L´AWID est une organisation féministe mondiale qui consacre ses efforts à la justice de genre, au développement durable et aux droits humains des femmes
Au cours des dernières années, nous avons observé une nouvelle tendance inquiétante dans les espaces internationaux consacrés aux droits humains. Les discours axés sur « la protection de la famille » sont en effet utilisés pour défendre des violations des droits de membres de la famille, pour renforcer et justifier l’impunité des auteurs de ces violations et pour restreindre l’égalité des droits au niveau de la vie familiale.
La campagne en faveur de la « Protection de la famille » est motivée par une volonté conservatrice d’imposer des conceptions « traditionnelles » et patriarcales de la famille et de priver les membres de la famille de leurs droits pour les transférer à « l’institution familiale ».
Les initiatives visant à la « Protection de la famille » reposent sur :
la montée du traditionalisme,
la montée du conservatisme culturel, social et religieux,
l’existence d’une hostilité vis-à-vis des droits humains des femmes, des droits sexuels, des droits des enfants et enfin des droits des personnes dont l’identité de genre et l’orientation sexuelle ne sont pas conformes aux normes.
Depuis 2014, un groupe d’Etats travaille de front dans les espaces dédiés aux droits humains sous le nom de « Group of Friends of the Family » (Groupe des ami-e-s de la famille) ; des résolutions sur la « Protection de la famille » ont été adoptées chaque année depuis 2014.
Ce programme s’est propagé au-delà du Conseil des droits humains. Nous avons observé l’introduction d’un discours régressif autour de la « famille » à la Commission sur la condition de la femme, ainsi que des tentatives d’introduction dans les négociations sur les Objectifs de développement durable.
Notre approche
L’AWID travaille avec des partenaires et des allié-e-s pour s’opposer ensemble à la « Protection de la famille » et à d’autres programmes régressifs et défendre l’universalité des droits humains.
En réponse à l’influence croissante d’acteurs régressifs au sein des espaces dédiés aux droits humains, l’AWID a rejoint des allié-e-s afin de créer l’Observatoire sur l'Universalité des droits (OURs) (site en anglais). L’OURs est un projet de collaboration qui surveille, analyse et diffuse les informations concernant les initiatives anti-droits telles que la « Protection de la famille ».
Le premier rapport de l’OURs, Nos droits en danger, trace une cartographie des acteurs et actrices qui constituent le lobby mondial anti-droits et identifie leur réthorique et stratégies clés ainsi que leur impact sur les droits humains.
Le rapport précise que le programme de « Protection de la famille » a développé une collaboration entre un large éventail d’acteurs régressifs aux Nations Unies, qu’il décrit comme « un cadre stratégique abritant des positions anti-droits et patriarcales multiples, où le cadre vise entre autres à légitimer et institutionnaliser ces positions. »
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye:
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
Follow us on Social Media to receive news about upcoming events and screenings:
Engagée auprès de jeunes lesbiennes, gays, bisexuels, transgenres, intersexuels, queers, et transgenres (appelés Brotherboys-BB et Sistergirls-SS dans la communauté aborigène en Australie), Rocky faisait preuve de vision et d'un leadership inspirants.
Rocky avait commencé sa carrière auprès de la police du Queensland en tant qu'agent de liaison. Faire une différence était très important pour elle. Elle a mené un travail de soutien impressionnant auprès de jeunes de cette communauté en tant que responsable du service jeunesse « Open Doors » (portes ouvertes). Rocky a œuvré dans des situations complexes liées spécifiquement aux questions de genre et d'identité sexuelle.Elle avait un don naturel dans ce domaine: c’était une leader communautaire solide, une femme sereine, une amie fidèle, une personne aimante et attentionnée ainsi qu’une actrice du changement. Rocky était membre fondatrice d’IndigiLez Leadership and Support Group.
En 2016, à la Cour suprême de Brisbane, l'ancien juge de la Haute Cour, Michael Kirby, a cité le nom de Rocky lorsqu'il a loué le travail du service juridique de la communauté LGBTI au fil des années. Rocky s'est engagée très fermement en faveur des droits humains de la communauté « LGBTIQBBSG », elle a repoussé les limites et induits des changements de manière respectueuse et aimante.
Pour réaliser sa mission, l’AWID travaille par la voie de programmes pluriannuels et interreliés.
Chaque programme comporte plusieurs volets, y compris le développement et la diffusion de connaissances, la recherche-action, les plaidoyers, l’établissement d’alliances et l’organisation de dialogues stratégiques.
Notre Rapport Annuel 2011 vous proposent un sommaire des principales réalisations pendant l'année, dans le cadre de chacune des programmes de l’AWID.
Snippet FEA A Caring Economy (ES)
Economías de
CUIDADOS
Feministas Centrando
el Cuidado en la Economía
¿Qué pasaría si volviéramos a imaginar formas de cuidar a nuestras comunidades?
¿Y si la economía no estaría enfocada en la ganancia de una pequeña élite sino en el cuidado de nuestro bienestar individual y colectivo, y de la Naturaleza?
Estas historias tratan de la construcción de comunidades de cuidado con y para las personas que históricamente y actualmente están excluidas, privadas de sus derechos y deshumanizadas tanto por el Estado como por la sociedad.
Estas son las historias de las feministas que centran el cuidado en la economía.
AWID Community is an online social networking platform for specifically for AWID members. It’s a feminist space for connection, resistance and celebration. A space for critical feminist conversations, collective power and solidarity. It is also a space for post-event dialogues, navigating difficult political learnings and community care
#MeToo in China
En China, el movimiento #MeToo [«Yo También»] se encendió en enero de 2018, empujado por el ímpetu del movimiento #MeToo de todo el planeta. Fue una respuesta a los problemas culturales y sistémicos relacionados con el género y el poder dentro de China. Las bases del movimiento habían sido establecidas durante décadas, y los muchos años de debate y promoción de la igualdad de género, finalmente, hicieron erupción con tremenda fuerza en toda la sociedad. El movimiento #MeToo fue impulsado fundamentalmente por jóvenes, que incluyen a innumerables mujeres anónimas y sus aliadxs, en busca de oportunidades para hacer realidad el principal «sueño chino»: transformar a China en un país con igualdad de género.
En China, el contexto para el movimiento #MeToo es extremadamente adverso: el Estado de derecho, la justicia y la transparencia de las acciones gubernamentales y la libertad de expresión no pueden darse por descontados, pero estos son precisamente los objetivos por los cuales lucha el movimiento. Ha sido, desde el principio, una lucha intensa, y cada víctima o activista que se visibiliza corre enormes riesgos: desde ser silenciadx o humilladx o de sufrir represalias hasta poner en peligro su seguridad. Todos los éxitos del movimiento #MeToo han sido logrados por quienes son lo suficientemente valientes como para asumir los costos de manifestarse y desafiar la censura.
La exhibición «#MeToo in China» fue inaugurada en 2019 y recorrió cinco ciudades. Su objetivo es dar mayor prominencia a las experiencias personales de lxs víctimas y lxs activistas, para inspirar al público a unirse a la lucha a través del contacto con estas historias. La exposición misma se ha convertido en parte de la lucha #MeToo: ha debido enfrentar desafíos en su itinerario por toda China y, en más de una ocasión, fue amenazada con la clausura.
Zita was a women’s rights activist who defended the rights of rural women in Greater Kivu.
She was the first Executive Director of UWAKI - a well known women’s organisation. Through her work with Women's Network for Rights and Peace (RFDP), and the Women's Caucus of South Kivu for Peace, she committed her life to helping to restore peace in the Eastern DRC. She spoke out strongly against the use of sexual violence as a weapon of war.
In 2006, she put herself forward as a candidate in the first democratic elections in the DRC. Although she did not win, she continued to advocate for women’s rights and the South Kivu community remembers her fondly.
2016 was an incredible year for AWID, we convened the 13th International AWID Forum in Bahia, Brazil, a space for strategizing and alliance building with feminists and other justice movements, which was attended by over 1800 participants from 120 countries and territories across the globe.
We know that women’s rights and feminist movements are key actors in creating sustainable transformative change. Within our movements, organizing, resisting and responding to the challenging context is sharpening, and in our increasingly connected world, the potential for collective action across diverse movements has dramatically grown.
This is the crucial work that AWID seeks to amplify and support every day.
What we achieved in 2016
We expanded solidarity and joint action across diverse movements
A highlight of 2016 was our ground-breaking 13th International Forum with the theme: “Feminist Futures: Building Collective Power for Rights and Justice”, where we harnessed the thinking and energy of nearly 500 partners, presenters, panelists, moderators, artivists, writers, facilitators, IT innovators, and performers, many of them leaders in their movements. We also supported the convening of the first and historical Black Feminisms Forum (BFF) organised by a working group of Black Feminists from across the world.
We strengthened knowledge of issues and strategies
On feminist economies - we released ‘Feminist Propositions for a Just Economy’ with the Center for Women’s Global Leadership (CWGL) and the African Women’s Development and Communication Network FEMNET.
AWID, in partnership with other feminist and women’s rights organisations, engaged in advocacy and dialogue to explore better solutions for women’s rights agendas including our work with the Count Me In! consortium .
We increased the visibility of movements
The experiences of women with disabilities, Black and Afro-descendant women, sex workers, Indigenous women, trans and intersex people, domestic workers and how their lives are impacted by multiple oppressions and violence were placed front and center of the Forum process.
We also launched the 2016 WHRD Tribute to commemorate defenders who are no longer with us, during the 16 Days of activism, and thanks to the contributions from our members,
We drove attention to groups and issues that do not usually receive adequate mainstream media coverage through our partnership with The Guardian and Mama Cash.
Our members
Snippet FEA Carmen Silva (FR)
Ocupação 9 de Julho
Lorsque vous arriverez au centre-ville de São Paulo, vous verrez le bâtiment Ocupação 9 de Julho (Occupation de l’Avenue du 9 Juillet), un espace culturel et un site important dans la lutte pour le logement social.
C'est le travail du Mouvement des Travailleur·euses Sans-Abri (Movimento dos Sem-Teto do Centro, MSTC), un mouvement de plus de 2000 personnes qui agit dans le centre-ville et convertit les espaces abandonnés en logements pour les travailleur·euses à faible revenu, les enfants, femmes, adultes, personnes âgées, migrant·e·s et réfugié·e·s. Dans ce bâtiment en particulier, 122 familles sont nourries et logées.
We transcend time and place (Nous transcendons le temps et le lieu), Papier découpé à la main (2017)We will remember who we are and We will persist (Nous nous rappellerons qui nous sommes et nous persisterons), Coton lamé brodé coupé à la main sur tissu de laine et soie (2018We will return home (Nous rentrerons au pays), Lamé brodé à la main sur velours de coton (2018)We will heal in the now (Nous guérirons dans l’instant), Soie coupée à la main, laine, lamé, coton, impression numérique directe satin de soie sur lin (2018)
nous sommes infini·e·s
Une exposition de Nicole Barakat qui incarne sa reconnexion avec la diaspora d'objets provenant de ses terres ancestrales dans l'Asie du Sud-Ouest et l'Afrique du Nord.
Barakat présente une collection d'œuvres textiles en tant que manifestations de sa démarche consistant à travailler avec des objets déplacés, souvent volés, détenus dans les collections de musées occidentaux, notamment le Louvre, le British Museum et le Nicholson Museum.
Pour contourner les gardiens et pénétrer dans les vitrines contenant ces objets ancestraux, Barakat récupère des formes de connaissances précoloniales, non linéaires et réceptives qui sont souvent dévaluées et rejetées par les institutions coloniales et patriarcales. Elle utilise ainsi la cafédomancie, le travail du rêve, l'écoute intuitive et les conversations avec les objets eux-mêmes (source).
À propos de Nicole Barakat
Nicole Barakatest une artiste queer femme de la région d’Asie du Sud-Ouest et d’Afrique du Nord, née et vivant à Gadigal (dite Sydney, en Australie). Elle emploie des processus intuitifs et d’écoute profonde visant à transformer les conditions de la vie quotidienne. Son travail fait appel à des approches non conventionnelles de la création artistique, créant des œuvres complexes qui incarnent l'amour et la patience et caractérisent les pratiques textiles traditionnelles.
Ses œuvres comprennent des dessins en tissu et en papier cousus et découpés à la main, des formes sculpturales réalisées avec ses propres cheveux, du tissu et des matériaux végétaux, ainsi que des œuvres en direct où elle utilise sa voix comme matériau.
La pratique créative de Nicole s'enracine dans la re-mémoration et le re-couvrement de son savoir ancestral, y compris la cafédomancie et, plus récemment, le travail avec des plantes et des essences de fleurs pour le soin et la guérison de la communauté.
Bessy Ferrera was a lifelong defender of the human rights of trans people, sex workers and HIV positive people in Honduras.
Bessy was also a member of Arcoíris, an organisation which supports the LGBTI+ community. She was also a focal point person for the Right Here, Right Now (Derechos aquí y Ahora) Platform of Honduras, and advocated strongly for full citizenship of trans people, and the passing of a gender identity law that would allow trans people to change their gender identity legally.
"Since the beginning of the year [2019] the trans community has been suffering a series of attacks, for defending, for demanding rights." - Rihanna Ferrera (Bessy’s sister)
Bessy was a sex worker, and in early July 2019, was shot to death by two men while working in the streets of Comayagüela. Her assailants were subsequently arrested.
Bessy is one of many LGBTI+ rights defenders in Honduras, who were murdered because of their identities and work. Other companeras include: Cynthia Nicole, Angy Ferreira, Estefania "Nia" Zuniga, Gloria Carolina Hernandez Vasquez, Paola Barraza, Violeta Rivas, and Sherly Montoya.
Bessy’s case is emblematic of injustice and a much larger problem of the systematic violence the LGBTI+ community faces in Honduras as the state fails to guarantee rights offer and fails to offer protection. This has created a culture of impunity.
Despite the risks LGBTI+ defenders in Honduras face, they continue their work to challenge and resist violence, and fight stigma and discrimination on a daily basis.
“If I die, let it be for something good not for something futile. I don’t want to die running away, being a coward. If I die, I want people to say that I died fighting for what is mine.” - member of Arcoíris
In 2021, AWID, along with many other organizations, was coming to grips with the implications of the on-going global pandemic for how we work and our role in this particular time. The year taught us three critical lessons about navigating this moment as a global feminist movement-support organization.
Through dialogue and exchanges critical to their work, AWID connected thousands to feminists from around the world.
Our experience in 2021 reaffirmed the importance of building and sustaining a global feminist community, and AWID’s core mission to support feminist movements as a whole. We believe that at this moment, a strong community bound by a shared vision and collective care is the foundation of all social change and transformation.
Association of Afro-Descendant Women of the Northern Cauca
Black women community organizing in the Cauca Valley in Colombia can be traced back to the country's colonial past, which is marked by the racism, patriarchy, and capitalism that sustained slavery as a means to exploit the region’s rich soils. These organizers are the heroines of a broad movement for black autonomy - one that fights for the sustainable use of the region's forests and natural resources as vital to their culture and livelihood.
For 25 years, the Association of Afro-Descendant Women of the Northern Cauca (Asociación de Mujeres Afrodescendientes del Norte del Cauca, ASOM) has been dedicated to bringing power to Afro-Colombian women’s organizing in northern Cauca.
They became established in 1997 as a response to ongoing human rights violations, the absence of public policies, inadequate management of natural resources, and the lack of opportunities for women in the territory.
They have forged the struggle to secure ethnic-territorial rights, to end violence against women, and gain recognition of women’s roles change-making peace-building in Colombia.
A complex and evolving network of anti-rights actors is exerting increasing influence in international spaces as well as domestic politics. Often backed by obscure funding, these actors build tactic alliances across issues, regions, and faiths to increase their impact.
We are witnessing fascist and fundamentalist actors that, while nationalist in their discourse, are completely transnational in their ideological underpinnings, political alliances, and networks of financing. In some cases these groups are backed by obscure funding flows, linked with big business, or far-right political parties. However, they also create strategic alliances, including, in some cases, with segments of the feminist and women’s rights movements, and distance themselves from more outwardly extreme elements to appear more legitimate. Anti-rights actors are also spreading and replicating their brand of anti-rights organizing - be that campaigning and lobbying or strategic litigation - across the globe.
Table of Contents
CitizenGo
Alliance Defending Freedom (ADF)
Funding of Anti-rights Actors
The Links Between Anti-trans Feminists and Christian Fundamentalists
Exercise: Let’s Map the Landscape
Movement Resistance Story: Catolicadas, a Powerful Communication Tool to Promote Gender Equality and Sexual and Reproductive Rights
