Philippe Leroyer | Flickr (CC BY-NC-ND 2.0)

Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Women Human Rights Defenders

WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.

WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.

The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.


Risks and threats targeting WHRDs  

WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.

By defending rights, WHRDs are at risk of:

  • Physical assault and death
  • Intimidation and harassment, including in online spaces
  • Judicial harassment and criminalization
  • Burnout

A collaborative, holistic approach to safety

We work collaboratively with international and regional networks and our membership

  • to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
  • to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk

We work to promote a holistic approach to protection which includes:

  • emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
  • documenting the violations targeting WHRDs using a feminist intersectional perspective;
  • promoting the social recognition and celebration of the work and resilience of WHRDs ; and
  • building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles

Our Actions

We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.

  • Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to  strengthen  responses concerning safety and wellbeing of WHRDs.

  • Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa  Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;

  • Increasing the visibility and recognition of  WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:

  • Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.

Related Content

Deborah Holmes

Al momento de su muerte, luego de una corta pero denodada batalla contra el cáncer, Deborah era la Jefa de Comunicaciones y Participación en la Women’s Funding Network (WFN, Red de financiamiento para mujeres).

Deborah también trabajó para el Fondo Global de Mujeres entre 2008 y 2017. Era sumamente querida y respetada por el consejo asesor, el personal y lxs colaboradorxs de la organización.

Kavita Ramdas, anterior directora ejecutiva del Fondo, acertadamente señaló que Deborah era un «pequeño paquete que explotaba de calidez, generosidad, inteligencia, estilo y un apasionado compromiso por unir la belleza con la justicia. Ella entendía el poder de las historias. El poder de la voz de las mujeres. El poder de la experiencia vivida. El poder de levantarse de las cenizas y decirle a otrxs que era posible. Y todavía nos levantamos».

Musimbi Kanyoro, actual directora ejecutiva del Fondo Global de Mujeres, añadió: «Hemos perdido a una hermana y su vida ilumina valores que nos unen y nos inspiran. Al reunirnos para llorar el fallecimiento de Deborah, recordemos y celebremos su notable, audaz y apasionada vida».

 


 

Deborah Holmes, USA
Body

Exposition Pleasure Garden

Cette œuvre est la collaboration photographique et illustrative réalisée par Siphumeze et Katia pendant le confinement. Elle se penche sur les récits de sexe et de plaisir des queers noirs, le bondage, le sexe protégé, les jouets, la santé mentale et le sexe et bien d'autres choses encore. Elle a été créée pour accompagner l'anthologie Touch.

Mental Health
Mental Health (Santé mentale)
Sex and Spirtuality
Sex and Spirtuality (Sexe et spiritualité)
Orgasm
Orgasm (Orgasme)

À propos des artistes

Siphumeze Khundayi portrait

Siphumeze Khundayi est une créatrice d'art, photographe et animatrice qui s'intéresse aux moyens créatifs de réunir le dialogue et la pratique artistique en relation avec l'identité queer africaine. 

Elle est directrice créative de HOLAAfrica!, un collectif panafricaniste féministe en ligne.

Ses travaux de performance en solo et collaboratifs ont été présentés dans un certain nombre de festivals et d'espaces théâtraux tels que le festival Ricca Ricca au Japon.

Elle a mis en scène deux productions nominées aux Naledi Awards en 2017 et 2018. Elle a aussi mis en scène un spectacle qui a remporté un prix Standard Bank Ovation en 2020.
En tant que photographe, elle a participé à une exposition de groupe intitulée Flowers of my Soul (Fleurs de mon âme) en Italie, organisée par le Misfit Project. Elle a produit trois publications pour HOLAAfrica et a été publiée dans le deuxième volume, pour lequel elle a fourni la couverture: As You Like des Gerald Kraak Anthologies.

katia portrait

Katia Herrera est une artiste visuelle numérique de 21 ans originaire de la ville bruyante de Saint-Domingue, en République dominicaine. Bien que Herrera soit une introvertie autoproclamée, ses œuvres d'art sont remarquablement fortes dans un monde qui tente de faire taire les voix des personnes noires. Avec des titres comme Black Woman (Femme Noire), You Own the Moon (La Lune t’Appartient), Earth Goddess (Déesse de la Terre), Forever (Pour Toujours) et Universe Protector (Protecteur.rice de l’Univers), l'héritage de Herrera sera marqué par sa volonté passionnée de mettre en lumière l'endurance et la persévérance des Noir·e·s d'hier et d'aujourd'hui, afin de contrer le discours selon lequel la peau noire ne devrait être associée qu'à l'esclavage.

L'une de ses œuvres la plus belle et la plus vivante, Universe Protector, dépeint l'âme noire comme une entité divine pleine de force, de puissance et de grandeur. C’est dans sa jeunesse que son amour du graphisme a été stimulé grâce à l'art de ses parents et le Photoshop qu'ils avaient téléchargé sur leur ordinateur pour leur photographie professionnelle.

Snippet FEA HEALTH CONDITIONS (FR)

Illustration d'une personne blanche en uniforme jaune d'infirmière avec un stéthoscope à la main

DE BONNES CONDITIONS SANITAIRES

Reason to join 3

Partagez vos histoires et écoutez celles des les autres. En reliant nos expériences, nos récits et nos propositions, nous aidons à co-créer et à amplifier les Réalités Féministes.

Snippet - WITM Our objectives - RU

Задачи исследования «Где деньги?»:

1

Предоставить членам AWID, партнерам и донорам обновленный, мощный, основанный на фактических данных и ориентированный на конкретные действия анализ ресурсных реалий феминистских движений, а также текущего состояния экосистемы финансирования феминистских инициатив.

2

Выявить и продемонстрировать возможности для увеличения и улучшения финансирования феминистских организаций, выявить ошибочные решения и препятствовать тенденциям, приводящим к нехватке финансирования и/или противоречащим гендерной справедливости и межсекторальным феминистским повесткам.

3

Сформулировать феминистское видение, предложения и программы по обеспечению ресурсами.

Пройти опрос!

Carmen Griffiths

Carmen dirigeait le Construction Resource and Development Collective et a joué un rôle de premier plan en faveur de la participation des femmes dans l’industrie de la construction en Jamaïque.

Elle a également œuvré à la préparation aux catastrophes de femmes rurales et urbaines. Elle a travaillé en étroite collaboration avec les femmes (en particulier les mères célibataires) pour leur apprendre à utiliser les sangles anti-ouragan ainsi que d’autres technologies pour sécuriser leur foyer. Elle a travaillé dans le domaine de l’eau et de l’assainissement et a été une ardente défenseure d’une gestion durable de l’environnement et du développement.

Elle faisait partie de la Commission Huairou et plaidait en faveur des femmes de la base sur des questions telles que le logement, l'énergie et les moyens de subsistance durables.

 


 

Carmen Griffiths, Jamaica
Body

Nicole Barakat

nicole barakat -verge exhibition april 2018
We transcend time and place, Hand cut found paper (2017)
nicole barakat -verge exhibition april 2018
We will remember who we are and We will persist Cotton embroidered hand cut lamé on wool silk cloth (2018)
nicole barakat -verge exhibition april 2018
​​We will return home, Silk embroidered hand cut lamé on cotton velveteen (2018)
verge march 18 - document photography
We will heal in the now, Hand cut silk, wool, lamé, cotton, direct digital print silk satin on linen (2018)


we are infinite

An exhibition by Nicole Barakat, embodying her reconnection with the diaspora of objects from her ancestral homelands in the South West Asia and North Africa (SWANA) region.
 
Barakat presents a collection of textile works as manifestations of her practice of engaging with displaced, and often stolen objects held within Western museum collections including the Louvre, British Museum and Nicholson Museum. 
 
To by-pass the gatekeepers and breach the vitrines holding these ancestral objects, Barakat reclaims pre-colonial, non-linear, receptive forms of knowing that are often devalued and dismissed by colonial and patriarchal institutions - engaging with coffee cup divination, dream-work, intuitive listening and conversations with the objects themselves (source).

About Nicole Barakat

Nicole Barakat portrait
Nicole Barakat is a queer femme, SWANA artist born and living on Gadigal Country (so-called Sydney, Australia). She works with deep listening and intuitive processes with intentions to transform the conditions of everyday life. Her work engages unconventional approaches to art-making, creating intricate works that embody the love and patience that characterises traditional textile practices. 

Her works include hand-stitched and hand-cut cloth and paper drawings, sculptural forms made with her own hair, cloth and plant materials as well as live work where she uses her voice as a material. 

Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing. 

Snippet FEA Criminalization of sex workers (EN)

Most Member States of the European Union have laws and practices that either criminalize or control sex workers in ways unacceptable to them. Criminalization of sex workers and/or their clients only contributes to increase the vulnerability of sex workers, who are already facing stigma, discrimination and exclusion from society on a daily basis. In Spain for example, the government is currently trying to pass an Organic Law for the Abolition of Prostitution, which will result in more clandestiny and violence. Let’s dive into the stories of sex workers and union organizers fighting to decriminilaze sex work and advance their labor rights.

Our values - Human Rights

Human rights

We believe in a full application of the principle of rights including those enshrined in international laws and affirm the belief that all human rights are interrelated, interdependent and indivisible. We are committed to working towards the eradication of all discriminations based on gender, sexuality, religion, age, ability, ethnicity, race, nationality, class or other factors.

لماذا عليّ أن أفكر بتعبئة الاستطلاع؟

هنالك العديد من الأسباب لتعبئة الاستطلاع منها أنه لديك الفرصة لمشاركة تجربتك المعاشة المتعلقة بحشد الموارد لدعم تنظيمك، أن تعمل/ين من منطلق قوة كخبير/ة بما يتعلق بالأموال ولأين تتحرك ولأين تصل وبذلك المشاركة بالجهد المشترك والمناصرة لتحريك التمويلات الأكبر والأفضل. لقد أثبت استطلاع "أين المال" في العشرين عام الأخيرة أنه مصدر أساسي للشركاء/ الشريكات وكذلك للممولين/ات. ندعوك من كل قلبنا للمشاركة بالنسخة الثالثة لتسليط الضوء على الوضع الفعلي للموارد، وتحد الحلول الخاطئة، والإشارة إلى كيفية تغيير التمويل حتى تزدهر الحركات وتواجه التحديات المعقدة في عصرنا.

Ottilie Abrahams

Ottilie was a Namibian feminist activist, educator and politician.

Ottilie was one of the founders of the South West African People's Organisation (SWAPO), the Yu Chi Chan Club (an armed revolutionary group); and the South West African National Liberation Front (SWANLIF). She was also a founder of the Namibian Women’s Association and Girl Child Project.

Throughout her life, Ottilie argued for the right to argue, think, contest, and demand. She mobilized women, organized students and teachers and criticized other comrades for their elitism and their corruption.

Ottilie worked ferociously to dismantle patriarchy, and to create a concrete transformative, liberatory, feminist participatory democracy.

Ottilie often said: “I will rest the day I die.”


 

Ottilie Abrahams, Namibia

Tendencias anti-derechos en los sistemas regionales de derechos humanos

Chapter 6

En la Comisión Africana y en el Sistema Interamericano, los actores antiderechos impulsan nociones esencialistas de cultura y género para impedir el avance de los derechos y socavar las responsabilidades. Como vemos, los actores anti-derechos están ejerciendo su influencia sobre los sistemas regionales de derechos humanos, así como en los espacios internacionales.

2019 JUN 27 Meeting of the Summit Implementation Review Group in Colombia
© Juan Manuel Herrera/OAS/Flickr
2019 JUN 27 Reunión del Grupo de Revisión de la Implementación de Cumbres en Colombia

La Comisión Africana de Derechos Humanos y de los Pueblos ha comenzado a definir a los derechos sexuales y de las mujeres como un menoscabo a su capacidad de ocuparse de los «derechos reales» y como contrarios a los «valores africanos», con lo cual se establece un precedente anti-derechos preocupante. La anulación del estatus de observador de la Coalición de Lesbianas Africanas es un ejemplo de esta tendencia y muestra la forma en que el espacio para el involucramiento feminista panafricanista está siendo restringido.

En la Organización de Estados Americanos (OEA) y en el Sistema Interamericano de Protección de los Derechos Humanos, las estrategias anti-derechos incluyen la oenegización de grupos religiosos, la utilización de discursos seculares, y la cooptación de marcos de discriminación. La influencia antiderechos se ha materializado de diversas maneras, que incluyen la intimidación de activistas trans y la obstrucción de la introducción de lenguaje progresista en las resoluciones.

Índice de contenidos

  • Silenciamiento de feministas en el Sistema Africano de Derechos Humanos
  • Grupos anti-derechos en América Latina: Asamblea General de la Organización de Estados Americanos (OEA) y el Sistema Interamericano de Protección de los Derechos Humanos

Leer el capítulo completo

Snippet FEA Unio Otras Photo 3 (ES)

Foto de Sabrina Sánchez hablando junto a una pantalla del encuentro de Ilga World

Membership why page - Kirthi Jayakumar quote

Participé en una actividad solo para afiliadxs, y lo que me conmovió en particular fue ver cómo había espacio para que todas compartieran, y que no había ningún juicio al respecto. Toda la sesión fue enérgica y vibrante.- Kirthi Jayakumar, fundadora de The Gender Security Project, India