Anit-Racism Movement (ARM) / Flickr (CC BY-NC-ND 2.0)

Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Resourcing Feminist Movements

Banner image announcing that WITM Survey is live.

 

 

 

 

The “Where is the Money?” #WITM survey is now live! Dive in and share your experience with funding your organizing with feminists around the world.

Learn more and take the survey


Around the world, feminist, women’s rights, and allied movements are confronting power and reimagining a politics of liberation. The contributions that fuel this work come in many forms, from financial and political resources to daily acts of resistance and survival.


AWID’s Resourcing Feminist Movements (RFM) Initiative shines a light on the current funding ecosystem, which range from self-generated models of resourcing to more formal funding streams.

Through our research and analysis, we examine how funding practices can better serve our movements. We critically explore the contradictions in “funding” social transformation, especially in the face of increasing political repression, anti-rights agendas, and rising corporate power. Above all, we build collective strategies that support thriving, robust, and resilient movements.


Our Actions

Recognizing the richness of our movements and responding to the current moment, we:

  • Create and amplify alternatives: We amplify funding practices that center activists’ own priorities and engage a diverse range of funders and activists in crafting new, dynamic models  for resourcing feminist movements, particularly in the context of closing civil society space.

  • Build knowledge: We explore, exchange, and strengthen knowledge about how movements are attracting, organizing, and using the resources they need to accomplish meaningful change.

  • Advocate: We work in partnerships, such as the Count Me In! Consortium, to influence funding agendas and open space for feminist movements to be in direct dialogue to shift power and money.

Related Content

Sylvia Rivera

Sylvia Rivera was a civil rights activist, a transvestite and sex worker.

Known as the New York Drag queen of color, Silvia was fierce and tireless in her advocacy, in defense of those who  were marginalized and excluded as the “gay rights” movement mainstreamed in the United States in the early 1970’s.

In a well-known speech on Christopher Street Day in 1973, Sylvia, shouted through a crowd of LGBT community members: 

“You all tell me, go and hide my tail between my legs.
I will no longer put up with this shit.
I have been beaten.
I have had my nose broken.
I have been thrown in jail.
I have lost my job.
I have lost my apartment.
For gay liberation, and you all treat me this way?
What the fuck’s wrong with you all?
Think about that!” 

In 1969, at age 17, Silvia took part in the iconic Stonewall Riots by allegedly throwing the second Molotov cocktail to protest the police raid of the gay bar in Manhattan. She continued to be a central figure in the uprisings that followed, organizing rallies and fighting back police brutality.

In 1970, Sylvia worked together with Marsha P. Johnson to establish Street Transvestite Action Revolutionaries (S.T.A.R.), a political collective and organisation that would set up projects of mutual support for trans people living on the streets, those struggling with drug addiction and in prisons and in particular for trans people of color and those living in poverty. 

Defiant of labels, Silvia lived life in a way that challenged people in the gay liberation movement to think differently. She said: 

“I left home at age 10 in 1961. I hustled on 42nd Street. The early 60s was not a good time for drag queens, effeminate boys or boys that wore makeup like we did. Back then we were beat up by the police, by everybody. I didn't really come out as a drag queen until the late 60s. when drag queens were arrested, what degradation there was. I remember the first time I got arrested, I wasn't even in full drag. I was walking down the street and the cops just snatched me. People now want to call me a lesbian because I'm with Julia, and I say, "No. I'm just me. I'm not a lesbian." I'm tired of being labeled. I don't even like the label transgender. I'm tired of living with labels. I just want to be who I am. I am Sylvia Rivera. 

Through her activism and courage, Sylvia offered a mirror that reflected all that was wrong within society, but also the possibility of transformation. Sylvia was born in 1951 and passed away in 2002. 

ฉันจำเป็นต้องเป็นสมาชิก AWID หรือไม่เพื่อเข้าร่วมฟอรัม

ไม่ คุณไม่จะเป็นต้องเป็นสมาชิก AWID เพื่อที่จะเข้าร่วมฟอรัม แต่สมาชิก AWID จะได้รับส่วนลดค่าลงทะเบียนรวมถึงสิทธิประโยชน์อื่นๆ เรียนรู้เพิ่มเติมเกี่ยวกับการเป็นสมาชิก AWID

Laurie Carlos

Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others. 

“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth 

She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.

In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto

“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos

Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.



Tributes:  

“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre

“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune 

Read a full Tribute by Sharon Bridgforth

บุคคลหรือองค์กรสามารถส่งใบสมัครหลายกิจกรรมได้หรือไม่

คุณสามารถส่งกิจกรรมได้มากถึง 2 กิจกรรมในฐานะผู้จัดกิจกรรม และคุณยังสามารถเป็นผู้ร่วมจัดในการส่งกิจกรรมของผู้อื่นได้

Esther Mwikali

Esther Mwikali’s home was in Mithini village, Murang’a County, Kenya. A prominent and valued land rights activist, she looked into abuses against squatters who are living on land claimed by tycoons. The investigation Esther was part of also involved land rights’ violations in Makuyu by powerful individuals.

After failing to attend a village meeting, a search party went looking for Esther. On 27 August 2019, two days after her disappearance, her body was found on a farm near her homestead, displaying signs of torture. She was brutally murdered. 

“Esther was renowned for her work to prevent community members being evicted from land claimed by tycoons. Local activists had no doubt her murder was related to the area’s ongoing land struggles, a tragic reminder of the alarming regularity with which extra-judicial killings are routinely carried out in Kenya,” - Global Witness Report, July 2020

“We associate Mwikali’s death with land struggles around here. We are asking the Government to investigate the matter without delay.” - James Mburu, spokesperson for the squatters

“Action should be taken on individuals who are alleged to have threatened the squatters including Mwikali's family.” - Alice Karanja, National Coalition of Human Rights Defenders

“The impact of her work and tenacity will remain alive in Kenya for decades. CJGEA consoles with the bereaved and it calls for justice.” - Center for Justice and Governmental Action (CJGEA) Press Release, 13 September 2019

วิทยากรหรือรายละเอียดกิจกรรมต่างๆสามารถเปลี่ยนแปลงในปี 2567

ได้หรือไม่ เพราะได้มีการเสนอกิจกรรมเป็นเวลาเกือบ 1 ปีก่อนกิจกรรมจริง

แน่นอน! ในตอนนี้แบบฟอร์มสำหรับเสนอกิจกรรมได้ให้ระบุชื่อวิทยากร แม้วิทยากรเหล่านั้นอาจยังไม่ได้ยืนยันเข้าร่วมเราเข้าใจว่าการเปลี่ยนแปลงอาจเกิดขึ้นได้ภายในระยะเวลา 1 ปี

CFA FAQ - Other questions - Thai

คำถามอื่นๆ

Snippet - CSW68 - Responding to Anti-rights - EN

Responding to Anti-rights Developments

in Multilateral and Regional Spaces

✉️ By Invite Only
📅Tuesday, March 12
🕒2-3.30pm EST

Organiser: Observatory on the Universality of Rights (OURs) Consortium
🏢Blue Gallery, 222 E 46th St, New York

Snippet - WITM To make - EN

To make the complexity of resourcing diverse forms of feminist organizing visible

Snippet - WITM RESOURCES - EN

Resources

How many questions are in the survey?

There are 47 questions in total, of which 27 are mandatory* and the remaining 20 are optional. The majority of questions are multiple-choice. We invite you to respond to all the questions.

Can I contact someone if I have questions or concerns?

If you have any questions or concerns, please contact us via the form here, indicating “WITM Survey” as the title of your message. You can also write to us at witm@awid.org.

Snippet - WITM to claim - RU

Чтобы заявить о себе как об эксперте по вопросам ресурсного обеспечения феминистских движений

Snippet - WITM Why now_col 2 - RU

Обеспечение ресурсами феминистских движений имеет основополагающее значение для обеспечения более справедливого и мирного настоящего и свободного будущего.

За последнее десятилетие спонсоры выделили значительно больше средств на обеспечение гендерного равенства, однако лишь 1% средств, выделенных на благотворительность и развитие был направлен непосредственно на поддержку социальных изменений, проводимых под руководством феминисток.

В солидарности с движениями, которые по-прежнему остаются невидимыми, маргинализированными и не имеют доступа к основному, долгосрочному, гибкому и основанному на доверии финансированию, данный опрос освещает фактическое состояние ресурсного обеспечения, выявляет ошибочные решения и указывает на то, как необходимо изменить модели финансирования, чтобы движения процветали и решали сложные задачи современного мира.

Snippet - WITM Acknowledgements - RU

Слова благодарности

AWID выражает признательность всем тем, чьи идеи, аналитические работы и вклад в развитие легли в основу исследования «Где деньги?» и его дальнейшей адвокации.

Прежде всего, мы выражаем глубочайшую благодарность членам AWID и активисткам(-там), которые участвовали в консультациях, и провели этот опрос вместе с нами, щедро поделившись своим временем, аналитикой и теплом.

Мы выражаем признательность феминистским движениям, союзницам(-кам) и феминистским фондам, включая (но не ограничиваясь ими) Black Feminist Fund, Pacific Feminist Fund, ASTRAEA Lesbian Foundation for Justice, FRIDA Young Feminist Fund, Purposeful, Kosovo Women’s Network, Human Rights Funders Network, Dalan Fund and PROSPERA International Network of Women's Funds , за ваше тщательное исследование состояния ресурсного обеспечения, вдумчивый анализ и постоянную адвокацию для достижения более объемного и эффективного финансирования для феминистских организаций и движений за гендерную справедливость во всех контекстах.

Присоединяйтесь к глобальному феминистскому сообществу, которое освещает состояние ресурсного обеспечения, требуя большего финансирования и влияния для феминисток(-ов) во всем мире

O nosso grupo, organização e/ou movimento não está registado - devemos participar no inquérito mesmo assim?

É claro que sim, queremos saber mais sobre si e sobre a sua experiência com o financiamento.

Our values - Justice and systemic change

Justice and systemic change

We work towards a world based on social, environmental, and economic justice; and interdependence, solidarity, and respect. We work towards dismantling systems of oppressive power and against all its manifestations, including patriarchy, fundamentalisms, militarisms, fascisms and corporate power that threaten our lives and our world. We want a just world where resources and power are shared in ways that enable everyone to thrive.

كيف تعرّفون "التمويل الخارجي"؟

يشمل التمويل الخارجي المنح والأشكال الأخرى من التمويل من المؤسسات الخيرية، الحكومات، الجهات ثنائية الاتجاه أو متعددة الاتجاهات أو الممولين/ات من الشركات أو الممولين/ات الأفراد، إن كان ذلك من دولتكم/ن أو من الخارج. لا يشمل هذا الموارد التي تنتجها المجموعات، المنظمات أو الحركات بشكل مستقل مثل رسوم العضوية، تطوع الطاقم أو الأعضاء/ العضوات أو الداعمين/ات، تجنيد الأموال المجتمعي، تأجير الأماكن أو بيع الخدمات أو المنتجات. لتسهيل عملية تعبئة الاستطلاع، تم شمل تعريف أنواع التمويل ووصفها بشكل قصير في الاستطلاع نفسه.

FRMag - Anatomy of a survivor's story

Anatomy of a Survivor's Story

by Maryum Saifee

When you do a search for “Female Genital Mutilation” or “FGM” online, an image of four line-drawings of the female anatomy pop up next to its Wikipedia entry. (...)

Read

artwork: “Dreams” by Neesa Sunar >