Pat Bellanger
Women Human Rights Defenders
WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
- Physical assault and death
- Intimidation and harassment, including in online spaces
- Judicial harassment and criminalization
- Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
- to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
- to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
- emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
- documenting the violations targeting WHRDs using a feminist intersectional perspective;
- promoting the social recognition and celebration of the work and resilience of WHRDs ; and
- building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
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Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
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Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
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Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
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Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
Related Content
Will I have the opportunity to share my thoughts on issues not covered by the survey questions?
Yes, we invite you to share more on issues that are important to you by responding to the open question(s) at the end of the survey.
Laurie Carlos
Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others.
“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth
She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.
In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto.
“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos
Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.
Tributes:
“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre
“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune
Will there be any support for materials or other preparatory costs for workshops?
You can expect all the standard materials for workshops and presentations: flip charts, markers, sticky notes, in addition to projectors and audio-visual equipment. Any additional materials are the responsibility of the activity organizers. AWID’s logistics team will be available to answer questions and advise.
Disintegration | Title Snippet AR
تَفَسُ
مُقتَبَس من قصّة لإيستر لوبيز
تصوير: مريم مكيوي
تصميم وعرض الملابس: النمرة
Vuyisa Dayisi
¿Cómo presentarán y procesarán los datos que se recopilen en la encuesta?
Los datos se procesarán para fines estadísticos y así arrojar luz sobre el estado de la dotación de recursos para los movimientos feministas de todo el mundo, y solo se exhibirán de forma desglosada. AWID no divulgará información acerca de ninguna organización en particular ni publicará información que permita identificar a una organización por su ubicación o características sin el consentimiento acreditado de dicha organización.
Fadila M.
Fadila M. fue una activista tribal soulaliyate de Azrú, en la región Ifrane de Marruecos. Luchó contra una forma específica de discriminación territorial dirigida a las mujeres tribales.
Como parte del Movimiento de Mujeres Soulaliyate por el Derecho a la Tierra, trabajó para reformar el marco legislativo relacionado con la administración de la propiedad comunitaria, a través de la adopción, en 2019, de tres proyectos de ley que garantizan la igualdad de mujeres y varones.
Según las leyes consuetudinarias vigentes, las mujeres no tenían derecho a beneficiarse de la tierra, en especial aquellas que eran solteras, viudas o divorciadas. En Marruecos, los derechos a las tierras colectivas eran transmitidos tradicionalmente entre los varones de la familia mayores de 16 años. Desde 2007, Fadila M. ha sido parte del movimiento de mujeres, la primera movilización nacional de base por los derechos a la tierra. Una de sus conquistas ha sido que, en 2012, las mujeres soulaliyate pudieron registrarse por primera vez en las listas de beneficiarixs, y recibir compensaciones relacionadas con la cesión de tierras. El movimiento también logró la enmienda del dahir (decreto del Rey de Marruecos) de 1919, para garantizar el derecho a la igualdad de las mujeres.
Fadila M. falleció el 27 de septiembre de 2018. Las circunstancias de su muerte no son claras. Participó en una marcha de protesta relacionada con el tema de las tierras colectivas y, si bien las autoridades informaron que su muerte fue accidental y que tuvo un paro cardíaco camino al hospital, la sección local de la Asociación de Derechos Humanos de Marruecos (AMDH) señaló que Fadila fue sofocada por un miembro de la fuerza policial utilizando una bandera marroquí. Su familia solicitó una investigación, pero los resultados de la autopsia no fueron dados a conocer.
Más información sobre el Movimiento de Mujeres Soulaliyate por el Derecho a la Tierra (en inglés)
Nota: Como no ninguna fotografía/imagen de Fadila M. disponible, la obra de arte (en lugar de un retrato) pretende representar por lo que luchó y trabajó: la tierra y los derechos a vivir y tener acceso a esa tierra y lo que crece en ella.
L’AWID EN 2014 : Renforcer les processus d’organisation en faveur des droits des femmes dans le monde entier
ฟอรัม AWID นานาชาติ คืออะไร
ทุกสามถึงสี่ปี AWID จะเป็นเจ้าภาพงานประชุมนานาชาติที่สำคัญ โดยจะเป็นการประชุมขนาดใหญ่ระดับโลกที่หัวใจหลักอยู่ที่ขบวนการเฟมินิสต์และความเป็นธรรมทางเพศที่หลากหลาย เป็นการรวมตัวกันระดับโลกของนักกิจกรรมเฟมินิสต์ เครือข่ายพันธมิตร นักวิชาการ แหล่งทุน และผู้กำหนดนโยบาย โดยฟอรัมเปลี่ยนสถานที่จัดหมุนเวียนไปในต่างภูมิภาคและในประเทศต่างๆทั่วซีกโลกใต้
Hospital | Content Snippet AR
مستشفى
ترجمة مارينا سمير
«الآن قد يكون وقتًا مناسبًا لإعادة التفكير في الشكل الذي يمكن للثورة أن تتّخذه. ربما لن تبدو كمسيرةٍ من الأجساد الغاضبة والقادرة في الشوارع. ربما ستبدو وكأنّ العالم واقفٌ في ثباتٍ لأن جميع الأجساد الموجودة فيه منهَكة – حيثُ أنّه يجب إعطاء الأولوية للرعاية قبل فوات الأوان».
- جوانا هيدفا
المستشفيات مؤسسات، ومواقع حيّة للرأسمالية، وما يحدث عندما يكون من المفترض أن يستريح شخصٌ ما ليس إلّا نموذجاً مصغّراً من النظام الأكبر. تَعمَد المؤسسات إلى فصلنا عن أنظمة رعايتنا – نَجِد أنفسنا معزولين في بُنى تراتبية راسخة، وغالبًا ما نشعر وكأنّ الرعاية هي شيء يُفعَل بنا بدلاً من أن تكون شيئًا يُعطى ويؤخَذ كجزء من محادثة. الرعاية المؤسسية معزولة بسبب اندماجها في الطلب الرأسمالي: شخص واحد يعالج رِجلك ورِجلك فقط، شخص آخر يعالج ضغط الدم وهكذا.
المستشفيات مؤسسات، ومواقع حيّة للرأسمالية، وما يحدث عندما يكون من المفترض أن يستريح شخصٌ ما ليس إلّا نموذجاً مصغّراً من النظام الأكبر. تَعمَد المؤسسات إلى فصلنا عن أنظمة رعايتنا – نَجِد أنفسنا معزولين في بُنى تراتبية راسخة، وغالبًا ما نشعر وكأنّ الرعاية هي شيء يُفعَل بنا بدلاً من أن تكون شيئًا يُعطى ويؤخَذ كجزء من محادثة. الرعاية المؤسسية معزولة بسبب اندماجها في الطلب الرأسمالي: شخص واحد يعالج رِجلك ورِجلك فقط، شخص آخر يعالج ضغط الدم وهكذا.
اضطرّت المصوّرة مريم مكيوي لإجراء عملية جراحية الشهر الماضي، ووثّقت هذا المسار. صورها للبيئات المعقّمة بألوانها الباهتة – أضواء نيون بيضاء وصفوف تلو صفوف من التكوينات المتكرّرة – تعكس مكانًا استُنزفت منه الحياة والحركة. كانت هذه إحدى الطرق التي حافظت بها مريم على بقاء روحها. لقد كان أحد أشكال الاحتجاج من داخل حدود مؤسسةٍ كان عليها التعامل معها.
تُشكّل الصور وصفًا لشيءٍ واهنٍ بشدّة، فمشاهدة شخصٍ ما وهو يعايش انهيار جسده هو دائمًا تذكير جليل بهشاشتنا. إنه أيضًا تذكير بهشاشة أنظمة الرعاية هذه، والتي قد تُمنَع عنّا لأسباب متعدّدة – بدايةً من عدم امتلاك الأموال وصولًا إلى عدم التواجد في جسدٍ يُعتبَر ذا قيمة كافية، فربما يكون أنثويًا أكثر مما ينبغي أو كويريًا أكثر مما ينبغي أو ملوَّنًا أكثر مما ينبغي.
الرعاية الانفرادية والمجرّدة من جوهرها والتي قد تُسلَب منّا في أي لحظة لا تساعدنا على الازدهار. وهي مختلفة تمامًا عن الطريقة التي يسلكها البشر عند رعاية بعضهم البعض. كم سيبدو عالمنا مختلفًا إذا التزمنا بتفكيك الهياكل الرأسمالية الحالية حول صحّتنا؟ كيف سيبدو إذا أعَدنا تخيُّلَه بشكل جذريّ؟
Kalpana Chakma
Les réalités du financement et l’état du financement des mouvements féministes changent rapidement. Cette enquête a-t-elle une seule édition?
Non. L’enquête s’appuie sur les 20 années de mobilisation de l’AWID dans l’objectif d’obtenir davantage de financement de meilleure qualité pour des changements sociaux menés par des féministes. Cette enquête est la troisième édition de la recherche Où est l’argent pour l’organisation des mouvements féministes? Notre objectif est de mener une enquête WITM tous les 3 ans.
Rosa Candida Mayorga Muñoz
Rosa Candida Mayorga Muñoz était une travailleuse sociale, leader syndicale et défenseure des droits humains du Guatemala. On la surnommait affectueusement Rosita.
Dans les années 1980, Rosa devient la première femme à siéger au comité exécutif du syndicat de l’Institut d’électrification nationale (STINDE), syndicat qu’elle avait rejoint en premier lieu pour défendre les droits des femmes au travail. Cela signifiait, à ses yeux, de lutter pour l’égalité des chances dans une entreprise où de nombreuses femmes affrontaient un système discriminatoire et violent mis en place par la direction de l’entreprise. Rosa avait également subi du harcèlement sexuel sur son lieu de travail, tant de la part de collègues que de responsables. Elle n’entendait cependant pas rester silencieuse.
Rosa a continué à se battre et fait partie des efforts pour façonner la lutte afin qu’elle prenne la forme du « Pacte collectif pour les conditions de travail du INDE-STINDE ». Ce pacte était le premier du genre et le premier au Guatemala à caractériser le concept de harcèlement (sexuel). Il fait désormais référence dans la loi guatémaltèque pour les questions de travail, et sert d’encouragement aux autres syndicats.
« Elle n’avait d’autres outils pour se battre que ses propres idéaux... Elle a été intimidée à plusieurs reprises, harcelée pour abandonner la lutte, mais son courage a fait naître l’espoir chez les syndicalistes de la base. Rosita a créé une image de respect non seulement au sein de son syndicat mais également face aux autorités de l’institution et au sein du mouvement des femmes. Elle a été reconnue comme une pionnière du mouvement des femmes du syndicat, dans un espace qui avait davantage été dominé par les hommes. » - Maritza Velasquez, ATRAHDOM
Rosa est décédée le 4 avril 2018, elle avait 77 ans.
2019: Feminist Realities in a changing world
AWID began preparing this annual report just as the global pandemic began to unravel how we gather, organize and live our lives. It is impossible to review what we have done without COVID-19 tinting our assessment.
Download the full 2019 Annual review
Co-Creating Feminist Realities is no longer just an AWID Forum theme - it is a rallying cry in response to a pandemic that has laid bare the failures of social, political and economic systems.
It is an urgently needed affirmation that there are other, more just ways of organizing our lives. During 2019 hundreds of groups shared their experiences and proposals for feminist realities with us, ranging from radical networks of community support in Latin America facilitating self-managed abortion, to practices of community-centered economies in Indonesia and community-centered food systems in India and the US, to a re-imagination and new practice of harm-free rites of passage in Sierra Leone. These are the experiences that will chart a path forward for a “new normal”.
Yet long histories of oppression and violence can make it difficult to imagine the possible. A key part of our work in 2019 was to spark these explorations through a toolkit AWID launched to support groups interested in unearthing the stories and aspirations that are the building blocks of feminist propositions.
While we focus on our proposals for a different world, we recognize the challenging context around us.
Through the Observatory on the Universality of Rights, Feminists for a Binding Treaty, Count Me In! and other alliances, AWID has continued to push back against unfettered corporate power and fascist and fundamentalist agendas that undermine women’s rights and gender justice. With dim prospects for transformative change through multilateral processes and limited responsiveness from most states, we are redoubling our efforts to ensure that feminist movements, in all their diversity, are resourced in ways that match the critical roles they play - supporting their communities, demanding rights and responding to crises. In 2019 we introduced feminist principles and approaches to ground-breaking funds like the Spotlight Initiative and the Equality Fund, and succeeded in leveraging resources through feminist reality seed grant funding from feminist funders.
As we look ahead, it is clear that the context is calling for a transformation of our organizing strategies:
- we are learning to navigate global advocacy confined to online channels,
- we grapple with the uncertainty of when and how we can convene in person, and
- we use the tools at our disposal to tighten connections across local to global spheres.
AWID is embarking on a new membership model that lowers barriers to access and emphasizes opportunities for engagement and cross-member connection. We will continue to experiment with different online tools and processes for building community. Cross-movement engagement will stay at the center of our work. AWID’s actions in solidarity with oppressed movements and identities, even and especially where these are marginalized in feminist movements, are important to drive change and support broad and inclusive movements for all.
Crisis is not new to feminist and social movements.
We are resilient, we adapt, and we show up for each other. And we have to keep doing better. Thank you to all who are part of the journey with us.
Download the full 2019 Annual review
ฉันจำเป็นต้องเป็นสมาชิก AWID หรือไม่เพื่อเข้าร่วมฟอรัม
ไม่ คุณไม่จะเป็นต้องเป็นสมาชิก AWID เพื่อที่จะเข้าร่วมฟอรัม แต่สมาชิก AWID จะได้รับส่วนลดค่าลงทะเบียนรวมถึงสิทธิประโยชน์อื่นๆ เรียนรู้เพิ่มเติมเกี่ยวกับการเป็นสมาชิก AWID
CREDITS | Content Snippet AR
شكر وتقدير
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ترجمة عربية النسخة الإسبانية تدقيق لغوي النسخة الفرنسية تدقيق لغوي من البرتغالية إلى الإنجليزية تدقيق لغوي |
فريق التحرير
تصميم ورسم
مسؤولة استراتيجيات التواصل
محرّرة النسخة العربية
مديرة الترجمة
فريق AWID |
Maria Elizabeth Macias Castro
Snippet - WITM FAQ - EN
Frequently Asked Questions
Esther Mwikali
Esther Mwikali’s home was in Mithini village, Murang’a County, Kenya. A prominent and valued land rights activist, she looked into abuses against squatters who are living on land claimed by tycoons. The investigation Esther was part of also involved land rights’ violations in Makuyu by powerful individuals.
After failing to attend a village meeting, a search party went looking for Esther. On 27 August 2019, two days after her disappearance, her body was found on a farm near her homestead, displaying signs of torture. She was brutally murdered.
“Esther was renowned for her work to prevent community members being evicted from land claimed by tycoons. Local activists had no doubt her murder was related to the area’s ongoing land struggles, a tragic reminder of the alarming regularity with which extra-judicial killings are routinely carried out in Kenya,” - Global Witness Report, July 2020
“We associate Mwikali’s death with land struggles around here. We are asking the Government to investigate the matter without delay.” - James Mburu, spokesperson for the squatters
“Action should be taken on individuals who are alleged to have threatened the squatters including Mwikali's family.” - Alice Karanja, National Coalition of Human Rights Defenders
“The impact of her work and tenacity will remain alive in Kenya for decades. CJGEA consoles with the bereaved and it calls for justice.” - Center for Justice and Governmental Action (CJGEA) Press Release, 13 September 2019
