Feminist Realities are the living, breathing examples of the just world we are co-creating. They exist now, in the many ways we live, struggle and build our lives.
Feminist Realities go beyond resisting oppressive systems to show us what a world without domination, exploitation and supremacy look like.
These are the narratives we want to unearth, share and amplify throughout this Feminist Realities journey.
Create and amplify alternatives: We co-create art and creative expressions that center and celebrate the hope, optimism, healing and radical imagination that feminist realities inspire.
Build knowledge: We document, demonstrate & disseminate methodologies that will help identify the feminist realities in our diverse communities.
Advance feminist agendas: We expand and deepen our collective thinking and organizing to advance just solutions and systems that embody feminist values and visions.
Mobilize solidarity actions: We engage feminist, women’s rights and gender justice movements and allies in sharing, exchanging and jointly creating feminist realities, narratives and proposals at the 14th AWID International Forum.
As much as we emphasize the process leading up to, and beyond, the four-day Forum, the event itself is an important part of where the magic happens, thanks to the unique energy and opportunity that comes with bringing people together.
Build the power of Feminist Realities, by naming, celebrating, amplifying and contributing to build momentum around experiences and propositions that shine light on what is possible and feed our collective imaginations
Replenish wells of hope and energy as much needed fuel for rights and justice activism and resilience
Strengthen connectivity, reciprocity and solidarity across the diversity of feminist movements and with other rights and justice-oriented movements
Learn more about the Forum process
We are sorry to announce that the 14th AWID International Forum is cancelled
Given the current world situation, our Board of Directors has taken the difficult decision to cancel Forum scheduled in 2021 in Taipei.
“ภารกิจในชีวิตของฉันไม่ใช่แค่การอยู่รอดเท่านั้น แต่ยังต้องเจริญเติบโตอีกด้วย และทำให้เต็มที่ด้วยแรงปรารถนา ด้วยความเห็นอกเห็นใจ ด้วยอารมณ์ขัน และมีสไตล์” - มายา แองเจลู (Maya Angelou)
เวทีการประชุมนานาชาติ AWID เป็นทั้งกิจกรรมชุมชนระดับโลกและพื้นที่ของการเปลี่ยนแปลงของปัจเจก บุคคลอย่างสิ้นเชิง เป็นการประชุมที่ไม่เหมือนใคร คือเป็นที่รวบรวมนักสตรีนิยม นักปกป้องสิทธิสตรี ความยุติธรรมทางเพศ LBTQI+ และพันธมิตรในขบวนการเคลื่อนไหวเพื่อมนุษยชาติอันหลากหลาย เพื่อเชื่อมต่อ เยียวยาและเติบโต เวทีนานาชาตินี้เป็นพื้นที่ที่นักสตรีนิยมจากทั่วทุกมุมโลก รวมถึงจากประเทศในกลุ่มโลกใต้ และชุมชนชายขอบที่ไม่ได้รับการเหลียวแลมาอย่างยาวนาน เป็นศูนย์กลางในการวาง ยุทธศาสตร์ร่วมกัน และเคลื่อนไหวเพื่อความยุติธรรมทางสังคม เพื่อเปลี่ยนอำนาจ สร้างพันธมิตร และ สร้างโลกที่แตกต่างและดีขึ้น
เมื่อผู้คนทั่วโลกมารวมตัวกันทั้งในฐานะปัจเจกบุคคลและองค์กรเคลื่อนไหว เราสามารถสร้างพลังอันยิ่งใหญ่ จึงขอเชิญท่านร่วมกิจกรรมกับเราที่กรุงเทพฯ ประเทศไทยในปี 2567 มาร้องเพลง เต้นรำ วาดฝัน และลุกขึ้นพร้อมกัน
วันที่: 2–5 ธันวาคม 2567
สถานที่: กรุงเทพฯ ประเทศไทย; และทางออนไลน์
ผู้เข้าร่วม: นักสตรีนิยมจากทั่วโลกเข้าร่วมด้วยตนเอง ณ สถานที่จัดงานประมาณ 2,500 คน และเข้าร่วม
ทางออนไลน์ 3,000 คน
As feminists struggling for gender, peace, economic, social and environmental justice, we know there is no single recipe for success but an array of possibilities that can and are making change happen. The menu of options is as diverse as our movements and the communities in which we live and struggle.
Before we dare to present some of the feminist imaginations for another world, here are the principles around which we base our propositions:
We believe there is no one model for all and that everyone has a right to claim and contribute to building another world that is possible, as the World Social Forum motto puts it.
This includes the right to participate in democratic governance and to influence one’s future – politically, economically, socially and culturally.
Economic self-determination gives peoples the ability to take control over their natural resources and use those resources for their own ends or collective use. Furthermore, women’s economic agency is fundamental to mitigating the often cyclical nature of poverty, denial of education, safety, and security.
The principle of substantive equality is laid out in the Convention on the Elimination of All Forms of Discrimination against Women (CEDAW) and other international human rights instruments. This principle is fundamental for development and achieving a just economy as it affirms that all human beings are born free and equal.
Non-discrimination is an integral part of the principle of equality that ensures that no one is denied their rights because of factors such as race, gender, language, religion, sexual orientation, gender identity, political or other opinion, national or social origin, property or birth.
The inherent dignity of all persons without distinction must be upheld and respected. While States are responsible for ensuring the use of maximum available resources for the fulfilment of human rights, reclaiming rights and dignity is fundamentally a key space for civil society struggle and popular mobilization.
This principle, exercised through organized efforts to transform unjust institutions, guides the restoration of balance between "participation" (input) and "distribution" (output) when either principle is violated.
It puts limits on monopolistic accumulations of capital and other abuses of property. This concept is founded on an economy model that is based on fairness, and justice.
In order to make change happen, we need strong and diverse feminist networks. We need movements building solidarity from the personal to the political, from the local to the global and back.
Building collective power through movements helps convert the struggle for human rights, equality and justice into a political force for change that cannot be ignored.
“Only movements can create sustained change at the levels that policy and legislation alone cannot achieve.”
See more on this at Batliwala, S: 2012 “Changing Their World. Concepts and Practices of Women’s Movements” 2nd Edition. AWID
Liliana was a teacher, a weaver, and a well recognized writer from Argentina.
Her trilogy La saga de los confines received several awards and is unique in the fantasy genre for its use and re-imagining of South American Indigenous mythology.
Liliana’s commitment to feminism was expressed in the diverse, rich and strong women voices in her writing, and particularly in her extensive work for young readers. She also took public positions in favour of abortion, economic justice and gender parity.
การเสวนา: ในการเสวนาให้สำรวจปัญหาหรือความท้าทายจากมุมมองที่แตกต่างกัน หรือแบ่งปัน การเรียนรู้หรือประสบการณ์ ตามด้วยคำถามของผู้ฟังหากมีเวลา
รายการทอล์คโชว์: สนทนาแบบเป็นไปเองในรูปแบบรายการทอล์คโชว์ โดยอาจเป็นการสนทนา ร่วมกันหลายคน มีพิธีกรเป็นผู้ดำเนินรายการ คำถามของผู้ฟังสามารถกำหนดทิศทางของการสนทนาได้
การอภิปราย: วงสนทนาอภิปรายอาจอยู่ในรูปแบบเวิร์ลคาเฟ่ วงอ่างปลา (fishbowls) และรูปแบบอื่นๆ ที่เอื้อให้ผู้เข้าร่วมมีส่วนร่วมในการสนทนามากขึ้น
การประชุมเชิงปฏิบัติการ (workshop): เป็นกิจกรรมเชิงโต้ตอบที่เชิญชวนผู้เข้าร่วมสร้างทักษะใหม่ๆในทุกด้านของชีวิตและการเคลื่อนไหวผ่านกิจกรรมและการปฏิบัติ
หัวข้อยุทธศาสตร์: เป็นการเชิญชวนให้คิดผ่านประเด็นหรือยุทธศาสตร์ในเชิงลึกร่วมกับคนอื่น เปิดพื้นที่ สำหรับเรียนรู้กันและกัน สิ่งใดได้ผล ไม่ได้ผล และเราจะพัฒนายุทธศาสตร์ใหม่ๆร่วมกันเพื่อสร้างโลกที่ เราใฝ่ฝันได้อย่างไร
วงแลกเปลี่ยนของคนแนวเดียวกัน: (หรือที่เรียกว่า "Birds of a Feather") เหมาะสำหรับกลุ่มเล็กๆ ในบรรยากาศที่ใกล้ชิดยิ่งขึ้น เพื่อรับฟังความคิดเห็นของกันและกัน จุดประกาย การอภิปราย และ หยิบยกประเด็นหัวข้อที่เฉพาะเจาะจง ละเอียดอ่อน และซับซ้อนอย่างระมัดระวัง
ศิลปะ - การประชุมเชิงปฏิบัติการแบบมีส่วนร่วม: กิจกรรมศิลปะอย่างมีส่วนร่วม และการแสดงออก อย่างสร้างสรรค์ ไม่ว่าจะเป็นทัศนศิลป์ การละคร ภาพยนตร์ จิตรกรรมฝาผนัง การเต้นรำ ดนตรี งานฝีมือ หรือการสร้างงานศิลปะ ฯลฯ เรายินดีรับทุกแนวคิดที่เชิดชูศิลปะ และความคิดสร้างสรรค์แนวสตรีนิยมใน รูปแบบของการเปลี่ยนแปลงทางสังคม การเยียวยา การแสดงออก และการเปลี่ยนแปลง
ศิลปะ - การแสดง ศิลปะจัดวาง และนิทรรศการ: เรายินดีรับผลงานที่นำเสนอประสบการณ์ และมุมมองใหม่ๆแก่ผู้เข้าร่วมประชุมในเวทีนี้เพื่อขยายขอบเขตของเรา สร้างความท้าทายและสร้าง แรงบันดาลใจ ให้เราคิด รู้สึก และจัดการด้วยวิธีใหม่ๆ
การเยียวยาและบำบัด: กิจกรรมหลากหลายที่เหมาะกับกลุ่มและปัจเจกบุคคล ตั้งแต่การเรียนรู้เทคนิค การผ่อนคลาย ไปจนถึงการพูดคุยถึงการป้องกันภาวะหมดไฟ และตั้งแต่การดูแลร่างกาย จิตใจและ จิตวิญญาณ โดยคำนึงถึงบาดแผลทางจิตใจ ไปจนถึงการเยียวยารอยร้าวในขบวนการเคลื่อนไหวของเรา
We can have an intro here
And maybe a little bit more text here
Benoîte was a French journalist, writer, and feminist activist.
She published more than 20 novels as well as many essays on feminism.
Her first book “Ainsi Soit-Elle” (loosely translated as “As She Is”) was published in 1975. The book explored the history of women’s rights as well as misogyny and violence against women.
Her last book, “Ainsi Soit Olympe de Gouges,” explored women’s rights during the French Revolution, centering on the early French feminist Olympe de Gouges. De Gouges was guillotined in 1793 for challenging male authority and publishing a declaration of women’s rights (“Déclaration Des droits de la Femme et de la Citoyenne”) two years earlier.
You are welcome to submit up to 2 activities as the organizer. You can still be a partner on other applications.
As you plan the activity you would like to do at the Forum, please also consider how you will fund your participation. Typical Costs include: accommodation, travel, visa, forum registration fees, etc.
It is important to note that this Forum will have many ‘open spaces’ and moments for movements to learn and exchange, but fewer formal sessions. (See “Ways to describe the Forum in your fundraising” below for language to use in your outreach.)
Reach out to your current donors first : Your best option is always a current funder that you have.
Make sure to do it in advance : We recommend contacting them by early 2020 at the latest. Many funders who support feminist organizations have some budget allocated for Forum travel. Others may be able to include it in renewal grants or through other travel funds.
If your group has funders, tell them that you want to attend the AWID Forum to learn, experience, exchange and network- even if your activity does not get selected for the final program. In order to be able to support your participation, your donors will need to know about it well in advance so tell them right away! (they are already deciding which funds they will distribute in 2020).
If you do not currently have donor support or are not able to secure grants for Forum travel, consider reaching out to new donors.
Deadlines and requirements vary by funder, and a grant review process can take many months. If you’re considering applying for new grants, do so as soon as possible.
Feminist movements have long gotten creative with funding our own activism. Here are some ideas that we have gathered to inspire alternative ways of fundraising:
For more inspiration, see AWID’s ongoing series on autonomous resourcing, including specific ideas for conference raising participation funds.
AWID strives to make the Forum a truly global gathering with participation from diverse movements, regions and generations. To this end, AWID mobilizes resources for a limited Access Fund (AF) to assist Forum participants with the costs of attending the Forum.
AWID’s Access Fund will provide support to a limited number of Forum participants and session/activity facilitators. You can indicate in your application if you would like to apply to the AWID Access Fund. This is not guaranteed, and we strongly encourage you to seek alternative funding for your participation and travel to the Forum.
Even if you apply for the AWID Access Fund, we encourage you to continue to explore other options to fund your participation in the Forum. Access Fund decisions will be confirmed by the end of June 2020. Please remember that these resources are very limited, and we will be unable to support all applicants.
As you reach out to funders or your own networks, here is some sample messaging that may be helpful. Feel free to adapt it in whatever way is useful for you!
The AWID Forum is a co-created feminist movement space that energizes participants in their own activism, and strengthens connections with others across multiple rights and justice movements. Participants get to draw from wells of hope, energy and radical imagination, as well as deepen shared analysis, learning, and build cross-movement solidarity to develop more integrated agendas and advance joint strategies.
Our organization is seeking funds to attend the Forum in order to connect with other activists and movements from around the world, strengthen our strategies, and share our work. We are inspired by past participants, who have described the power of this global feminist gathering:
“Over four days … voices weaved together into a global perspective on the state of gender equality. And when I say global, I mean simultaneous translation into seven languages kind of global ....”
“It was reminding us that we are not alone. The Forum provided a means of translating collectivity into our movements. Whether across ideologies, identities or borders, our strength is in our vision and our support of one another.”
It is important to note that this Forum will have many ‘open spaces’ and moments for movements to learn and exchange, but fewer formal sessions. While many attendees will not be presenting in formal sessions, there will be invaluable space to learn, strategize, and experience feminist movements’ collective power in action.
When calculating your costs and how much you need to raise, it is important to factor in costs that may come up. Here’s an example of key items to consider:
The AWID Forum will now take place 11-14 January 2021 in Taipei .
It is more than a four-day convening. It is one more stop on a movement strengthening journey around Feminist Realities that has already begun and will continue well beyond the Forum dates.
Affectionately known as “Mama Efua”, her work to end Female Genital Mutilation (FGM) movement spanned three decades and helped bring international attention and action to end this harmful practice.
In 1983 Efua co-founded FORWARD (The Foundation for Women’s Health, Research and Development), which became a leading organisation in the battle to raise awareness about FGM. Her 1994 book, “Cutting the Rose: Female Genital Mutilation,” is considered the first on FGM and, featured in Columbia University’s “Africa’s 100 Best Books for the 20th Century”.
Originally from Ghana and a nurse by training, Efua joined the WHO in 1995 and successfully pushed for FGM to go on the agendas of WHO member states. She also worked closely with the Nigerian government in formulating a comprehensive National Policy that laid the groundwork for Nigeria’s anti-FGM laws, still in place today.
Her ground breaking work culminated in an Africa-led campaign, “The Girl Generation,” which is committed to ending FGM within a generation. Efua demonstrated how one person can become the unifying voice for a movement, and her wise words - “shared identity can help bring activists from different backgrounds together with a common sense of purpose” – are more relevant than ever.
Since coming into myself, I have refused to pray in jamaat with my family. Joining in the ranks of hierarchy, “women” behind “men” irks me. It grates my skin and teeth to the degree where I can’t focus, and the standing, bowing, and kneeling feels like a battle against my true being. Each second listening, a betrayal of my nature. Instead, I pray by myself in my own way.
Yet this Ramadan, I feel different. Back in my childhood home after many years, I am choosing to fast. I choose suhoor with my family, and praying together feels like a natural extension of eating together. After eating, my mother, father, brother and I line up for fajr.
I pray behind Baba, but my prayer is my own. I close my eyes, staying with my breath and my body.
My eyes closed, I open my inner sight to a wide open window on a vista of mountains, bright sun spreading over a light mist of clouds. This was the view I had while praying in jamaat at a queer Muslim wedding I attended in the mountains of the South of France last September.
I lined up with the wedding guests, queer and trans folks of North and West African, Arab, and European descent. Folks of all faiths joined while some chose to stand in respect at the sides or behind. The groups did not fall along fault lines of “Muslim” or “non-Muslim,” “religious” or “non religious.” The two lovers marrying each led us in prayer, and so did the Muslim woman officiating the nikkah. Each of the three led us in two rounds of prayers, two raqat.
I showed up as I was, my body uncovered. I had not washed. I only passed my camera to a friend who chose to stand at the side.
In the first sujood, I broke down crying. I wore a jean dress that loves my body, one found at a thrift store my ex-girlfriend pointed me to.
The sobs come through my whole body during the prayer, and I put my head to the earth with my community like a homecoming. A return to the embrace of love both intensely personal and communal, and I am held.
It feels like swimming in the sea with multiple people: joyful togetherness. But when you go beneath the water, it’s just you and the current.
Like a dozen people buried in the same graveyard. Separate, but sharing the same soil. Becoming one with the growing earth.
That was how it felt to pray in communion at a queer Muslim wedding.
I welcomed the light of acceptance while showing up as myself that day, with a group of people who had also chosen to claim all the parts of themselves in love. That light made a home in me, and it illuminates my heart in the dark living room at fajr this Ramadan morning. Though I pray with my birth family who do not accept all of me, I see myself praying in jamaat at that glorious wedding with all of my queer Muslim ancestors, my queer angels, my lineage, my soul family, my queer Muslim family, all standing in prayer. Bowing as one.
My family’s home does not always feel like my own, though I am here now. I take the bukhoor from room to room, barefoot. Smolder from the censer, an incense that says, “Here I am.” Baraka, blessings from the source of all, Allah and the Goddess to each room in the house, bidding good and dispersing the unbidden.
As I write this the sky turns the same royal blue I am familiar with from exiting the club and pulling all-nighters. It is the gradient of morning I step into as I go to sleep.
Ramadan: the Muslim holy month, traditionally observed with 29 days of fasting without food or water during daylight hours
Keffiyah: a patterned scarf common in the SWANA region. The black and white version referred to here is associated with the Palestinian liberation movement
Pray in jamaat: Islamic ritual prayer in a group. Participants follow one person, traditionally male, who calls the prayer aloud.
Suhoor: the meal before the fast starts at dawn
Fajr: the dawn prayer
Baba: father
Raqat: one round of prayer consisting of standing, bowing, kneeling, and pressing the head to the ground
Sujood:the prayer position when one presses one’s head to the earth
Nikkah: the religious marriage ceremony
Bukhoor: an Arabic incense, woodchips soaked in resin
Baraka: blessing
Pictures of angels in my life, just some women and non-binary people of color hanging out, taking care of themselves and expressing love to each other. It's these simplest moments that are the most empowering.
< Freeing the Church, Decolonizing the Bible for West Papuan Women
She was part of democratic, anti-war and LGBT movements. In her activism, Yelena was a fierce critic of President Vladimir Putin and his administration, expressing her opposition against Russia’s annexation of Ukraine’s Crimea peninsula and the ill-treatment of prisoners.
Yelena came out as bisexual earlier in 2019.
"Her coming out was a surprise to me, and I didn't approve of it. I told her 'Listen, Lena, you already have a target painted on you because of your political activity. You've just pinned another to your chest."
- Olga Smirnova
Yelena did receive multiple death threats and according to some of her acquaintances, was listed on a homophobic website that called on its visitors to hunt down LGBT persons. She reported the threats to the police, however the Russian state failed to provide protection.
But even in a society where political opposition, as well as members of the LGBT community and advocates for their rights, face continuous and increasing violence, Yelena kept campaigning for social justice and equality.
“She did not miss a single action. And they detained her so often that I already lost count,”
- Olga Smirnova (fellow opposition activist and friend).
Yelena was murdered on 21 July 2019, not far from home. A suspect was arrested but according to some sources, many friends and fellow activists believe that the suspect is a scapegoat and that this was a targeted political killing.
For Yelena’s relatives and friends, her case remains unsolved even though the suspect confessed.
In 2013, Russia passed legislation banning the spreading of what it described as ‘gay propaganda’. In 2014, Human Rights Watch published a report relating to this.
การลงทะเบียนจะเริ่มขึ้นช่วงต้นปี 2567 เราจะประกาศวันที่ในการเปิดให้ลงทะเบียนและค่าลงทะเบียนเร็วๆนี้ การลงทะเบียนจะครอบคลุมการเข้าร่วมฟอรัม รวมถึงอาหารเที่ยง ขนม และอาหารเย็นภายในงานหนึ่งมื้อ (อาหารเช้าจะถูกจัดเตรียมไว้ที่โรงแรม)
An exhibition by Nicole Barakat, embodying her reconnection with the diaspora of objects from her ancestral homelands in the South West Asia and North Africa (SWANA) region.
Barakat presents a collection of textile works as manifestations of her practice of engaging with displaced, and often stolen objects held within Western museum collections including the Louvre, British Museum and Nicholson Museum.
To by-pass the gatekeepers and breach the vitrines holding these ancestral objects, Barakat reclaims pre-colonial, non-linear, receptive forms of knowing that are often devalued and dismissed by colonial and patriarchal institutions - engaging with coffee cup divination, dream-work, intuitive listening and conversations with the objects themselves (source).
Mena Mangal was a prominent TV journalist, women’s rights advocate and cultural adviser to Wolesi Jirga, the lower house of Afghanistan's national parliament.
For more than a decade, she worked for Ariana TV, Tolo TV's Pashto-language channel Lamar, and the private Afghan national television broadcaster Shamshad TV. As a presenter, Mena focused on women’s rights and cultural talk shows.
"Women's rights activist Wazhma Frogh said Mangal "had a loud voice" and actively spoke out as an advocate for her people."
Off-screen, she also ran popular social media pages that advocated for the rights of Afghan girls and women to education and work. In terms of her private life, Mena wrote extensively about being forced into an arranged marriage in 2017 and the process she had to go through to finally obtain a divorce.
In a Facebook post, Mena wrote she was receiving death threats from unknown sources but would continue to carry out her work.
On 11 May 2019, she was attacked by unknown gunmen and shot dead in broad daylight in a public space in Southeast Kabul.
"We are concerned about the situation because it has a direct impact on women who work outside their homes...Female journalists are changing their professions due to the increasing risks they are facing." - Robina Hamdard, Kabul-based women’s rights activist.
แน่นอน! กรุณาอ่านการเปิดรับสมัครกิจกรรมภายในงานและสมัครได้ที่นี่ กำหนดเส้นตายในการปิดรับรายละเอียดกิจกรรมใหม่ : 1 กุมภาพันธ์ 2567
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Jurema Araújo is a teacher-poet from Rio de Janeiro. She contributed to the magazine Urbana, edited by the poets Brasil Barreto and Samaral (RIP) and to the book Amor e outras revoluções (Love and Other Revolutions) with several other writers. In collaboration with Angélica Ferrarez and Fabiana Pereira, she co-edited O livro negro dos sentidos (The Black Book of Senses), a creative anthology on black women’s sexuality in Brazil. Jurema is 54-years-old; she has a daughter, three dogs, a cat, and many friends. |
Suck it with me?Mango is my favorite fruit. |
Chupa Comigo?A fruta que eu mais gosto é manga! |
I’ll admit it: when Angélica and Fabi invited me to curate a collection of erotic texts by black women, I didn’t know what curatorship was. I understood the erotic well, but curatorship... I smiled, feeling shy and flattered. I think I thanked them – at least I hope I did – and thought to myself: what the fuck is it?! This fancy word I’ll have to learn the meaning of while doing it, what is it?
Now at this point, I know what it is to be a curator: it is making love with someone else’s texts, with someone else’s art, with the intention of putting a book together. And that is exactly what I did. I undressed each text of every author of this book with a literary lasciviousness. And I got involved in the words and senses of others. I was penetrated by poems I didn’t write; tales I didn’t even dare to imagine turned me upside down, messing with my feelings, with my libido. And it was a wonderful and unusual orgasm: ethereal, corporeal, sublime, at once intellectual and sensitive.
These texts pulsated like a clit hardened by desire, drenched, dripping joy in every reading. Words that swallowed me with their naughty significance, making me dive deeper into this wet universe.
These black women went to the bottom of their arousals and turned their deepest erotic fantasies into art. These works are impregnated with each writer’s own way of experiencing sexuality: freely, blackly, for ourselves, in our own way, empowered.
I chose to spread the texts throughout different parts of the book, each one organized according to the most delicate, explosive, evident, or implicit content they presented.
To open the door to this “invulved blackessence,” we have our Preliminaries section, with texts that introduce readers to this world of delights. It is a more general, delicate caress to acknowledge the subjects addressed by the texts in the rest of the book.
Then comes the heat of Touch, addressing what the skin can feel. That energy which burns or freezes our bodies, makes our hormones explode and starts to awaken the other senses. And although there are many of us who are voyeurs, the contact of skin with a wet and warm mouth is exciting, like wandering through the softness of whomever is with you. We are seduced by the firm or gentle touch that gives us goosebumps and that lovely discomfort that runs from the neck down to the back and only stops the next day. And the warmth of the lips, the mouth, the wet tongue on the skin – oh, the tongue in the ear, hmmm – or skin on skin, clothes moving over the body, almost like an extension of the other’s hand. If there is no urgency, that wildest arousal of the pressure of a tight grab, a bit of pain – or a lot, who knows?
The Sound – or melody? – section shows us that attraction also happens through hearing: the voice, the whispers, the music that enables the connection between the bodies and can become the theme of desire. For some of us, someone with a beautiful voice would only need their vocal cords, because that harsh or heavy or melodious sound would be auditory sex. Their loud swearing or sweet words whispered in the ear would be enough to give us hair-raising shivers from neck to coccyx.
In Flavor, we know the tongue does a good job tasting the most hidden places and wandering through the body to delight itself. Sometimes this organ is used, boldly, to taste the other’s nectar. The idea of someone sharing their strawberry or a delicious, juicy mango through bites and licks – or licks and bites – melts us. But nothing is more delicious than tasting the caves and hills of the person you are with. Stick your tongue deep inside to taste a piece of fruit... or spend hours tasting the head of a cock in your mouth, or suck on a delicious breast to taste the nipples. This is all about memorizing someone by their Flavor.
There are texts in which the nose is what triggers desire. The Smell, my dear readers, can awaken us to the delights of desire. Sometimes we meet a person who smells so good, we want to swallow them right through our nose. When you run through the other person’s body with your nose, starting with the neck – wow, that delightfully uncomfortable shiver that runs down the spine and undresses the soul! The shameless nose then moves to the back of the neck and captures the scent of the other in such a way that in the absence of that person, smelling their same scent evokes, or conversely, invades in us olfactory memories that bring the arousing smell of that person back.
We then get to Look – for me, the betrayer of senses – in which we perceive desire from a point of “view.” It is through sight that the texts present desire and arousal, through which the other senses are brought about. Sometimes a smile is all it takes to drive us crazy. The exchange of glances? That look that says “I want you now.” That look of possession that comes to an end when you stop fucking, or not. That one is very particular; it draws the other who won’t be able to look away for long. Or the sidelong glance – when one looks away when the other turns their head, like a cat-and-mouse game? Once we are caught red-handed, there’s nothing else to do besides breaking into a wide smile.
Finally, the explosion. Wandering through All senses, the texts mix feelings that seem like an alert, so there is the greatest pleasure, that orgasm.
Of course, there is nothing explicitly separating these poems and tales. Some are subtle. Arousal engages all our senses and, most importantly, our heads. That’s where it happens, and it connects our whole body. I organized the poems according to how they came to me in each reading. Feel free to disagree! But to me, there is a sense through which desire goes and then explodes. Realizing which one it is, is delightful.
Being able to turn arousal into art means freeing ourselves from all the prejudice, prisons, and stigma this white-centric society has trapped us in.
Every time a black writer transforms the erotic into art, she breaks these harmful racist chains that cripple her body, repress her sexuality, and turn us into the object of another’s greed. Writing erotic poetry is taking back the power over her own body and roaming fearlessly through the delights of desire for herself, for others, for life.
The literary erotic is who we are when turned into art. Here we show the best of us, our views of love drenched by pleasure, seasoned by the erogenous, spread through our bodies, and translated by our artistic consciousness. We are multiple and we share this multiplicity of sensations in words dripping with arousal. Yes, even our words drip with our sexual desire, drenching our verses, turning our sexual urges into paragraphs. To come, for us, is a breakthrough.
It is necessary to make our minds, bodies, and sexuality black, to reestablish our pleasure, and take back our orgasms. Only then will we be free. This whole process is a breakthrough, and it happens painfully. But there is happiness in finding ourselves to be very different from where we had been placed.
I feel like I am yours, I am ours. Taste, delight yourselves, feast on these beautiful words with us.
This text is adapted from the introductions to “O Livro Negro Dos Sentidos” [The Black Book of Senses], an erotic collection of poems by 23 black female writers.
This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.
نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.
Aïssata Kane, also fondly known as “Yaye Kadia” (Mother Kadia), was a feminist with a lifelong committment in advocating for African and especially Mauritanian women’s rights.
In her career as a politician, she was appointed Minister of Family Protection and Social Affairs in 1975, the first time a woman held such a position and in which Aïssata fervently worked to improve the status of women in her country.
This work included advancing girls’ and women’s education, fighting against the practice of force-feeding of young women, lobbying for an inclusion of a marital rights provision, and advocating for a female representation quota to be created in the Parliament.
“[Aïssata] realized all her passions with humility, courage and determination. She didn’t want to disturb anyone by her fight on all these fronts at the same time.” Ball Halimata Dem, Aïssata’s niece
She founded the National Union of Women of Mauritania (UNFM), co-creating and publishing Marienou for them, a magazine dedicated to the emancipation of Mauritanian women. Aïssata also directed several sub-regional and local organizations, including as the President of the International Association of Francophone Women (AIFF) and as a resolute ecologist, she was President of the Association for the Protection of the Environment in Mauritania (APEM).
In 2018 she received the Pioneer Woman Award. It honors her work in advancing Mauritania’s women’s status and recognizes her strong leadership and sense of innovation.
Aïssata passed away on 10 August 2019.
หากกิจกรรมของคุณได้รับการคัดเลือกคุณจะได้รับการติดต่อจาก AWID ที่จะช่วยสนับสนุนและตอบคำถามถึงการล่ามและการช่วยในการเข้าถึงที่จำเป็น
By Michel’le Donnelly
The Crear | Resister | Transform Feminist Festival in September was such a breath of fresh air in these uncertain, turbulent and painful times.
The space created by this festival has been so necessary. Necessary for the souls of those who are seeking comfort during these bleakest of times. Necessary for those craving community in what feels like an increasingly isolating world and above all, necessary for those fighting against the very systems that have brought many of us to our knees, especially over the past two years.
“Crisis is not new to feminist and social movements, we have a long history of surviving in the face of oppression and building our communities and our own realities.”
Advocating for alternative visions and alternative realities to the one we are currently living in is a fundamental building block of the feminist agenda. So many amazing people are doing the work of exploring different ways for us to exist in this world. These alternatives are people-centred. They are equitable and just. These worlds are filled with love, tenderness and care. The visions outlined are almost too beautiful to imagine, yet we must force ourselves to imagine because this is the only way we can continue.
Over the past 10 months, I have been incredibly fortunate to be working with a feminist collective that is not just imagining an alternative reality but actively living it. We are inspired by the work of so many other feminist movements across the globe who have not let the white supremacist, capitalist patriarchy deter their visions. This collective has held me together when all I wanted to do was fall apart. Much like the story shared by Maria Bonita on Day 4 of the festival, the liberation I have found in feminist movements is far too great to only be experienced by me. This is something we need to share, that we need to shout from the rooftops as we invite others to join.
Day 4 of the festival brought with it a captivating conversation between Felogene Anumo, Dr Dilar Dirik, Nana Akosua Hanson and Vandana Shiva who encouraged festival attendees to believe that not only is an alternative future possible - but that it is indeed urgent. Feminists have been talking about alternative worlds for so many years and hearing about these from the panellists was not just eye-opening but also comforting. Comforting in the sense that it made me feel safe to know that there are indeed strong, global feminist networks working across international and national borders, seeking to decolonise the established frameworks of our current realities.
During the session, Dr Dirik highlighted the fact that belief, sacrifice and patience are most needed to abolish the oppressive systems we currently live in. Collaboration, partnership, creativity, solidarity and autonomy. These are key pillars to building a global feminist society and they should be embraced by all feminist movements around the world.
Practical examples of these realities can be found across the globe, including the Soulaliyate Women's Land-Use Rights Movement. Referring to the tribal women in Morocco who live on collective land, the Soulalyate Women’s Movement is the first grassroots nationwide mobilisation for land rights in Morocco. Whilst initially the movement was quite small, it grew into a nationwide agenda that challenged the gendered nature of laws regulating land in the country. In 2019, the group contributed to overhauling the national framework legislation on the management of community property through the adoption of three sets of laws guaranteeing the equality of women and men.
Another practical example is Zuleymi Trans House in Peru. Operating since 2016, the house is a refuge for migrant trans women, girls and teens who the state has left behind. It has provided safe shelter for 76 migrant trans women from Venezuela, along with 232 from jungle areas, Indigenous communities and the north coast of Peru.
Knowing about these feminist movements who are doing the work to make alternative futures a reality is incredibly inspiring and just what is needed, especially as I struggle to grapple with the neverending stream of bad news that seems to flow uninterrupted.
“Capitalist patriarchy is like a cancer. It doesn’t know when to stop growing” - Dr Vandana Shiva
AWID has always been a movement inspired by the feminist realities that we can live in. Through their festivals, as well as feminist realities magazine and toolkit, we have been shown a different way of doing things. We can imagine a world where care is prioritised, where feminist economies and gender justice are the norm. Creating alternative futures is how we fight back, it’s how we resist the violence that is perpetrated against our bodies every day.
The Crear | Resister | Transform Festival has allowed me to feel so connected to a global community, many of whom I will never meet. Knowing that we are all working towards and claiming another world has lit a fire in my soul and I cannot wait to see what the next festival will have in store.
If you missed it, make sure to watch the: "She is on her way: Alternatives, feminisms and another world" session from Day 4 of the festival below. And remember, as Dr Shiva said so eloquently: “Women’s energies will continue life on earth. We will not be defeated.”
