Building Feminist Economies is about creating a world with clean air to breath and water to drink, with meaningful labour and care for ourselves and our communities, where we can all enjoy our economic, sexual and political autonomy.
In the world we live in today, the economy continues to rely on women’s unpaid and undervalued care work for the profit of others. The pursuit of “growth” only expands extractivism - a model of development based on massive extraction and exploitation of natural resources that keeps destroying people and planet while concentrating wealth in the hands of global elites. Meanwhile, access to healthcare, education, a decent wage and social security is becoming a privilege to few. This economic model sits upon white supremacy, colonialism and patriarchy.
Adopting solely a “women’s economic empowerment approach” is merely to integrate women deeper into this system. It may be a temporary means of survival. We need to plant the seeds to make another world possible while we tear down the walls of the existing one.
We believe in the ability of feminist movements to work for change with broad alliances across social movements. By amplifying feminist proposals and visions, we aim to build new paradigms of just economies.
Our approach must be interconnected and intersectional, because sexual and bodily autonomy will not be possible until each and every one of us enjoys economic rights and independence. We aim to work with those who resist and counter the global rise of the conservative right and religious fundamentalisms as no just economy is possible until we shake the foundations of the current system.
Advance feminist agendas: We counter corporate power and impunity for human rights abuses by working with allies to ensure that we put forward feminist, women’s rights and gender justice perspectives in policy spaces. For example, learn more about our work on the future international legally binding instrument on “transnational corporations and other business enterprises with respect to human rights” at the United Nations Human Rights Council.
Mobilize solidarity actions: We work to strengthen the links between feminist and tax justice movements, including reclaiming the public resources lost through illicit financial flows (IFFs) to ensure social and gender justice.
Build knowledge: We provide women human rights defenders (WHRDs) with strategic information vital to challenge corporate power and extractivism. We will contribute to build the knowledge about local and global financing and investment mechanisms fuelling extractivism.
Create and amplify alternatives: We engage and mobilize our members and movements in visioning feminist economies and sharing feminist knowledges, practices and agendas for economic justice.
“The corporate revolution will collapse if we refuse to buy what they are selling – their ideas, their version of history, their wars, their weapons, their notion of inevitability. Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing”.
Arundhati Roy, War Talk
Florence was a disability rights activist who worked with several disabled women’s organizations in Uganda.
She also held the position of Chairperson of the Lira District Disabled Women Association, as well as the Lira District Women Councilors’ caucus. Trained as a counsellor for persons with disabilities and parents of children with disabilities, she supported many projects that called for greater representation of persons with disabilities.
She died of a motorcycle accident.
เราจะติดต่อกับองค์กรพาร์เนอร์ในอดีตเพื่อให้มั่นใจว่าความพยายามที่เคยเตรียมไว้ในอดีตมีความหมาย หากองค์กรของคุณมีการเปลี่ยนแปลงข้อมูลติดต่อจากฟอรัมครั้งก่อนหน้ากรุณาแจ้งให้พวกเราทราบเพื่อให้เราสามารถติดต่อถึงคุณได้
Known as the New York Drag queen of color, Silvia was fierce and tireless in her advocacy, in defense of those who were marginalized and excluded as the “gay rights” movement mainstreamed in the United States in the early 1970’s.
In a well-known speech on Christopher Street Day in 1973, Sylvia, shouted through a crowd of LGBT community members:
“You all tell me, go and hide my tail between my legs.
I will no longer put up with this shit.
I have been beaten.
I have had my nose broken.
I have been thrown in jail.
I have lost my job.
I have lost my apartment.
For gay liberation, and you all treat me this way?
What the fuck’s wrong with you all?
Think about that!”
In 1969, at age 17, Silvia took part in the iconic Stonewall Riots by allegedly throwing the second Molotov cocktail to protest the police raid of the gay bar in Manhattan. She continued to be a central figure in the uprisings that followed, organizing rallies and fighting back police brutality.
In 1970, Sylvia worked together with Marsha P. Johnson to establish Street Transvestite Action Revolutionaries (S.T.A.R.), a political collective and organisation that would set up projects of mutual support for trans people living on the streets, those struggling with drug addiction and in prisons and in particular for trans people of color and those living in poverty.
Defiant of labels, Silvia lived life in a way that challenged people in the gay liberation movement to think differently. She said:
“I left home at age 10 in 1961. I hustled on 42nd Street. The early 60s was not a good time for drag queens, effeminate boys or boys that wore makeup like we did. Back then we were beat up by the police, by everybody. I didn't really come out as a drag queen until the late 60s. when drag queens were arrested, what degradation there was. I remember the first time I got arrested, I wasn't even in full drag. I was walking down the street and the cops just snatched me. People now want to call me a lesbian because I'm with Julia, and I say, "No. I'm just me. I'm not a lesbian." I'm tired of being labeled. I don't even like the label transgender. I'm tired of living with labels. I just want to be who I am. I am Sylvia Rivera.
Through her activism and courage, Sylvia offered a mirror that reflected all that was wrong within society, but also the possibility of transformation. Sylvia was born in 1951 and passed away in 2002.
ถ้ากลุ่มหรือองค์กรของคุณได้รับการสนับสนุนเงินทุน คุณสามารถพูดคุยกับแหล่งทุนของคุณได้ตั้งแต่ตอนนี้หากพวกเค้าสามารถสนับสนุนการเดินทางและการเข้าร่วมของคุณได้ หลายองค์กรวางแผนงบประมาณปีหน้าในปี 2566 จึงเป็นการดีกว่าหากสามารถพูดคุยกับพวกเค้าก่อนภายในปีนี้
We ramped up preparations for the 13th AWID international Forum, focused a lot of energy on the Post 2015 Development Agenda and Financing for Development processes, and continued the core work of our priority areas:
In response, we are moving out of our silos.
Increasingly, women’s rights and other movements worldwide are articulating the systemic and intersectional nature of these and other problems. We are making better connections with the agendas of other social and environmental movements for solidarity, alliance building and collective responses. We are also seeing greater visibility of these movements fighting for justice on the ground.
Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others.
“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth
She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.
In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto.
“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos
Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.
“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre
“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune
เป็นกระบวนการเดียวกันและกำหนดเวลาเดียวกันทุกประการ โปรดใช้แบบฟอร์มเดียวกันนี้ในการส่งกิจกรรมของคุณ ไม่ว่าจะเป็นกิจกรรมที่จัดแบบพบกันทางกายภาพ ทางออนไลน์ หรือทั้งสองแบบ (ไฮบริด)
Isabel is a feminist from the United Kingdom with over a decade of experience in feminist responses to fascisms, fundamentalisms, and anti-rights trends. At AWID, her work centers on knowledge-building and has included leading the production of the Rights at Risk series in collaboration with the Observatory on the Universality of Rights (OURs). She holds a Master’s degree in Gender Studies from the School of Oriental and African Studies (SOAS) and previously worked with Women Living Under Muslim Laws (WLUML). She is passionate about cross-movement work, movement-centered knowledge-building, and the use of creative expression to disrupt systems of oppression. Outside of work, Isabel is active in various disability justice spaces for collective care, learning, and advocacy.
Esther Mwikali’s home was in Mithini village, Murang’a County, Kenya. A prominent and valued land rights activist, she looked into abuses against squatters who are living on land claimed by tycoons. The investigation Esther was part of also involved land rights’ violations in Makuyu by powerful individuals.
After failing to attend a village meeting, a search party went looking for Esther. On 27 August 2019, two days after her disappearance, her body was found on a farm near her homestead, displaying signs of torture. She was brutally murdered.
“Esther was renowned for her work to prevent community members being evicted from land claimed by tycoons. Local activists had no doubt her murder was related to the area’s ongoing land struggles, a tragic reminder of the alarming regularity with which extra-judicial killings are routinely carried out in Kenya,” - Global Witness Report, July 2020
“We associate Mwikali’s death with land struggles around here. We are asking the Government to investigate the matter without delay.” - James Mburu, spokesperson for the squatters
“Action should be taken on individuals who are alleged to have threatened the squatters including Mwikali's family.” - Alice Karanja, National Coalition of Human Rights Defenders
“The impact of her work and tenacity will remain alive in Kenya for decades. CJGEA consoles with the bereaved and it calls for justice.” - Center for Justice and Governmental Action (CJGEA) Press Release, 13 September 2019
มี! ขณะนี้พวกเรากำลังค้นหานวัตกรรมทางเทคโนโลยีที่จะช่วยให้เกิดการเชื่อมต่อและการเข้าร่วมอย่างมีความหมาย
Sanyu is a Pan-African feminist based in Nairobi, Kenya. She has spent the last decade supporting labour, feminist and human rights movements advocating for corporate accountability, economic justice and gender justice. She has worked with the Business & Human Rights Resource Centre, IWRAW Asia Pacific and the Commonwealth Human Rights Initiative. She has a Master’s of Laws in Human Rights Law and a Bachelor’s of Laws from the University of Nottingham. Her writing has been published in the Business and Human Rights Journal, Human Rights Law Review, Open Global Rights, Open Democracy and more. In her free time, she loves walking in the forest and chasing butterflies.
Brenda Salas Neves is a feminist queer strategist born and raised in the southern Andes. They organize to shift narratives and mobilize resources to support racial and climate justice movements around the world. They have produced media projects to uplift migrant power and rise against U.S. military intervention across Latin America, with Deep Dish TV and the Portland Central America Solidarity Committee. They are a proud member of the Audre Lorde Project and a graduate of the United World Colleges (UWC) movement.
The WITM survey is focused on the feminist resourcing realities of the last 3 years (2021 to 2023), and has five key sections:
It consists of mandatory* and optional questions, most of which are multiple-choice. You will have a chance to share more on issues that are important to you by responding to the open question(s) at the end of the survey.
To respond to the questions quickly and easily, we advise that you have your key financial information at hand (e.g., your annual budgets from 2021 to 2023). However, if you wish to save your responses and come back to the survey later, you are able to do this whenever needed.
AWID currently has hundreds of prominent, innovative organizations working on issues related to women’s rights and development as members. Criteria for membership are the same as for individuals, although membership fees and membership benefits are different, and are geared to address the needs of our member organizations.
The global survey is a key pillar of the third iteration of our action-oriented research: “Where is the Money for Feminist Organizing?” (in short, Where is the Money or WITM). The results of the survey will be further elaborated and explored through in-depth conversations with activists and funders and cross-referenced with other existing analysis and research on the state of funding for feminists and gender equality globally.
The full “Where is the Money for Feminist Organizing” report will be published in 2026.
To learn more how AWID has been shining a light on money for and against feminist movements check out the work of our Resourcing Feminist Movements Initiative here.
2009 UN Conference on the World Financial and Economic Crisis and its Impacts on Development
Yes! We recognize and appreciate different reasons why feminists, in their respective contexts, don’t have external funding: from being ineligible to apply for grants and/or receive money from abroad, to relying on resources generated autonomously as a political strategy in its own right. We want to hear from you regardless of your experience with external funding.
The call for session proposal is now closed.
We launched a Call for Activities on November 19 2019 and the last date to receive proposals was February 14, 2020.
We are asking for this data to facilitate the review of responses, avoid duplication and be able to contact your group in case you have been unable to complete the questionnaire and/or you have doubts or further questions. You can learn more about how we use the personal information we collect through our work here.