Love Letter to Feminism

By: Marianne Mesfin Asfaw

I have many fond memories in my journey with feminism, but one in particular that stands out. It was during my time at graduate school, at a lecture I attended as part of a Feminist Theory course. This lecture was on African feminism and in it the professor talked about the history of Pan Africanism and the ways in which it was patriarchal, male-centric, and how Pan Africanist scholars perpetuated the erasure of African women. She talked about how African women’s contributions to the anti-colonial and decolonial struggles on the continent are rarely, if ever, discussed and given their due credit. We read about the African feminist scholars challenging this erasure and actively unearthing these stories of African women led movements and resistance efforts. It seems so simple but what stood out to me the most was that somebody put the words African and feminist together. Better yet, that there were many more of us out there wrestling with the complicated history, politics and societal norms in the various corners of the continent and we were all using a feminist lens to do this. I came out of that lecture feeling moved and completely mind-blown. After the lecture three of my friends (all African feminists) and I spent some time debriefing outside the classroom. We were all so struck by the brilliance of the lecture and the content but, more than anything, we all felt so seen. That feeling stood out to me. 

Falling in love feminism was thrilling. It felt like finally getting to talk to your longtime crush and finding out that they like you back. I call it my crush because in high school I referred to myself as a feminist but I didn’t feel like I knew enough about it. Was there a right way to be feminist? What if I wasn’t doing it right? Attending my first Women’s Studies lecture answered some of these questions for me. It was thrilling to learn about stories of feminist resistance and dismantling the patriarchy. I felt so affirmed and validated, but I also felt like something was missing.

Deepening my relationship with feminism through academia, at an institution where the students and teaching staff were mostly white meant that, for those first few years, I noticed that we rarely had discussions about how race and anti-blackness show up in mainstream feminist movements. In most courses we had maybe 1 week, or worse 1 lecture, dedicated to race and we would usually read something by bell hooks, Kimberly Crenshaw’s work on intersectionality, and maybe Patricia Hill Collins. The following week we were back to sidelining the topic. I dealt with this by centring race and black feminism in almost all my assignments, by writing about black hair and respectability politics, the hypersexualization of black women’s bodies, and so much more. Over time I realized that I was trying to fill a gap but didn’t quite know what it was. 

Encountering and learning about African feminism was a full circle moment. I realized that there was so much more I had to learn.

Mainly that my Africanness and my feminist politics did not have to be separate. In fact, there was so much that they could learn from each other and there were African feminists out there already doing this work. It was the missing piece that felt so elusive during my exploration of feminism throughout my academic journey.

Feminism to me is the antithesis to social and political apathy. It also means once you adopt a feminist lens, nothing can ever be the same. My friends and I used to talk about how it was like putting on glasses that you can never take off because you now see the world for what it is, mess and all. A mess you can’t simply ignore or walk away from. Therefore my vow to the feminist movement is to never stop learning, to keep stretching the bounds of my empathy and to never live passively. To dedicate more time and space in my life to feminist movements and to continue to amplify, celebrate, document and cite the work of African feminists. I also commit to centring care and prioritizing pleasure in this feminist journey because we can’t sustain our movements without this.
 

Meet Sabrina Sanchez, remarkable trans migrant woman, sex worker, organizer, transfeminist and one of the founders of the union OTRAS.

Originally from Mexico City, she migrated to Spain 17 years ago after getting a degree in communications and started working as a sex worker.

It didn’t take long before she became involved with trans activism and sex worker activism in Barcelona. After joining the collective Asociación de Profesionales del Sexo (Association of Sex Workers, Aprosex), she started working in its secretariat and founded the Spanish sex workers union OTRAS.

She currently lives in Amsterdam where she works as the coordinator of the European Sex Workers’ Alliance.

Fun fact: she’s also a car mechanic and serious runner!

This calendar invites us to immerse ourselves in the inspiring world of feminist artistry. Each month, as it gently unfolds, brings forth the vivid artwork of feminist and queer artists from our communities. Their creations are not mere images; they are profound narratives that resonate with the experiences of struggle, triumph, and undying courage that define our collective quest. These visual stories, bursting with color and emotion, serve to bridge distances and weave together our diverse experiences, bringing us closer in our shared missions.

This calendar is our call to you: Use it, print it, share it. Let it be a daily companion in your journey, a constant reminder of our interconnectedness and our shared visions for a better world.

Let it inspire you, as it inspires us, to keep moving forward together.

Use it. Print it. Share it. 

All our change processes rely on the relationships we build at spaces like the AWID Forums where you dance together, your humour comes through, your real self, you tell stories. That is what makes the difference.
- Nicky Mcintyre, USA

We know that first time travel can be exciting but also stressful. In recognition of the many challenges involved, we will be providing more information and details about how to get to Bangkok when Registration opens early next year.

New

Online & Hybrid

As an online participant, you can facilitate activities, connect and converse with others, and experience first-hand the creativity, art and celebration of the AWID Forum. Participants connecting online will enjoy a rich and diverse program, from workshops and discussions to healing activities and musical performances. Some activities will focus on connection among online participants, and others will be truly hybrid, focusing on connection and interaction among online participants and those in Bangkok.

You are welcome to submit up to 2 activities as the organizer. You can still be a partner on other applications.