Adolfo Lujan | Flickr (CC BY-NC-ND 2.0)
Mass demonstration in Madrid on International Women's Day
Multitudinaria manifestación en Madrid en el día internacional de la mujer

Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Advancing Universal Rights and Justice

Uprooting Fascisms and Fundamentalisms

Across the globe, feminist, women’s rights and gender justice defenders are challenging the agendas of fascist and fundamentalist actors. These oppressive forces target women, persons who are non-conforming in their gender identity, expression and/or sexual orientation, and other oppressed communities.


Discriminatory ideologies are undermining and co-opting our human rights systems and standards,  with the aim of making rights the preserve of only certain groups. In the face of this, the Advancing Universal Rights and Justice (AURJ) initiative promotes the universality of rights - the foundational principle that human rights belong to everyone, no matter who they are, without exception.

We create space for feminist, women’s rights and gender justice movements and allies to recognize, strategize and take collective action to counter the influence and impact of anti-rights actors. We also seek to advance women’s rights and feminist frameworks, norms and proposals, and to protect and promote the universality of rights.


Our actions

Through this initiative, we:

  • Build knowledge: We support feminist, women’s rights and gender justice movements by disseminating and popularizing knowledge and key messages about anti-rights actors, their strategies, and impact in the international human rights systems through AWID’s leadership role in the collaborative platform, the Observatory on the Universality of Rights (OURs)*.
  • Advance feminist agendas: We ally ourselves with partners in international human rights spaces including, the Human Rights Council, the Commission on Population and Development, the Commission on the Status of Women and the UN General Assembly.
  • Create and amplify alternatives: We engage with our members to ensure that international commitments, resolutions and norms reflect and are fed back into organizing in other spaces locally, nationally and regionally.
  • Mobilize solidarity action: We take action alongside women human rights defenders (WHRDs) including trans and intersex defenders and young feminists, working to challenge fundamentalisms and fascisms and call attention to situations of risk.  

 

Related Content

Winnie Madikizela-Mandela

Winnie has been described as a “militant firebrand activist” who fought the apartheid regime in South Africa.

She was imprisoned multiple times, and on many occasions placed in solitary confinement.

Ma’Winnie, as she is affectionately remembered, was known for being outspoken about the challenges Black women faced during and after apartheid, having been on the receiving end of these brutalities herself as a mother, wife and activist during the struggle. She transcended the misconception that leadership is gender, class or race-based. Despite being a controversial figure, she is remembered by many by her Xhosa name, “ Nomzamo”, which means "She who endures trials".  

Ma’Winnie continues to be an inspiration to many, particularly young South African women for whom her death has spurred a burgeoning movement, with the mantra: "She didn't die, she multiplied."

 


 

Winnie Madikizela-Mandela, South Africa

CFA 2023 - what you need to know - thai

สิ่งที่จำเป็นต้องรู้

  • เราให้ความสำคัญกับกิจกรรมที่เอื้อและส่งเสริมการเชื่อมต่อและการมีปฏิสัมพันธ์ระหว่างผู้เข้าร่วม เป็นอันดับแรก
  • หากกิจกรรมของท่านสามารถจัดทางออนไลน์หรือแบบผสมผสาน (เชื่อมต่อผู้เข้าร่วมในสถานที่จริง และออนไลน์) โปรดคำนึงถึงการสร้างการมีส่วนร่วมอย่างแท้จริง และการมีปฏิสัมพันธ์กับผู้เข้าร่วม ทางออนไลน์ด้วย
  • เราสนับสนุนให้เกิดขบวนการเคลื่อนไหวข้ามสาขา ข้ามภูมิภาค และการสนทนาแลกเปลี่ยน ระหว่างคนรุ่นต่างๆ 
  • โปรดออกแบบกิจกรรมของท่านในลักษณะยืดหยุ่นกับจำนวนผู้เข้าร่วม อาจมีบางกิจกรรมจำกัดไว้ เฉพาะกลุ่มเล็กๆ   แต่กิจกรรมส่วนใหญ่จะต้องรองรับจำนวนคนที่มากได้
  • หากกิจกรรมของท่านเหมาะสมกับรูปแบบจำนวนหนึ่งหรือไม่มีเลย สามารถระบุไว้ในแบบฟอร์ม ใบสมัครได้

ภาษาที่ใช้ในการจัดกิจกรรม

  • ภาษาสำหรับการสมัคร: ในการสมัคร สามารถใช้ภาษาอังกฤษ ฝรั่งเศส สเปน อาหรับ และไทย
  • ภาษาที่ในการประชุม: ในการประชุมรวม มีล่ามแปลภาษาแบบฉับพลันเป็นภาษาอังกฤษ ฝรั่งเศส สเปน อาหรับ และไทย รวมถึงภาษามือสากล (ISL) และอาจมีมากกว่านั้น  ส่วนกิจกรรมอื่นๆจะมีการจัดล่ามแปลเป็นบางภาษา แต่ไม่ทั้งหมด และอาจมีล่ามแปลเป็นภาษาอื่น เช่นภาษาสวาฮีลี เป็นต้น 

4. Collect and analyze your data

This section will guide you on how to ensure your research findings are representative and reliable.

In this section:

Collect your data

1. Before launch

  • First determine the best way to reach your survey population.
    For example, if you want to focus on indigenous women’s rights organizers, do you know who the key networks are? Do you have contacts there, people who can introduce you to these organizations or ways of reaching them?
  • Determine if your key population can be easily reached with an online survey, if you need to focus on paper survey distribution and collection or a mix of both. This decision is very important to ensure accessibility and inclusiveness.
  • Be prepared! Prior to advertizing, create a list of online spaces where you can promote your survey.
    If you are distributing paper versions, create a list of events, spaces and methods for distributing and collecting results.
  • Plan your timeline in advance, so you can avoid launching your survey during major holidays or long vacation periods.
  • Make it easy for your advisors and partners to advertize the survey – offer them pre-written Twitter, Facebook and email messages that they can copy and paste.

2. Launch

  • Send the link to the survey via email through your organization’s email databases.
  • Advertize on your organization’s social media. Similar to your newsletter, you can regularly advertize the survey while it is open.
  • If your organization is hosting events that reach members of your survey population, this is a good space to advertize the survey and distribute paper versions as needed.
  • Invite your advisors to promote the survey with their email lists and ask them to copy you so you are aware of their promotional messages. Remember to send them follow-up reminders if they’ve agreed to disseminate.
  • Approach funders to share your survey with their grantees. It is in their interest that their constituencies respond to a survey that will improve their own work in the field.

3. During launch

  • Keep the survey open for a minimum of four weeks to ensure everyone has time to take it and you have time to widely advertize it.
  • Send reminders through your email databases and your partners databases asking people to participate in the survey. To avoid irritating recipients with too many emails, we recommend sending two additional reminder emails: one at  midway point while your survey is open and another a week before your survey closes.
  • As part of your outreach, remember to state that you are only collecting one response per organization. This will make cleaning your data much easier when you are preparing it for analysis.
  • Save an extra week! Halfway through the open window for survey taking, check your data set. How have you done so far? Run initial numbers to see how many groups have responded, from which locations, etc. If you see gaps, reach out to those specific populations. Also, consider extending your deadline by a week – if you do so, include this extension deadline in one of your reminder emails, informing people know there is more time to complete the survey. Many answers tend to come in during the last week of the survey or after the extended deadline.

If you also plan to collect data from applications sent to grant-making institutions, this is a good time to reach out them.

When collecting this data, consider what type of applications you would like to review. Your research framing will guide you in determining this.

Also, it may be unnecessary to see every application sent to the organization – instead, it will be more useful and efficient to review only eligible applications (regardless of whether they were funded).

You can also ask grant-making institutions to share their data with you.

See a sample letter to send to grant-making institutions

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Prepare your data for analysis

Your survey has closed and now you have all this information! Now you need to ensure your data is as accurate as possible.

Depending on your sample size and amount of completed surveys, this step can be lengthy. Tapping into a strong pool of detail-oriented staff will speed up the process and ensure greater accuracy at this stage.

Also, along with your surveys, you may have collected data from applications sent to grant-making institutions. Use these same steps to sort that data as well. Do not get discouraged if you cannot compare the two data sets! Funders collect different information from what you collected in the surveys. In your final research report and products, you can analyze and present the datasets (survey versus grant-making institution data) separately.

1. Clean your data

  • Resolve and remove duplications: If there is more than one completed survey for one organization, reach out to the organization and determine which one is the most accurate.
  • Remove ineligible responses: Go through each completed survey and remove any responses that did not properly answer the question. Replace it with “null”, thus keeping it out of your analysis.
  • Consistently format numerical data: For example, you may remove commas, decimals and dollar signs from numerical responses. Financial figures provided in different currencies may need to be converted.

2. Code open-ended responses

There are two styles of open-ended responses that require coding.

Questions with open-ended responses

For these questions, you will need to code responses in order to track trends.

Some challenges you will face with this is:

  1. People will not use the exact same words to describe similar responses
  2. Surveys with multiple language options will require translation and then coding
  3. Staff capacity to review and code each open-ended response.

If using more than one staff member to review and code, you will need to ensure consistency of coding. Thus, this is why we recommend limiting your open-ended questions and as specific as possible for open-ended questions you do ask. 

For example, if you had the open-ended question “What specific challenges did you face in fundraising this year?” and some common responses cite “lack of staff,” or “economic recession,” you will need to code each of those responses so you can analyze how many participants are responding in a similar way.

For closed-end questions

If you provided the participant with the option of elaborating on their response, you will also need to “up-code” these responses.

For several questions in the survey, you may have offered the option of selecting the category “Other” With “Other” options, it is common to offer a field in which the participant can elaborate.

You will need to “up-code” such responses by either:

  • Converting open-ended responses to the correct existing categories (this is known as “up-coding”). As a simple example, consider your survey asks participants “what is your favorite color?” and you offer the options “blue,” “green,” and “other.” There may be some participants that choose “other” and in their explanation they write “the color of the sky is my favorite color.” You would then “up-code” answers like these to the correct category, in this case, the category “blue.”
  • Creating a new category if there are several “others” that have a common theme. (This is similar to coding the first type of open-ended responses). Consider the previous example question of favorite color. Perhaps many participants chose “other” and then wrote “red” is their favorite. In this case, you would create a new category of “red” to track all responses that answered “red.”
  • Removing “others” that do not fit any existing or newly created categories.

3. Remove unecessary data

Analyze the frequency of the results

For each quantitative question, you can decide whether you should remove the top or bottom 5% or 1% to prevent outliers* from skewing your results. You can also address the skewing effect of outliers by using median average rather than the mean average. Calculate the median by sorting responses in order, and selecting the number in the middle. However, keep in mind that you may still find outlier data useful. It will give you an idea of the range and diversity of your survey participants and you may want to do case studies on the outliers.

* An outlier is a data point that is much bigger or much smaller than the majority of data points. For example, imagine you live in a middle-class neighborhood with one billionaire. You decide that you want to learn what the range of income is for middle-class families in your neighborhood. In order to do so, you must remove the billionaire income from your dataset, as it is an outlier. Otherwise, your mean middle-class income will seem much higher than it really is.

Remove the entire survey for participants who do not fit your target population. Generally you can recognize this by the organizations’ names or through their responses to qualitative questions.

4. Make it safe

To ensure confidentiality of the information shared by respondents, at this stage you can replace organization names with a new set of ID numbers and save the coding, matching names with IDs in a separate file.

With your team, determine how the coding file and data should be stored and protected.

For example, will all data be stored on a password-protected computer or server that only the research team can access?

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Create your topline report

A topline report will list every question that was asked in your survey, with the response percentages listed under each question. This presents the collective results of all individual responses. 

Tips:

  • Consistency is important: the same rules should be applied to every outlier when determining if it should stay or be removed from the dataset.
  • For all open (“other”) responses that are up-coded, ensure the coding matches. Appoint a dedicated point person to randomly check codes for consistency and reliability and recode if necessary.
  • If possible, try to ensure that you can work at least in a team of two, so that there is always someone to check your work.

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Analyze your data

Now that your data is clean and sorted, what does it all mean? This is the fun part where you begin to analyze for trends.

Are there prominent types of funders (government versus corporate)? Are there regions that receive more funding? Your data will reveal some interesting information.

1. Statistical programs

  • Smaller samples (under 150 responses) may be done in-house using an Excel spreadsheet.

  • Larger samples (above 150 responses) may be done in-house using Excel if your analysis will be limited to tallying overall responses, simple averages or other simple analysis.

  • If you plan to do more advanced analysis, such as multivariate analysis, then we recommend using statistical software such as SPSS, Stata or R.
    NOTE: SPSS and Stata are expensive whereas R is free.
    All three types of software require staff knowledge and are not easy to learn quickly.

Try searching for interns or temporary staff from local universities. Many students must learn statistical analysis as part of their coursework and may have free access to SPSS or Stata software through their university. They may also be knowledgeable in R, which is free to download and use.

2. Suggested points for analysis

  • Analysis of collective budget sizes
  • Analysis of budget sizes by region or type of organization
  • Most common funders
  • Total amount of all funding reported
  • Total percentages of type of funding (corporate, government, etc)
  • Most funded issues/populations
  • Changes over time in any of these results.

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Previous step

3. Design your survey

Next step

5. Conduct interviews


Estimated time:

• 2 - 3 months

People needed:

• 1 or more research person(s)
• Translator(s), if offering survey in multiple languages
• 1 or more person(s) to assist with publicizing survey to target population
• 1 or more data analysis person(s)

Resources needed:

• List of desired advisors: organizations, donors, and activists
• Optional: an incentive prize to persuade people to complete your survey
• Optional: an incentive for your advisors

Resources available:

Survey platforms:

Survey Monkey
Survey Gizmo (Converts to SPSS for analysis very easily)

Examples:
2011 WITM Global Survey
Sample of WITM Global Survey
Sample letter to grantmakers requesting access to databases

Visualising Information for Advocacy:
Cleaning Data Tools
Tools to present your data in compelling ways
Tutorial: Gentle Introduction to Cleaning Data

 


Previous step

3. Design your survey

Next step

5. Conduct interviews


Ready to Go? Worksheet

Download the toolkit in PDF

Annaliza Dinopol Gallardo Capinpin

Known as “Ate Liza,” Annaliza was the president of the Agrarian Reform Council for Mindanao Pioneers, an umbrella group in Tacurong City, Philippines.

A loved mother of four, teacher and community leader, Annaliza is remembered by her community as “she who leads when no one wants to lead, she who talks when no one wants to talk, she who stood with courage to help the agrarian reform beneficiaries to own lands.”

Annaliza was shot dead by unknown assailants in front of the Sultan Kudarat State University (SKSU) while on her way to Salabaca National High School in Esperanza.

Her family have said “Naghihintay pa rin kami ng hustisya para sa kanya” (we are still waiting justice for her).


 

What criteria are you using to select the activities?

Please refer to the Call for Activities for this information, including the section “What you need to know”.

Feminist propositions: Glossary of terms

Capitalism:

An economic system in which production and consumption patterns are based on profit using privately owned capital goods and wage labour. The system builds on individual wealth and capital accumulation at the lowest cost to the investor, with little regard for the societal costs and exploitation of the workforce - both paid and unpaid.

Commodification of land:

The conversion of land and activities related to it (like agriculture) into commodities that can be bought or sold for profit.

International Financial Institutions (IFIs):

Institutions (like the World Bank, International Monetary Fund, or regional development banks) that provide loans to countries lacking sufficient money to cover funding shortfalls or to finance development projects. Historically, the lending policies of these institutions have been determined by economically powerful Western countries and private enterprises. Loans to low-income countries in particular typically include conditionalities that prompt economic reforms in these countries to support neo-liberalism.

Neoliberalism:

A set of economic and political theories in which market forces, rather than governments, determine key aspects of the economy with governments acting to support globalized markets and the interests of capital. Neo-liberal economic policies typically include promotion of free trade, privatisation, reduced government spending on social programs, subsidies and tax exemptions for business, deregulation of financial sector and foreign investments, low taxes on the wealthy and corporations, flexible labour and weak environmental protection.

Patriarchy:

Refers to systemic and institutionalized male domination embedded in and perpetuated by cultural, political, economic and social structures and ideologies. Hetero-patriarchy in addition, is a patriarchal system that is also based on the belief that heterosexuality is the only normal and acceptable sexual orientation.

Mariam Uy Acob

Mariam was a paralegal at the Kawagib Moro Human Rights Alliance. 

Mariam was a staunch critic of militarization in Moro communities, and consistently denounced aerial bombardment and encampment. She had to seek sanctuary after exposing and calling out the injustices committed against Muslim communities in the Philippines.

She is believed to have been killed by suspected military agents because of her work as a WHRD. The assailants who killed Mariam waited for her, caught up with the vehicle she was using and shot her seven times. 


 

Mariam Uy Acob, Philippines

متى وأين سيكون المنتدى؟

2-5 ديسمبر 2024، بانكوك، تايلاند! سنجتمع في مركز الملكة سيريكيت الوطني للمؤتمرات (QSNCC) وكذلك افتراضيا عبر

Live events

Now on streaming:

Impunity for violence against women defenders of territory, common goods, and nature in Latin America

 


Follow the online conversation!

#CSW62 #ResistImpunity

Sainimili Naivalu

“I’ve witnessed discrimination on the streets, being teased on the streets and verbally abused on the streets. I have also made numerous friends and have met a lot of people. There may be dangers out there but I am a survivor and this is where I will be for now.”
- Sainimili Naivalu

Sainimili Naivalu was a feminist and disability rights activist from the village of Dakuibeqa on Beqa Island, Fiji.

She demanded policy makers and stakeholders provide disability friendly policies and services such as the construction of ramps in towns and cities to increase accessibility. Physical barriers were not the only ones she strived to change. From her own experience, she knew that more difficult changes need to take place in social and economic spheres. Many of the challenges disabled people face are rooted in attitudes that carry discrimination and stigma. 

A survivor and a fighter, Sainimili contributed to co-creating feminist realities that foster inclusion and shift attitudes towards disabled people. As a member of the Spinal Injury Association of Fiji (SIA) and through Pacific Disability Forum’s Pacific Enable project she attended the International Labour Organisation “Start Your Business” training in Suva, enabling her to transform her ideas into her own business. She was an entrepreneur at the Suva Market Stall 7, offering manicure services, as well as running SIA’s women’s market stall selling handicrafts, sulus and artifacts. Sainimili’s plan was to expand her business and become a major employer of disabled people.

In addition to her activism, she was also a table tennis medalist and youth champion. 

A vivacious personality, Sainimili was one of a kind. You would always know that Sainimili is in a room because her laughter and her stories would be the first thing that you would notice.
- Michelle Reddy

Sainmili passed away in 2019. 

ويخطط عدد من الأشخاص من منظمتي لحضور المنتدى. هل يوجد خصم جماعي للمنتدى؟

لا تقدم جمعية حقوق المرأة في التنمية خصومات جماعية، ولكننا نقدم خصومات التسجيل للأعضاء/ العضوات. (انقر هنا لمعرفة المزيد عن كيفية الانضمام)

Calling all artists & creative activists to come together in a new Slack community!

Our thoughts are with the many people all around the world who are most affected by the repercussions of the global COVID-19 pandemic, especially marginalised communities that are historically oppressed.

This is an invitation for artists and creative activists to join a virtual space to connect, build community, and support each other through these challenging times. For this we have created a new Slack community to safely share insights, learnings, life-hacks, resources, advice, fears and anxieties, hopeful and joyful reminders, and in general chat about how we’re doing.

Join us on Slack

After filling out the form, we will send you a personal invitation to the community.


About this community:

For those who are new to Slack, we’ll have orientation sessions and materials available after you sign up.

Since we are working in three languages (English, Spanish, French) we invite you to write in the language you are the most comfortable with and use online translation tools (Google Translate or others) to participate in discussions.

Co-creating welcoming and safe spaces:

Please refer to the Community Guidelines

The co-creation of our feminist realities starts with ourselves and how we treat each other. We are dedicated to creating and protecting safe and supportive spaces for our communities both online and in person.  We also consider that safe and welcoming spaces are co-owned and co-created. We expect our members to act in a manner that is ethical, responsible and consistent with the values of AWID and assume collective responsibility to ensure an atmosphere of mutual respect and solidarity.

Weekly Prompts: 

As part of our ongoing discussions, we will offer weekly prompts in Slack with the intention to gently facilitate dialogue and inspire art-making processes. This can be an introspective process, but to make the most out of this community, we welcome you to interact with other community members and share thoughts as part of our discussions. The intention is to invite folks to respond freely and gradually by writing or making art in whatever way feels best. 

We hope to have relevant and timely discussions with you, so we invite your suggestions and feedback. In general, the themes will center the experiences and perspectives of artists, writers, and creators -- and they will make space for folks to vision into and beyond the current global climate through the lens of feminist realities.


Join us on Slack

Binta Sarr

Binta Sarr was an activist for social, economic, cultural and political justice, and a hydraulic engineer in Senegal. After 13 years in civil service, she left this path to work with rural and marginalized women. 

Out of this engagement grew the Association for the Advancement of Senegalese Women (APROFES), a grassroots movement and organization Binta founded in 1987. One of her main approaches was leadership training, relating not only to economic activities but also to women's rights and access to positions of decision-making. 

“Grassroots populations must organize, mobilize, assume citizen control and demand democratic governance in all sectors of public space. The priority of social movements must go beyond the fight against poverty and must be focused on articulated and coherent development programs in line with human rights principles, while taking into account their needs and concerns both at the national and sub-regional levels and from a perspective of African and global integration.” - Binta Sarr

Rooted in Binta’s conviction that fundamental change in women’s status requires transformation in male attitudes, APROFES took an interdisciplinary approach, using radio, seminars and popular theatre, as well as providing innovative public education and cultural support for awareness-raising actions. Its popular theatre troupe performed original pieces on the caste system in Senegal, alcoholism, and conjugal violence. Binta and her team also looked at the crucial connection between the community and the broader world.

“For APROFES, it is a question of studying and taking into account the interactions between the micro and the macro, the local and the global and also, the different facets of development. From slavery to colonization, neocolonialism and the commodification of human development, most of the resources of Africa and the Third World (oil, gold, minerals and other natural resources) are still under the control of financial cartels and other multinationals that dominate this globalized world.” - Binta Sarr

Binta was one of the founding members of the female section of the Cultural and Sports Association Magg Daan. She received commendations from the Regional Governor and the Minister of Hydrology for her "devotion to rural people."

Born in 1954 in Guiguineo, a small rural town, Binta passed away in September 2019.


Tributes:

“The loss is immeasurable, the pain is heavy and deep but we will resist so as not to mourn Binta; we will not mourn Binta, we will keep the image of her broad smile in all circumstances, to resist and be inspired by her, maintain, consolidate and develop her work…” - Aprofes Facebook page, September 24, 2019

"Farewell Binta! We believe your immense heritage will be preserved." - Elimane FALL, president of ACS Magg-Daan 
 

ما هي المعايير اختيار الأنشطة؟

يرجى الرجوع إلى فتح باب التقديم للحصول على هذه المعلومات، بما في ذلك قسم "ما تحتاج/ين إلى معرفته".

Pleasure Garden Exhibition

The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.

Mental Health
Mental Health
Sex and Spirtuality
Sex and Spirtuality
Orgasm
Orgasm

About the Artists:

Siphumeze Khundayi portrait
Siphumeze Khundayi is an art-maker, photographer and facilitator interested in creative ways of bringing together dialogue and artistic practice in relation to African Queer identity.

She is creative director of HOLAAfrica! a pan-Africanist womanist online collective.

Her solo and collaborative performance work has been featured in a number of festivals and theatre spaces such as Ricca Ricca Festival in Japan

She directed two Naledi nominated productions in 2017 and 2018. She directed a show that won a Standard Bank Ovation award in 2020.

As a photographer she was part of a group exhibition titled Flowers of my Soul in Italy organised by the Misfit Project. Produced three publications for HOLAAfrica and was published in and provided the cover for volume two: As You Like of the Gerald Kraak Anthologies.
katia portrait
Katia Herrera is a 21-year-old  Digital visual artist from the noisy city of  Santo Domingo in the Dominican Republic. Despite Herrera being a self-proclaimed introvert, her artwork is remarkably loud in a world trying to quiet black voices. With titles like Black Woman, You Own the Moon, Earth Goddess, Forever,  and Universe Protector, Herrera’s legacy will be marked by her passion for highlighting the endurance and perseverance of black folks of old and present to contrast the narrative that black skin should only be associated with slavery.

One of her most lovely and vivaciously titled works, Universe Protector, portrays the black soul as a divine entity full of strength, power, and greatness. In her youth, her love of graphic design was stimulated by her parents’ artistry and the Photoshop they had downloaded on their computer for their professional photography.

Dorothy Masuka

“I didn’t plan to be a singer, singing planned to be in me.” - Dorothy Masuka (interview with Mail & Guardian)

Dorothy Masuka, born 1935 in Bulawayo (then Southern Rhodesia, now Zimbabwe), grew up in South Africa to become a well-known songwriter, composer, jazz singer and activist, a fervent advocate of the struggle against apartheid. Called “an architect of the discourse of popular African liberation music”, Dorothy often sang about politics in indigenous African languages and throughout her work she confronted the racist policies of the South African government.

One such song titled “Dr. Malan” (named after the pro-apartheid politician D.F. Malan) was banned. She went on to record “Lumumba” (1961), a song about the assassination of the anti-colonial leader Patrice Lumumba. Dorothy’s work and activism attracted the attention of the Special Branch of the South African police and she was forced into a political exile that would span over three decades. Throughout this time, she worked with pro-independence groups including the African National Congress. In 1992, as apartheid started to crumble and Nelson Mandela was released from prison, she returned to South Africa. 

Some of her other work includes the first song she recorded in 1953 entitled “Hamba Notsokolo”, a hit in the 1950s and a valued classic. She also wrote “El Yow Phata Phata”, a song that was adapted by Miriam Makeba, making “Pata, Pata” popular internationally.

Rooted in resistance, Dorothy’s music and activism were intertwined, leaving a magnificent and inspiring legacy. She was also widely known as “Auntie Dot”. 

On 23 February 2019 at the age of 83, Dorothy passed away in Johannesburg due to ill health. 


Watch Dorothy Masuka in an interview with Mail & Guardian

Listen to some of her music:

Hamba Nontsokolo
El Yow Phata Phata
 

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