Francela Mendez
Protection of the Family
The Issue
Over the past few years, a troubling new trend at the international human rights level is being observed, where discourses on ‘protecting the family’ are being employed to defend violations committed against family members, to bolster and justify impunity, and to restrict equal rights within and to family life.
The campaign to "Protect the Family" is driven by ultra-conservative efforts to impose "traditional" and patriarchal interpretations of the family, and to move rights out of the hands of family members and into the institution of ‘the family’.
“Protection of the Family” efforts stem from:
- rising traditionalism,
- rising cultural, social and religious conservatism and
- sentiment hostile to women’s human rights, sexual rights, child rights and the rights of persons with non-normative gender identities and sexual orientations.
Since 2014, a group of states have been operating as a bloc in human rights spaces under the name “Group of Friends of the Family”, and resolutions on “Protection of the Family” have been successfully passed every year since 2014.
This agenda has spread beyond the Human Rights Council. We have seen regressive language on “the family” being introduced at the Commission on the Status of Women, and attempts made to introduce it in negotiations on the Sustainable Development Goals.
Our Approach
AWID works with partners and allies to jointly resist “Protection of the Family” and other regressive agendas, and to uphold the universality of human rights.
In response to the increased influence of regressive actors in human rights spaces, AWID joined allies to form the Observatory on the Universality of Rights (OURs). OURs is a collaborative project that monitors, analyzes, and shares information on anti-rights initiatives like “Protection of the Family”.
Rights at Risk, the first OURs report, charts a map of the actors making up the global anti-rights lobby, identifies their key discourses and strategies, and the effect they are having on our human rights.
The report outlines “Protection of the Family” as an agenda that has fostered collaboration across a broad range of regressive actors at the UN. It describes it as: “a strategic framework that houses “multiple patriarchal and anti-rights positions, where the framework, in turn, aims to justify and institutionalize these positions.”
Related Content
Umyra Ahmad
Biography
Umyra Ahmad es una feminista de Malasia con antecedentes en incidencia política internacional y regional y educación en derechos humanos. En AWID, trabaja en la incidencia de los derechos asociados con el género y la sexualidad en las Naciones Unidas. Antes de incorporarse, se desempeñaba como oficial de programa en International Women’s Rights Action Watch Asia y el Pacífico (IWRAW, Observatorio Internacional de los Derechos de las Mujeres), donde colaboró con organizaciones regionales, nacionales y de base en el uso de mecanismos de los órganos de tratados de las Naciones Unidas como herramientas para la rendición de cuentas de los Estados y el acceso a la justicia. En Malasia, trabaja con colectivos queer y de personas refugiadas y brinda apoyo en las tareas de coordinación de diferentes iniciativas de ayuda mutua.
Position
Responsable, Promoción de los Derechos Universales y la Justicia
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Écoutez cette histoire ici :
FRMag - Anatomy of a survivor's story
Anatomie de l'histoire d’une survivante
par Maryum Saifee
Lorsqu’on effectue une recherche en ligne sur les « Mutilations génitales féminines » ou « MGF », un schéma en quatre parties sur l’anatomie des femmes apparaît à côté d’une page Wikipédia dédiée. (...)
Illustration : « Rêves », par Neesa Sunar >
Anti-Rights Tactics, Strategies, and Impacts
Chapter 5
Anti-rights actors adopt a double strategy. As well as launching outright attacks on the multilateral system, anti-rights actors also undermine human rights from within. Anti-rights actors engage with the aim of co-opting processes, entrenching regressive norms, and undermining accountability.
Photo-OP // the first anniversary of the EU signature to the Council of Europe Convention to prevent and combat gender-based violence and domestic violence, the so-called Istanbul Convention
Anti-rights actors’ engagement in international human rights spaces has a principal purpose: to undermine the system and its ability to respect, protect and fulfill human rights for all people, and to hold member states accountable for violations. Some anti-rights tactics operate from outside the UN and include delegitimization and political pressure to defund the UN, or to withdraw from international human rights agreements. In recent years, anti-rights actors have also gained increasing influence inside the UN. Their inside tactics include training of delegates, distortion of human rights frameworks, watering down human rights agreements, infiltrating NGO committees, applying for ECOSOC status under neutral names, infiltrating youth spaces, and lobbying to place anti-rights actors in key positions.
Table of Contents
- Institutionalization of Anti-rights Actors in UN Mechanisms
- Opting-out and Delegitimization
- Lowering HR Standards
- Co-optation - Building a Parallel HR Framework
- Exercise: Yes, they are strong, but so are we!
- Exercise: Holding Governments Accountable
AWID Community Jobs board - ES
Bolsa de Empleos Comunitaria
¿Estás buscando trabajo? Una de las ventajas de unirse a la Comunidad AWID es tener acceso a nuestra bolsa de empleos co-creada por la comunidad. Podrás explorar nuevas oportunidades y también tendrás la oportunidad de compartir vacantes y convocatorias de propuestas con todos los miembros.
Aïssata Kane
Aïssata Kane, también conocida afectuosamente como «Yaye Kadia»” [«Madre Kadia»], fue una feminista comprometida, durante toda su vida, con la defensa de los derechos de las mujeres africanas y, en especial, mauritanas.
En 1975 fue la primera mujer en ocupar el cargo de Ministra de Protección Familiar y Asuntos Sociales, puesto desde el cual Aïssata trabajó fervientemente para mejorar el estatus de las mujeres de su país.
Este trabajo incluyó el fomento de la educación de niñas y mujeres, la lucha contra la práctica de alimentación forzada de mujeres jóvenes, la incidencia para la inclusión de una legislación sobre derechos maritales, y la promoción de la creación de un cupo de representación femenino en el Parlamento.
«[Aïssata] materializaba todas sus pasiones con humildad, valentía y determinación. No quería molestar a nadie con su lucha en todos estos frentes simultáneos.» - Ball Halimata Dem, sobrina de Aïssata
Fundó la Unión Nacional de Mujeres de Mauritania (UNFM), creando y publicando con otras activistas Marienou, una revista dedicada a la emancipación de las mujeres mauritanas. Aïssata también dirigió varias organizaciones subregionales y locales, por ejemplo, como Presidenta de la Asociación Internacional de Mujeres Francófonas (AIFF) y, como firme ecologista, fue Presidenta de la Asociación para la Protección del Medio Ambiente de Mauritania (APEM).
En 2018, recibió el Premio a la Mujer Pionera, en honor a su trabajo para la promoción del estatus de las mujeres de Mauritania y como reconocimiento de su fuerte liderazgo y su sentido de la innovación.
Aïssata falleció el 10 de agosto de 2019.
Joanne Kobuthi-Kuria
Biography
Joanne est une féministe africaine passionnée par le démantèlement des inégalités de genre sur le continent africain. Elle a travaillé avec un certain nombre d'organisations mondiales, de médias et de think tanks, dont entre autres Amnesty International, Wrthy, le Local Development Research Institute, la BBC et la East African Community (EAC). Elle siège au sein de plusieurs conseils d'administration, dont celui de Freely in Hope, une ONG basée au Kenya et en Zambie, qui souhaite outiller les survivant·e·s et les défenseur·e·s dans leur lutte contre les violences sexuelles, et celui de Msingi Trust, un mouvement d'activistes qui se réunissent à la croisée de la foi et des droits humains. Elle est titulaire d'un master en gestion d’affaires, d'un master en politiques publiques et d'une licence en droit. Elle est accro aux livres, avec un penchant pour la fiction.
Position
Cheffe d’Adhésion et d’Engagement des Membres
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We are thrilled to announce the launch of AWID’s new podcast THAT FEMINIST FIRE. Our narrative series unravels over 40 years of feminist movements—and reimagines a way forward.
In our pilot season, you’ll hear five compelling stories that are part of a constellation of feminist activism today. Hosted by our very own Gopika Bashi, Deputy Director of Programmes at AWID, each episode explores unique but interconnected feminist realities that are achieving greater gender justice and human rights.
Produced by our Webby-winning podcast partner Hueman Group Media, you can subscribe to THAT FEMINIST FIRE and listen to our first episode here.
Find us on Apple Podcasts, Spotify, or wherever you get your podcasts. Share with your network! Help us spread stories that ignite our feminist fire and move us to action.
FRMag - Our neighbourhood, our network
Our neighbourhood, our network, our strength
by Marta Plaza Fernández
The feminist reality that I want to share is about weaving networks in which we uphold one another. (...)
artwork: “Entretejidas” [Interwoven women] by Surmercé >
La historia de Crear, Résister, Transform por Coumba Toure
Una experiencia mágica de narración feminista conducida por la feminista panafricana Coumba Toure, quien actuará en la antigua tradición de lxs griots de África Occidental.
Y nos reunimos nuevamente
Juntamos nuestras historias, nuestra fuerza
nuestras canciones
nuestras lágrimas
nuestra ira
nuestros sueños
nuestro éxito
nuestros fracasos
Y lo colocamos todo junto
en un gran cuenco para compartir
durante una luna de pensamientos
Y nos mantenemos en contacto
nos sacudimos las mentes unas a otras
nos acariciamos las almas
mientras nuestras manos siguen atadas
y nuestros besos y abrazos están prohibidos
Sin embargo, nos hacemos más fuertes cada hora
entretejiendo juntas nuestras voces
cruzando las barreras del sonido
mientras hablamos en lenguas
Nuestras voces son cada vez más altas
Sabemos lo que nos diferencia de otras personas
y entre nosotras, de modo que
estamos bordando nuestras bellezas en un mosaico de pensamientos
desde nuestros aprendizajes más profundos, desde nuestros poderes
A veces nos rodea el terror
la confusión, la deshonestidad
pero nos lavamos en el océano de amor
Somos tejedoras de sueños
para vestir nuestro nuevo mundo
hilo por hilo
tan pequeñas como somos
como pequeñas hormigas construyendo nuestro movimiento
comopequeñas gotas construyendo nuestros ríos
Damos pasos hacia adelante y pasos hacia atrás
bailando nuestro camino de vuelta a la cordura
Sostenemos el ritmo de nuestros corazones: sigan
latiendo, por favor, no se detengan
Y aquí estamos, transmisoras de generosidad olvidada
gota tras gota creciendo como el océano
creciendo como el río que fluye de nuestras almas
mostrando nuestra fuerza para ser el agua
que limpiará este mundo
y nos estamos reuniendo nuevamente ¿pueden sentirnos?
Mentiría si dijera que para mí
está bien no verlas, extraño a mi gente
Extraño su contacto y
sus voces sin filtro y sin registro
Extraño nuestros susurros y nuestros alaridos
nuestros gritos de la revolución abortada
Solo queremos parir nuevos mundos
Entonces luchemos para borrar las fronteras entre nosotras
Por favor, no se detengan
Heike Jensen
Snippet - Join CSW69 Conversations Intro_FR
Rejoignez-nous en prenant part aux conversations #FreezeFascisms!
(#BloquerLesFascismes) !
Alors que nous affrontons de multiples crises dans le monde entier, nos mouvements œuvrent sans relâche à construire une influence qui dépasse les structures de pouvoir traditionnelles. La vague de décrets présidentiels américains vise à nous intimider, mais aucune idéologie fasciste, quelle que soit son ampleur, ne peut effacer notre existence et notre résistance.
Nous vous invitons à rejoindre la campagne de solidarité pour dénoncer et résister aux forces fascistes qui sapent les mouvements féministes et de justice de genre dans vos communautés !
- Déclenchez des conversations au sein d’un espace courageux : partagez vos initiatives de lutte et de résistance aux fascismes à votre échelle sur la plateforme de la Communauté AWID. Pas encore membre ? Rejoignez-nous ici.
- Soutenez les mouvements qui ont été touchés : relayez les collectes de fonds, les ressources disponibles, les efforts d’entraide en utilisant #FreezeFascisms #BloquerLesFascismes (nous sommes toujours sur X, Instagram, Facebook, LinkedIn, mais aussi sur Bluesky !)
- Mobilisez-vous autour d’alternatives : nous avons créé une communauté de pratiques à adopter pour des alternatives économiques féministes et un financement autonome. Inscrivez-vous pour en faire partie ici(en anglais)
Rosane Santiago Silveira
Rosane Santiago Silveira, que l’on appelait affectueusement Rô Conceição, était une activiste brésilienne pour l’environnement et les droits humains qui se battait inlassablement pour protéger l’environnement, là où il était le plus menacé.
Il pouvait entre autres s’agir de le défendre sur l’île de Barra Valha, mise en danger par une exploitation pétrolière, ou de le protéger avec des campagnes contre l’accaparement des terres et l’expansion de plantations d’eucalyptus dans l’État de Bahia, où Rosane était membre du conseil de la réserve d’extractivistes de Cassurubá.
« La réserve d’extractivistes est une zone protégée où les familles résidentes vivent des produits naturels extraits de la forêt. Ces activités contribuent à protéger l’intégrité de la forêt. » - Global Justice Ecology Project (source initiale : Rede Brasil Atual)
Elle participait à des activités syndicales et des mouvements culturels et de défense des droits humains. Rosane consacrait une grande partie de sa vie à des causes qui lui étaient chères, mais qui concernaient également la terre, les forêts, les rivières et les communautés dont les droits et vies sont constamment en danger.
Elle a été torturée et assassinée le 29 janvier 2019 à Nova Viçosa, une ville du sud de Bahia.
« Malheureusement, un sentiment d’insécurité totale règne désormais, parce que l’État ne juge pas ces crimes. Nous étions avec elle à Noël, et tout le monde s’est rendu compte qu’elle était inquiète. Nous savons maintenant qu’elle avait reçu trois menaces de mort », Tuian, le fils de Rosane dans un entretien avec Rádio Brasil Atual. (source initiale : Rede Brasil Atual)
Veena Singh
Biography
Veena Singh is a Fiji Islander, feminist, and woman of colour. Born and raised in a small rural town in Fiji, she draws strength from her rich mixed heritage (her mother is an Indigenous Fijian woman and her father is Fijian of Indian descent). Veena’s identity and lived experiences deeply inform her commitment to justice, equity, and inclusion. With over two decades of experience in human rights, gender equality, community development, and social inclusion, Veena is a passionate advocate for shifting power to create transformative change and for building an “economy of kindness”. Her work spans diverse areas including community development; women, peace and security; social policy; human rights; and policy advocacy.
Veena is deeply committed to advancing inclusion, peace and justice, sexual and reproductive health and rights (SRHR), climate justice, transitional justice, and human rights. She brings a wealth of experience working across grassroots networks, international organizations, and government institutions, always centering community and locally led approaches and feminist principles.
Outside of her ‘office life’, Veena is an environmental advocate, mental health champion, and writer. She is a mum to 11 cats, a saree wearer, and a lover of snail-mails and postcards. A thoughtful observer of feminist movements in Fiji and the Pacific, Veena is on a personal journey to “decolonise the mind and the self through radical self-reflection.” Above all, she is driven by a desire and dream to produce relatable, resonant writing that connects with the Pacific diaspora and amplifies voices from the margins.
Position
Co-President
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FRMag - Looking at me Looking at Safe Spaces
Mirándome observar los espacios seguros
por Judyannet Muchiri
En octubre del año pasado, me fui a Kenia para empezar lo que he llegado a considerar el trabajo más importante que he hecho hasta ahora. (...)
arte: «Healing Together» [Sanar juntxs], Upasana Agarwal >
MANGO
 |
Jurema Araújo is a teacher-poet from Rio de Janeiro. She contributed to the magazine Urbana, edited by the poets Brasil Barreto and Samaral (RIP) and to the book Amor e outras revoluções (Love and Other Revolutions) with several other writers. In collaboration with Angélica Ferrarez and Fabiana Pereira, she co-edited O livro negro dos sentidos (The Black Book of Senses), a creative anthology on black women’s sexuality in Brazil. Jurema is 54-years-old; she has a daughter, three dogs, a cat, and many friends. |
Suck it with me?Mango is my favorite fruit. |
Chupa Comigo?A fruta que eu mais gosto é manga! |
Introducing The Black Book of Senses
I’ll admit it: when Angélica and Fabi invited me to curate a collection of erotic texts by black women, I didn’t know what curatorship was. I understood the erotic well, but curatorship... I smiled, feeling shy and flattered. I think I thanked them – at least I hope I did – and thought to myself: what the fuck is it?! This fancy word I’ll have to learn the meaning of while doing it, what is it?
Now at this point, I know what it is to be a curator: it is making love with someone else’s texts, with someone else’s art, with the intention of putting a book together. And that is exactly what I did. I undressed each text of every author of this book with a literary lasciviousness. And I got involved in the words and senses of others. I was penetrated by poems I didn’t write; tales I didn’t even dare to imagine turned me upside down, messing with my feelings, with my libido. And it was a wonderful and unusual orgasm: ethereal, corporeal, sublime, at once intellectual and sensitive.
These texts pulsated like a clit hardened by desire, drenched, dripping joy in every reading. Words that swallowed me with their naughty significance, making me dive deeper into this wet universe.
These black women went to the bottom of their arousals and turned their deepest erotic fantasies into art. These works are impregnated with each writer’s own way of experiencing sexuality: freely, blackly, for ourselves, in our own way, empowered.
I chose to spread the texts throughout different parts of the book, each one organized according to the most delicate, explosive, evident, or implicit content they presented.
To open the door to this “invulved blackessence,” we have our Preliminaries section, with texts that introduce readers to this world of delights. It is a more general, delicate caress to acknowledge the subjects addressed by the texts in the rest of the book.
Then comes the heat of Touch, addressing what the skin can feel. That energy which burns or freezes our bodies, makes our hormones explode and starts to awaken the other senses. And although there are many of us who are voyeurs, the contact of skin with a wet and warm mouth is exciting, like wandering through the softness of whomever is with you. We are seduced by the firm or gentle touch that gives us goosebumps and that lovely discomfort that runs from the neck down to the back and only stops the next day. And the warmth of the lips, the mouth, the wet tongue on the skin – oh, the tongue in the ear, hmmm – or skin on skin, clothes moving over the body, almost like an extension of the other’s hand. If there is no urgency, that wildest arousal of the pressure of a tight grab, a bit of pain – or a lot, who knows?
The Sound – or melody? – section shows us that attraction also happens through hearing: the voice, the whispers, the music that enables the connection between the bodies and can become the theme of desire. For some of us, someone with a beautiful voice would only need their vocal cords, because that harsh or heavy or melodious sound would be auditory sex. Their loud swearing or sweet words whispered in the ear would be enough to give us hair-raising shivers from neck to coccyx.
In Flavor, we know the tongue does a good job tasting the most hidden places and wandering through the body to delight itself. Sometimes this organ is used, boldly, to taste the other’s nectar. The idea of someone sharing their strawberry or a delicious, juicy mango through bites and licks – or licks and bites – melts us. But nothing is more delicious than tasting the caves and hills of the person you are with. Stick your tongue deep inside to taste a piece of fruit... or spend hours tasting the head of a cock in your mouth, or suck on a delicious breast to taste the nipples. This is all about memorizing someone by their Flavor.
There are texts in which the nose is what triggers desire. The Smell, my dear readers, can awaken us to the delights of desire. Sometimes we meet a person who smells so good, we want to swallow them right through our nose. When you run through the other person’s body with your nose, starting with the neck – wow, that delightfully uncomfortable shiver that runs down the spine and undresses the soul! The shameless nose then moves to the back of the neck and captures the scent of the other in such a way that in the absence of that person, smelling their same scent evokes, or conversely, invades in us olfactory memories that bring the arousing smell of that person back.
We then get to Look – for me, the betrayer of senses – in which we perceive desire from a point of “view.” It is through sight that the texts present desire and arousal, through which the other senses are brought about. Sometimes a smile is all it takes to drive us crazy. The exchange of glances? That look that says “I want you now.” That look of possession that comes to an end when you stop fucking, or not. That one is very particular; it draws the other who won’t be able to look away for long. Or the sidelong glance – when one looks away when the other turns their head, like a cat-and-mouse game? Once we are caught red-handed, there’s nothing else to do besides breaking into a wide smile.
Finally, the explosion. Wandering through All senses, the texts mix feelings that seem like an alert, so there is the greatest pleasure, that orgasm.
Of course, there is nothing explicitly separating these poems and tales. Some are subtle. Arousal engages all our senses and, most importantly, our heads. That’s where it happens, and it connects our whole body. I organized the poems according to how they came to me in each reading. Feel free to disagree! But to me, there is a sense through which desire goes and then explodes. Realizing which one it is, is delightful.
Being able to turn arousal into art means freeing ourselves from all the prejudice, prisons, and stigma this white-centric society has trapped us in.
Every time a black writer transforms the erotic into art, she breaks these harmful racist chains that cripple her body, repress her sexuality, and turn us into the object of another’s greed. Writing erotic poetry is taking back the power over her own body and roaming fearlessly through the delights of desire for herself, for others, for life.
The literary erotic is who we are when turned into art. Here we show the best of us, our views of love drenched by pleasure, seasoned by the erogenous, spread through our bodies, and translated by our artistic consciousness. We are multiple and we share this multiplicity of sensations in words dripping with arousal. Yes, even our words drip with our sexual desire, drenching our verses, turning our sexual urges into paragraphs. To come, for us, is a breakthrough.
It is necessary to make our minds, bodies, and sexuality black, to reestablish our pleasure, and take back our orgasms. Only then will we be free. This whole process is a breakthrough, and it happens painfully. But there is happiness in finding ourselves to be very different from where we had been placed.
I feel like I am yours, I am ours. Taste, delight yourselves, feast on these beautiful words with us.
This text is adapted from the introductions to “O Livro Negro Dos Sentidos” [The Black Book of Senses], an erotic collection of poems by 23 black female writers.
Explore Transnational Embodiments
This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.
التجسيدات العابرة للحدود
نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.
Barbara Lezama
Snippet - Feminist Mixer - FR
Rencontre féministe : speed dating pour féministes !
✉️ Sur inscription uniquement. Inscrivez-vous ici
📅 Mardi 11 mars 2025
🕒 18.00h-20.00h EST
🏢 Chef's Kitchen Loft with Terrace, 216 East 45th St 13th Floor New York
Organisé par : AWID