Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

AWID Forum: Co-creating Feminist Futures

In September 2016, the 13th AWID international Forum brought together in Brazil over 1800 feminists and women’s rights advocates in a spirit of resistance and resilience.

This section highlights the gains, learnings and resources that came out of our rich conversations. We invite you to explore, share and comment!


What has happened since 2016?

One of the key takeaways from the 2016 Forum was the need to broaden and deepen our cross-movement work to address rising fascisms, fundamentalisms, corporate greed and climate change.

With this in mind, we have been working with multiple allies to grow these seeds of resistance:

And through our next strategic plan and Forum process, we are committed to keep developing ideas and deepen the learnings ignited at the 2016 Forum.

What happens now?

The world is a much different place than it was a year ago, and it will continue to change.

The next AWID Forum will take place in the Asia Pacific region (exact location and dates to be announced in 2018).

We look forward to you joining us!

About the AWID Forum

AWID Forums started in 1983, in Washington DC. Since then, the event has grown to become many things to many peoples: an iterative process of sharpening our analyses, vision and actions; a watershed moment that reinvigorates participants’ feminisms and energizes their organizing; and a political home for women human rights defenders to find sanctuary and solidarity.

Learn more about previous Forums

Related Content

Fadila M.

Fadila M. était une activiste “tribale” Soulaliyate d’Azrou, dans la province marocaine d’Ifrane. Elle s'est battue contre une forme spécifique de discrimination à l'égard des femmes “tribales” liée à la propriété foncière.

Dans le cadre du Mouvement en faveur des droits fonciers des femmes Soulaliyates, elle a travaillé pour la révision de la législation-cadre relative à la gestion des biens communautaires, avec l'adoption en 2019 de trois projets de lois garantissant l'égalité des femmes et des hommes. 

Selon le droit coutumier en vigueur, les femmes n'avaient pas le droit de bénéficier de la terre, surtout celles qui étaient célibataires, veuves ou divorcées. Au Maroc, les droits à la terre collective se transmettaient traditionnellement entre les membres masculins de plus de 16 ans issus d’une même famille. Depuis 2007, Fadila M. faisait partie du mouvement des femmes, à savoir la première mobilisation populaire nationale de revendication de leurs droits fonciers. Parmi leurs victoires, citons le fait qu'en 2012, les femmes Soulaliyates ont pu, pour la première fois, s'inscrire sur les listes de bénéficiaires et disposer d'une indemnisation liée à la cession des terres. Le mouvement a également réussi à faire modifier le dahir de 1919 (décret du roi du Maroc) de façon à garantir aux femmes le droit à l'égalité.

Fadila M. s’est éteinte le 27 septembre 2018. Les circonstances de sa mort, survenue alors qu’elle participait à une marche de protestation sur la question des terres collectives, ne sont pas claires. Si les autorités déclarent que sa mort est accidentelle et qu'elle a fait un arrêt cardiaque sur le chemin de l'hôpital, la section locale de l'Association marocaine des droits de l'homme (AMDH), affirme quant à elle que Fadila a été étouffée par un membre des forces policières arborant un drapeau marocain. Sa famille a demandé qu’une enquête soit menée mais les résultats de l'autopsie n'ont pas été communiqués.

Apprenez-en davantage sur le Mouvement en faveur des droits fonciers des femmes Soulaliyates 


Veuillez noter: Nous n'avons pu trouver aucune photo de Fadima M. C'est pourquoi cette illustration (au lieu d'un portrait) représente ce pour quoi elle s'est battue et a travaillé : la terre et le droit d'y vivre et d'avoir accès à cette terre et ce qui y pousse.

Pleasure(s) as the key to personal freedom

By Nkhensani Manabe

The conversation title "Pansexual, Gynasexual or Abrosexual? A dive into queerness, pleasure and sex positivity" gives one much to think about. Tiffany Kagure Mugo, author, educator and curator of HOLAAfrica, begins the discussion with a reading from Touch, a recently published collection of fiction and non-fiction essays on sex, sexuality and pleasure. In this excerpt, the author puts forward the idea that pleasure is constant and ongoing, it is to be found in everyday activities and is not confined to sexual intercourse.

This idea, that pleasure is as much a part of daily life as anything else, runs through the discussion, which also covers topics of desire, attraction and sexual orientation.

Pleasure Garden exhibition: the photographic and illustrative collaboration produced by Siphumeze and Katia
Pleasure Garden exhibition: the photographic and illustrative collaboration produced by Siphumeze and Katia

Early on, there is this sense of hope and possibility. Tiffany presents options and explains alternatives, giving us new language to speak about who we are, what we like, and how we want it. This is about desire and sex, but mostly it is about self-knowledge and empowerment. Tiffany speaks passionately about making decisions from a place of power: learning your own identity so that you are able to make the best choices for yourself. 

In a conversation that is open and free, representing the attitude that Tiffany would have us all adopt, we learn that knowledge about sex and sexuality is ever-changing, the boundaries are shifting. What we may have learned or, more importantly, been kept away from as children or adults is exactly where we should start unlearning and reprogramming. Tiffany notes that young people these days need tools to understand the experiences they are already having, a reminder to never underestimate what children and teenagers know about the kind of pleasure(s) they want to pursue in life.

The conversation opened my mind to something: knowing myself will help to build my confidence; I will be able to approach relationships with care not only for myself but for others, too. Learning the language of orientation, attraction, desire and pleasure will go towards deepening my future connections. I appreciated the space to think about this aspect of my life -- the private, intimate parts that I don’t access often. Tiffany’s enthusiasm about pleasure and identity pushed my own boundaries, allowing me to entertain new personal possibilities. 

The idea of learning how to make holistic connections is still not common. Largely, we live in a culture of instant and fleeting connections. There is hardly any time to truly reflect on how and why we are seeking relationship or partnership -- at least, not until a moment of crisis. 

Of course, there are selected spaces that welcome questions and discussions, such as the AWID Crear Résister Transform Festival and other free-thinking online platforms or publications -- but access to information from a helpful, non-judgemental source is something people are still trying to figure out. This may be in part because people are not confident in the language of sexuality and pleasure. 

Sex and Spirtuality
Pleasure Garden exhibition: the photographic and illustrative collaboration produced by Siphumeze and Katia

The notion of language and tools repeats itself throughout Tiffany’s presentation. Tiffany and her colleagues are doing the work of talking, teaching and nurturing. Seeing what people need, where they are, what they want for themselves, and walking alongside them as they build their ideal worlds. Giving them new words and definitions to help give shape to their identities at different stages of their lives. 
These are the kinds of conversations that are necessary, even in a society that has myriad healthcare messages broadcast with varying degrees of details at any given moment. Sometimes people need to be brought back from the big picture moments and encouraged to learn about their individual opinions and desires. This is what Tiffany’s talk does: it gives people a space in the larger puzzle. 

A highlight of Tiffany’s talk was the section on the different types of attraction. 

Sexual -- as in, the express desire to have intercourse with a person or people
Sensual -- the desire to touch a person or people, to be physically close without necessarily including intercourse
Romantic -- the desire to date or be in a relationship with a person or people
Platonic -- the desire to build close friendships 
Aesthetic -- the desire to look at and be pleased by the appearance of a person or people

These five types or levels of attraction offer a shorthand for desire and pleasure, and help to contextualise the different kinds of pleasure people can experience. 

Thinking of attraction beyond the physical or sexual offers a new perspective on connection. It is a chance to take the pressure off relationships, which opens up opportunities for different, more enlightened and fulfilling partnerships. 

This freedom and knowledge that Tiffany presents is a roadmap to the future. The presentation offered a new perspective on what is possible. 

As the opening excerpt states, pleasure is ongoing. In light of Tiffany’s discussion, it is also clear that it is dynamic and exciting. There is always more to know. 

This may be daunting at first, but on the other side of hesitation is hope, potential and freedom. 

Snippet FEA Principles of work Transparency (FR)

Un parapluie rose

TRANSPARENCE

Comment puis-je financer ma participation au Forum de l’AWID ? De nombreux-ses activistes n’auront pas les moyens de payer les frais relatifs au Forum – l’AWID a-t-elle pris des mesures pour leur fournir de l’assistance ?

Veuillez visiter la page « Financement » pour obtenir des idées et vous inspirer sur les façons dont financer votre participation au prochain Forum, y compris pour vous informer sur le soutien limité que l’AWID sera en mesure de fournir. 

Contributors of toolkit (WITM landing page)

Nous tenons à remercier les personnes qui ont contribué à ce projet et qui ont fourni de précieux conseils :

  • Angelika Arutyunova
  • Cindy Clark
  • Kamardip Singh
  • Martin Redfern
  • Pei Yao Chen
  • Srilatha Batliwala
  • Veronica Vidal

Télécharger la Boîte à outils en PDF

Snippet - CSW69 Image - ES

Dorothy Masuka

“I didn’t plan to be a singer, singing planned to be in me.” - Dorothy Masuka (interview with Mail & Guardian)

Dorothy Masuka, born 1935 in Bulawayo (then Southern Rhodesia, now Zimbabwe), grew up in South Africa to become a well-known songwriter, composer, jazz singer and activist, a fervent advocate of the struggle against apartheid. Called “an architect of the discourse of popular African liberation music”, Dorothy often sang about politics in indigenous African languages and throughout her work she confronted the racist policies of the South African government.

One such song titled “Dr. Malan” (named after the pro-apartheid politician D.F. Malan) was banned. She went on to record “Lumumba” (1961), a song about the assassination of the anti-colonial leader Patrice Lumumba. Dorothy’s work and activism attracted the attention of the Special Branch of the South African police and she was forced into a political exile that would span over three decades. Throughout this time, she worked with pro-independence groups including the African National Congress. In 1992, as apartheid started to crumble and Nelson Mandela was released from prison, she returned to South Africa. 

Some of her other work includes the first song she recorded in 1953 entitled “Hamba Notsokolo”, a hit in the 1950s and a valued classic. She also wrote “El Yow Phata Phata”, a song that was adapted by Miriam Makeba, making “Pata, Pata” popular internationally.

Rooted in resistance, Dorothy’s music and activism were intertwined, leaving a magnificent and inspiring legacy. She was also widely known as “Auntie Dot”. 

On 23 February 2019 at the age of 83, Dorothy passed away in Johannesburg due to ill health. 


Watch Dorothy Masuka in an interview with Mail & Guardian

Listen to some of her music:

Hamba Nontsokolo
El Yow Phata Phata
 

Carta de amor a los movimientos feministas #1

Querida y maravillosa persona:

Sé que estás muy cerca. Puedes sentirlo, ¿verdad?: cómo las cosas necesitan cambiar y cómo necesitas centrarte.

Sobres de álbum de recortes que dicen Cartas de amor a los movimientos feministas. El sobre en la parte superior dice Tu ninfa de la selva con capa espectacular.

Esta es una carta para decirte que lo hagas. Elige tu sanación. Elige estar bien. Mejor que bien. Elige estar plenx, ser feliz. Llora a lágrima viva solo por tí y por nadie más. Elige cerrar la puerta ante el mundo y decirle «Vuelvo en 5 minutos». O en cinco días. O en cinco años.

O nunca.

Elige no hacerte cargo de todo. Elige no asumir nada. Porque nada de eso es tuyo. Nunca lo fue. Te dijeron desde que naciste que eran tuyos. Los problemas de tu familia. Los problemas de tus amantes. Los problemas de tus vecinxs. Los problemas del mundo. Ese susurro constante de que esos problemas te pertenecen. Que son tuyos. Tuyos para cargarlos, tuyos para llevarlos sobre los hombros. Tuyos para solucionarlos. 

Eso fue una mentira.
Un engaño 
         Un engaño de larga duración.
                                             Una estafa.

Los problemas del universo no son tuyos.

Los únicos problemas que son tuyos son los tuyos. Todxs lxs demás pueden irse de paseo. 

Permítete dejarlo todo y adentrarte en la selva. Hazte amigx de una ninfa vestida de margaritas, crea una biblioteca pequeña en las raíces de un árbol. Baila desnudx y aúlla a la luz de la luna. Conversa con Oshun en el lecho del río. 

            O simplemente tómate una taza de té cuando necesites un momento para respirar.

Permítete desaparecer en la niebla y reaparecer tres países más allá como unx misteriosx chocolaterx con un pasado dudoso y afición por capas espectaculares y cigarros puros.

            O deja de responder a las llamadas del trabajo durante los fines de semana.

Permítete nadar hasta una isla desierta con unx amante y vestirte solo con las cáscaras de los cocos que usaron para hacer el ron de coco que beben al atardecer. 

            O di que no cuando no tengas la capacidad de crear un espacio de contención para alguien.

Las opciones para sostenerte a ti mismx son infinitas. 

Hagas lo que hagas, debes saber que el mundo siempre seguirá girando. Por eso es bello y por eso duele.. No importa a quién o qué elijas por encima de tí mismx y de tu alma, el mundo siempre seguirá girando. 

Por lo tanto, elígete a tí mismx. 

Por la mañana, con la primera luz, elígete a tí mismx. Cuando sea la hora del almuerzo, o te den ganas de llorar durante las horas de trabajo, elígete a tí mismx.  Por la noche, cuando estés calentando las sobras porque no tuviste tiempo de volver a cocinar, elígete a vos mismx. Cuando la ansiedad te despierte y la existencia esté en silencio a las 3:45 am.

Elígete a tí mismx.

Porque el mundo siempre seguirá girando, inclinado, y tú mereces tener a alguien que siempre intente acomodarlo para tí. 

Cariños,
tu ninfa de la selva con capa espectacular.

Snippet FEA Audio Story 4 (EN)

Listen to this story here:

Y aura-t-il des événements préalables au Forum cette fois-ci ?

Des partenaires mondiaux et régionaux nous ont déjà communiqué certaines idées de rassemblements préalables au Forum, dont nous vous ferons part sous peu. 

Si vous projetez d’organiser une réunion avant le Forum,  n’hésitez pas à nous le faire savoir !

Contactez-nous


Plusieurs belles choses ont émergé du Forum des féminismes noires (BFF, selon son acronyme anglais),  qui avait été organisé en 2016 par un Groupe consultatif et financé par l’AWID. À l’issue de ce BFF, certaines organisations indépendantes ont ainsi pu voir le jour, telles ques des organisations féministes noires au Brésil. Bien que le BFF n’aura pas lieu cette année, nous nous engageons à partager certains apprentissages clés avec toute personne intéressée à poursuivre le travail d'organisation féministe noire. 

 

FRMag - Anatomy of a survivor's story

Anatomy of a Survivor's Story

by Maryum Saifee

When you do a search for “Female Genital Mutilation” or “FGM” online, an image of four line-drawings of the female anatomy pop up next to its Wikipedia entry. (...)

Read

artwork: “Dreams” by Neesa Sunar > 

Snippet - Rights and Resources - ES

Derechos y recursos: Nos preparamos para los próximos 30 años

✉️ Inscripción presencial cerrada. Regístrate para la transmisión en vivo aquí
Evento en inglés

📅 Miércoles 12 de marzo de 2025
🕒 De 12:00 a 01:30 pm, EST

🏢 PNUD, 304 E 45th St. Doha Room, 11th Floor (FF Building)

Organizan: PNUD, Femena, SRI y AWID

Esther Mwikali

El hogar de Esther Mwikali estaba en la aldea de Mithini, en el condado de Murang'a, Kenya. Esther fue una defensora del derecho a la tierra destacada y valorada que investigó los abusos contra okupas de tierras reclamadas por magnates. La investigación de la que participó Esther incluyó también violaciones del derecho a la tierra cometidas por personas con poder en Makuyu.

Luego de que Esther faltara a una de las reuniones de la aldea, un grupo de búsqueda  salió a rastrear a Esther. El 27 de agosto de 2019, dos días después de su desaparición, el cuerpo de Esther fue encontrado en una granja cerca de su casa, con signos de tortura. Esther había sido brutalmente asesinada.

"El trabajo de Esther por evitar el desalojo de lxs integrantes de las comunidades de las tierras reclamadas por magnates era conocido por todxs. Para lxs activistas locales no existía ninguna duda de que su asesinato estaba relacionado con las luchas en la zona por el acceso a la tierra; un trágico recordatorio de la alarmante frecuencia con que se llevan a cabo las ejecuciones extrajudiciales en Kenia."- Global Wittness Report, Julio 2020

"Asociamos la muerte de Mwikali con las luchas locales por el derecho a la tierra,  y exigimos al Gobierno que investigue el asunto sin demora." - James Mburu, portavoz de lxs okupas.

"Es necesario tomar medidas con respecto a las personas que presuntamente han amenazado a lxs ocupantes ilegales, incluida la familia de Mwikali". - Alice Karanja, Coalición Nacional de Defensorxs de Derechos Humanos

"El impacto de su trabajo y su tenacidad permanecerán vivos en Kenia durante décadas. El CJGEA consuela a las personas afligidas y pide justicia". - Comunicado de prensa del Centro para la Justicia y la Acción Gubernamental (CJGEA, por sus siglas en inglés), 13 de septiembre de 2019

Love letter to Feminist Movements #7

Dearest Feminist community,

I am pleased to share with you one of my remarkable dates as feminist with disability. It was May 30, 2014 when we (the Nationwide Organization of Visually-Impaired Empowered Ladies NOVEL) participated in the Philippine Fashion Week Holiday 2014 for our white cane advocacy campaign.  Two ladies who are blind walked down the catwalk to promote the white cane as one of the symbols of gender equality, empowerment, full inclusion and equal participation of women and girls with visual impairment in society. 

Love letter to feminist movements from Your dramatically cloaked jungle nymph.

Their walk in front of the crowd were extremely a nerve-wracking experience for me, as the proponent of our project with the Runway Productions (I enduringly waited for a year for its approval), knowing that they were not models, they were the crowned Ms. Philippines Vision and 1st Runner Up of 2013 Ms. Philippines on Wheels, Signs and Vision by Tahanang Walang Hagdanan, Inc. (House with No Steps). Also, they fell on their orientation and practiced the evening before the event and they didn’t have practice with professional models. Before the show started, I talked to them via mobile phone to boost their confidence and to pray together for God’s guidance. When they exited the catwalk, I breathed deeply while my tears were flowing. I was feeling euphoric because we did it despite the challenges we’ve been through! Our message to the world that women and girls with visual impairment can walk with dignity, freedom and independence on an equal basis with others, with the use of our assistive device - white canes was successfully delivered! We trended in social media and we were featured by television networks. 

My life as a feminist with disability started as a means to mend my broken spirit and to see a different path towards finding my life’s purpose after I became victim-survivor to a vicious acid attack in 2007  while I was waiting for a ride going home from office. My eyes were severely damaged, to the point that I became a woman with low vision.

I never knew how joyful and purposeful my life could be again until I met women leaders in the gender and disability movement who influenced me to keep going. Their words of encouragement attracted me and became the sweetest music to my ears. My broken heart leaped like a hummingbird in flight every time I think of them and feminism which stimulated me to partake in making difference for our invisible sisters with disabilities and to those who continue to experience discrimination. To date, I am consumed by the desire to be with the movement. I cannot hide my excitement whenever I submit project proposals to different stakeholders for our sisters with disabilities' empowerment, development and advancement; and to make representations in local, national and international conversations to amplify our voices even at my expense.

Unexpectedly, I was selected as our country’s female representative in the 2012 World Blind Union (WBU) General Assembly in Thailand even though I was a newcomer in the disability movement.  In the same year, I was elected as the only woman officer of the Philippine Blind Union (PBU) in its assembly. I was inspired to reach out, gather and empower our sisters with visual impairment on their rights and to know their intersecting issues. In 2013, we officially launched the Nationwide Organization of Visually-Impaired Empowered Ladies (NOVEL) to support the empowerment of our sisters with disabilities, build coalitions with cross-disability and women’s movements and promote gender and disability-inclusive development.

My participation as co-focal person of women with disabilities in our 2016 CEDAW Shadow Report submission convened by Women’s Legal and Human Rights Bureau (WLB) with the marginalized groups of women, opened many doors such as working with various women’s organizations and attending the 2017 Inclusion Days International in Berlin, Germany together with 3 Filipino women leaders with disabilities to share our good practices, mainly our engagement with the women’s movement in our country. 

My journey as feminist with disability has been an emotional roller coaster for me. It gave me  happiness and a sense of worth when I participated in promoting for our sisters with disabilities full inclusion, equal and effective participation in society, yet I felt frustrated and upset when I gave my all but I received negative remarks. Nevertheless, I feel that way because I am in love with the movement.    
I see my future working in solidarity with the movement to ensure that our sisters with and without disabilities can equally and fully enjoy and participate in society. 
 

Love lots, 
Gina Rose P. Balanlay
Feminist with disability
Philippines 

Snippet FEA Intro Acknowledgments (ES)

Queremos agradecer al colectivo Amar.ela de mujeres feministas activistas y creativas que hicieron posible esta serie, y especialmente a Natalia Mallo (el pulpo del equipo) por su apoyo y acompañamiento en este viaje.

También extendemos nuestro más profundo agradecimiento y admiración a todos los colectivos y personas que participaron en este proyecto, y les agradecemos por compartir su tiempo, sabiduría, sueños e ilusiones con nosotrxs. Les agradecemos por hacer de este mundo un mundo más justo, feminista y sostenible.

Esperamos que sus historias inspiren al resto del mundo tanto como nos inspiran a nosotrxs.

Où et quand se tiendra le prochain Forum de l'AWID ?

Le 14e Forum international de l'AWID aura lieu du 20 au 23 septembre 2021 à Taipei, Taiwan.

En savoir plus

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por Émilie Herbert-Pontonnier 

¿Se acuerdan de Esmeralda? La exótica heroína «gitana» nacida de la pluma del gigante literario francés, Víctor Hugo, y popularizada por los Estudios Disney con su Jorobado de Notre Dame. (...)

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