Anit-Racism Movement (ARM) / Flickr (CC BY-NC-ND 2.0)

Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Resourcing Feminist Movements

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The “Where is the Money?” #WITM survey is now live! Dive in and share your experience with funding your organizing with feminists around the world.

Learn more and take the survey

Around the world, feminist, women’s rights, and allied movements are confronting power and reimagining a politics of liberation. The contributions that fuel this work come in many forms, from financial and political resources to daily acts of resistance and survival.

AWID’s Resourcing Feminist Movements (RFM) Initiative shines a light on the current funding ecosystem, which range from self-generated models of resourcing to more formal funding streams.

Through our research and analysis, we examine how funding practices can better serve our movements. We critically explore the contradictions in “funding” social transformation, especially in the face of increasing political repression, anti-rights agendas, and rising corporate power. Above all, we build collective strategies that support thriving, robust, and resilient movements.

Our Actions

Recognizing the richness of our movements and responding to the current moment, we:

  • Create and amplify alternatives: We amplify funding practices that center activists’ own priorities and engage a diverse range of funders and activists in crafting new, dynamic models  for resourcing feminist movements, particularly in the context of closing civil society space.

  • Build knowledge: We explore, exchange, and strengthen knowledge about how movements are attracting, organizing, and using the resources they need to accomplish meaningful change.

  • Advocate: We work in partnerships, such as the Count Me In! Consortium, to influence funding agendas and open space for feminist movements to be in direct dialogue to shift power and money.

Related Content

Type

Mariam Uy Acob

Read in: English French Spanish
Category
Civil & Political Rights
Region
Pacific
Cause of death / disappearance

Killed

Mariam was a paralegal at the Kawagib Moro Human Rights Alliance. 

Mariam was a staunch critic of militarization in Moro communities, and consistently denounced aerial bombardment and encampment. She had to seek sanctuary after exposing and calling out the injustices committed against Muslim communities in the Philippines.

She is believed to have been killed by suspected military agents because of her work as a WHRD. The assailants who killed Mariam waited for her, caught up with the vehicle she was using and shot her seven times. 

 

Mariam Uy Acob, Philippines

มีคนจำนวนมากกว่าหนึ่งคนในองค์กรของฉันวางแผนว่าจะเข้าร่วมฟอรัมนี้ มีส่วนลงสำหรับการลงทะเบียนแบบกลุ่มหรือไม่

AWID ไม่มีส่วนลดสำหรับการลงทะเบียนแบบกลุ่ม แต่เรามีส่วนลดสำหรับสมาชิก (คลิกที่นี่เพื่อดูวิธีการเข้าเป็นสมาชิก)

Contributors of toolkit (WITM landing page)

We would like to thank the contributors and advisors of this toolkit:

  • Angelika Arutyunova
  • Cindy Clark
  • Kamardip Singh
  • Martin Redfern
  • Pei Yao Chen
  • Srilatha Batliwala
  • Veronica Vidal

    Download the Toolkit in PDF

Sainimili Naivalu

Read in: English French Spanish
Category
Civil & Political Rights
Region
Pacific
Date of death / disappearance
Cause of death / disappearance

Natural

“I’ve witnessed discrimination on the streets, being teased on the streets and verbally abused on the streets. I have also made numerous friends and have met a lot of people. There may be dangers out there but I am a survivor and this is where I will be for now.”
- Sainimili Naivalu

Sainimili Naivalu was a feminist and disability rights activist from the village of Dakuibeqa on Beqa Island, Fiji.

She demanded policy makers and stakeholders provide disability friendly policies and services such as the construction of ramps in towns and cities to increase accessibility. Physical barriers were not the only ones she strived to change. From her own experience, she knew that more difficult changes need to take place in social and economic spheres. Many of the challenges disabled people face are rooted in attitudes that carry discrimination and stigma. 

A survivor and a fighter, Sainimili contributed to co-creating feminist realities that foster inclusion and shift attitudes towards disabled people. As a member of the Spinal Injury Association of Fiji (SIA) and through Pacific Disability Forum’s Pacific Enable project she attended the International Labour Organisation “Start Your Business” training in Suva, enabling her to transform her ideas into her own business. She was an entrepreneur at the Suva Market Stall 7, offering manicure services, as well as running SIA’s women’s market stall selling handicrafts, sulus and artifacts. Sainimili’s plan was to expand her business and become a major employer of disabled people.

In addition to her activism, she was also a table tennis medalist and youth champion. 

A vivacious personality, Sainimili was one of a kind. You would always know that Sainimili is in a room because her laughter and her stories would be the first thing that you would notice.
- Michelle Reddy

Sainmili passed away in 2019. 

อะไรคือเกณฑ์ในการคัดเลือกกิจกรรม

สำหรับข้อมูลด้านนี้สามารถอ่านรายละเอียดได้ที่ เปิดรับสมัครกิจกรรม รวมถึงข้อมูลในหัวข้อ “สิ่งที่คุณต้องรู้”

FRMag - Let the invisible be visible

Let the invisible be visible: A Genderfluid Bodybuilder’s Manifesto in Hong Kong

by Siufung Law

“97..! 98.. where is 98? 98! Please come back to the lineup!... 99! 100!...” The backstage lady relentlessly asked each athlete to queue up at the humid, sweaty, overcrowded backstage. (...)

Read

< artwork: “When They See Us” by Lame Dilotsotlhe

Binta Sarr

Read in: English French Spanish
Category
Economic, Social and Cultural Rights
Region
Africa
Sub Sahara Africa
Date of birth
Date of death / disappearance
Cause of death / disappearance

Natural

Binta Sarr was an activist for social, economic, cultural and political justice, and a hydraulic engineer in Senegal. After 13 years in civil service, she left this path to work with rural and marginalized women. 

Out of this engagement grew the Association for the Advancement of Senegalese Women (APROFES), a grassroots movement and organization Binta founded in 1987. One of her main approaches was leadership training, relating not only to economic activities but also to women's rights and access to positions of decision-making. 

“Grassroots populations must organize, mobilize, assume citizen control and demand democratic governance in all sectors of public space. The priority of social movements must go beyond the fight against poverty and must be focused on articulated and coherent development programs in line with human rights principles, while taking into account their needs and concerns both at the national and sub-regional levels and from a perspective of African and global integration.” - Binta Sarr

Rooted in Binta’s conviction that fundamental change in women’s status requires transformation in male attitudes, APROFES took an interdisciplinary approach, using radio, seminars and popular theatre, as well as providing innovative public education and cultural support for awareness-raising actions. Its popular theatre troupe performed original pieces on the caste system in Senegal, alcoholism, and conjugal violence. Binta and her team also looked at the crucial connection between the community and the broader world.

“For APROFES, it is a question of studying and taking into account the interactions between the micro and the macro, the local and the global and also, the different facets of development. From slavery to colonization, neocolonialism and the commodification of human development, most of the resources of Africa and the Third World (oil, gold, minerals and other natural resources) are still under the control of financial cartels and other multinationals that dominate this globalized world.” - Binta Sarr

Binta was one of the founding members of the female section of the Cultural and Sports Association Magg Daan. She received commendations from the Regional Governor and the Minister of Hydrology for her "devotion to rural people."

Born in 1954 in Guiguineo, a small rural town, Binta passed away in September 2019.

Tributes:

“The loss is immeasurable, the pain is heavy and deep but we will resist so as not to mourn Binta; we will not mourn Binta, we will keep the image of her broad smile in all circumstances, to resist and be inspired by her, maintain, consolidate and develop her work…” - Aprofes Facebook page, September 24, 2019

"Farewell Binta! We believe your immense heritage will be preserved." - Elimane FALL, president of ACS Magg-Daan 
 

CFA FAQ - Travelling to Bangkok - Thai

การเดินทางไปยังกรุงเทพมหานคร

Snippet example from training video

Big banner heading

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some text some text some text some text some text some text some text some text some text some text some text some text 

Call to action

Dorothy Masuka

Read in: English French Spanish
Category
Civil & Political Rights
Region
Africa
Sub Sahara Africa
Date of birth
Date of death / disappearance
Cause of death / disappearance

Natural

“I didn’t plan to be a singer, singing planned to be in me.” - Dorothy Masuka (interview with Mail & Guardian)

Dorothy Masuka, born 1935 in Bulawayo (then Southern Rhodesia, now Zimbabwe), grew up in South Africa to become a well-known songwriter, composer, jazz singer and activist, a fervent advocate of the struggle against apartheid. Called “an architect of the discourse of popular African liberation music”, Dorothy often sang about politics in indigenous African languages and throughout her work she confronted the racist policies of the South African government.

One such song titled “Dr. Malan” (named after the pro-apartheid politician D.F. Malan) was banned. She went on to record “Lumumba” (1961), a song about the assassination of the anti-colonial leader Patrice Lumumba. Dorothy’s work and activism attracted the attention of the Special Branch of the South African police and she was forced into a political exile that would span over three decades. Throughout this time, she worked with pro-independence groups including the African National Congress. In 1992, as apartheid started to crumble and Nelson Mandela was released from prison, she returned to South Africa. 

Some of her other work includes the first song she recorded in 1953 entitled “Hamba Notsokolo”, a hit in the 1950s and a valued classic. She also wrote “El Yow Phata Phata”, a song that was adapted by Miriam Makeba, making “Pata, Pata” popular internationally.

Rooted in resistance, Dorothy’s music and activism were intertwined, leaving a magnificent and inspiring legacy. She was also widely known as “Auntie Dot”. 

On 23 February 2019 at the age of 83, Dorothy passed away in Johannesburg due to ill health. 

Watch Dorothy Masuka in an interview with Mail & Guardian

Listen to some of her music:

Hamba Nontsokolo
El Yow Phata Phata
 

ماذا عن العدالة المناخية، هل هذا حقًا هو الوقت المناسب للعديد من الرحلات الجوية الدولية؟

ونحن نسأل أنفسنا نفس السؤال، ونعتقد أنه لا توجد إجابات بسيطة. بالنسبة للعديد من المشاركين/ات، قد يكون منتدى جمعية حقوق المرأة في التنمية (AWID) أحد الرحلات الدولية القليلة التي يقومون بها في حياتهم/ن. علمتنا الجائحة الإمكانيات والقيود التي تفرضها المساحات الافتراضية لبناء الحركة: لا يوجد شيء أفضل من الاتصال الشخصي. تحتاج الحركات إلى التواصل عبر الحدود لبناء قوتنا الجماعية في مواجهة التهديدات التي نواجهها، ولا سيما أزمة المناخ. نعتقد أن منتدى حقوق المرأة في التنمية القادم يمكن أن يكون مساحة استراتيجية لعقد هذه المحادثات واستكشاف بدائل للسفر الدولي. ويشكل العنصر المختلط للمنتدى جزءًا مهمًا من هذا الاستكشاف.

Editor's Note | Lost For Words

Editor's Note

Lost For Words

When our embodied labor becomes profit in the hands of the systems we seek to dismantle, it is no wonder that our sexualities and pleasures are once again relegated to the sidelines – especially when they are not profitable enough. In many instances during the production of this issue, we asked ourselves what would happen if we refused to accommodate the essential services of capitalism. 

Read more

Snippet - CSW68 - Feminist Community Evening - EN

🎤AWID's Feminist Community Evening

a gathering for feminist activists attending CSW68

(with special guests!)

📅Tuesday, March 12
🕒6-9.30pm EST
🏢 Blue Gallery, 222 E 46th St, New York

RSVP required

#1 - Sexting like a feminist Tweets Snippet EN

and my number 1... Because you know it’s gotten real when higher powers are invoked.

Image of a tweet with a woman fainted on a set of stairs. Text says: I want to cum so hard my ancestors awaken and rejoin the struggle.

Snippet - WITM To Strengthen - EN

To strengthen our collective voice and power for more and better funding for feminist, women's rights, LBTQI+ and allied organizing globally

Manal Tamimi | Snippet EN

Portrait Manal Tamimi

Manal Tamimi is a Palestinian activist and human rights defender. She is a mother of four who holds a master’s degree in international humanitarian law. Due to her activism, she was arrested three times and got wounded more than once, including with live explosive bullets which are banned internationally. Her family is also a target: her children have been arrested and wounded with live ammunition more than once. The last incident was an assassination attempt of her son Muhammad who was shot in the chest, near the heart, a few weeks after his liberation from the occupation prisons where he had spent two years. Her philosophy on life: if I have to pay the price for being a Palestinian and not for a crime I have committed, I refuse to die in silence.

Why should I consider responding to the survey?

There are many reasons why your response to the WITM survey matters. The survey offers the opportunity to share your lived experience of mobilizing funding to support your organizing; claim your power as an expert on how money moves and who it reaches; and contribute to collective and consistent advocacy to funders moving more and better funding. Over the last two decades, AWID’s WITM research has proven to be a key resource for activists and funders. We wholeheartedly invite you to join us in its third iteration to highlight the actual state of resourcing, challenge false solutions, and point out how funding must change for movements to thrive and meet the complex challenges of our times.

Mariam Mekiwi | Snippet EN

Mariam Mekiwi Portrait

Mariam Mekiwi is a filmmaker and photographer from Alexandria and living and working in Berlin.

Should I do any preparation to respond to the survey?

As the WITM survey is focused on resourcing realities for feminist organizations, most questions ask about your group’s funding between 2021–2023. You will need to have this information with you to fill out the survey (e.g., your annual budgets and key sources of funding).

Hospital | Content Snippet EN

“Now might be a good time to rethink what a revolution can look like. Perhaps it doesn’t look like a march of angry, abled bodies in the streets. Perhaps it looks something more like the world standing still because all the bodies in it are exhausted—because care has to be prioritized before it’s too late.” 
- Johanna Hedva (https://getwellsoon.labr.io/)

Hospitals are institutions, living sites of capitalism, and what gets played out when somebody is supposed to be resting is a microcosm of the larger system itself. 

Institutions are set out to separate us from our care systems – we find ourselves isolated in structures that are rigidly hierarchical, and it often feels as if care is something done to us rather than given/taken as part of a conversation. Institutional care, because of its integration into capitalist demand, is silo-ed: one person is treating your leg and only your leg, another is treating your blood pressure, etc. 

Photographer Mariam Mekiwi had to have surgery last month and documented the process. Her portraits of sanitized environments – neon white lights, rows after rows of repetitive structures – in a washed-out color palette reflect a place that was drained of life and movement. This was one of the ways Mariam kept her own spirit alive. It was a form of protest from within the confines of an institution she had to engage with.

The photos form a portrait of something incredibly vulnerable, because watching someone live through their own body’s breakdown is always a sacred reminder of our own fragility. It is also a reminder of the fragility of these care systems, which can be denied to us for a variety of reasons – from not having money to not being in a body that’s considered valuable enough, one that’s maybe too feminine, too queer or too brown.  

Care experienced as disembodied and solitary, that is subject to revocation at any moment, doesn’t help us thrive. And it is very different from how human beings actually behave when they take care of each other. How different would our world look like if we committed to dismantling the current capitalist structures around our health? What would it look like if we radically reimagined it?