What Can Feminist Movements Today Learn from Beijing 1995?

✉️ By registration only. Register here 

📅 Wednesday, March 12, 2025
🕒 6.30–8:00pm EST
🏢 Church Center of the United Nations, 777 United Nations Plaza, New York, NY 10017

🎙️Co-facilitated by: Inna Michaeli, Co-Executive Director

Organizer: Jass, Gender at Work, and Count Me In! Consortium

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First High-level Dialogue on Financing for Development, 29-30 October 2003

One of the follow up mechanisms to the Monterrey conference are the UN General Assembly High-level Dialogues on Financing for Development held every two years. In total eight roundtable meetings took place following the Dialogue on various issues including agricultural subsidies, trade, debt relief and funding of the MDGs. All the discussions focused on dealing with the structural hindrances on these issues that disadvantaged ‘developing’ nations.

Other follow up mechanisms to Monterrey included:

• The UN Economic and Social Council (ECOSOC) special high-level meeting, held annually, with the leadership of the World Bank, the International Monetary Fund, the World Trade Organization and UNCTAD on the follow-up to the Monterrey Consensus. ECOSOC also devotes up to two days to deliberate the FfD agenda item during its substantive session.
• Committee of Experts on International Cooperation in Tax Matters, the specialized United Nations tax body, addresses the various tax policy issues identified in the Monterrey Consensus and provides a framework for dialogue with a view to enhancing and promoting international tax cooperation among national tax authorities. 

A Film Series on Feminist Realities from Africa and the African Diaspora

by Gabrielle Tesfaye

When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities. 

In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore. 

“... a truly unique, raw and representation of feminist power in action.”
 
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work. 

“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
 
    - Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin

Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.” 

“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
 
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams. 

“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
 
       - Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin

Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.   

“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”

     - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

Register here to watch this film from June 18-22

These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world. 

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Entre dos mundos: la doble consciencia de las mujeres de Gambia

por Haddy Jatou Gassama

La tribu mandinga de la República de Gambia tiene la costumbre de medir la primera wrapa[1] utilizada para cargar bebés recién nacidxs sobre la espalda de su madre.  (...)

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arte: «Sacred Puta» [Puta sagrada], Pia Love >

Movement in focus:

Filter your search by funders’ priority support areas that speak to your organizing efforts

• El tema del Cuarto Diálogo de Alto Nivel sobre la Financiación para el Desarrollo, que tuvo lugar el 23 y 24 de marzo de 2010, fue El Consenso de Monterrey y la Declaración de Doha sobre la financiación para el desarrollo: estado de la aplicación y labor futura. Contó con cuatro mesas redondas sobre: la reforma de los sistemas monetario y financiero internacionales; el impacto de la crisis financiera en la inversión extranjera directa; el comercio internacional y las corrientes de capitales privados; y el rol de la cooperación financiera y técnica para el desarrollo, incluyendo las fuentes innovadoras de financiación para el desarrollo, en el impulso de la movilización de recursos financieros nacionales e internacionales para el desarrollo.
• También tuvo lugar un diálogo interactivo oficioso con diversos actores centrado en la relación entre la financiación para el desarrollo y la realización de los Objetivos de Desarrollo del Milenio.

En China, el movimiento #MeToo [«Yo También»] se encendió en enero de 2018, empujado por el ímpetu del movimiento #MeToo de todo el planeta. Fue una respuesta a los problemas culturales y sistémicos relacionados con el género y el poder dentro de China. Las bases del movimiento habían sido establecidas durante décadas, y los muchos años de debate y promoción de la igualdad de género, finalmente, hicieron erupción con tremenda fuerza en toda la sociedad. El movimiento #MeToo fue impulsado fundamentalmente por jóvenes, que incluyen a innumerables mujeres anónimas y sus aliadxs, en busca de oportunidades para hacer realidad el principal «sueño chino»: transformar a China en un país con igualdad de género.
 
En China, el contexto para el movimiento #MeToo es extremadamente adverso: el Estado de derecho, la justicia y la transparencia de las acciones gubernamentales y la libertad de expresión no pueden darse por descontados, pero estos son precisamente los objetivos por los cuales lucha el movimiento. Ha sido, desde el principio, una lucha intensa, y cada víctima o activista que se visibiliza corre enormes riesgos: desde ser silenciadx o humilladx o de sufrir represalias hasta poner en peligro su seguridad. Todos los éxitos del movimiento #MeToo han sido logrados por quienes son lo suficientemente valientes como para asumir los costos de manifestarse y desafiar la censura.
 
La exhibición «#MeToo in China» fue inaugurada en 2019 y recorrió cinco ciudades. Su objetivo es dar mayor prominencia  a las experiencias personales de lxs víctimas y lxs activistas, para inspirar al público a unirse a la lucha a través del contacto con estas historias. La exposición misma se ha convertido en parte de la lucha #MeToo: ha debido enfrentar desafíos en su itinerario por toda China y, en más de una ocasión, fue amenazada con la clausura.

Vous pouvez désormais consulter le programme du Club de cinéma féministe de l’AWID « Les incarnations féministes d’espoir et de pouvoir » - une série de films sur les réalités féministes de la région SWANA (Asie du Sud-Ouest et Afrique du Nord) sélectionnés par Esra Ozban.

Regardez

Les Économies Féministes

QUE NOUS ADORONS

ÉCONOMIES DES SOINS AGROÉCOLOGIE ET SOUVERAINETÉ ALIMENTAIRECOOPÉRATIVISME FÉMINISTESYNDICALISME FÉMINISTE

Publication de la version zéro du document final, mars 2015

• La version zéro du document final (en anglais – datée du 16 mars), préparée par les co-facilitateurs, a été soumise à discussion pendant la seconde session de rédaction qui s’est tenue du 13 au 17 avril 2015.
• Pendant la session inaugurale, le WWG a insisté sur la nécessité de mentionner, dans la version zéro, les ressources qui seraient spécifiquement consacrées à l’égalité des genres et à l’autonomisation des femmes, comme cela avait été prévu dans le Consensus de Monterrey et la Déclaration de Doha.

nous sommes infini·e·s

Une exposition de Nicole Barakat qui incarne sa reconnexion avec la diaspora d'objets provenant de ses terres ancestrales dans l'Asie du Sud-Ouest et l'Afrique du Nord.
 
Barakat présente une collection d'œuvres textiles en tant que manifestations de sa démarche consistant à travailler avec des objets déplacés, souvent volés, détenus dans les collections de musées occidentaux, notamment le Louvre, le British Museum et le Nicholson Museum. 
 
Pour contourner les gardiens et pénétrer dans les vitrines contenant ces objets ancestraux, Barakat récupère des formes de connaissances précoloniales, non linéaires et réceptives qui sont souvent dévaluées et rejetées par les institutions coloniales et patriarcales. Elle utilise ainsi la cafédomancie, le travail du rêve, l'écoute intuitive et les conversations avec les objets eux-mêmes (source).

À propos de Nicole Barakat

Crear | Résister | Transform

Crear | Résister | Transform is for you and all the amazing feminist and social justice activists that you know. Let’s come together to share our resistance strategies, co-create some feminist magic, and transform this world together.

 A Festival for Feminist Movements!