Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

AWID Forum: Co-creating Feminist Futures

In September 2016, the 13th AWID international Forum brought together in Brazil over 1800 feminists and women’s rights advocates in a spirit of resistance and resilience.

This section highlights the gains, learnings and resources that came out of our rich conversations. We invite you to explore, share and comment!


What has happened since 2016?

One of the key takeaways from the 2016 Forum was the need to broaden and deepen our cross-movement work to address rising fascisms, fundamentalisms, corporate greed and climate change.

With this in mind, we have been working with multiple allies to grow these seeds of resistance:

And through our next strategic plan and Forum process, we are committed to keep developing ideas and deepen the learnings ignited at the 2016 Forum.

What happens now?

The world is a much different place than it was a year ago, and it will continue to change.

The next AWID Forum will take place in the Asia Pacific region (exact location and dates to be announced in 2018).

We look forward to you joining us!

About the AWID Forum

AWID Forums started in 1983, in Washington DC. Since then, the event has grown to become many things to many peoples: an iterative process of sharpening our analyses, vision and actions; a watershed moment that reinvigorates participants’ feminisms and energizes their organizing; and a political home for women human rights defenders to find sanctuary and solidarity.

Learn more about previous Forums

Related Content

Nadyn Jouny

The personal is political - and fiery and courageous Nadyn Jouny personified this feminist mantra. Nadyn experienced firsthand the pain of structural violence in legal systems that strip women of their rights.

When she decided to file for divorce, the religious Shitte courts under the Lebanese Personal Status laws, denied her custody of her young son Karam. Nadyn, like so many other women across Lebanon and other countries, was caught in the impossible pain of leaving an unwanted and abusive relationship and also losing the rights to her child. But Nadyn fought back, as she would until her last day.

She used her media savvy to become an outspoken voice to women fighting discriminatory family laws in Lebanon and internationally. Nadyn co-founded the self-funded group, “Protecting Lebanese Women” (PLW) and banded with many other Lebanese mothers facing similar custody issues. Together, they advocated to raise awareness of the injustices they were facing, protesting in front of the religious courts for their rights and bringing international media attention to extreme injustices they were facing.    

Nadyn also worked with ABAAD - Resource Center for Gender Equality, another women’s rights organization in Lebanon, to campaign for women’s rights, equality in family law and custody and against forced and early marriages.

For many of her colleagues, she came to “symbolize a Lebanese mother’s fight against suppression and misogyny of all sorts," using “her personal experiences and her individual journey of empowerment to give hope to others that they can be a catalyst for positive change.”- ABAAD - Resource Centre for Gender Equality, Lebanon

On October 6, 2019 Nadyn was tragically killed in a car accident on her way to protest unfair tax increases in a country already facing spiralling financial crisis. Nadyn Jouny was only 29 years old at the time of her death.

Kunyit Asam: The Roots of Love and Resilience

By Prinka Saraswati, Gianyar, Bali

The menstrual cycle usually lasts between 27 and 30 days. During this time, the period itself would only go on for five to seven days. During the period, fatigue, mood swings, and cramps are the result of inflammation.

In traditional Javanese culture, this is the moment for women to rest and take care of themselves. During this moment, a woman would take Kunyit Asam, a jamu or herbal drink to soothe the inflammation. This elixir consists of turmeric and tamarind boiled together in a pot.

I still remember my first period - it was one day before graduation day in elementary school. I remember pedaling my bike feeling something warm running between my thighs. When I arrived home I did all I could to clean myself and then put on a menstrual pad. My mother came home from work about four hours later. I told her what had happened. She looked me in the eye and asked how I felt. I told her that it was painful, that my body was swollen in every place. Then she asked me to go with her to the backyard. I followed her to our little jungle, my mother sat down on the soil and smiled.

“See this slender leaf? This is the leaf of Kunyit, *empon-empon that leaves the yellow stain on your fingers. What’s most important is not the leaf, but the roots. You dig the soil and slowly grab the roots.”, my mother showed me how to pick Kunyit or Turmeric roots. Then we went to the kitchen where she boiled water along with some tamarind. While waiting for it to boil, she showed me how to wash and grate the orangey-yellow root. Then, we put the grated turmeric into the boiling tamarind water. “Tomorrow, you can make it for yourself. This will help you to feel better!”.

I remember the first time I tasted it - a slightly bitter taste but also sour. My mother always served it warm. She would also put some in a big bottle which I would place on my stomach or lower back for further relief. For days after, my mother’s hands and mine were yellow. My friends could always tell every time I got period because my hands would be yellow.

A year after my first period, I found out that you could get the bottled version in convenience stores. Still, I made my own Kunyit Asam every time I had my period because the one in the convenience stores was cold. It did not smell of wet soil and warm kitchen.

Fast forward, I am a 26 year old woman who casually makes this drink for friends when they have their periods. I’ve made some for my housemates and I’ve delivered some for friends who live in different towns. I do not grow turmeric roots in my garden, but I have grown and shared the love from my mom. What was once from garden to cup is now from *pasar to cup.

A couple of days ago, I asked my mother who taught her how to make the jamu.

“Who else? Yang Ti*! Your grandmother was not just a teacher”, said my mom. I was never close to my grandmother. She passed away when I was eight. All I knew from my mom was that she was a math teacher who had to teach courses after work. I had this image of my grandmother as a hard worker who was kind of distant with her children. My mom did not disagree with that but explained it came from her survival instinct as a mother. “She tried to make time. She tried. She taught me how to make jamu so I could take care of myself and my sisters”.

My mother is the second child out of seven, six of whom are girls. The reason my grandmother taught her is so that all of her children could take care of each other. While my mother was taught how to make the drink, my mother’s older sister was taught how to plant turmeric. Yang Ti knew which one loved the smell of soil more and which one loved the smell of the kitchen. My mother was the latter. She learned how to plant from my aunt, her older sister.

My grandfather worked in a bank but he got laid off when he was in his 40s. So, my grandmother had to do a side-hustle to support their children. My mother was in high school at that time when Yang Ti woke her and her older sister up at dawn. “Would you help me to pick some roots?”. Of course nobody said no. Especially if it was your mother, especially if you were born in Javanese culture where saying “no” sounded like a bad word. Together, the three of them went to the backyard, and they harvested empon - empon, rhizome, that was buried inside the soil. She grew many kinds of rhizome; temu lawak, temu putih, ginger, galangal, kunci, kencur, and kunyit. That was the day where my mother realized that her mother was never far away from her.

That was the day where she could spend more time with her mother. There, in the garden. There, in the kitchen.

“We’re sending these for Ibu Darti, the lady who lives across the river. Kunyit Asam for her and her daughters.”, said my grandmother to my mother and my aunt that day. They poured the Turmeric-Tamarind warm drink into a tall thermos and later my grandmother would deliver it on the way to school.

Over time, my grandmother got more orders for jamu. Everybody in the family helped her to make and deliver her jamu. The small business lasted only a few years, but that was what paid for my mother and her siblings’ education.

Today, my mother, who got laid off just a few days before I wrote this piece, harvested Turmeric and other roots. She’s making her Turmeric Tamarind drink from her kitchen.

My phone rang in the middle of this afternoon, a couple minutes after I boiled the rest of my grated turmeric. Today is one day after my period.

“Ingka, have you washed your pot after boiling those turmeric? It would forever be yellow if you don’t wash it right away!”


  • *empon-empon = roots like ginger, turmeric, etc. coming from the Javanese word “Empu” which means, something or someone that has deep knowledge.

  • *jamu = Indonesia’s traditional elixir made of roots, barks, flowers, seeds, leaves, and fruits.

  • *Yang Ti = Javanese term for grandmother, taken from the term “Eyang Putri” the female you look up to.

  • *pasar = the word for traditional market in Indonesian.

 


“Feminist Movement”

by Karina Tungari, Hamburg, Germany  (@_katung_)

The more women support other women, the quicker we’ll see progress. Together we are stronger and make even more impact.

Karina Tungari, Hamburg, Germany  (@_katung_)


 

Сколько ответов на опрос вы хотели бы получить?

Мы стремимся в общей сложности получить 2000 ответов, что почти вдвое больше, чем в последнем опросе, проведенном в 2011 году.

Snippet FEA Otras Union meetings and demonstrations (FR)

Réunions et manifestations du Syndicat OTRAS

Our values - esponsibility, Accountability, and Integrity

Responsabilité, responsabilisation et intégrité

Nous nous attachons à faire preuve de transparence, à utiliser nos ressources de manière responsable, à être équitables dans nos collaborations et à faire preuve de responsabilité et d'intégrité envers nos membres, nos partenaires, nos bailleurs de fonds et les mouvements avec lesquels nous travaillons. Nous nous engageons à réfléchir sur nos expériences, à partager ouvertement nos connaissances et à nous efforcer de modifier nos pratiques en conséquence.

Doris Valenzuela Angulo

Doris Valenzuela Angulo fue una activista social afrodescendiente, líder y defensora de los derechos humanos, de Buenaventura, Colombia. Fue parte de Comunidades Construyendo Paz en los Territorios (CONPAZ), una red nacional de organizaciones de comunidades afectadas por el conflicto armado que propugnan la no violencia y la justicia socioambiental.

Doris desafiaba la constante violencia paramilitar y las presiones de los megaproyectos para desplazar a su comunidad, así como la complicidad del Estado. Enfrentando uno de los contextos más difíciles de su país, tuvo un rol de liderazgo en una iniciativa de resistencia no violenta sin precedentes llamado «Espacio Humanitario Puente Nayero», una zona urbana para la cohesión comunitaria, la seguridad, la creatividad y la acción colectiva.

Esta singular lucha no violenta de las familias que pertenecían al «Espacio Humanitario Puente Nayero» atrajo la atención y el apoyo de organismos locales e internacionales. Hacia septiembre de 2014, la Comisión Interamericana de Derechos Humanos había establecido medidas cautelares de protección para la comunidad, y había ordenado al Estado colombiano hacer lo necesario para preservar sus vidas y su integridad personal. Sin embargo, las amenazas y la violencia de los paramilitares continuaron. Doris centró sus energías en evitar el reclutamiento forzoso de niñxs y jóvenes por parte de los neo-paramilitares, y siguió haciéndolo a pesar del asesinato de su hijo Cristian Dainer Aragón Valenzuela en julio de 2015. Doris también se convirtió en blanco de ataques, y recibía amenazas por su activismo y el trabajo que realizaba continuamente.

Las persistentes agresiones y amenazas contra su vida forzaron a Doris a abandonar Colombia. Residió en España desde febrero de 2017 hasta febrero de 2018, e integró el Programa de Protección Temporal de Defensores y Defensoras de los Derechos Humanos de Amnistía Internacional para activistas cuyas vidas están en riesgo.

En abril de 2018, Doris fue asesinada por su ex-marido en Murcia, España. Tenía solamente 39 años.


Tributos:

«Doris, pasar un año entero contigo nos ha enseñado cómo una persona puede tener la capacidad de transformar y generar esperanza ante hechos profundamente negativos y devastadores sucedidos durante tu vida...Seguimos con nuestro compromiso en la defensa de todos los derechos humanos. Siempre nos guiará tu valentía y tu luz.» Montserrat Román, Amnistía Internacional Grupo La Palma

Fragmento de «Palabras para Doris Valenzuela Angulo» por Elsa López

«Tú lo sabías. Siempre lo supiste. Y a pesar de todo te levantaste firme contra tantas injusticias, tantas miserias, tanta persecución.Te alzaste, altiva y feroz, contra aquellos que querían hacerte de nuevo abandonar tus esperanzas, humillarte y rendirte. Puesta en pie clamaste por tu libertad y la nuestra que era la tuya. Nada ni nadie paralizó tus esfuerzos por cambiar el mundo y hacerlo más generoso y habitable. Tú, viva entre nosotras, más viva hoy que nunca entre nosotras a pesar de la muerte. Viva siempre por tus gestos, tu valor, tu grandeza al clamar por una tierra prometida que llegaste a invocar con cada uno de tus gritos por todos los desiertos que habitaste. Tú. Siempre viva. Doris Valenzuela Angulo. 
Son sólo palabras. Lo sé. Yo también lo sé. Pero las palabras nos unen, nos protegen, nos dan fuerza y aliento para seguir caminando hacia la luz que tanto defendías.»

Pleasure Garden Exhibition

The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.

Mental Health
Mental Health
Sex and Spirtuality
Sex and Spirtuality
Orgasm
Orgasm

About the Artists:

Siphumeze Khundayi portrait
Siphumeze Khundayi is an art-maker, photographer and facilitator interested in creative ways of bringing together dialogue and artistic practice in relation to African Queer identity.

She is creative director of HOLAAfrica! a pan-Africanist womanist online collective.

Her solo and collaborative performance work has been featured in a number of festivals and theatre spaces such as Ricca Ricca Festival in Japan

She directed two Naledi nominated productions in 2017 and 2018. She directed a show that won a Standard Bank Ovation award in 2020.

As a photographer she was part of a group exhibition titled Flowers of my Soul in Italy organised by the Misfit Project. Produced three publications for HOLAAfrica and was published in and provided the cover for volume two: As You Like of the Gerald Kraak Anthologies.
katia portrait
Katia Herrera is a 21-year-old  Digital visual artist from the noisy city of  Santo Domingo in the Dominican Republic. Despite Herrera being a self-proclaimed introvert, her artwork is remarkably loud in a world trying to quiet black voices. With titles like Black Woman, You Own the Moon, Earth Goddess, Forever,  and Universe Protector, Herrera’s legacy will be marked by her passion for highlighting the endurance and perseverance of black folks of old and present to contrast the narrative that black skin should only be associated with slavery.

One of her most lovely and vivaciously titled works, Universe Protector, portrays the black soul as a divine entity full of strength, power, and greatness. In her youth, her love of graphic design was stimulated by her parents’ artistry and the Photoshop they had downloaded on their computer for their professional photography.

Snippet - WITM Our objectives - PT

Os nossos objetivos da pesquisa WITM:

1

Fornecer a membres da AWID, parceires do movimento e financiadores uma análise atualizada, robusta, baseada em fatos e orientada para a ação das realidades do financiamento de movimentos feministas e do estado atual do ecossistema do financiamento feminista.

2

Identificar e demonstrar oportunidades para transferir mais recursos de maior qualidade para a organização feminista, expor soluções falsas e interromper tendências que fazem com que o financiamento não seja bem-sucedido e/ou se mova contra a justiça de género e objetivos feministas interseccionais.

3

Articular visões, propostas e objetivos feministas para a justiça no financiamento.

Participe da Pesquisa!

Snippet FEA Union Otras Photo Panel (EN)

A panel of 13 people standing behind a conference chair. On the table there are sheets of papers, microphones and bottles of water. Behind them you can see a white wall and black courtains.

Members of the OTRAS union

Join the Feminist Realities journey (Forum page)

Join the Feminist Realities journey

The AWID Forum is just one stop in the Feminist Realities journey. Let’s travel this path together and explore our power in action!

Join us now

Mena Mangal

Mena Mangal était une éminente journaliste de télévision, défenseure des droits des femmes et conseillère culturelle du Wolesi Jirga, la chambre basse du parlement national afghan.

Pendant plus d’une décennie, Mena a travaillé pour Ariana TC, la chaîne en pashto Lamar de Tolo TV et la chaîne de télévision nationale privée Shamshad TV. Mena était principalement présentatrice d’émissions sur les droits des femmes et la culture.

« La défenseure des droits des femmes Wazhma Frogh a dit que Mangal « se faisait entendre » et s’exprimait ouvertement en faveur de la défense de son peuple. »

Loin des écrans, elle dirigeait également des plateformes sur les réseaux sociaux, promouvant les droits à l’éducation et au travail des filles et femmes afghanes. Sur le plan de sa vie privée, Mena a longuement écrit sur le mariage arrangé qu’elle a été forcée d’accepter en 2017, et le long processus qui s’en est suivi pour finalement obtenir le divorce.

Dans un post sur Facebook, Mena avait écrit qu’elle recevait des menaces de mort de sources inconnues, mais qu’elle continuerait néanmoins son travail.

Elle a été attaquée le 11 mai 2019 par des hommes armés inconnus et tuée en plein jour et dans un espace public, dans le sud-est de Kaboul.

« La situation nous inquiète, car elle a un impact direct sur les femmes qui travaillent en dehors de la maison... Les femmes journalistes changent de profession du fait de l’augmentation des risques auxquels elles sont confrontées. » - Robina Hamdard, défenseure des droits des femmes à Kaboul

Colectivo Morivivi

El Colectivo Moriviví es una colectiva de solo mujeres. Nuestra producción artística consiste en muralismo, muralismo comunitario y acciones/performances de protesta. Nuestro trabajo tiene como objetivo democratizar el arte y llevar a la esfera pública las narrativas de las comunidades de Puerto Rico, para generar espacios en donde sean validadas. Creemos que, a través del artivismo, podemos promover conciencia sobre temas sociales y fortalecer nuestra memoria colectiva.

“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Cacibajagua” 2017, proyecto de mural, Jiangxi, China
“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Cacibajagua” 2017, proyecto de mural, Jiangxi, China
“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce,
“Paz para la Mujer” 2015, colaboración con la organización Coordinadora Paz para la Mujer, Santurce, Puerto Rico

 

“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce, Puerto Rico
“Paz para la Mujer” 2015, colaboración con la organización Coordinadora Paz para la Mujer, Santurce, Puerto Rico
Collectivo Moriri Artwork

En el marco de su participación en el Grupo de Trabajo Artístico de AWID, el Colectivo Moriviví convocó a un grupo diverso de afiliadxs, asociadxs y personal de AWID y facilitó un proceso colaborativo de imaginación, configuración y decisión sobre el contenido para la creación de un mural comunitario, a través de un proceso de creación conjunta en múltiples etapas. El proyecto comenzó con una conceptualización remota con feministas de diferentes zonas del planeta reunidxs por AWID, y luego evolucionó hacia su recontextualización y realización en Puerto Rico. Nos honra haber contado con la contribución de las artistas locales Las Nietas de Nonó (@lasnietasdenono), la participación de mujeres locales en la Sesión de Pintura Comunitaria, el apoyo logístico de la Municipalidad de Caguas, y el apoyo adicional al colectivo, brindado por FRIDA Young Feminist Fund.
 
El mural explora la trascendencia de las fronteras, al presentar cuerpos como un mapa en un abrazo que realza la intersección de las distintas manifestaciones, prácticas y realidades feministas.
 
Agradecemos también a Kelvin Rodríguez, quien documentó y captó las diferentes etapas de este proyecto en Puerto Rico:

Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork

Sobre el Colectivo Moriviví

Colectivo Morivivi portrait

Moriviví es un colectivo de jóvenes artistas mujeres que trabajan en arte público desde abril de 2013. Con sede en Puerto Rico, hemos obtenido reconocimiento por la creación de murales y de arte comunitario.
 
El grupo se inició en festivales locales de arte urbano. A medida que nuestro trabajo se fue haciendo más conocido, algunas organizaciones y líderes comunitarias comenzaron a contactarnos. Al principio éramos solo ocho estudiantes de secundaria que querían pintar juntas un mural. Y en estos ocho años de duro trabajo hemos enfrentado muchos desafíos. Ahora estamos en un período de transición. Queremos reestructurar internamente el colectivo durante el próximo año. Nuestro objetivo es abrir nuevas oportunidades de colaboración y respaldar nuestro proceso de toma de decisiones con un nuevo sistema de evaluación. Aspiramos, en el largo plazo, a convertirnos en una escuela alternativa para la práctica artística, destinada a  aquellas personas interesadas en sumergirse en la producción de arte comunitario.

AWID Community Jobs board - FR

Bourse d'emploi communautaire

Êtes-vous à la recherche d'un emploi? L'un des avantages de rejoindre la Communauté de l'AWID est d'avoir accès à notre tableau d'offres d'emploi organisé par la communauté. Vous aurez l'occasion d'explorer de nouvelles opportunités et vous aurez également la possibilité de partager des postes vacants et des appels à propositions avec tous les membres.

Snippet FEA Principles of work Transparency (ES)

Un paraguas rosa

TRANSPARENCIA

Contributors of toolkit (WITM landing page)

Deseamos agradecer a las personas que hicieron aportes y fueron consultadas para la elaboración de este Manual:

  • Angelika Arutyunova
  • Cindy Clark
  • Kamardip Singh
  • Martin Redfern
  • Pei Yao Chen
  • Srilatha Batliwala
  • Veronica Vidal

    Descargar el manual en PDF

Jaitun

Jaitun, commonly referred to as ‘Amma’, was committed to ensuring the reproductive rights of women and girls in India. She was particularly dedicated to advocating for those living in poverty and who are most marginalized, including Dalit and Muslim women and girls.

Jaitun was the vital force behind the case Jaitun v Janpura Maternity Home & Ors. Her perseverance for justice led to a ground-breaking judgment issued by the High Court of Delhi, holding the Indian government accountable for failing to deliver a number of its legally-binding obligations such as reproductive health care and the right to food.

Her daughter Fatema who was living under the poverty line was denied reproductive services and had to deliver her child in public, under a tree. At the time, both Jaitun and Fatema were homeless as a result of their home being demolished by the government as part of redevelopment and gentrification in New Delhi.

“The judgment has since been used by countless lawyers and activists globally, including the Former United Nations Special Rapporteur on the Right to Health, not only as a source of inspiration but as a solid springboard to further justice.” - Jameen Kaur

Jaitun has inspired many other women living in poverty to claim their rights. She passed away in 2017.

“In Jaitun’s death, we have now lost an inimitable warrior for justice, but her spirit of defiance lives on.” - Jameen Kaur

“In my 18 years as a human rights advocate, I have not met a woman that has inspired and moved my spirit in the same way Amma did. Her roaring courage; her imitable humour - we used to compare her to the Bollywood actress Hema Melini - as she would be upset we had spent so much time away from her - she would say, with a twinkle in her eye, ‘You have forgotten Amma, Amma is not speaking to you’ and then with great dramatics turn her back, only to turn around laughing and stretching her arms out for a hug. Her kindness and ultimately her love and joy for love and the right for all of us to live with dignity. I miss her terribly.” - Jameen Kaur