WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
Physical assault and death
Intimidation and harassment, including in online spaces
Judicial harassment and criminalization
Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
documenting the violations targeting WHRDs using a feminist intersectional perspective;
promoting the social recognition and celebration of the work and resilience of WHRDs ; and
building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
Engagée auprès de jeunes lesbiennes, gays, bisexuels, transgenres, intersexuels, queers, et transgenres (appelés Brotherboys-BB et Sistergirls-SS dans la communauté aborigène en Australie), Rocky faisait preuve de vision et d'un leadership inspirants.
Rocky avait commencé sa carrière auprès de la police du Queensland en tant qu'agent de liaison. Faire une différence était très important pour elle. Elle a mené un travail de soutien impressionnant auprès de jeunes de cette communauté en tant que responsable du service jeunesse « Open Doors » (portes ouvertes). Rocky a œuvré dans des situations complexes liées spécifiquement aux questions de genre et d'identité sexuelle.Elle avait un don naturel dans ce domaine: c’était une leader communautaire solide, une femme sereine, une amie fidèle, une personne aimante et attentionnée ainsi qu’une actrice du changement. Rocky était membre fondatrice d’IndigiLez Leadership and Support Group.
En 2016, à la Cour suprême de Brisbane, l'ancien juge de la Haute Cour, Michael Kirby, a cité le nom de Rocky lorsqu'il a loué le travail du service juridique de la communauté LGBTI au fil des années. Rocky s'est engagée très fermement en faveur des droits humains de la communauté « LGBTIQBBSG », elle a repoussé les limites et induits des changements de manière respectueuse et aimante.
Voyez grand ! Notre rayonnement international nous permet de combiner notre travail analytique avec des outils politiques et pratiques de plaidoyer et de transformation afin de faire avancer la cause des mouvements féministes à tous les niveaux.
هل استطيع تعبئة الاستطلاع خارج KOBO ومشاركتكم/ن الأجوبة عن طريق البريد الالكتروني؟
ما لم تكن هناك مشكلات في إمكانية الوصول و/أو إذا كنت تملأ/ئي الاستبيان بلغات أخرى، فإننا نشجعك بشدة على استخدام KOBO لجمع وتحليل البيانات الموحدة للاستطلاع.
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Cette communication peut contenir des informations dont l’Association pour les Droits des Femmes dans le Développement (AWID) est propriétaire, et qui ne peuvent être reproduites ou partagées, en totalité ou en partie, sans le consentement écrit de l’AWID.
L’AWID ne garantit pas que toutes les informations contenues ici soient complètes ou correctes. Cette communication n’est ni une offre pour conclure un accord ni une confirmation d’accord présenté ici, sauf si le contexte l’indique clairement.
L’AWID ne vous conseillera pas vis-à-vis d’un accord pouvant être proposé ici. Cette communication ne constitue en rien une recommandation, une orientation ou une proposition pour conclure un quelconque accord.
L’AWID ne garantit en aucun cas les résultats attendus d’un accord. Cette communication peut contenir des perspectives et des opinions qui ne reflètent pas nécessairement celles de l’AWID.
Vous ne pouvez pas vous fier aux informations contenues dans cette communication dans l’optique de conclure un accord proposé ou autre.
Snippet FEA Union Otras (EN)
UNION OTRAS
The Sex Workers' Trade Union Organisation (Organización de Trabajo Sexual, OTRAS) is the first union of sex workers in the history of Spain. It was born out of the need to ensure social, legal and political rights for sex workers in a country where far-right movements are on the rise.
After years of struggles against the Spanish legal system and anti-sex workers groups who petitioned to shut it down, OTRAS finally obtained its legal status as a union in 2021.
Its goal? To decriminalize sex work and to ensure decent working conditions and environments for all sex workers.
The union represents over 600 professional sex workers, many of whom are migrant, trans, queer and gender-diverse.
Zita was a women’s rights activist who defended the rights of rural women in Greater Kivu.
She was the first Executive Director of UWAKI - a well known women’s organisation. Through her work with Women's Network for Rights and Peace (RFDP), and the Women's Caucus of South Kivu for Peace, she committed her life to helping to restore peace in the Eastern DRC. She spoke out strongly against the use of sexual violence as a weapon of war.
In 2006, she put herself forward as a candidate in the first democratic elections in the DRC. Although she did not win, she continued to advocate for women’s rights and the South Kivu community remembers her fondly.
Body
Our values - bodily autonomy
Bodily autonomy, integrity and freedoms<
We celebrate everyone's right to choose their identities, relationships, goals, work, dreams and pleasures, and what they do with their mind, body and spirit. We believe in working towards access to resources, information and safe and enabling environments that allow this to happen.
Будет ли у меня возможность поделиться мыслями по вопросам, которые не учтены в опросе?
Да, в конце опроса мы попросим вас поделиться более подробной информацией по важным для вас аспектам, ответив на открытые вопросы.
Appel aux artistes et activistes créatifs·ves pour se rassembler dans une nouvelle communauté Slack !
Nos pensées vont actuellement aux nombreuses personnes à travers le monde qui sont les plus affectées par les conséquences de la pandémie mondiale de la COVID-19, et notamment aux communautés marginalisées, historiquement opprimées.
Nous invitons ici les artistes et les activistes qui font preuve de créativité à rejoindre un espace virtuel pour se connecter, créer une communauté et se soutenir les un·e·s les autres durant ces moments difficiles. Ainsi, nous avons créé une nouvelle communauté Slack qui nous permettra de partager en toute sécurité des réflexions, des apprentissages, des astuces de la vie de tous les jours, des ressources, des conseils, des craintes et des angoisses, des élans d’espoir et de bonheur, et de discuter plus généralement de nos activités.
Après avoir rempli le formulaire, nous vous enverrons votre invitation personnelle pour rejoindre la communauté.
À propos de cette communauté :
Pour les personnes qui ne connaissent pas Slack, nous aurons des sessions et des tutoriels d’introduction une fois que vous êtes inscrit·e·s.
Nous travaillons en trois langues (français, anglais, espagnol), et nous vous encourageons donc à écrire dans la langue dans laquelle vous sentez le plus à l’aise et à utiliser des outils de traduction en ligne (Google Traduction ou autres) pour participer aux discussions.
La cocréation de nos réalités féministes commence par nous-mêmes, et nos façons de nous traiter les un·e·s les autres. Nous nous efforçons de créer et de protéger des espaces qui sécurisent et soutiennent nos communautés, à la fois en ligne et en personne. Nous envisageons aussi les espaces sécurisés et accueillants, tout comme cocréés, et dont la possession est partagée. Nous attendons de nos membres d’agir de façon éthique, responsable et cohérente vis-à-vis des valeurs de l’AWID, et d’assumer une responsabilité collective pour garantir un environnement de respect mutuel et de solidarité.
Sujet hebdomadaire :
Dans le cadre de nos échanges continus, nous partagerons un sujet hebdomadaire dans Slack dans le but de faciliter le dialogue et d’inspirer des processus de création artistique. Il pourra s’agir d’un processus introspectif, mais pour tirer le maximum de cette communauté, nous vous encourageons à interagir avec d’autres membres de la communauté, et de partager vos réflexions dans le cadre de discussions. L’objectif est d’inviter les gens à répondre librement et progressivement en écrivant ou en réalisant de l’art, de la manière qui leur convient le mieux.
Nous espérons tenir avec vous des échanges pertinents et vivants, et nous vous invitons donc à partager vos suggestions et vos commentaires. De manière générale, les thèmes se concentreront sur les expériences et les perspectives d’artistes, d’écrivain·e·s et de créateurs·rices -- lesquellesfourniront un espace aux gens pour concevoir à travers et au-delà du contexte mondial actuel via le prisme des réalités féministes.
Participé en una actividad solo para afiliadxs, y lo que me conmovió en particular fue ver cómo había espacio para que todas compartieran, y que no había ningún juicio al respecto. Toda la sesión fue enérgica y vibrante.- Kirthi Jayakumar, fundadora de The Gender Security Project, India
É preciso responder a todas as perguntas de uma só vez ou posso responder quando quiser?
Se quiser guardar as suas respostas e voltar ao inquérito mais tarde, pode fazê-lo sempre que precisar.
Holding up the Skies
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye:
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
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Linda Porn est une autre héroïne de l'organisation syndicale féministe et de l'activisme des travailleur·euses du sexe au niveau national (en Espagne) et transnational.
Originaire du Mexique, elle vit en Espagne depuis les années 2000. Elle est travailleuse du sexe, militante, mère célibataire et artiste multidisciplinaire.
Puisant dans ces différentes identités, elle utilise la performance, l'art vidéo et le théâtre pour rendre visibles les luttes aux intersections du transféminisme, du travail du sexe, de la migration, du colonialisme et de la maternité. Elle combine l'art et le travail du sexe tout en prenant soin de sa fille en tant que mère célibataire.
Linda appartient également à des groupes de travailleur·euses du sexe qui luttent pour leurs droits, comme le syndicat OTRAS et CATS Murcia. Elle a également cofondé le groupe 'Madrecitas' - qui rend visible et dénonce la violence institutionnelle raciste contre les familles migrantes. Violence à laquelle elle et sa fille ont été soumises en tant que travailleuse du sexe et mère célibataire migrante.
"[Ella] era una persona que se caracterizaba por su arduo trabajo a favor de la defensa de los derechos humanos y la construcción de la paz en Nariño, especialmente en el municipio de Samaniego-Nariño". - Jorge Luis Congacha Yunda para Página10.
Paula Andrea Rosero Ordóñez fue abogada de primera instancia en la oficina del Ministerio Público en Samaniego, Nariño, la principal agencia de defensa de los derechos de la ciudadanía en Colombia.
Paula se especializó en los derechos civiles y políticos, las problemáticas de la impunidad y la justicia, y contribuyó a descubrir abusos de poder, incluida la corrupción. Paula participó también en proyectos para la consolidación de la paz en su ciudad natal, Samaniego, a través del Consejo Municipal de Paz y la Junta Municipal de Mujeres.
Paula recibió amenazas de muerte tras exponer el manejo irregular de los recursos y de denunciar actos de corrupción en el Hospital Lorencita Villegas del municipio nariñense. Fue asesinada el 20 de mayo de 2019, cuando dos hombres se acercaron y le dispararon a corta distancia.
