Confronting Extractivism & Corporate Power

Women human rights defenders (WHRDs) worldwide defend their lands, livelihoods and communities from extractive industries and corporate power. They stand against powerful economic and political interests driving land theft, displacement of communities, loss of livelihoods, and environmental degradation.


Why resist extractive industries?

Extractivism is an economic and political model of development that commodifies nature and prioritizes profit over human rights and the environment. Rooted in colonial history, it reinforces social and economic inequalities locally and globally. Often, Black, rural and Indigenous women are the most affected by extractivism, and are largely excluded from decision-making. Defying these patriarchal and neo-colonial forces, women rise in defense of rights, lands, people and nature.

Critical risks and gender-specific violence

WHRDs confronting extractive industries experience a range of risks, threats and violations, including criminalization, stigmatization, violence and intimidation.  Their stories reveal a strong aspect of gendered and sexualized violence. Perpetrators include state and local authorities, corporations, police, military, paramilitary and private security forces, and at times their own communities.

Acting together

AWID and the Women Human Rights Defenders International Coalition (WHRD-IC) are pleased to announce “Women Human Rights Defenders Confronting Extractivism and Corporate Power”; a cross-regional research project documenting the lived experiences of WHRDs from Asia, Africa and Latin America.

We encourage activists, members of social movements, organized civil society, donors and policy makers to read and use these products for advocacy, education and inspiration.

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Tell us how you are using the resources on WHRDs Confronting extractivism and corporate power.

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Thank you!

AWID acknowledges with gratitude the invaluable input of every Woman Human Rights Defender who participated in this project. This project was made possible thanks to your willingness to generously and openly share your experiences and learnings. Your courage, creativity and resilience is an inspiration for us all. Thank you!

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A minha participação é confidencial?

É claro que sim. As suas respostas serão eliminadas no final do processamento e da análise dos dados, e só serão usadas para fins de investigação. Os dados NUNCA serão divulgados fora da AWID e serão processados apenas por colaboradores e consultores da AWID que trabalham no projeto WITM connosco. Damos prioridade à sua privacidade e ao seu anonimato. Consulte a nossa política de privacidade detalhada aqui.

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Photo of a group of people at night demonstrating.

Benoîte Groult

Benoîte était une journaliste, écrivaine et militante féministe française.

Elle a publié plus de 20 romans et de nombreux essais sur le féminisme

Son premier livre « Ainsi Soit-Elle » a été publié en 1975. Le livre explore l’histoire des droits des femmes ainsi que la misogynie et la violence à l’égard des femmes.

Son dernier livre, « Ainsi Soit Olympe de Gouges», a exploré la question des droits des femmes pendant la Révolution française, se concentrant sur la figure de l’ancienne féministe française Olympe de Gouges. De Gouges fut guillotinée en 1793 pour avoir défié l'autorité des hommes et publié la « Déclaration des droits de la femme et de la citoyenne » deux ans auparavant. 


 

Benoïte Groult, France

Membership why page - Angelina Mootoo quote

"Joining AWID, I hope I can help in the mobilization of the feminist movement. Not just for the privileged women, but for ALL women and feminist activists."

- Angelina Mootoo, Intersectional and Caribbean Feminist, Guyana/USA

Download your faciliation guide:

"A Feminist Approach to Understanding Illicit Financial Flows and Redirecting Global Wealth"

IFF Toolkit

Download your facilitation guide in English

This Guide is also available in Spanish and Russian


Thanks to the co-creators of this facilitation guide:

  • Daniela Fonkatz and Ana Ines Abelenda (AWID)
  • Zenaida Joachim (Mesoamericanas en Resistencia - El Salvador)
  • Olga Shnyrova (Ivanovo Center for Gender Studies - Russia)
  • Leah Eryenyu (Akina Mama Wa Afrika - Uganda)
  • Daryl Leyesa (Oriang and PKKK/National Rural Women Congress - the Philippines)

ما هو عدد الردود الذي ترغبون بجمعها؟

نهدف للوصول الى 2000 رد، وهذا تقريباً ضعف الردود التي جمعناها من استطلاع "أين المال" الأخير عام 2021.

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Principios

DE TRABAJO

Stella Mukasa

Stella began her career at the Ministry of Gender and Community Development in Uganda engaging with policymakers for law reform, including the 1995 Ugandan Constitution, which established some of the most progressive reforms for women in the region.

She is revered throughout the region for her tireless efforts to create and enforce gender-responsive laws and policies. She played a key role in drafting Uganda’s Domestic Violence Act and in mobilizing support for gender-responsive constitutions in both Uganda and in Rwanda.

Through her work with International Center for Research on Women (ICRW), she worked on violence against children, and worked to strengthen the capacities of grassroots organizations addressing gender-based violence. She was a lecturer on gender rights and the law at Makerere University and served on the boards of Akina Mama wa Afrika, ActionAid International Uganda and the Open Society Initiative for Eastern Africa.


 

Stella Mukasa, Uganda

Questions (Forum page)

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¿Tienes preguntas sobre el Foro de AWID o sobre las actividades relacionadas? ¡Tenemos respuestas!

Encuentra las respuestas

Holding up the Skies

A Film Series on Feminist Realities from Africa and the African Diaspora

by Gabrielle Tesfaye

When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities. 

In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore. 

“... a truly unique, raw and representation of feminist power in action.”
 
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work. 

“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
 
    - Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin


Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.” 

“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
 
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival


Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams. 

“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
 
       - Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin


Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.   

“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”

     - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

Register here to watch this film from June 18-22


These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world. 


Gabrielle Tesfaye:

Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.

Follow us on Social Media to receive news about upcoming events and screenings:

Facebook: @AWIDWomensRights
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Twitter ENG: @awid
Twitter ES: @awid_es
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LinkedIn: Association for Women's Rights in Development (AWID)

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AWID Community

AWID Community is an online social networking platform for specifically for AWID members. It’s a feminist space for connection, resistance and celebration. A space for critical  feminist conversations, collective power and solidarity. It is also a space for post-event dialogues, navigating difficult political learnings and community care

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Une pile de livres dans une couverture rose et un mortier de graduation noir sur le dessus.

ÉDUCATION ET APPRENTISSAGE CONSTANT

Juana Ramírez Santiago

Juana fue una de las fundadoras y era actualmente integrante de la junta directiva de la Red de Mujeres Ixiles de Nebaj, una organización por los derechos de las mujeres indígenas que es parte de la Iniciativa Mesoamericana de Mujeres Defensoras de Derechos Humanos (IM-Defensoras).

También era partera y madre de siete hijxs. Había recibido amenazas de muerte que fueron denunciadas ante la Fiscalía. Juana es la tercera defensora de derechos humanos indígena asesinada en el área durante 2018. El Ombudsman de Guatemala informa que un total de 20 defensorxs de derechos humanos fueron asesinadxs este año en el país.

Juana Ramírez Santiago fue baleada de muerte por atacantes desconocidos mientras cruzaba un puente en Nebak, Quiché, Guatemala. Están en curso las investigaciones para identificar a los perpetradores. 


 

Juana Ramírez Santiago, Guatemala

FRMag - Editors Note

Note éditoriale

Les Réalités féministes consistent en une invitation chaleureuse et bienveillante, une sorte d’acte de préservation et de soins massifs (versus un soin individuel), une invitation à archiver et à faire l’inventaire de tout le travail réalisé, sous peine de le voir disparaître.     (...)

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