Privacy Policy (the “Site”), as well as through social media, our marketing activities, our live events and other activities described in this Privacy Policy (“Service”).  

Index

Personal information we collect

How we use your personal information

How we share your personal information

Your choices

Other sites and services 

Security

International data transfers

Children

Changes to this Privacy Policy

How to contact us

Notice to European users

Personal information we collect

Information you provide to us.  Personal information you may provide to us through the Service or otherwise includes:

• Contact data, such as your first and last name, salutation, email address, billing and mailing addresses, professional title and company name, and phone number.
• Demographic data, such as your city, state, country of residence, postal code, date of birth, gender, pronouns, preferred language of communication, and information about how you identify (race/ethnicity, disabilities, migrant, sex worker, etc.).
• Communications data, based on our exchanges with you, including when you contact us through the Service, social media, or otherwise. 
• Marketing data, such as your preferences for receiving our marketing communications and details about your engagement with them.
• User-generated content data, such as profile pictures, photos, images, music, videos, comments, questions, messages, works of authorship, and other content or information that you generate, transmit, or otherwise make available on the Service, as well as associated metadata.  Metadata includes information on how, when, where and by whom a piece of content was collected and how that content has been formatted or edited.  Metadata also includes information that users can add or can have added to their content, such as keywords, geographical or location information, and other similar data. 
• Payment data needed to complete transactions, including payment card information or bank account number.
• Other data not specifically listed here, which we will use as described in this Privacy Policy or as otherwise disclosed at the time of collection.

Automatic data collection.  We, our service providers, and our business partners may automatically log information about you, your computer or mobile device, and your interaction over time with the Service, our communications and other online services, such as:

• Device data, such as your computer or mobile device’s operating system type and version, manufacturer and model, browser type, screen resolution, RAM and disk size, CPU usage, device type (e.g., phone, tablet), IP address, unique identifiers, language settings, mobile device carrier, radio/network information (e.g., Wi-Fi, LTE, 3G), and general location information such as city, state or geographic area.
• Online activity data, such as pages or screens you viewed, how long you spent on a page or screen, the website you visited before browsing to the Service, navigation paths between pages or screens, information about your activity on a page or screen, access times and duration of access, and whether you have opened our emails or clicked links within them.

Cookies and similar technologies. Some of the automatic collection described above is facilitated by cookies, which are small text files that websites store on user devices and that allow web servers to record users’ web browsing activities and remember their submissions, preferences, and login status as they navigate a site. Cookies used on our sites include both “session cookies” that are deleted when a session ends, “persistent cookies” that remain longer, “first party” cookies that we place and “third party” cookies that our third-party business partners and service providers place. 

How we use your personal information

We may use your personal information for the following purposes or as otherwise described at the time of collection:

Service delivery and business operations.  We may use your personal information to:

• provide, operate and improve the Service;
• communicate with you about the Service, including by sending announcements, updates, security alerts, and support and administrative messages;
• communicate with you about events or contests in which you participate;
• understand your needs and interests, and personalize your experience with the Service and our communications; and
• provide support for the Service, and respond to your requests, questions and feedback.

Research and development.  We may use your personal information for research and development purposes, including to analyze and improve the Service. As part of these activities, we may create aggregated, de-identified and/or anonymized data from personal information we collect.  We make personal information into de-identified or anonymized data by removing information that makes the data personally identifiable to you.  We may use this aggregated, de-identified or otherwise anonymized data and share it with third parties for our lawful business purposes, including to analyze and improve the Service and promote our business.

Marketing.  We and our service providers may collect and use your personal information to send you direct marketing communications.  You may opt-out of our marketing communications as described in the Opt-out of marketing section below. 

Compliance and protection.  We may use your personal information to:

• comply with applicable laws, lawful requests, and legal process, such as to respond to subpoenas or requests from government authorities;
• protect our, your or others’ rights, privacy, safety or property (including by making and defending legal claims); 
• audit our internal processes for compliance with legal and contractual requirements or our internal policies; 
• enforce the terms and conditions that govern the Service; and 
• prevent, identify, investigate and deter fraudulent, harmful, unauthorized, unethical or illegal activity, including cyberattacks and identity theft.  

With your consent.  In some cases, we may specifically ask for your consent to collect, use or share your personal information, such as when required by law.  

Cookies and similar technologies. In addition to the other uses included in this section, we may use the Cookies and similar technologies described above for the following purposes:

• Technical operation. To allow the technical operation of the Service, such as by remembering your selections and preferences as you navigate the site.
• Functionality. To enhance the performance and functionality of our services.
• Analytics. To help us understand user activity on the Service, including which pages are most and least visited and how visitors move around the Service, as well as user interactions with our emails. For example, we use Google Analytics for this purpose. You can learn more about Google Analytics and how to prevent the use of Google Analytics relating to your use of our sites here: https://tools.google.com/dlpage/gaoptout?hl=en. 

Retention. We generally retain personal information to fulfill the purposes for which we collected it, including for the purposes of satisfying any legal, accounting, or reporting requirements, to establish or defend legal claims, or for fraud prevention purposes.  To determine the appropriate retention period for personal information, we may consider factors such as the amount, nature, and sensitivity of the personal information, the potential risk of harm from unauthorized use or disclosure of your personal information, the purposes for which we process your personal information and whether we can achieve those purposes through other means, and the applicable legal requirements.   

When we no longer require the personal information we have collected about you, we may either delete it, anonymize it, or isolate it from further processing.  

How we share your personal information

We may share your personal information with the following parties and as otherwise described in this Privacy Policy or at the time of collection.  

Affiliates.  Our corporate parent, subsidiaries, and affiliates, for purposes consistent with this Privacy Policy.

Service providers.  Third parties that provide services on our behalf or help us operate the Service or our business (such as hosting, information technology, customer support, email delivery, marketing, consumer research and website analytics). 

Payment processors. Any payment card information you use to make a purchase on the Service is collected and processed directly by our payment processors, such as Stripe.  Stripe may use your payment data in accordance with its privacy policy, https://stripe.com/en-gb/privacy. You may also sign up to be billed by your mobile communications provider, who may use your payment data in accordance with their privacy policies.

Third parties designated by you. We may share your personal data with third parties where you have instructed us or provided your consent to do so. We will share personal information that is needed for these other companies to provide the services that you have requested. Moreover, you may choose to translate user-generated content using Google Translate. Google may use your user-generated content in accordance with its privacy policy, https://policies.google.com.Professional advisors.  Professional advisors, such as lawyers, auditors, bankers and insurers, where necessary in the course of the professional services that they render to us.

Authorities and others. Law enforcement, government authorities, and private parties, as we believe in good faith to be necessary or appropriate for the compliance and protection purposes described above. 

Other users.  Your profile and other user-generated content data (except for messages)     may be visible to other users of the Service. For example, other users of the Service may have access to your information if you chose to make your profile or other personal information available to them through the Service, such as when you provide comments, reviews, survey responses, or share other content.   This information can be seen, collected and used by others, including being cached, copied, screen captured or stored elsewhere by others (e.g., search engines), and we are not responsible for any such use of this information.

Your choices 

In this section, we describe the rights and choices available to all users. Users who are located in the United Kingdom, Switzerland, and the European Economic Area can find additional information about their rights below.

Opt-out of marketing communications.  You may opt-out of marketing-related emails by following the opt-out or unsubscribe instructions at the bottom of the email, or by contacting us.  Please note that if you choose to opt-out of marketing-related emails, you may continue to receive service-related and other non-marketing emails.  

Declining to provide information. We need to collect personal information to provide certain services.  If you do not provide the information we identify as required or mandatory, we may not be able to provide those services.

Delete your content or end your membership. You can choose to delete certain content you have provided to us.  If you wish to request to end your membership, please contact us.

Other sites and services

The Service may contain links to websites, mobile applications, and other online services operated by third parties.  In addition, our content may be integrated into web pages or other online services that are not associated with us.  These links and integrations are not an endorsement of, or representation that we are affiliated with, any third party.  We do not control websites, mobile applications or online services operated by third parties, and we are not responsible for their actions. We encourage you to read the privacy policies of the other websites, mobile applications and online services you use.

Security 

We employ a number of technical, organizational and physical safeguards designed to protect the personal information we collect.  However, security risk is inherent in all internet and information technologies and we cannot guarantee the security of your personal information. 

International data transfer

We are headquartered in the United States and may use service providers that operate in other countries. Your personal information may be transferred to the United States or other locations where privacy laws may not be as protective as those in your state, province, or country.  

Users in the United Kingdom, Switzerland, and the European Economic Area should read the important information provided below about transfer of personal information outside of the European Union. 

Children  

The Service is not intended for use by anyone under 18 years of age. If you are a parent or guardian of a child from whom you believe we have collected personal information in a manner prohibited by law, please contact us.  If we learn that we have collected personal information through the Service from a child without the consent of the child’s parent or guardian as required by law, we will comply with applicable legal requirements to delete the information.

Changes to this Privacy Policy 

We reserve the right to modify this Privacy Policy at any time. If we make material changes to this Privacy Policy, we will notify you by updating the date of this Privacy Policy and posting it on the Service or other appropriate means.  Any modifications to this Privacy Policy will be effective upon our posting the modified version (or as otherwise indicated at the time of posting). In all cases, your use of the Service after the effective date of any modified Privacy Policy indicates your acknowledgment that the modified Privacy Policy applies to your interactions with the Service and our business.

How to contact us

• Email: Contact Us 
• Mail: 192 Spadina Ave, Suite 300, Toronto, ON M5T 2C2
• Phone: 416 594 3773

Notice to European Users

Where this Notice to European users applies. The information provided in this “Notice to European users” section applies only to individuals located in the EEA or the UK (EEA and UK jurisdictions are together referred to as “Europe”).

Personal information. References to “personal information” in this Privacy Policy should be understood to include a reference to “personal data” (as defined in the GDPR) – i.e., information about individuals from which they are either directly identified or can be identified. It does not include “anonymous data” (i.e., information where the identity of individual has been permanently removed). The personal information that we collect from you is identified and described in greater detail in the section “Personal information we collect”.

Controller. AWID is the controller in respect of the processing of your personal information covered by this Privacy Policy for purposes of European data protection legislation (i.e., the EU GDPR and the so-called ‘UK GDPR’ (as and where applicable, the “GDPR”)). See the How to contact us section above for our contact details. 

Our legal bases for processing. In respect of each of the purposes for which we use your personal information, the GDPR requires us to ensure that we have a “legal basis” for that use. 

Our legal bases for processing your personal information described in this Privacy Policy are listed below.

• Where we need to process your personal information to deliver our Services to you (including our Site) (“Contractual Necessity”).
• Where it is necessary for our legitimate interests and your interests and fundamental rights do not override those interests (“Legitimate Interests”). More detail about the specific legitimate interests pursued in respect of each Purpose we use your personal information for is set out in the table below.
• Where we need to comply with a legal or regulatory obligation (“Compliance with Law”).
• Where we have your specific consent to carry out the processing for the Purpose in question (“Consent”).  

We have set out below, in a table format, the legal bases we rely on in respect of the relevant Purposes for which we use your personal information – for more information on these Purposes and the data types involved, see How we use your personal information above.

Retention. We retain personal information for as long as necessary to fulfill the purposes for which we collected it, including for the purposes of satisfying any legal, accounting, or reporting requirements, to establish or defend legal claims, or for compliance and protection purposes, unless specifically authorized to be retained longer.  

To determine the appropriate retention period for personal information, we consider the amount, nature, and sensitivity of the personal information, the potential risk of harm from unauthorized use or disclosure of your personal information, the purposes for which we process your personal information and whether we can achieve those purposes through other means, and the applicable legal requirements. 

When we no longer require the personal information, we have collected about you, we will either delete or anonymize it or, if this is not possible (for example, because your personal information has been stored in backup archives), then we will securely store your personal information and isolate it from any further processing until deletion is possible. If we anonymize your personal information (so that it can no longer be associated with you), we may use this information indefinitely without further notice to you.

Other information

No obligation to provide personal information. You do not have to provide personal information to us. However, where we need to process your personal information either to comply with applicable law or to deliver our Services to you, and you fail to provide that personal information when requested, we may not be able to provide some or all of our Services to you. We will notify you if this is the case at the time.

No Automated Decision-Making and Profiling. As part of the Services, we do not engage in automated decision-making and/or profiling, which produces legal or similarly significant effects. We will let you know if that changes by updating this Privacy Policy.

Security. We have put in place procedures designed to deal with breaches of personal information. In the event of such breaches, we have procedures in place to work with applicable regulators. In addition, in certain circumstances (including where we are legally required to do so), we may notify you of breaches affecting your personal information.

Your rights

General. European data protection laws give you certain rights regarding your personal information. If you are located in Europe, you may ask us to take any of the following actions in relation to your personal information that we hold:

• Access. Provide you with information about our processing of your personal information and give you access to your personal information.

• Correct. Update or correct inaccuracies in your personal information.
• Delete. Delete your personal information where there is no lawful reason for us continuing to store or process it, where you have successfully exercised your right to object to processing (see below), where we may have processed your information unlawfully or where we are required to erase your personal information to comply with local law. Note, however, that we may not always be able to comply with your request of erasure for specific legal reasons that will be notified to you, if applicable, at the time of your request. 
• Portability. Port a machine-readable copy of your personal information to you or a third party of your choice, in certain circumstances. Note that this right only applies to automated information for which you initially provided consent for us to use or where we used the information to perform a contract with you.
• Restrict. Restrict the processing of your personal information, if, (i) you want us to establish the personal information's accuracy; (ii) where our use of the personal information is unlawful but you do not want us to erase it; (iii) where you need us to hold the personal information even if we no longer require it as you need it to establish, exercise or defend legal claims; or (iv) you have objected to our use of your personal information but we need to verify whether we have overriding legitimate grounds to use.
• Object. Object to our processing of your personal information where we are relying on legitimate interests (or those of a third party) and there is something about your particular situation that makes you want to object to processing on this ground as you feel it impacts on your fundamental rights and freedom – you also have the right to object where we are processing your personal information for direct marketing purposes.
• Withdraw Consent. When we use your personal information based on your consent, you have the right to withdraw that consent at any time. This will not affect the lawfulness of any processing carried out before you withdraw your consent.  

Exercising These Rights. You may submit these requests by email. See the How to contact us section above for our contact details. We may request specific information from you to help us confirm your identity and process your request. Whether or not we are required to fulfill any request you make will depend on a number of factors (e.g., why and how we are processing your personal information), if we reject any request you may make (whether in whole or in part) we will let you know our grounds for doing so at the time, subject to any legal restrictions.  Typically, you will not have to pay a fee to exercise your rights; however, we may charge a reasonable fee if your request is clearly unfounded, repetitive or excessive. We try to respond to all legitimate requests within a month. It may take us longer than a month if your request is particularly complex or if you have made a number of requests; in this case, we will notify you and keep you updated.

Your Right to Lodge a Complaint with your Supervisory Authority. In addition to your rights outlined above, if you are not satisfied with our response to a request you make, or how we process your personal information, you can make a complaint to the data protection regulator in your habitual place of residence. 

• For users in the European Economic Area – the contact information for the data protection regulator in your place of residence can be found here: https://edpb.europa.eu/about-edpb/board/members_en.
• For users in the UK – the contact information for the UK data protection regulator is below:

The Information Commissioner’s Office

Water Lane, Wycliffe House

Wilmslow - Cheshire SK9 5AF

Tel. +44 303 123 1113

Website: https://ico.org.uk/make-a-complaint/

Data Processing outside Europe; we are a US-based company and many of our service providers, advisers, partners or other recipients of data are also based in the US. This means that, if you use the Services, your personal information will necessarily be accessed and processed in the US. It may also be provided to recipients in other countries outside Europe.  

It is important to note that that the US is not the subject of an ‘adequacy decision’ under the GDPR – basically, this means that the US legal regime is not considered by relevant European bodies to provide an adequate level of protection for personal information, which is equivalent to that provided by relevant European laws. 

Where we share your personal information with third parties who are based outside Europe, we try to ensure a similar degree of protection is afforded to it in accordance with applicable privacy laws by making sure one of the following mechanisms is implemented: 

• Transfers to territories with an adequacy decision. We may transfer your personal information to countries or territories whose laws have been deemed to provide an adequate level of protection for personal information by the European Commission or UK Government (as and where applicable) (from time to time).

• Transfers to territories without an adequacy decision. 
  • We may transfer your personal information to countries or territories whose laws have not been deemed to provide such an adequate level of protection (e.g., the US, see above).  
  • However, in these cases:
    • we may use specific appropriate safeguards, which are designed to give personal information effectively the same protection it has in Europe – for example, standard-form contracts approved by relevant authorities for this purpose; or 
    • in limited circumstances, we may rely on an exception, or ‘derogation’, which permits us to transfer your personal information to such country despite the absence of an ‘adequacy decision’ or ‘appropriate safeguards’ – for example, reliance on your explicit consent to that transfer. 

You may contact us if you want further information on the specific mechanism used by us when transferring your personal information out of Europe.

No, we very much appreciate your work but are not asking for responses from women’s and feminist funds at this time. We do encourage you to share the survey with your grantee partners and feminist networks.

These transgender women were murdered because of their activism and their gender identity. There are insufficient laws recognizing trans* rights, and even where these laws exist, very little is being done to safeguard the rights of trans* people. Please join AWID in honoring these defenders, their activism and legacy by sharing the memes below with your colleagues, networks and friends and by using the hashtags #WHRDTribute and #16Days.

Please click on each image below to see a larger version and download as a file 

See Our 2015 WHRD Tribute

Absolutely. Your responses will be deleted at the end of data processing and analysis, and used for research purposes only. Data will NEVER be shared outside of AWID and will be only processed by AWID staff and consultants working on the WITM project. We prioritize your privacy and security. Our detailed privacy policy is available here.

A big THANK YOU for being part of the 2016 AWID Forum!

Thank you to all of you who have joined us, physically or virtually, for the past four days of learning, celebrating, envisioning, dreaming and building our Feminist Futures together at the 2016 AWID Forum!

We are incredibly inspired, amazed, and re-energized by all the collective work we have done together in creating our diverse futures.

For images, blogs and resources:

Visit the 2016 AWID Forum website

Get social with the #AWIDForum

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Почему Мне Следовало Бы Пройти Этот Опрос?

Ultra conservative actors have developed a number of discourses at the international human rights level that call on arguments manipulating religion, culture, tradition, and national sovereignty in order to undermine rights related to gender and sexuality.

Anti-rights actors have increasingly moved away from explicitly religious language. Increasingly, we see regressive actors - who may previously have derided human rights concepts - instead manipulating and co-opting these very concepts to further their objectives.

Protection of the family

This emerging and successful discourse appears innocuous, but it functions as a useful umbrella theme to house multiple patriarchal and anti-rights positions. The ‘protection of the family’ theme is thus a key example of regressive actors’ move towards holistic and integrated advocacy.

The language of ‘protection of the family’ works to shift the subject of human rights from the individual and onto already powerful institutions.

It also affirms a unitary, hierarchical, and patriarchal conception of the family that discriminates against family forms outside of these rigid boundaries. It also attempts to change the focus from recognition and protection of the rights of vulnerable family members to non-discrimination, autonomy, and freedom from violence in the context of family relations.

The Right to Life

The Holy See and a number of Christian Right groups seek to appropriate the right to life in service of an anti-abortion mission.  Infusing human rights language with conservative religious doctrine, they argue that the right to life, as set out in the Universal Declaration of Human Rights and the International Covenant on Civil and Political Rights, applies at the moment of conception.

The discourse has no support in any universal human rights instrument. Yet this is an appealing tactic for anti-rights actors, because the right to life cannot be violated under any circumstances and is a binding legal standard.

Sexual rights

Anti-rights actors use a number of rhetorical devices in their campaign to undermine sexual rights: they argue that sexual rights do not exist or are ‘new rights,’ that they cause harm to children and society, and/or that these rights stand in opposition to culture, tradition or national laws.

Conservative actors engaged in advocacy at the UN attack the right to comprehensive sexuality education from several directions. They claim that CSE violates ‘parental rights’, harms children, and that it is not education but ideological indoctrination. They also claim that comprehensive sexuality education is pushed on children, parents, and the United Nations by powerful lobbyists seeking to profit from services they provide to children and youth.

Attempts to invalidate rights related to sexual orientation and gender identity have proliferated. Ultra conservative actors argue that application of long-standing human rights principles and law on this issue constitutes the creation of ‘new rights’; and that the meaning of rights should vary radically because they should be interpreted through the lens of ‘culture’ or ‘national particularities.’

Reproductive Rights

Christian Right organizations have been mobilizing against reproductive rights alongside the Holy See and other anti-rights allies for several years. They often argue that reproductive rights are at heart a form of Western-imposed population control over countries in the global South. Ironically, this claim often originates from U.S. and Western Europe-affiliated actors, many of whom actively work to export their fundamentalist discourses and policies.

Regressive actors also cite to ‘scientific’ arguments from ultra-conservative think tanks, and from sources that rely on unsound research methodologies, to suggest that abortion causes an array of psychological, sexual, physical, and relational side effects.

Protection of children and parental rights

Just as anti-rights actors aim to construct a new category of ‘protection of the family,’ they are attempting to construct a new category of ‘parental rights,’ which has no support in existing human rights standards.

This discourse paradoxically endeavours to use the rights protections with which children are endowed, as articulated in the Convention on the Rights of the Child, to support the rights of parents to control their children and limit their rights.

Violence against women

Increasingly, anti-rights actors are attempting to infiltrate and subvert standards and discourses developed by women human rights defenders, such as violence against women (VAW).

At the Commission on the Status of Women and other spaces, one rhetorical move is to treat VAW as a concept in which to embed anti-reproductive rights and patriarchal arguments. Ultra conservative actors, for example, have argued that non-heteronormative or traditional intimate partner relationships are a risk factor for violence, and emphasize that fathers are necessary to protect families from violence.

Gender and ‘gender ideology’

The Holy See has set off a sustained critique of gender, ‘gender ideology’, ‘gender radicals,’ and gender theory, and anti-rights actors often read the term as code for LGBTQ rights. Gender is used by the religious right as a cross-cutting concept that links together many of their discourses. Increasingly, the hysteria on this subject fixates on gender identity and trans rights.

Complementarity and human dignity

Complementarity of the sexes is a discourse employed by a number of ultra-conservative actors today. Its rhetoric is structured around an assumption of difference: men and women are meant to have differing but complementary roles in marriage and family life, and with respect to their engagement in the community and political and economic life.

Reference to ‘natural’ roles is meant to fundamentally reject universal human rights to equality and non-discrimination.

It is also used to justify State and non-State violations of these rights, and non-compliance with respect to State obligations to eliminate prejudices and practices based on stereotyped roles for men or women.

National sovereignty and anti-imperialism

This discourse suggests that national governments are being unjustly targeted by UN bodies, or by other States acting through the UN. This is an attempt to shift the subject of human rights from the individual or marginalized community suffering a rights violation to a powerful and/or regressive institution - i.e. the state, in order to justify national exceptions from universal rights or to support state impunity. 

Religious freedom

Anti-rights actors have taken up the discourse of freedom of religion in order to justify violations of human rights. Yet, ultra-conservative actors refer to religious freedom in a way that directly contradicts the purpose of this human right and fundamentally conflicts with the principle of the universality of rights. The inference is that religious liberty is threatened and undermined by the protection of human rights, particularly those related to gender and sexuality.

The central move is to suggest that the right to freedom of religion is intended to protect a religion rather than those who are free to hold or not hold different religious beliefs.

Yet under international human rights law, the right protects believers rather than beliefs, and the right to freedom of religion, thought and conscience includes the right not to profess any religion or belief or to change one’s religion or belief.

Cultural rights and traditional values

The deployment of references to culture and tradition to undermine human rights, including the right to equality, is a common tactic amongst anti-rights actors. Culture is presented as monolithic, static, and immutable, and it is is often presented in opposition to ‘Western norms.’

Allusions to culture by anti-rights actors in international policy debates aim to undermine the universality of rights, arguing for cultural relativism that trumps or limits rights claims. Regressive actors’ use of cultural rights is founded on a purposeful misrepresentation of the human right. States must ensure that traditional or cultural attitudes are not used to justify violations of equality, and human rights law calls for equal access, participation and contribution in all aspects of cultural life for all, including women, religious, and racial minorities, and those with non-conforming genders and sexualities.

Subverting ‘universal’

Anti-rights actors in international policy spaces increasingly manipulate references to universal or fundamental human rights to reverse the meaning of the universality of rights.

Rather than using the term universal to describe the full set of indivisible and interrelated human rights, ultra conservative actors employ this term to instead delineate and describe a subset of human rights as ‘truly fundamental.’ Other rights would thus be subject to State discretion, ‘new’ rights or optional. This discourse is especially powerful as their category of the truly universal remains unarticulated and hence open to shifting interpretation.

Other Chapters

• Key opposition strategies and tactics
• Key impacts on the international human rights system
• Key opposition actors

Read the full report

Other Chapters

• Key opposition strategies and tactics
• Key impacts on the international human rights system
• Key opposition actors

Read the full report

Para fortalecer a nossa voz e poder coletivos para obter mais recursos de melhor qualidade para a organização feminista, de direitos das mulheres, de LBTQI+ e de aliados globalmente.

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O financiamento dos movimentos feministas é fundamental para garantir uma presença mais justa e pacífica, e um futuro liberto.

Na última década, os financiadores investiram significativamente mais dinheiro na igualdade de género; no entanto, apenas 1% do financiamento filantrópico e de desenvolvimento foi efetivamente direcionado para apoiar diretamente mudanças sociais lideradas por feministas

Na busca da abundância, e para acabar com esta escassez crónica, o inquérito WITM é um convite para os defensores do feminismo e da justiça de género se envolverem no percurso da recolha coletiva de testemunhos e de casos para mobilizar mais recursos financeiros de melhor qualidade e recuperar o poder no ecossistema de financiamento neste momento. Em solidariedade com os movimentos que continuam invisibilizados, marginalizados e sem acesso a financiamento central, de longo prazo, flexível e baseado em fundos fiduciários, o inquérito WITM destaca o estado efetivo dos recursos, desafia soluções falsas e aponta.

by Amal Amer, California, US

I pray with my family for the first time in six years while wrapped in a keffiyah I scavenged from a dumpster.

Since coming into myself, I have refused to pray in jamaat with my family. Joining in the ranks of hierarchy, “women” behind “men” irks me. It grates my skin and teeth to the degree where I can’t focus, and the standing, bowing, and kneeling feels like a battle against my true being. Each second listening, a betrayal of my nature. Instead, I pray by myself in my own way. 

Yet this Ramadan, I feel different. Back in my childhood home after many years, I am choosing to fast. I choose suhoor with my family, and praying together feels like a natural extension of eating together. After eating, my mother, father, brother and I line up for fajr. 

I pray behind Baba, but my prayer is my own. I close my eyes, staying with my breath and my body. 

My eyes closed, I open my inner sight to a wide open window on a vista of mountains, bright sun spreading over a light mist of clouds. This was the view I had while praying in jamaat at a queer Muslim wedding I attended in the mountains of the South of France last September. 

I lined up with the wedding guests, queer and trans folks of North and West African, Arab, and European descent. Folks of all faiths joined while some chose to stand in respect at the sides or behind. The groups did not fall along fault lines of “Muslim” or “non-Muslim,”  “religious” or “non religious.” The two lovers marrying each led us in prayer, and so did the Muslim woman officiating the nikkah. Each of the three led us in two rounds of prayers, two raqat.

I showed up as I was, my body uncovered. I had not washed. I only passed my camera to a friend who chose to stand at the side. 

In the first sujood, I broke down crying. I wore a jean dress that loves my body, one found at a thrift store my ex-girlfriend pointed me to.

The sobs come through my whole body during the prayer, and I put my head to the earth with my community like a homecoming. A return to the embrace of love both intensely personal and communal, and I am held.

It feels like swimming in the sea with multiple people:  joyful togetherness. But when you go beneath the water, it’s just you and the current. 

Like a dozen people buried in the same graveyard. Separate, but sharing the same soil. Becoming one with the growing earth. 

That was how it felt to pray in communion at a queer Muslim wedding.

I welcomed the light of acceptance while showing up as myself that day, with a group of people who had also chosen to claim all the parts of themselves in love. That light made a home in me, and it illuminates my heart in the dark living room at fajr this Ramadan morning. Though I pray with my birth family who do not accept all of me, I see myself praying in jamaat at that glorious wedding with all of my queer Muslim ancestors, my queer angels, my lineage, my soul family, my queer Muslim family, all standing in prayer. Bowing as one. 

My family’s home does not always feel like my own, though I am here now. I take the bukhoor from room to room, barefoot. Smolder from the censer, an incense that says, “Here I am.” Baraka, blessings from the source of all, Allah and the Goddess to each room in the house, bidding good and dispersing the unbidden. 

As I write this the sky turns the same royal blue I am familiar with from exiting the club and pulling all-nighters. It is the gradient of morning I step into as I go to sleep. 

Word meanings:

• Ramadan: the Muslim holy month, traditionally observed with 29 days of fasting without food or water during daylight hours

• Keffiyah: a patterned scarf common in the SWANA region. The black and white version referred to here is associated with the Palestinian liberation movement 

• Pray in jamaat: Islamic ritual prayer in a group. Participants follow one person, traditionally male, who calls the prayer aloud.

• Suhoor: the meal before the fast starts at dawn

• Fajr: the dawn prayer

• Baba: father

• Raqat: one round of prayer consisting of standing, bowing, kneeling, and pressing the head to the ground

• Sujood:the prayer position when one presses one’s head to the earth

• Nikkah: the religious marriage ceremony 

• Bukhoor: an Arabic incense, woodchips soaked in resin

• Baraka: blessing

“Angels go out at night too”

by Chloé Luu (@Electrichildren), France

Pictures of angels in my life, just some women and non-binary people of color hanging out, taking care of themselves and expressing love to each other. It's these simplest moments that are the most empowering.

< Freeing the Church, Decolonizing the Bible for West Papuan Women

Kunyit Asam: The Roots of Love and Resilience >

Ключевая цель исследования – осветить финансовое положение различных феминистских движений, инициатив за права женщин, гендерную справедливость, ЛГБТКИ+ и смежных движений по всему миру и, основываясь на этом, еще больше усилить аргументы в пользу увеличения объема денежных средств и передачи власти феминистским движениям.

we are infinite

An exhibition by Nicole Barakat, embodying her reconnection with the diaspora of objects from her ancestral homelands in the South West Asia and North Africa (SWANA) region.
 
Barakat presents a collection of textile works as manifestations of her practice of engaging with displaced, and often stolen objects held within Western museum collections including the Louvre, British Museum and Nicholson Museum. 
 
To by-pass the gatekeepers and breach the vitrines holding these ancestral objects, Barakat reclaims pre-colonial, non-linear, receptive forms of knowing that are often devalued and dismissed by colonial and patriarchal institutions - engaging with coffee cup divination, dream-work, intuitive listening and conversations with the objects themselves (source).

About Nicole Barakat

Hind and Hind were the first documented queer couple in Arab history. In today’s world, they are a queer artist from Lebanon.

Sequence 1

When I was 6, I learned that my grandfather owned a movie theater. My mother recounted to me how it had opened in the early 1960s, when she was also about 6 years old. She remembered that they screened The Sound of Music on the first night.

I would pass by the theater every weekend and watch my grandfather play backgammon with his friends. I didn’t know he was living in the theater, in a room right under the projection booth. I later learned that he moved there after he and my grandmother separated and after the theater closed, in the 1990s, shortly after the Lebanese civil war had ended.

 
For years and until he passed away, I would mostly see my grandfather play backgammon in the unmaintained reception area of the movie theater. Those repeated scenes are all I remember of him. I never got to properly know him; we never talked about cinema, even though he spent all his time in a run-down movie theater. I never asked him what it was like to live in a place like this. He died when I was 12, on Christmas Eve, from a fall down the spiraling steps that led to the projection booth. It is almost poetic that he passed away in movement, in a house where moving images are perpetually suspended in time. 

Sequence 2

In the spring of 2020, my cousin called me to say he had cleaned up my grandfather’s movie theater and asked me to meet him there. The two of us had always dreamed of renovating it. I got there before he did. In the reception area, the film poster frames were still there but the posters were gone. I knew there must have been some ticket stubs left somewhere; I found them stacked away in a small rusty tin box, on a shelf in the ticketing booth, and I pocketed some.

I began to walk around. On the main stage, the projection screen was quite dirty and a little torn on the side. I glided my index finger on the screen to remove a patch of dust and noticed that the screen was still white underneath. The fabric seemed to be in good shape too. I looked up to see that my grandmother’s curtains were still in place. They were made of white satin with a little embroidered emblem over the bridge of the curtain, representing the theater. There was a main seating area and a gallery. The chairs seemed to be very worn out. 

I noticed the projector peeking out of a small window at the very end of the balcony seating area. I led myself up the spiraling steps of the projection booth.

The room was dark, but a source of light coming from the dusty windows revealed a stack of film reels tossed in a corner. Lifeless celluloid strips were tangled up against the foot of the film projector. The dusty reels were all Western, Bollywood, and Science-Fiction genre films with bad titles like The Meteor that Destroyed Earth, or something of the sort. My attention was caught by the dusty film strips – mostly snippets cut out from reels. One by one, the short strips depicted different kissing scenes, what seemed like a suggestive dance, a nondescript scene of a gathering, a close-up of a woman lying down with her mouth open, opening credits to a Bollywood film, and a “Now Showing” tag that went on for several frames.

The Bollywood film credits reminded me of my mother. She used to tell me how they would hand out tissues to audience members on their way out of screenings. I kept the kissing scene and suggestive dance strips; I assumed they had been cut out for censorship reasons. The close-up of the woman reminded me of an excerpt from Béla Balázs’ Visible Man, or The Culture of Film, The Spirit of Film, and Theory of the Film. He said that close-ups in film provided a 

silent soliloquy, in which a face can speak with the subtlest shades of meaning without appearing unnatural and arousing the distance of the spectators. In this silent monologue, the solitary human soul can find a tongue more candid and uninhibited than any spoken soliloquy, for it speaks instinctively, subconsciously.

Balázs was mostly describing the close-ups of Joan in the silent film La Passion de Jeanne d’Arc. He pointed out how, “...in the silent (movie), facial expression, isolated from its surroundings, seemed to penetrate to a strange new dimension of the soul.” 

I examined the film strip further. The woman looked dead, her face almost mask-like. She reminded me of Ophelia by the painter John Everett Millais. In her book On Photography, Susan Sontag says a photograph is “a trace, something directly stenciled off the real, like a footprint or a death mask.” These death masks are like a presence that reminds of an absence.

I remembered encountering a discourse between death and photography in Roberto Rossellini’s forgotten film The Machine that Kills Bad People. In this film, a cameraman goes around taking photographs of people, who would in turn freeze, and are later suspended in time. French film critic André Bazin used to say that photography snatches bodies away from the flow of death and stores them by embalming them. He described this photographic mummification as “the preservation of life by a representation of life.”

This projection booth, its whole layout, all the things that looked like they were moved, the celluloid strips on the ground, everything my grandfather left a mark on – I felt very protective of.

Underneath the strips was an undone dusty film reel. It seemed like someone had been watching the reel manually. At that moment, my cousin made his way up the spiraling steps to find me examining it. He rubbed his fingers along his chin and, in a very-matter-of-fact way, said, “You found the porn.”

Sequence 3

I looked at the film strip in my hand and realized it was not a death scene. The strip was cut out of the porn reel. The woman was moaning in ecstasy. Close-ups are meant to convey feelings of intensity, of climax, but I had never really used Balázs’ theories to describe a porn scene. He wrote how “the dramatic climax between two people will always be shown as dialogue of facial expressions in close-up.” I pocketed the film strip and I named the woman Ishtar. She has lived in my wallet ever since. It seemed strange to compare the close depiction of Joan’s fears and courage with Ishtar’s facial expression in ecstasy. 

According to my cousin, my grandfather’s brother would wait until my grandfather left the theater and, instead of closing, invite his friends for some after-hour private screenings. I didn’t think much of it. It was a common practice, especially during and after the Lebanese civil war. After the war, television sets were almost in every Lebanese household. I even remember having one in my bedroom in the late 1990s, when I was around 6 years old. I was told that buying porn films on VHS was popular at the time. Mohammed Soueid, a Lebanese writer and filmmaker, once told me that movie theaters used to screen art films and pornography from the mid-1980s to the mid-1990s, so that they could survive. I also heard that projectionists would cut up porn reels to make different montages, so that they could screen something different every night. Eventually, people stayed within the comforts of their homes to watch VHS tapes on their televisions, and movie theaters began to run out of business.

Sequence 4

My cousin went back downstairs to go through an archive of paperwork in the office space. I stayed in the booth and began to slip the film strip between my index and middle finger, sliding it up with my thumbs and slowly running the frames through my hands. I lifted the strip against the dusty window and squinted to make sense of the monochrome vignettes. In this series of frames was an extreme close-up of a dick shoved into a vagina. It went on for several frames until I came across a knot in the film, and I imagined the rest.

 

   

Sequence 5

Hank is showcasing his hard-on in front of Veronika who is lying in bed across a Louis XIV secrétaire knockoff. She gets up slowly and slides the thin strap of her see-through négligé off her left shoulder. Hank unties her veiled robe, turns her around, slaps her ass, and pushes her down against the secrétaire. He thrusts his dick inside her pussy repeatedly as the back of the furniture bangs against the wallpaper-adorned wall.

 

 

Sequence 6

I was always attentive to the interior décor, ever since I was told by my Women in Porn Studies professor that the largest porn archives in North America are interestingly used to examine the middle-class furniture of that epoch. So, while Veronika is bending over and being taken from behind by Hank, a university research assistant could very well be trying to guess the design of the gold motif on the secrétaire, or study the rococo relief on a wooden chair in some corner.

For a moment, the booth became a space for female sexual imagination, disrupting a space otherwise promised for the freedom of male sexuality. I was sure that only men were able to access movie theaters that screened porn films. The film reel was too entangled to undo in a projection booth where dust had accumulated for over a decade, so I stuffed it into my duffle bag and walked out of the theater. 

I am not sure what came over me, but I felt compelled to keep it. I wanted to feel the thrill of safeguarding something mysterious, something unorthodox. In my mind, I was sure people knew I was hiding something as I walked down the street. A feeling of guilt intertwined with pleasure came over me. It felt kinky. 

 

Sequence 7

I got into the house, preoccupied with the thought of having a porn reel in my duffle bag and the stream of thoughts that had unfolded on my walk home. I immediately went to my bedroom. In some distant part of my mind, I remembered that I shared a wall with Layla’s room next door. She was probably not home, but the possibility of being heard excited me. I closed my bedroom door and I took the film strip of Ishtar out. 

I imagined her dressed in a light green veiled dress, dancing seductively in front of me, swinging her hips sideways and smiling with her eyes. I got onto my bed. I slipped my fingers into my panties. I lifted my hips. I trailed my hand down my thighs to part them, and slid two fingers in. I tensed up as I palpated my various creases. I moaned before I could stop myself. I panted and swayed. The rays of sun coming through my window planted reluctant kisses onto my skin. I held my breath in and my limbs quivered. I swallowed my breath and laid flat on the mattress.

Sequence 8

When I was an undergraduate student, I had taken an introductory film class and Professor Erika Balsom had scheduled a screening of Bette Gordon’s Variety. I was excited to watch producer Christine Vachon’s first film before she moved onto producing films that are now part of the New Queer Cinema movement. Variety was described as a feminist film about Christine, a woman who  begins to work as a ticketing clerk in a porn movie theater in New York city called The Variety Theater. Christine overhears the films at the theater but never goes in. Eventually, she becomes interested in a regular customer, whom she watches closely. She follows him to an adult shop where she stands aside and flips through adult magazines for the first time.

Christine’s voyeurism was displayed in different ways throughout the film. The script was also ridden with excess, and erotic monologues that would be considered obscene or vulgar.

In a scene set in an arcade, she reads erotica to her boyfriend. The camera goes back and forth between a close-up of her boyfriend Mark’s butt as he was playing pinball, swinging his hips back and forth against the arcade machine, and a close-up of Christine’s face as she recited her monologue.

 

Sequence 9

“Sky was hitchhiking and he got a ride from a woman in a pick-up truck. It was late at night and he needed a place to stay, so she offered him her place. 

She showed him to his room and offered him a drink. They drank and talked and decided to turn in. He couldn’t sleep, so he put on his pants and walked down the hall to the living room. He was a stop short of being seen, but he could see. The woman was naked and spread on the coffee table with only her legs dangling over. Her whole body was excitingly white as if it’d never seen the sun. Her nipples were bright pink, fire-like, almost neon. Her lips were open. Her long auburn hair licking the floor, arms stretched, fingers tickling the air. Her oiled body was round with no points, no edges. Slithering between her breasts was a large snake curving up around one, and down between the other. The snake’s tongue licking toward the cunt, so open, so red in the lamp light. Hot and confused, the man walked back to his room, and with great difficulty, managed to fall asleep. The next morning, over strawberries, the woman asks him to stay another night. Again, he couldn’t sleep […]”

 

Sequence 10

When I was 23, Lynn, the girl I was dating from film class, surprised me by taking me to watch erotica short films on Valentine’s Day. The event took place at The Mayfair Theater, an independent old movie theater. The architecture of the theater recalled North American Nickelodeons, but with a campy touch. Its balconies were decorated with life-size cardboard cutouts of Swamp Thing and Aliens.

That year, the festival was judged by adult star Kacie May and the program consisted of an hour and a half of short films. The content ranged from soft-core machismo-ridden shorts to scat fetish films. We watched a few minutes of what seemed to be heterosexual soft porn. It followed a couple who start making love in a modern living room space, then move to the bedroom. It was mostly footage of them kissing each other, touching each other, and making love missionary-style. Then a woman with a short brown bob crawled onto the bed, licking the back of her own hand in short strokes. She meowed and crawled over the unconcerned couple. They continued to make love. She crawled out to the kitchen, picked up her empty bowl with her teeth, and placed it onto a pillow. She kept walking over them until the end of the short. It seemed quite absurd. I began to laugh, but Lynn looked a bit uncomfortable. I then looked to our left, watching other audience members chugging beers and inhaling popcorn while laughing hysterically. Their uninterrupted laughter and loud comments really set the tone of the festival. Watching the audience became more interesting than watching the erotic films. The Mayfair Theater often showed cult films, and watching cult films is a communal experience.

It’s not exactly how I imagined my mother’s uncle watching porn in my grandfather’s theater. Movie theaters were openly screening porn films at that time, but I could not picture it happening within my mother’s hometown. I pictured him watching the film from the projector in the booth, so he could quickly stop the screening in case any unexpected guests decided to stop by. His friends sat on the balcony in the back. No one could get in from there unless they had a key, so it was safe. They had to think of everything. It was a conservative Christian neighborhood and they would not want to cause any trouble. They were most likely overcome with excitement and guilt. The voices of loud homoerotic banter merged with sound bites of grunting and moaning, but they reminded each other to keep it down every few minutes. They took turns to check the windows to make sure the sound was not loud enough to alarm any neighbors. Sometimes, they would turn off the speaker and there would be no sound. 

 

Sequence 11

After a political protest in 2019, I came across a bookstand on Riad El Solh street, close to Martyr’s Square in downtown Beirut. Towards the end of the table, past the copies of Hugo and de Beauvoir, I found a stack of erotica novels and adult magazines. They were all translations of Western publications. I really did not care which one I picked; I just knew I wanted to own a copy for the thrill of it. I looked for the most interesting cover art. 

As he was giving me my change back, the vendor asked me, “Don’t I know you from somewhere?”

He scanned my breasts, gliding his eyes downwards. He probably assumed I worked in the porn or sex industry. I looked into his eyes and said, “No.” I turned around, ready to walk away with my magazine. He then stopped me to say that he had a large archive in his basement, and that he regularly sold porn collections and publications on EBay, to Europe and the USA. Although I was interested in rummaging through that archive, I was not comfortable enough to take his offer. It did not feel safe. I asked him where he found these novels. To my surprise, they were produced in Lebanon.

Walking towards the Riad El Solh statue, I read through the journal I had bought and found the format of the text somewhat canted; the font was a bit smudged, making it illegible. The photographs inside were comprised of faded pornographic collages. It looked raw; I liked that. The title of the novel read, Marcel’s Diaries.

The cover art was clearly a magazine cut-out pasted over a blue sheet. In the picture, a shirtless woman is grabbing her lover’s head, digging her fingers in his hair, while he is kissing her neck from behind. Her skirt is zipped down. Her lover has his hand on her lower right hip. She has her hand over his. Her lips are puckered up and open, almost like she is moaning with pleasure, her 1970s straight blonde hair running down her chest and partially covering her nipples.

I opened the first page. The preface read

شهوات”
 “وشذوذ        

which either translates to 

“Desire
                               and deviance”

or to

“Desire
                  and kink”

I read through the first chapter and I found that whoever translated the text had changed the main character’s name to Fouad, an Arabic name. I assumed they wanted their Lebanese male audience to identify. As I read through, I found that all of his lovers had foreign names like Hanna, Marla, Marcel, Marta. 

 

 

Sequence 12

I realized on page 27, chapter four, that Marcel was one of Fouad’s lovers.

Sequence 13

The scene took place in a movie theater. Movie theaters were often spaces for sexual freedom in North America, especially since the 1970s after the sexual revolution.

I also assumed they kept all the other foreign names so that it sounds exotic and less taboo. Pornography and erotica were attributed to West Hollywood, despite the fact that the Arab world historically produced erotic texts. Erotica became taboo, and the only way to safely produce it was to market it as foreign, as exotic.

It is interesting how the exotic covers for the erotic. The difference between the two adjectives is rooted in their Greek etymologies: exotic is from exo, “outside,” meaning alien or foreign. Erotic is derived from Eros, the god of sexual love. So, what’s exotic is mysterious and foreign – what’s erotic is sexy.

In Lebanon there is a thin line between the exotic and the erotic in cinema, like the thin line between art films and porn films. In 2015, during a conversation with filmmaker Jocelyne Saab in a Vietnamese restaurant in Paris, I learned that she had to shoot her art film Dunia a second time to change the dialect from Egyptian to Lebanese. She told me that her actors were Egyptian, and that she wasn’t strict about the script. She was not allowed to use Egyptian dialect. It had to be in Lebanese because the producers were concerned about the borderline erotic scenes in the film. So, they made it foreign.

Если у вас нет проблем с доступом к платформе, и/или вы не заполняете анкету на других языках, мы настоятельно рекомендуем вам использовать KOBO для стандартизированного сбора и анализа данных.

Dear feminist movements, 

You welcomed us with open arms when it was announced during the 2016 AWID Forum in Bahia that we would be AWID’s new Co-EDs. It was a moment that felt full of possibility, we were building a feminist oasis that would help sustain our collective struggles forward. We left Bahia with a sharp sense of responsibility, to do our best in your service and to lead AWID in ways that would be most supportive and impactful for you.

It is now time for us to step aside for new leadership! 

Over five years into our journey, we are stepping down as AWID’s Co-EDs. Our decision comes as we wrap up the current strategic cycle. We see this as an ideal moment to step aside and support a leadership refresh. We believe that transformative feminist leadership is cyclical. 
We so appreciate the opportunity we had to play a role in AWID’s 40 year history, holding and shepherding the organization through the difficult context of global pandemic, and so many spiraling crises. 

Feminist movements, we know you will be part of our next journey, whatever that may be. You have consistently taught us about strength and resilience. We may move to different roles, but we will collectively continue to move together. 

How We Moved

We have vivid memories of those of you in Indonesia, Malaysia, Nepal, Thailand, Taiwan and beyond who met us to co-create the AWID Forum with so much generosity and spark. Without a doubt, our greatest regret from the last five years is that we could not give you an in-person Forum. 

Once we came to the difficult (albeit necessary) decision to cancel the AWID Forum, we focused on grappling with the existential questions so many of our organizations were facing: how do we shift our ways of working to be relevant, account for the exhaustion, sickness, and grief affecting all of us in different ways? How do we build meaningful relationships when we are limited to being online? There are still no straightforward answers to these questions, but feminist movements, you have shown the way. 

We were so proud to see the ways feminists were leading responses to mitigate the impacts of COVID-19 on our communities. Feminists are frontline responders in crisis and we will continue to demand recognition and resources for this work. You often responded enthusiastically to our outreach, showing up in amazing ways in our Feminist Bailout campaign and later in the Crear Resister Transform festival. You jumped into collaborative advocacy with us – whether influencing human rights spaces, policy makers or funders. 

We give a special shout-out of love and respect to the current and former AWID team (both our staff and Board members) whom we’ve had the honor to work with over these years. We’ve learned from each one of you and felt deep gratitude for everything you have contributed to AWID over the years. 

We came into this role as AWID’s first pair of Co-Executive Directors. We learned from the many activist and community traditions of collective leadership and the feminist organizations who had done this before us. We know that we couldn’t have done this job without each other. We were able to leverage each other’s strengths and have each other’s backs to do the best job we could.    

What’s Next

We came into role together and are leaving together, even as we will be staggering our departure dates. We are both committed to supporting a smooth transition and deliberate onboarding of the new leadership this year.  

Feminist movements, you are in great hands with the AWID team. They’ve got this. And we are proud to be leaving the organization in such a strong and resilient place. Hopefully, we’ll see many of you at the AWID Forum in 2024 – you’ll recognize us as the kicked back, relaxed folks in the audience!
Love and appreciation for all that you’ve done with and for us. Your impact on our lives stretches well beyond the last 5 years, and no doubt will continue to stretch far into the future.

Cindy & Hakima

Um total de 47 perguntas, das quais 27 são obrigatórias* e 20 são opcionais. A maioria das perguntas no inquérito é de escolha múltipla. Encorajamo-lo a responder a todas as perguntas.

Dearest Feminist community,

I am pleased to share with you one of my remarkable dates as feminist with disability. It was May 30, 2014 when we (the Nationwide Organization of Visually-Impaired Empowered Ladies NOVEL) participated in the Philippine Fashion Week Holiday 2014 for our white cane advocacy campaign.  Two ladies who are blind walked down the catwalk to promote the white cane as one of the symbols of gender equality, empowerment, full inclusion and equal participation of women and girls with visual impairment in society. 

Their walk in front of the crowd were extremely a nerve-wracking experience for me, as the proponent of our project with the Runway Productions (I enduringly waited for a year for its approval), knowing that they were not models, they were the crowned Ms. Philippines Vision and 1st Runner Up of 2013 Ms. Philippines on Wheels, Signs and Vision by Tahanang Walang Hagdanan, Inc. (House with No Steps). Also, they fell on their orientation and practiced the evening before the event and they didn’t have practice with professional models. Before the show started, I talked to them via mobile phone to boost their confidence and to pray together for God’s guidance. When they exited the catwalk, I breathed deeply while my tears were flowing. I was feeling euphoric because we did it despite the challenges we’ve been through! Our message to the world that women and girls with visual impairment can walk with dignity, freedom and independence on an equal basis with others, with the use of our assistive device - white canes was successfully delivered! We trended in social media and we were featured by television networks. 

My life as a feminist with disability started as a means to mend my broken spirit and to see a different path towards finding my life’s purpose after I became victim-survivor to a vicious acid attack in 2007  while I was waiting for a ride going home from office. My eyes were severely damaged, to the point that I became a woman with low vision.

I never knew how joyful and purposeful my life could be again until I met women leaders in the gender and disability movement who influenced me to keep going. Their words of encouragement attracted me and became the sweetest music to my ears. My broken heart leaped like a hummingbird in flight every time I think of them and feminism which stimulated me to partake in making difference for our invisible sisters with disabilities and to those who continue to experience discrimination. To date, I am consumed by the desire to be with the movement. I cannot hide my excitement whenever I submit project proposals to different stakeholders for our sisters with disabilities' empowerment, development and advancement; and to make representations in local, national and international conversations to amplify our voices even at my expense.

Unexpectedly, I was selected as our country’s female representative in the 2012 World Blind Union (WBU) General Assembly in Thailand even though I was a newcomer in the disability movement.  In the same year, I was elected as the only woman officer of the Philippine Blind Union (PBU) in its assembly. I was inspired to reach out, gather and empower our sisters with visual impairment on their rights and to know their intersecting issues. In 2013, we officially launched the Nationwide Organization of Visually-Impaired Empowered Ladies (NOVEL) to support the empowerment of our sisters with disabilities, build coalitions with cross-disability and women’s movements and promote gender and disability-inclusive development.

My participation as co-focal person of women with disabilities in our 2016 CEDAW Shadow Report submission convened by Women’s Legal and Human Rights Bureau (WLB) with the marginalized groups of women, opened many doors such as working with various women’s organizations and attending the 2017 Inclusion Days International in Berlin, Germany together with 3 Filipino women leaders with disabilities to share our good practices, mainly our engagement with the women’s movement in our country. 

My journey as feminist with disability has been an emotional roller coaster for me. It gave me  happiness and a sense of worth when I participated in promoting for our sisters with disabilities full inclusion, equal and effective participation in society, yet I felt frustrated and upset when I gave my all but I received negative remarks. Nevertheless, I feel that way because I am in love with the movement.    
I see my future working in solidarity with the movement to ensure that our sisters with and without disabilities can equally and fully enjoy and participate in society. 
 

Love lots, 
Gina Rose P. Balanlay
Feminist with disability
Philippines