Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.
While we dream of a feminist world, there are those who are already building and living it. These are our Feminist Realities!
What are Feminist Realities?
Feminist Realities are the living, breathing examples of the just world we are co-creating. They exist now, in the many ways we live, struggle and build our lives.
Feminist Realities go beyond resisting oppressive systems to show us what a world without domination, exploitation and supremacy look like.
These are the narratives we want to unearth, share and amplify throughout this Feminist Realities journey.
Transforming Visions into Lived Experiences
Through this initiative, we:
Create and amplify alternatives: We co-create art and creative expressions that center and celebrate the hope, optimism, healing and radical imagination that feminist realities inspire.
Build knowledge: We document, demonstrate & disseminate methodologies that will help identify the feminist realities in our diverse communities.
Advance feminist agendas: We expand and deepen our collective thinking and organizing to advance just solutions and systems that embody feminist values and visions.
Mobilize solidarity actions: We engage feminist, women’s rights and gender justice movements and allies in sharing, exchanging and jointly creating feminist realities, narratives and proposals at the 14th AWID International Forum.
The AWID International Forum
As much as we emphasize the process leading up to, and beyond, the four-day Forum, the event itself is an important part of where the magic happens, thanks to the unique energy and opportunity that comes with bringing people together.
We expect the next Forum to:
Build the power of Feminist Realities, by naming, celebrating, amplifying and contributing to build momentum around experiences and propositions that shine light on what is possible and feed our collective imaginations
Replenish wells of hope and energy as much needed fuel for rights and justice activism and resilience
Strengthen connectivity, reciprocity and solidarity across the diversity of feminist movements and with other rights and justice-oriented movements
Riham was a lawyer and activist committed to monitoring rights violations in Yemen.
She worked with other activists to supply civilians trapped by Houthi militias in the outskirts of the city of Taiz with food and water.
Riham was killed in February 2018 and it is unconfirmed whether she was killed by a sniper or hit by an aircraft. Nobody has been held accountable for her murder.
ما هي لغات المنتدى؟
لغات العمل في جمعية حقوق المرأة في التنمية هي الإنجليزية والفرنسية والإسبانية. ستتم إضافة اللغة التايلاندية كلغة محلية، بالإضافة إلى لغة الإشارة وإجراءات الاتصال الأخرى. يمكن إضافة لغات أخرى إذا سمح التمويل بذلك، لذا تحقق/ي مرة أخرى بانتظام للحصول على التحديثات. نحن نهتم بالعدالة اللغوية وسنحاول تضمين أكبر عدد ممكن من اللغات بقدر ما تسمح به مواردنا. نأمل في خلق فرص متعددة للكثيرين/ات منا للتواجد بلغاتنا والتواصل مع بعضنا البعض.
The 2026 AWID Feminist Calendar
Consider this calendar a gift, one that goes out to you and 9,500 members of our global feminist community. A gift of hope, renewed connection, action and community in a time of immense injustice and violence.
Let its stories remind you that across borders and struggles, we are many, we are powerful, and together we are building the worlds we deserve.
Florence was a disability rights activist who worked with several disabled women’s organizations in Uganda.
She also held the position of Chairperson of the Lira District Disabled Women Association, as well as the Lira District Women Councilors’ caucus. Trained as a counsellor for persons with disabilities and parents of children with disabilities, she supported many projects that called for greater representation of persons with disabilities.
She died of a motorcycle accident.
كم تكلفة المشاركة؟
يرجى حساب تكاليف السفر إلى بانكوك، والإقامة والبدل اليومي، والتأشيرة، وأي احتياجات خاصة بإمكانية الوصول، والنفقات الطارئة، بالإضافة إلى رسوم التسجيل التي سيتم الإعلان عنها قريبًا. تتراوح أسعار الفنادق في منطقة سوكومفيت في بانكوك ما بين 50 دولارًا أمريكيًا إلى 200 دولار أمريكي في الليلة الواحدة في حالة حجز غرفة مزدوجة.
يحصل أعضاء جمعية حقوق المرأة في التنمية على خصم عند التسجيل، لذلك إذا لم تكن عضوًا/ة بعد، فإننا ندعوك إلى التفكير في أن تصبح عضوًا/ة والانضمام إلى مجتمعنا النسوي العالمي.
Sylvia Rivera was a civil rights activist, a transvestite and sex worker.
Known as the New York Drag queen of color, Silvia was fierce and tireless in her advocacy, in defense of those who were marginalized and excluded as the “gay rights” movement mainstreamed in the United States in the early 1970’s.
In a well-known speech on Christopher Street Day in 1973, Sylvia, shouted through a crowd of LGBT community members:
“You all tell me, go and hide my tail between my legs.
I will no longer put up with this shit.
I have been beaten.
I have had my nose broken.
I have been thrown in jail.
I have lost my job.
I have lost my apartment.
For gay liberation, and you all treat me this way?
What the fuck’s wrong with you all?
Think about that!”
In 1969, at age 17, Silvia took part in the iconic Stonewall Riots by allegedly throwing the second Molotov cocktail to protest the police raid of the gay bar in Manhattan. She continued to be a central figure in the uprisings that followed, organizing rallies and fighting back police brutality.
In 1970, Sylvia worked together with Marsha P. Johnson to establish Street Transvestite Action Revolutionaries (S.T.A.R.), a political collective and organisation that would set up projects of mutual support for trans people living on the streets, those struggling with drug addiction and in prisons and in particular for trans people of color and those living in poverty.
Defiant of labels, Silvia lived life in a way that challenged people in the gay liberation movement to think differently. She said:
“I left home at age 10 in 1961. I hustled on 42nd Street. The early 60s was not a good time for drag queens, effeminate boys or boys that wore makeup like we did. Back then we were beat up by the police, by everybody. I didn't really come out as a drag queen until the late 60s. when drag queens were arrested, what degradation there was. I remember the first time I got arrested, I wasn't even in full drag. I was walking down the street and the cops just snatched me. People now want to call me a lesbian because I'm with Julia, and I say, "No. I'm just me. I'm not a lesbian." I'm tired of being labeled. I don't even like the label transgender. I'm tired of living with labels. I just want to be who I am. I am Sylvia Rivera.
Through her activism and courage, Sylvia offered a mirror that reflected all that was wrong within society, but also the possibility of transformation. Sylvia was born in 1951 and passed away in 2002.
هل هناك مواضيع ذات الخطوط الحمراء التي يجب علينا تجنب تقديمها؟
لقد كان منتدى جمعية حقوق المرأة في التنمية دائمًا مساحة لا تخجل من النقاشات الصعبة والمطلوبة بشدة. نحن نرحب بهذه المشاركات عندما يتمكن المنظمون/ات بعناية من توفير الاحترام والأمان في المساحة للمشاركين/ات.
Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others.
“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth
She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.
In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto.
“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos
Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.
Tributes:
“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre
“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune
نحن ندرك تمامًا العقبات العملية والضغوط العاطفية المرتبطة بالسفر الدولي، وخاصة من الجنوب العالمي. تعمل جمعية حقوق المرأة في التنمية مع TCEB (مكتب تايلاند للمؤتمرات والمعارض) لدعم المشاركين/ات في المنتدى في الحصول على التأشيرات. سيتم توفير المزيد من المعلومات حول هذه المساعدة للحصول على التأشيرة عند التسجيل، بما في ذلك معلومات الاتصال الخاصة بمكان وكيفية التقديم.
Esther Mwikali’s home was in Mithini village, Murang’a County, Kenya. A prominent and valued land rights activist, she looked into abuses against squatters who are living on land claimed by tycoons. The investigation Esther was part of also involved land rights’ violations in Makuyu by powerful individuals.
After failing to attend a village meeting, a search party went looking for Esther. On 27 August 2019, two days after her disappearance, her body was found on a farm near her homestead, displaying signs of torture. She was brutally murdered.
“Esther was renowned for her work to prevent community members being evicted from land claimed by tycoons. Local activists had no doubt her murder was related to the area’s ongoing land struggles, a tragic reminder of the alarming regularity with which extra-judicial killings are routinely carried out in Kenya,” - Global Witness Report, July 2020
“We associate Mwikali’s death with land struggles around here. We are asking the Government to investigate the matter without delay.” - James Mburu, spokesperson for the squatters
“Action should be taken on individuals who are alleged to have threatened the squatters including Mwikali's family.” - Alice Karanja, National Coalition of Human Rights Defenders
“The impact of her work and tenacity will remain alive in Kenya for decades. CJGEA consoles with the bereaved and it calls for justice.” - Center for Justice and Governmental Action (CJGEA) Press Release, 13 September 2019
The survey is for groups, organizations and movements working specifically or primarily for the rights of women, LBTQI+ people and on gender justice in all contexts, at all levels, and in all regions. If this is one of the core pillars of your group, collective, network or any other type of organization - whether registered or not, newly formed or long-standing, we invite you to take this survey.
*At this time, we are not asking for responses from individuals or funders.
On July 11, 2024, we had an amazing conversation with great feminists on the state of the funding ecosystem and the power of "Where is the Money?" research.
Special thanks to Cindy Clark (Thousand Currents), Sachini Perera (RESURJ), Vanessa Thomas (Black Feminist Fund), Lisa Mossberg (SIDA), and Althea Anderson (Hewlett Foundation).
We re-grant money to grantee partners and identify as a feminist and/or women’s fund, should we take the survey?
No, we very much appreciate your work but are not asking for responses from women’s and feminist funds at this time. We do encourage you to share the survey with your grantee partners and feminist networks.
Is my participation confidential?
Absolutely. Your responses will be deleted at the end of data processing and analysis, and used for research purposes only. Data will NEVER be shared outside of AWID and will be only processed by AWID staff and consultants working on the WITM project. We prioritize your privacy and security. Our detailed privacy policy is available here.
Snippet - WITM why - RU
Почему Мне Следовало Бы Пройти Этот Опрос?
Snippet - WITM To Strengthen - PT
Para fortalecer a nossa voz e poder coletivos para obter mais recursos de melhor qualidade para a organização feminista, de direitos das mulheres, de LBTQI+ e de aliados globalmente.
Snippet - WITM Why now_col 2 - PT
O financiamento dos movimentos feministas é fundamental para garantir uma presença mais justa e pacífica, e um futuro liberto.
Na busca da abundância, e para acabar com esta escassez crónica, o inquérito WITM é um convite para os defensores do feminismo e da justiça de género se envolverem no percurso da recolha coletiva de testemunhos e de casos para mobilizar mais recursos financeiros de melhor qualidade e recuperar o poder no ecossistema de financiamento neste momento. Em solidariedade com os movimentos que continuam invisibilizados, marginalizados e sem acesso a financiamento central, de longo prazo, flexível e baseado em fundos fiduciários, o inquérito WITM destaca o estado efetivo dos recursos, desafia soluções falsas e aponta.
Какую цель преследует опрос «Где деньги?»
Ключевая цель исследования – осветить финансовое положение различных феминистских движений, инициатив за права женщин, гендерную справедливость, ЛГБТКИ+ и смежных движений по всему миру и, основываясь на этом, еще больше усилить аргументы в пользу увеличения объема денежных средств и передачи власти феминистским движениям.
هل يمكن أن تعبئ مجموعة واحدة الاستطلاع أكثر من مرة واحدة؟
Na última década, os financiadores investiram significativamente mais dinheiro na igualdade de género; no entanto, apenas 1% do financiamento filantrópico e de desenvolvimento foi efetivamente direcionado para apoiar diretamente mudanças sociais lideradas por feministas
